Historiansplaining: A historian tells you why everything you know is wrong

Unlocked after 1 year for patrons only: A tall “stovepipe” hat, which was made in the 1600s out of felt from beaver fur and likely belonged to a powerful member of the English Parl A tall “stovepipe” hat, which was made in the 1600s out of felt from beaver fur and likely belonged to a powerful member of the English Parliament, illustrates the extraordinary value of finely made hats, which fueled centuries of colonization, exploration, diplomatic feuding, and warfare all across North America, as European empires and Native American nations competed fiercely for control of the lucrative fur trade. Costume history blog post on beaver hats, with comtemporary artworks, by Gail Kellogg Hope: https://artbeautyandwell-orderedchaos.blogspot.com/2011/04/beaver-hats.html Dissertation by Elizabeth McFadden, on “Fur Dress, Art, and Class Identity in Sixteenth- and Seventeenth-Century England and Holland,” at: https://escholarship.org/content/qt79w6n34n/qt79w6n34n.pdf?t=q6z2rg Alice Morse Earle’s “Two Centuries of Costume in America,” vol. 1, 1620-1820: https://www.gutenberg.org/cache/epub/10115/pg10115.txt Weiss Gallery page with portrait of Sir Rowland Cotton (1581-1634) holding a felt hat: https://www.weissgallery.com/artworks/categories/2/9411-paul-van-somer-c.1577-1622-sir-rowland-cotton-1581-1634-of-alkington-painted-1618/

We follow the tortuous beginnings of Acadia, the first northern European colony in America -- a string of remote fishing and fur trading outposts, Catholic missions, and French farming villages, which had to withstand a harsh, remote environment, religious and political feuding, a near civil war, and frequent privateer attacks, in order to persist through the seventeenth century and finally begin to develop a distinctive Acadian provincial society which would later survive global war and ethnic cleansing. Please become a patron to hear patron-only lectures -- www.patreon.com/user?u=5530632 My previous lecture on Bourbon France in the same period: https://www.patreon.com/posts/age-of-3-bourbon-44146424 Suggested further reading: N. Griffiths, “The Contexts of Acadian History” & “From Migrant to Acadian: A North American Border People”; Arseneault, “History of the Acadians” Image: Depiction of Belle-Isle area just outside of Port Royal from French census of 1686 Music: “Danse des Sauvages,” from “Les Indes Galantes” by Rameau, performed by Les Arts Florissants

We examine the origins of the first European colony in America north of Florida – New Mexico – from the rise of the Pueblo civilization, which mastered irrigation and “made the desert bloom,” building monumental complexes in arid plains and rocky canyons, through the repeated Spanish incursions in search of seven cities of gold and the construction of a tenuous European colony riven by struggles between church and state, and finally to the eruption of the largest and most coordinated Native uprising in colonial history, which expelled Europeans from New Mexico and ushered in a temporary restoration of the ancient Puebloan world. Image: Mission church of S. Esteban del Rey, 1629, at Acoma Pueblo Suggested further reading: Sanchez, Spude, & Gomez, “New Mexico: A History”; Gutierrez, “When Jesus Came, the Corn Mothers Went Away”; Brooks, “Captives and Cousins: Slavery, Kinship, and Community in the Southwest Borderlands”; Rodriguez, “Review: Subaltern Historiography on the Rio Grande,” American Ethnologist vol. 21, No. 4 (Nov., 1994) My earlier lecture series on the history of Florida (first European colony north of the Rio Grande), “Fortresses on Sand: The History of Florida”: https://soundcloud.com/historiansplaining/sets/fortresses-on-sand-the-history Please sign on as a patron at any level to hear the patron-only lectures, including my most recent on Central Africa: https://www.patreon.com/c/u5530632

On Patreon for patrons only for 1 year: It is the only large town that has ever been discovered from the Stone Age, making it one of the most important archaeological finds of all time and a critical prize in the heated debates that have divided the field of archaeology. Its striking artworks have fired the imagination, and its extensive ruins, copious burials, and rich grave goods have filled in massive gaps in the story of the origins of civilization, illustrating how the invention of agriculture and the “Neolithic Revolution” made cities and urban life possible. Yet it also remains a stubborn mystery: why are the houses all so identical? Why are there no public buildings or gathering places, or even streets? And why did the town spring up in the middle of a muddy and malarial plain? Please sign up on Patreon to hear the whole lecture! -- https://www.patreon.com/posts/doorways-in-time-148211879 Non-patrons may hear the entire playlist of “Doorways in Time: The Great Archaeological Discoveries,” beginning with pt. 1 on the Sutton Hoo treasure, for one small flat fee: https://www.patreon.com/collection/2127051?view=condensed Suggested Further Reading: Mellaart, “Catal Huyuk: A Neolithic Town in Anatolia”; Balter, “The Goddess and the Bull”; Newitz, “Four Lost Cities: A Secret History of the Urban Age”; Ian Hodder, “Becoming a Çatalhöyük Person: An Integration of the Evidence,” lecture, Image: The “Seated Woman of Çatalhöyük,” discovered in 1961 Music: Rameau, "Les Cyclopes", performed by Paul Barton for Feurich

We follow the rise of civilization and of powerful empires in West Africa before the slave tade, based upon iron-working and the traffic in gold and salt across the Sahara, followed by the spread of wealth and power southward, towards the gold fields and the tropical forests, and finally the reverberating impacts of the arrival of Portuguese traders on the coast, which paved the way for the rise of the Atlantic slave trade. Suggested further reading: Rodney, “History of the Upper Guinea Coast”; Ajayi, ed., “History of West Africa,” vol. 1 Image: Sculptural head from Ife, bronze & brass, ca. 1300s Please sign on as a patron to hear patron-only lectures, including upcoming installment on Central AFrica: https://www.patreon.com/c/u5530632

Audio track from the new video, "Red, White & Royal Blue: A Historian's Analysis -- pt. 4: The Political Ideology of RWRB"-- Intro: Why the Politics of RWRB? – 0:00:30 Sec. 1: Idealism vs. Realism – 0:16:21 Sec. 2: The Hidden Agenda – what is left out of RWRB – 0:52:29 Sec. 3: The Trade Wars – 1:28:25 Sec. 4: The Elusive Democratic Majority – 1:40:09 Conclusions: Power & Pride – 1:47:45 We examine Red, White & Royal Blue as a window into the ideology of the Democratic Party and the liberal middle class in the early 21st Century, including its attraction to free trade, the Sun Belt, and particularly Texas, as symbols of the so-called “Emerging Democratic Majority” that would supposedly rule the rest of the century. We question the film’s basic opposition between idealism and realism and all of the implicit value judgments that it carries, and finally consider how the film excludes or avoids discussion of class and material issues, through a comparison with the 2014 British film “Pride.” View this video on youtube: https://www.youtube.com/watch?v=rPEb9Zxx9eE Please become a patron of historiansplaining in order to hear patron-only lectures -- / u5530632 -- and the see this video in its entirety without ads! -- https://www.patreon.com/posts/1420325...

Unlocked after 1 year for patrons only: He is the earliest human being whose name and life story are known to history. We examine the origins and contents of the most ancient narrative ever found anywhere on Earth, and trace how it has been rediscovered, re-used, and re-translated in the modern world, becoming a living and evolving text in a time of anxiety over the fate of civilization. Become a patron at any level in order to hear patron-only lectures as soon as they post (https://www.patreon.com/c/u5530632), or alternatively, non-patrons can buy the entire playlist of Myths of the Month, including “The Enlightenment,” “Race,” & “Capitalism,” among others: https://www.patreon.com/collection/2031535?view=condensed Image: Sumerian bas-relief sculpture of a man subduing a bull, possibly representing Gilgamesh slaying the Bull of Heaven, 2200s BC. Our previous lecture on the discovery of the Library of Ashurbanipal, where the Epic of Gilgamesh was rediscovered: https://soundcloud.com/historiansplaining/unlocked-the-great-archaeological-discoveries-pt-3-the-library-of-ashurbanipal Suggested further reading: George, "The Epic of Gilgamesh"; N.K. Sandars, "The Epic of Gilgamesh"; Heidel, "The Epic of Gilgamesh and Old Testament Parallels"; Stephen Mitchell, "Gilgamesh"; Michael Schmidt, "Gilgamesh: The Life of a Poem."

Nations: What are they? Are they defined by language, by “culture,” by blood, or something else? How do you know if you are part of one? —and is everyone in the world a member of one nation or another? We follow how the rise of medieval kingdoms and universities and the print revolution made it possible for people in the West to imagine themselves as part of extended kinship groups united by a common language and ancestry, how these abstract “nations” differed from all earlier social groupings, how nations have developed a standard template for national history and mythology, and how since the French Revolution, “nationalism” has inspired the loyalties and fired the passions of millions. Finally, we consider how scholars and critics have torn the concept of the nation to shreds, and then have tried to account for the profound transformations in consciousness and time made it possible for people to conceive of themselves as belonging to nations in the first place. Apologies for the osprey squawking in the background of the lecture! Suggested further reading: B. Anderson, "Imagined Communities"; Ernest Renan, "Qu'est-ce qu'une nation?"; Grosby, "Nationalism: A Very Short Introduction"; Potter, "The Historian's Use of Nationalism and Vice Versa" Music: “Danse du Grand Calumet de la Paix” / “Forets Paisibles,” from the opera-ballet “Les Indes Galantes,” by Jean-Philippe Rameau & Louis Fuzelier, 1735, performed by Les Arts Florissants, with vocalists Patricia Petibon & Nicolas Rivenq -- used with the kind authorization of Les Arts Florissants Become a patron at any level in order to hear patron-only lectures as soon as they post (https://www.patreon.com/c/u5530632), or alternatively, non-patrons can buy the entire playlist of Myths of the Month, including “The Enlightenment,” “Race,” & “Capitalism,” among others: https://www.patreon.com/collection/2031535?view=condensed

Unlocked after 1 year for patrons only: The most massive and momentous manuscript discovery of modern times, the Dead Sea Scrolls blew the lid off of the long-mysterious world of messianic and apocalyptic ferment before the destruction of the Second Temple—yet it took decades of conflict and struggle to bring them to public light. We trace why the scrolls became the object of a long international struggle, what they actually say, and what they reveal about the roots of the Bible, Christianity, and modern Judaism. Suggested further reading: Lim, “The Dead Sea Scrolls: A Very Short Introduction”; Collins, “The Dead Sea Scrolls: A Biography”; Shanks, ed., “Understanding the Dead Sea Scrolls: A Reader from the Biblical Archaeology Review”; Eisemman & Wise, “The Dead Sea Scrolls Uncovered”; Wise, Abegg, & Cook, eds., “The Dead Sea Scrolls: A New Translation.” Image: Portion of the Temple Scroll Please sign up as a patron, at any level, in order to hear patron-only lectures, including the series on the Epic of Gilgamesh! -- https://www.patreon.com/c/user?u=5530632 Non-patrons may hear the entire playlist of “Doorways in Time: The Great Archaeological Discoveries,” beginning with pt. 1 on the Sutton Hoo treasure, for one small flat fee: https://www.patreon.com/collection/2127051?view=condensed

For Patrons only for 1 year: We follow the tribulations of the Papacy through the aftermath of the Protestant Reformation, as the Pope's loyal soldiers in the Jesuit order are expelled from Catholic states and empires, the Church comes under attack in the French Reovlution, and Napoleon takes the Pope prisoner. We then follow the Papacy's gradual recovery of prestige -- through the reactionary rigorism of Pius IX and the 1st Vatican Council; the creation of Catholic social teaching and the intervention of the Church in the class struggle between capital and labor under Leo XIII; and the dramatic reforms of the Second Vatican Council in the 1960s. We consider the controversies and scandals of the modern church relating to fascism, the Nazi Holocaust, the Vatican Bank, and the suppression of Liberation Theology, and finally, examine the recent shakeup of the Vatican under Pope Francis, the momentous implications of the Synod on Synodality, and the clues presaging a new political assertiveness of the Church under the first American pope, Leo XIV. To hear this lecture in its entirety, as well as all patron-only lectures from this podcast as soon as they post, sign on as a patron at any level: www.patreon.com/c/u5530632 Alternatively, to hear the patron-only lectures on the early modern age, including on Martin Luther, the Reformation, and Spain & Portugal in the age of the Inquisition, you can purchase access to the “Becoming Modern” playlist: www.patreon.com/collection/2026824?view=condensed Image: American print showing Pope Pius IX presiding over the First Vatican Council in St. Peter's Basilica, 1869. Correction: Banker Roberto Calvi was found dead hanging from Blackfriars Bridge, London, not London Bridge.

Update for listeners, and happy Father's Day wishes; excerpt from latest patron-only lecture on Italy between unification and the entry into the First World War. Please sign up on Patreon to hear the latest lecture and all patron-only materials! -- https://www.patreon.com/posts/italy-nation-war-131082248 Podcast website: www.historiansplaining.com Image: The Paderno D'Adda hydroelectric power plant, Lombardy, 1895-8 Music: "Nel Blu, Dipinto di Blu" / "Volare," by Domenico Modugno

We follow the convulsions of Italian society -- foreign invasion, popular revolution, peasant revolt, liberal reform, Romantic pageantry, diplomatic dirty dealings, and patriotic war -- through which the residents of a fragmented, poor, and backwards section of Europe overthrew the puppet regimes of foreign rulers and challenged the internal power of the Church, to seize control of their own destiny and create a new nation-state that would take its place among the major powers of the world. Image: "The First Italian Flag Taken to Firenze," by F.S. Altamura, 1859. Suggested further reading: Lucy Riall, "Risorgimento"; John A. David, ed., "Italy in the Nineteenth Century." Musical passage: "Va, Pensiero" from Nabuco, Lyrics by Temistocle Solera, music by Giuseppe Verdi, performed by Novosibirsk Symphony Orchestra Please sign on as a patron to hear all patron-only lectures, including the recent series on the Dead Sea Scrolls and on the Epic of Gligamesh! -- https://www.patreon.com/c/user?u=5530632