
HippCast
by The Hippodrome Silent Film Festival
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'This kind of magic telepathy': in conversation with Jane Gardner and Hazel Morrison
Sep 30, 2026
39m 41s
Feminist film historiographies: in conversation with Kate Saccone
Jul 31, 2026
45m 28s
Filmhouse are turning one!
Jun 26, 2026
37m 40s
Ben Model's Silent Film Universe
May 31, 2026
57m 40s
Young voices on 'old cinema'... again again!
Apr 30, 2026
56m 33s
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- 🇨🇦CA · Film History#1555K to 30K
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 9/30/26 | 'This kind of magic telepathy': in conversation with Jane Gardner and Hazel Morrison | Hello HippCasters, we're back in the audiosphere this month with a double whammy of musical goodness! In today's show we hear from Jane Gardner and Hazel Morrison, a familiar and much beloved HippFest duo, following their recent visit to Tromsø Silent Film Days and ahead of their performance as part of our Taste of Silents season accompanying Murnau's Faust (1926). Conversation varies merrily from the days of silent film on British TV, to some of the stranger instruments (/body parts?) used in past scores, and of course a wee musical preview of what to expect in October. As always, a full English transcript, and more information about Jane and Hazel, can be found here. Happy listening! Relevant links See all the screenings in our 2026 Taste of Silents seasonFaust (1926) with music accompaniment from Jane and HazelCheck out Jane Gardner's website hereRead the 2023 blog by Alison Strauss Silent Siblings: HippFest Goes to Tromsø Silent Film DaysLearn more about Tromsø Silent Film DaysLearn more about some of the screenings mentioned (including The Goose Woman - 1925, The Grub Stake - 1923) by reading our Programme Notes | 39m 41s | ||||||
| 7/31/26 | feminist film historiographiessilent film culture+3 | Kate Saccone | Women Film Pioneers ProjectWomen and Film History International | — | feminist filmsilent film+3 | — | 45m 28s | ||
| 6/26/26 | Filmhousesilent film+3 | Raymah Tariq | FilmhouseWe Have A Cinema And We're Not Afraid To Use It | — | Filmhousesilent film+3 | — | 37m 40s | ||
| 5/31/26 | silent filmaudience participation+3 | Ben Model | Undercrank ProductionsThe Silent Film Universe+4 | — | silent filmBen Model+5 | — | 57m 40s | ||
| 4/30/26 | silent filmyoung voices+4 | Kitty VolinoIzzie Middleton | Married At First SightCaptain January+1 | Scottish BordersBo'ness | silent cinemafilm music+5 | — | 56m 33s | ||
| 2/27/26 | silent filmHippFest+3 | Jamie DunnAlison Strauss | The SkinnyThe Crowd+8 | — | HippFest 2026silent films+4 | — | 54m 54s | ||
| 1/31/26 | film musicsilent film+3 | Amanda RogersDan Abrahams+1 | CinetopiaEdinburgh Film Guild+5 | Breton coast | Finis TerraeCinetopia+6 | — | 42m 13s | ||
| 12/18/25 | Victorian Christmassilent film+3 | Sarah Cook | HippFestV&A+4 | — | silent filmChristmas+5 | — | 38m 56s | ||
| 11/27/25 | cinema historytransition to sound+4 | Laraine Porter | DeMontfort UniversityUniversity of Exeter+3 | — | 1930s cinemasynchronized sound+5 | — | 52m 19s | ||
| 10/14/25 | silent filmhorror cinema+4 | Michael Coull | Dundee Contemporary ArtsDundead+5 | — | Phantom of the Operasilent film+6 | — | 40m 12s | ||
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 8/28/25 | silent filmlive music+3 | Alanna SteelHelen Jockel+1 | Hippodrome Silent Film FestivalEdinburgh Silent Film Club+3 | — | silent filmYoung Programmers+3 | — | 41m 18s | ||
| 7/31/25 | Celebrating the launch of Penistone Film Festival | In Episode 27 of our monthly film-focused audio show, Digital Content Manager Christina spoke to Jennifer Bulcock, the inspirational powerhouse behind the brand new (and upcoming) Penistone Film Festival! This new event is a two-day celebration of silent cinema, coming very soon to a beautiful cinema in South Yorkshire: the Penistone Paramount.Built as the assembly hall for Penistone in 1914 and screening films ever since, this beautiful multipurpose picture palace has been a home for entertainment for over a century, much like our own Hippodrome in Bo'ness. The town of Penistone, like Bo'ness, is blessed with a picturesque train station and shares a proud industrial heritage too, being renowned for its steelworks.Jennifer and her team are hard at work, designing a fun and friendly festival to introduce new audiences to the magic of silent cinema with live music. The inaugural event will run over one weekend on the 18th and 19th of October, celebrating the cinema's heritage and encouraging local audiences to try something new. And it's not just about watching films! There are local art stalls, a photo booth, stunt performers, roaming characters and period re-enactments, plus an invitation to create and submit your own silent film to an esteemed panel of judges.Christina and Jennifer speak all about the program, the festival's beginnings and purpose, as well as exploring various tangents, including TikTok and contemporary short form video viewing, working class alienation in the creative industries, and the need to invest in local community spaces.We hope you enjoy, and follow PFF your favourite social media platforms to stay up to date with goings-on. Additional reading/ relevant links:All about Penistone Film FestivalFull English transcript of this episodeEnter your own silent film into the competition!Learn more about HippFest's trip to Tromso Silent Film Days | 46m 23s | ||||||
| 6/30/25 | Introducing the San Francisco Film Preserve... via Bologna! | For June's release we caught up with two of our favourite film archivists Kathy Rose O’Regan and Robert Byrne, during a brief pit stop between screenings at Il Cinema Ritrovato, Bologna. Fresh off the back of presenting the new restoration of THE GARDEN OF EDEN (1928), accompanied by HippFest favourites Stephen Horne and Frank Bockius in Il Cinema Ritrovato‘s gorgeous Cinema Modernissmo, Kathy and Robert share some of their early festival favourites, explain the process of film restoration, and introduce the San Francisco Film Preserve.Formerly organised as part of the San Francisco Silent Film Festival, SFFP commenced operation as an independent non-profit on October 1 2024. Their mission is to restore, preserve, and provide access to the world’s cinematic heritage, ensuring that works of cinema remain accessible for future generations. Through education, advocacy, and collaboration, SFFP aim to inspire a deeper appreciation for the art of film while safeguarding its cultural significance for years to come.SFFP also produce a monthly online presentation on early film restoration and discovery – on Friday 18 July Dr. Veronica Johnson will be presenting on her deep and compelling research on the first indigenous Irish film company – named, unsurprisingly, the Film Company of Ireland. Don’t miss this – though if you do we’ve been told it will be on YouTube after the event! More info here.As always, there is a full English transcript of this conversation here.All about the San Francisco Film Preserve.Catch up on previous online presentations from San Francisco Film Preserve via the SFFP YouTube.All about Il Cinema Ritrovato.More info on THE GARDEN OF EDEN (1928)Current projects and other restorations at SFFP. | 32m 15s | ||||||
| 4/24/25 | Young voices on 'old cinema'... again! | A month on from our fifteenth edition, we speak to some of our youngest attendees and recent silent film converts on their highlights from HippFest 2025! This episode contains two interviews: one with our 2025 Young Scot reward winner Rhiannon Byles, and one with three of our 2025 Young Programmers: Eve Jeffreys, Alanna Steel, and Helen Jockel recorded by Dave Barras (Strange Boat Films). In a neat link, Alanna was our 2024 Young Scot reward winner, bringing Eve along for the ride, and if interested to hear their reflections on their first visit to HippFest you can catch up on episode 14 here.Rhiannon also mentions her first experience of silent film with live music - a screening of Nosferatu at the Prince Charles Cinema in London, accompanied by Hugo Max - and you can catch up on our interview with Hugo last year in episode 19 here. So many lovely overlaps!!We hope this episode prompts some of your own fond reflections on your visit to HippFest this year. Remember to save the dates for the next edition: 18-22 March 2026!Relevant links:Read a full English episode transcript hereEve and Alanna's Edinburgh Silent Film ClubNeil Brand presents: Silent Comedy Triple Bill at DCAMore info on where to next find Hugo MaxReflect on a festival even further back in time by listening to 'Young voices on old cinema' numero uno (from 2023 - episode THREE)! | 33m 48s | ||||||
| 3/15/25 | 2025 programme picks from the HippFest team | It's the annual 'programme picks' episode - a listener favourite! - and with less than one week to go, what better time to have another look over the line-up? Featuring plenty of additional film titbits, predictions, promises, admiration for musicians, and general chatter from the team working away behind-the-scenes to present HippFest's glittering fifteenth edition. Featuring the follow staff members and titles:HANNAH BRADLEY CROALL: Before the Face of the Sea (1926); With Reindeer and Sled in Inka Länta's Winterland (1926); Our Hospitality (1923); The Cave of the Spider Woman (1927). ABBIE DOBSON: The Swallow and the Titmouse (1920); The Pleasure Garden (1925).NATALIE ALLISON: Friday Night Gala - The Pride of the Clan (1917); Neil Brand: Key Notes. NELL CARDOZO: The Shamrock Handicap (1926); What the Water Remembers - The Dark Mirror (2025) and Exhibition at Bo'ness Library; New Found Sound. ALISON STRAUSS: Flora Kerrigan - Rediscover a Film Pioneer; The Near Shore: A Scottish and Irish Cine-Concert; Forgotten Faces (1928).Additional reading/ relevant links:Read a full English transcript of this episode.Learn more about the HippFest teamBook tickets to everything upcoming at HippFest 2025An illustrated overview of the HippFest 2025 programmeAs mentioned: Alma Reville: in the shadow of Hitchcock?As mentioned: In the Frame of the Father: Films made by Irish Priests | 1h 01m 41s | ||||||
| 2/26/25 | Hitchcock's (silent) Heroines | In today's conversation, we hear from Caroline Young, a freelance writer and author from Edinburgh, specializing in fashion, pop culture, and classic cinema. She is the author of various titles, including Hitchcock's Heroines and Single and Psycho, How Pop Culture Created the Unstable Single Woman. Alfred Hitchcock, and especially his wife and trusted collaborator Alma Reville, provide the link between this podcast episode and our 2025 programme...100 years after its release, we will be screening The Pleasure Garden (1925), directed by Hitchcock, and edited and assisted by Reville, on Friday 21 March at 3PM. In addition we will be hosting an extremely rare screening of a key example of Reville's work without Hitch, The Constant Nymph (1928), at the Barony Theatre in Bo'ness on Saturday the 15th of March at 7:30PM. This special screening will be introduced by BFI Curator Dr. Josephine Botting, so do catch it if you can.Alma Reville meant everything to Hitchcock, personally and professionally. It is no exaggeration to say that she was his heroine. In this conversation, we learn about some of Hitchcock's on-screen heroines, his alleged fascination with blondes, and what he was like to work with.There is particular focus on the silent stars whose careers began with the venerated auteur, and the discussion considers Hitchcock's reputation for contentious working methods. Was he as formidable as is believed, or was his reputation part of a contrived press persona?Please note that this conversation contains slight spoilers for The Pleasure Garden. CONTENT ADVISORY: Murder, sexual misconduct.Additional reading/ relevant links: More info about Caroline Young Buy the book: Hitchcock's Heroines Book tickets to The Pleasure Garden (1925) Book tickets to The Constant Nymph (1928) Alma Reville: in the shadow of Hitchcock?Presented by Dr Jo Botting A full English transcript of this episode can be found here. | 38m 52s | ||||||
| 1/31/25 | Introducing: WHAT THE WATER REMEMBERS and THE DARK MIRROR | Introducing our exciting new co-commission: WHAT THE WATER REMEMBERS, including the first film to be announced for our fifteenth edition, THE DARK MIRROR (2025)! Hear all about a brand new venture for HippFest, an exciting new joint commission with Flatpack Festival in Birmingham called What the Water Remembers. This project features a new film titled The Dark Mirror, made by artist Moira Salt, with a new score created by Tommy Perman and Andrew Wasylyk, which will premiere at HippFest 2025 on Saturday 22 March, 2025, before reprising at Flatpack Festival in May. Based on research into the Falkirk archives and using footage from the BFI National Archive, Media Archive Central England, Collection Eye Film Museum Netherlands, and the National Library of Scotland Moving Image Archive, this creative non-fiction film brings some of the many stories of these waterways to life. It was brilliant to be able to chat to the team in the midst of this work, whilst they continue to develop the film and soundscape you will hear in March. The film and music are currently in production and promise to weave an engrossing, mythological tale fashioned from the rich history and cultural significance of canals... Tune in to hear all about it! Relevant links: More info on artist Moira Salt. More info on musicians Tommy Perman and Andrew Wasylyk. Mark your diaries! The What the Water Remembers exhibition opens at Bo'ness Library on Friday 14th February. Book your HippFest Festival Pass to get the very best value at HippFest 2025. As always a full English transcript of this episode can be found here: https://hippfest.wordpress.com/2025/01/30/hippcast-episode-22/ | 46m 08s | ||||||
| 12/21/24 | Reflecting on (almost) 15 years of HippFest | As you may be aware, HippFest 2025 (running 19-23 March) will be the Festival's fifteenth edition. This episode brings together some of the wonderful individuals that have helped shape HippFest, to reflect on the fourteen years thus far. When Digital Content Manager Christina set up these interviews, it quickly became apparent that many people close to the festival have a lot to share, and they love to talk about HippFest. Christina has cut these wide-ranging conversations into a perfectly podcast sized morsel, with some aspects getting a repeat mention (New Found Sound, Bo'ness, the Hippodrome, the musicians, Ali's programming). A huge thanks to and Emma Mortimore, Neil Brand, Nicola Kettlewood and Mel Selfe for sharing their fond memories of the Festival. We are so grateful for their input and for taking the time to share reflections with us. Useful links: Book a Festival Pass to get the best value at HippFest 2025! Browse some of the photos from previous editions on the HippFest Facebook page or the Falkirk Council Flickr. Read the Programme Notes from the 14 years of films thus far. Catch up on online content from previous years via our HippFest at Home playlist. Read a full transcript of this episode here. | 49m 15s | ||||||
| 11/21/24 | Jenny Gilbertson: 'A Real Illuminator' | In today's episode we revisit our 2024 pre-festival programme of illustrated talks to share a rich conversation between Dr Shona Main and Professor Sarah Neely, on the fascinating life and work of Jenny Gilbertson. The original recording was inspired by the HippFest 2024 Opening Night Commission for a new musical accompaniment for Jenny Gilbertson's The Rugged Island: a Shetland Lyric (1933), on March 20th earlier this year. We are delighted that The Rugged Island will be reprised at the Soundhouse Winter Festival at the Traverse Theatre, Edinburgh on Thursday 28th November, complete with the HippFest commissioned music by Shetland-born musicians Inge Thomson and Catriona Macdonald. You can book your tickets here! If you're new to HippCast, it's worth noting that Episode 12 of our output features Inge and Catriona discussing their approach to working together to craft their music for Gilbertson's beautiful film. If you are planning on attending the reprisal at #SoundhouseWinterFest, we recommend you tune in to that episode too. But for now we return to a fascinating discussion about Jenny Gilbertson herself. Enjoy! Relevant links Read a full English transcript of this episode via the HippFest Blog. Browse the Soundhouse Winter Festival programme here. The Rugged Island: A Shetland Lyric (1933) programme notes, written by Dr Shona Main. Watch the illustrated presentation featuring a variety of archival images. | 47m 15s | ||||||
| 10/30/24 | Accompanying Nosferatu: in conversation with Hugo Max | In today's show, we're delighted to hear from Hugo Max, musician, artist and filmmaker, ahead of his HippFest debut as part of our 2024 Taste of Silents season! Amongst various interdisciplinary achievements, Hugo performs live improvised accompaniment to silent films on solo viola, and has played chamber music at prestigious venues including the Barbican, Royal Festival Hall, and St Martin in the Fields. He has been concertmaster of the Oxford University Philharmonic Orchestra and the Oxford Baroque Players and is a lecturer on improvisation and multidisciplinary practice at the Royal Birmingham Conservatoire. Hugo travels to Bo'ness to join us at the Hippodrome on Saturday the 2nd of November to accompany the surreal 1922 cine fable Nosferatu, the first ever screen adaptation of Bram Stoker's Dracula. A quintessential example of German expressionist cinema, and one of the most famous of all silent movies, F. W. Murnau's Nosferatu continues to haunt audiences today with the indisputable power of its images. Digital Content Manager Christina Webber chats to Hugo about his silent film journey, his process when accompanying silent cinema, and the magic of surviving 1910s cinema spaces. Relevant links: A full transcript of this episode is available via the HippFest Blog. More about Hugo Max. More info about the upcoming Nosferatu (1922) screening. | 43m 08s | ||||||
| 9/27/24 | What can film students today learn from early cinema? | As September comes to a close, students across the UK return to schools or higher education. To mark the start of a new academic year, we spoke to Dr. Paul Sellors, Lecturer in Film Theory, History and Criticism at Edinburgh Napier University and Programme Leader of the Film BA (Hons). HippCast Episode 18 considers what film students today can learn from early cinema: stylistically, contextually, and as a way to reconsider contemporary questions. The conversation touches on the various lenses through which we watch, study and try to understand early film including the intersection between early films and politics, public utilities and consumer behaviours; considers ideas of film ownership and authorship; compares early film viewing with scrolling TikTok feeds; and tackles perhaps the biggest and most challenging question of them all: naming a favourite silent film. We hope you enjoy this 'Back to School' episode and share it with any students you know heading off to start their journey in film education. As always, you can find a full transcript and a number of links to relevant publications cited throughout the episode via the HippFest blog. Happy listening! | 47m 58s | ||||||
| 8/31/24 | Keith Stata 'the movie man' and the Highlands Cinemas | In today's show we hear about a very special cinema loved by its local community, Highlands Cinemas - not to be confused with the Highland Cinema in the Highlands of Scotland on Fort William High Street - this picture palace is in the Halliburton Highlands in Ontario, Canada. Digital Content Manager Christina Webber chats to the cinema's owner Keith Stata during the height of their busiest season. Our cinemas are three and a half thousand miles apart, but both celebrate that hallowed feeling invoked by a beautiful cinema space, the tangibility and materiality of our first cinema experiences, the curtains sweeping majestically in front of the screen, the carpets, the lights, the buttery smell of popcorn... All of these sensations are bound up with the time we first fell in love with the movies. Keith set about building the Highland Cinema in his backyard in 1975, and since then it has grown and grown, now housing five theatres and a museum featuring cinema related photographs, memorabilia, and an impressive vintage projector collection. They may not show silent movies, but Laurel and Hardy do make a cameo on the cinema signage! (See above). Earlier this year, Keith featured as the subject of a feature length documentary reflecting on his life's work, The Movie Man. Keith talks about his time in front of the camera, and paints an evocative picture of cinema going in the forests of Ontario - cats and bear included. What did a trip to the movies look like during his childhood? How to make the perfect iced cappuccino? And what does he think the future of cinema-going looks like? All will be discussed, and more. Relevant links: A full English transcript of this show can be found here: https://hippfest.wordpress.com/2024/08/31/hippcast-episode-17/ More info about Highlands Cinemas: https://www.highlandscinemas.com/ The Cinemas' 58 resident cats: https://www.highlandscinemas.com/cats/ THE MOVIE MAN (2024): https://www.imdb.com/title/tt21916284/ | 40m 32s | ||||||
| 7/31/24 | Celebrating the 40th anniversary edition of Bonn International Silent Film Festival | In today's episode, Digital Content Manager Christina Webber talks to Eva Hielscher and Oliver Hanley, Artistic Co-Directors of Bonn Stummfilmtage, with the 40th anniversary edition just a couple of weeks away! Eva Hielscher and Oliver Hanley have been working in research, archiving and curatorial mediation of audiovisual cultural heritage at home and abroad since 2008. Their different but complementary experiences span a diverse spectrum, ranging from film restoration and the publication of DVD or online editions to curating film-related exhibitions and film series for museums, cinemas and international film festivals. This will be their fourth year as Artistic Co-Directors. The discussion in this month's release paints a vivid picture of the 1000-strong open air silent film 'concerts' that fill eleven warm August nights. Conversation meanders from the audience to favourite moments and challenges thus far, to the upcoming 2024 programme, international reach of online presentation and dreams for the future. We hope, like us, that this fuels your interest in the Bonn International Silent Film Festival, and hope to one day see you there. If you can't make it along this year in person, the 2024 programme features many titles available to watch on demand for 48 hours, beginning 48 hours after the film's live presentation. A copy of the streaming schedule is included alongside the full show transcript on the HippFest blog. Further relevant Festival links: The Internationale Bonner Stummfilmtage website Stream the 2024 programme here Follow on Facebook Follow on Instagram | 51m 16s | ||||||
| 6/27/24 | An architectural audio tour of Bo'ness with Geoff Bailey | Episode 15 celebrates an important June date in the Bo'ness calendar, the Bo'ness Fair. Visitors to HippFest will remember that the Bo'ness Fair Queen, who is crowned each year at the fair has joined us on several occasions at our HippFest Closing Night Gala to award prizes. The Bo'ness Children's Fair Festival, to give it its official name, was founded in 1897 and continues to be a major cultural event in Scotland, beloved by Bonessians at home, and further afield. Louis Dixon, the original proprietor of the Hippodrome, produced local topicals for the cinema, making films documenting the fair from as early as 1912 right through to his death in 1960. To get in the spirit of the fair, and of Louis Dixon himself, We thought it would be fitting to share with you an adapted version of the walking tour led by local historian and archaeologist Geoff Bailey about the Hippodrome architect Matthew Steele. Architect of the Hippodrome (1911), Matthew Steele has a lasting legacy in the streets of Bo’ness. His practice lasted from 1905-37 and in that time he created many private homes and public buildings in the town, in the Arts and Crafts, and later art deco moderne style. Born in Bo’ness and trained in Edinburgh and Glasgow, Steele worked mainly in Bo’ness throughout his life and his designs are often very recognisable. Adapted from our online video tour released as part of HippFest 2021, this audio production hosted by Geoff Bailey will guide youthrough Bo’ness to discover the buildings created by this influential architect. So spend the afternoon in Bo'ness strolling from one building to the other as you listen along; or if you're tuning in from overseas and are curious about a building, you can do the exact same using Google Maps. Happy Fair Day to all who celebrate! Learn more about Bo'ness Children's Fair Festival: https://www.thefairday.com/ A full English transcript of this episode is available to read if preferred here: https://hippfest.wordpress.com/2024/06/28/hippcast-episode-15/ See the approximate locations of each point of the tour below: 00:03:57 | Hippodrome Cinema (10 Hope Street Bo'ness EH51 0AA) 00:08:07 | South Street (11 South St, Bo'ness EH51 0EA) 00:09:41 | Corvi's and the old Station Hotel (5-7 Seaview Place, Bo'ness EH51 0AJ) 00:12:37 | The Star Cinema (17 Corbiehall, Bo'ness, EH51 0AW) 00:16:00 | 'Coffin Close' (63 Corbiehall, Bo'ness EH51 0AX) 00:17:59 | 'St Mary's Buildings' (195 Corbiehall, Bo'ness EH51 OAX) 00:19:26 | Seaforth (43 Linlithgow Road, Bo'ness, EH51 0DW) 00:21:28 | Matt Steele's cottages (Dean Road, Bo'ness, EH51 9BH) 00:22:42 | The 'Venetian Houses' (Cadzow Cres, Bo'ness EH51 9AY) 00:23:45 | Duchess Nina Nurses' Home (Where Cadzow Crescent and Cadzow Lane connect, Bo'ness, EH51 9AY) 00:25:29 | Matt Steele's bungalows (Cadzow Crescent, Bo'ness, EH51 9AZ) 00:26:11 | Masonic Hall (Stewart Avenue, Bo'ness, EH51 9NJ) 00:28:03 | Commission Street flats (Main St, Bo'ness EH51 9NG) 00:29:29 | Matty Steele Building (South St, Bo'ness EH51 9NF) | 31m 55s | ||||||
| 4/30/24 | Reflecting on HippFest 2024 | In Episode 14, Digital Content Manager Christina Webber speaks to three first-time HippFest attendees about their experience at Scotland's first and only Festival of silent cinema and live music. Hear a collection of insights on this year's programme from Festival Supporter Pass Holder Uliana Ischenko-Iten, and our two Young Scot Reward Pass Holders Alanna Steel and Eve Jeffreys. All three share a surprise that the screenings were so busy, an appreciation of our Platform Reels screening of The Flying Scotsman on the Bo'ness and Kinneil Railway, plus mentions of The Organist at St. Vitus Cathedral, and our closing night feature The Wind. Opinions on the post-screening entertainment at our Friday Night Gala differ, and a warm appreciation for Hippodrome Cinema shines through from everyone reflecting on their time in Bo'ness.Save the date! HippFest will return next year from the 19-23 March 2025. We hope to see you then.You can access a full transcript of this episode here. | 34m 33s | ||||||
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Chart history for HippCast
Peaked at #155 in Canada, currently #155 in Canada.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| Canada | — | #155 | #155 | — |
| United Kingdom | — | #161 | #161 | — |
Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.