Housmans Bookshop

We are absolutely delighted to welcome Lambros Fatsis to Housmans to discuss the criminalizing of black culture, music and youth. We are thrilled also to welcome back the brilliant Adèle Oliver, author of ‘Deeping it: Colonialism, Culture and Criminalisation of UK Drill’, to interview Lambros about his work.Policing The Beats is a bold analysis that exposes the racist policing of Black music. The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way.Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal processes that make crimes out of rhymes.This original and readable book offers the first in-depth account of the policing of Black music in Britain, highlighting the relationship between politics, culture and criminal (in)justice and inviting music lovers, scholars and activists to tune in.

‘Linda Pentz Gunter has done a great service in highlighting the nuclear chain reaction and exposing the huge human and environmental costs. We need this book for our environment and a peaceful world’– Jeremy CorbynWe are delighted to welcome Linda Pentz Gunter to Housmans to discuss her new book No To Nuclear. Brilliantly written, clear, concise and exacting, this brilliant book shows us that there is no silver bullet for the climate crisis—but that hasn’t stopped people searching. Seizing its chance, the nuclear power industry wants us to believe that theirs is the only technical fix for our deliverance. The public, politicians and the media have been easily swayed.This should come as no surprise. After all, the pro-nuclear PR campaign is richly funded and has an army of lobbyists sowing myths while the industry reaps the rewards of taxpayer-funded subsidies.No To Nuclear calls the industry’s bluff. Blasting aside its claims to be safe and green, Linda Pentz Gunter makes the irresistible case that nuclear power is too slow, too expensive, too dangerous and too integrally connected to the nuclear weapons complex, to serve as a rational energy choice.The book also delves into the lives of Indigenous peoples and communities of colour, who have been harmed the most by the nuclear sector, and questions whether the way we devalue nature and the environment is costing us the chance of a genuinely just energy transition.Linda Pentz Gunter is the founder of the US-based non-profit Beyond Nuclear and serves as its international specialist. Previously, she was a journalist at USA Network, Reuters, and The Times. She launched, and writes for Beyond Nuclear’s online magazine, Beyond Nuclear International.Joining Linda in conversation we welcome the environmentalist and writer Johnathon Porritt. Jonathon is a great advocate for the Green Party and frequently contributes to magazines, newspapers and books, and appears on radio and television.‘Linda Pentz Gunter has the great skill that more writers should have: to take a crucial and complex issue and make it truly accessible. This rigorous and comprehensive work is a gift to everyone who wants to understand the nuclear power paradox’– Kate Hudson, previous General Secretary of Campaign for Nuclear Disarmament

Perry combines effortless exactitude with canny ambiguity to create a novel that is always as stimulating as it is enchanting. ‘May We Feed the King’ is a rare achievement, I absolutely loved it.Claire-Louise BennettWe are delighted to welcome two of the most exciting writers working in Britain today, Rebecca Perry and Misha Honcharenko, to Housmans for our first creative writing event of the year. The talk will be focused on Rebecca’s new novel May We Feed The King (Granta), a ‘serial and dreamlike’ (Jessie Burton) work of avant-garde historical fiction that tells the story of ‘ a curator, who spends her time dressing the rooms of historic buildings to bring them to life. But in the lush private quarters of a medieval palace, she finds herself so transfixed by the reign of an almost-forgotten King that the edges of her life begin to blur.’ Interviewing Rebecca about the book we welcome back Misha Honcharenko, a queer Ukrainian artist and writer whose incredible debut novel Trap Unfolds Me Greedily (Sissy Anarchy) we launched at Housmans back in 2024. The are two writers whose work is in equal parts inventive and alert to the historical circumstances under which it is produced. As the current global order continues to dissolve before our eyes, we ask: what can, or should, ‘fiction’ be now?

For our first event of the year we welcome Proffessor Katrina Navickas to the shop to discuss what is an increasingly urgent political issue in our current cultural climate. Her recent book, Contested Commons is a radical history of the increasing restrictions against protest in England’s public spaces. The work is a gripping overview of increasingly restrictive policing and legislation against protest in public spaces. It tells the long history of contests over Trafalgar Square, Hyde Park, Cable Street and Kinder Scout, as well as sites in towns and rural areas across the country. Navickas reveals how protesters claimed these spaces as their own commons, resisting their continuing enclosure and exclusion by social and political elites. She investigates famous and less well-known demonstrations and protest marches, from early democracy, trade union movements and the Suffragettes to anti-fascist, Black rights and environmental campaigners in more recent times. Contested Commons offers positive as well as troubling lessons on how we protect the right to protest.Katrina Navickas is Professor of History at the University of Hertfordshire. She is the author of Protest and the Politics of Space and Place, 1789–1848 (2016) and Loyalism and Radicalism in Lancashire, 1798–1815 (2009). She will be joined in conversation with Daniel Frost. They will discuss the book and its themes for around 45 minutes, followed by a open discussion with the audience.

‘Sea Now joins Meijer’s rich oeuvre of novels and philosophical meditations on multispecies coexistence. One could read this novel as the story of two characters—the Netherlands and the sea—posing a question of each other: What am I? What and who is “the Netherlands”? What and who is “the sea”? The first question implicates uncomfortable stories of value: Who determines the status quo that decides who or what (a foreigner?, a painting?) deserves to be saved, who or what (a US-trained scientist?, the Dutch language?) would count as a loss?’Mandy-Suzanne Wong, Asymptote‘One of the unanticipated highlights of my reading year…a fabulist disaster novel, doubling as identity-of-the-nation commentary…playful, with a dry sly omniscient voice…a little bit as though Stephen Baxter’s Flood (2008) (or Japan Sinks) had been rewritten by Italo Calvino….the cumulative effect of this wide-ranging, generous narrative attention is a constant sense of motion, and a lightness of touch that allows Meijer to move smoothly from, say, haunting elegy to academic satire to a more serious intellectual point… Simply as a page-to-page reading experience, Sea Now is consistently fresh and interesting: You never quite know where its eye will fall next.’Niall Harrison, LocusHousmans are very excited to welcome the celebrated writer, philosopher, and visual artist, Eva Meijer to the shop to launch her novel Sea Now, newly translated into English by Anne Thompson Melo. This work is a profound meditation on the relationship between the human and non-human and a biting satire of governmental ineptitude in the face of climate change. As the sea swallows a nation, the prime minister holds a daily press conference and scientists try to find an explanation, without success. A climate activist, a young poet, and an oceanographer journey across the new sea and return to confront all that has been lost, as a coming-of-age adventure story is braided with a clarion call to wake up to the defining challenge of our age. Eva will be joined in conversation by the poet and academic Lucy Mercer, author of Emblem (Prototype, 2022) and Afterlife (forthcoming from Fitzcarraldo Editions.) The two will talk for around 45 minutes to 1 hour followed by an open discussion.

Mutant Ecologies: Manufacturing Life in the Age of Genomic Capital Ecologies (Pluto Press) traces the spinning of new synthetic threads into the web of life. It is a critical cartography of the shifting landscapes of capital accumulation conjured by recent developments in genomic science, genome editing and the biotech industry.CRISPR crops, fast-growing salmons, heat-resistant Slick™ cows, Friendly™ Mosquitoes, humanised mice, pigs growing human organs – these are but a few of the dazzling new life-forms that have recently emerged from corporate and university laboratories around the world, all promising to lubricate the circuits of capital accumulation in distinct ways. The deliberate induction of genetic mutations is increasingly central to business operations in a number of sectors, from agriculture to pharmaceuticals.While the Nobel Committee recently proclaimed the life sciences to have entered ‘a new epoch’, the authors show how these technological innovations continue to operate within a socio-historical context defined by the iron rules of capitalist competition and exploitation. Capital no longer contents itself with simply appropriating the living bodies of plants and animals. It purposefully designs their internal metabolism, and in that way it redesigns the countless living vectors that constitute the global biosphere. It is driving a biological revolution, which will ripple through the everyday lives of people everywhere.Erica Borg is a geographer and political ecologist based at King’s College, London. Their research focuses on the relations between capitalism, colonialism, patriarchy and ecological crisis.Amedeo Policante is a Researcher at the Nova University of Lisbon. His writings interrogate the nexus of extraction, exploitation and expropriation that fuels the contemporary world market. He is the author of two books: The Pirate Myth and The New Mercenaries.

‘Christoph Schuringa’s A Social History of Analytic Philosophy achieves the impossible: while it follows a clear line of interpretation – analytic philosophy is not politically neutral, it is deeply rooted in capitalist liberalism and its struggle against Leftist engagement -, it develops this line in a vast and complex narrative full of fascinating historical and personal details, from the Cambridge beginnings of analytic thought (Russell, Moore) through the key role of analytic philosophy in McCarthy purges up to how analytic approach was crucial in including anti-colonial and feminist orientations into the liberal frame (Appiah). Schuringa’s book is unputdownable – applied to it, this term is not a cliché but a simple description of its effect on a reader.‘– Slavoj ŽižekIn the English speaking world, self-described ‘analytic philosophy’ has become the predominant method of philosophical inquiry, at least within the majority of university philosophy departments. By some, it is celebrated for it’s exhalting of rigorousness and pursuit ‘the empirical.’ Others find these theoretical claims to be dubious and naieve. Christoph Schuringa, in its brilliantly argued book, A Social History of Analytic Philosophy, argues that the enduring power of analytic philosophy can only be understood by examining its social history. The mode tends to think of itself as concerned with eternal questions, transcending the changing scenes of history. It thinks of itself as apolitical. Schuringa, however, convincingly shows that the opposite is true.The origins of analytic philosophy are in a set of distinct movements, shaped by highly specific sets of political and social forces. Only after the Second World War were these disparate, often dynamic movements joined together to make ‘analytic philosophy’ as we know it. In the climate of McCarthyism, analytic philosophy was robbed of political force.To this day, analytic philosophy is the ideology of the status quo. It may seem arcane and largely removed from the real world, but it is a crucial component in upholding liberalism, through its central role in elite educational institutions. As Schuringa concludes, the apparently increasing friendliness of analytic philosophers to rival approaches in philosophy should be understood as a form of colonization; thanks to its hegemonic status, it reformats all it touches in service of its own imperatives, going so far as to colonize decolonial efforts in the discipline.Christoph Schuringa studied philosophy at King’s College, Cambridge and Birkbeck College, University of London. He has published widely on the history of philosophy and on Marx and Marxism, and is associate professor of philosophy at Northeastern University, London. He is Editor of the Hegel Bulletin, and his writing has appeared in Jacobin, New Left Review, European Journal of Philosophy and elsewhere.He will be joined in conversation with Jonathan Egid, lecturer in Philosophy at SOAS. Jonathan recently completed my PhD at King’s College London on the Ḥatäta Zär’a Ya‛ǝqob and the controversy over its authorship. Beyond the aim of clarifying this intractable debate, and bringing neglected works to a wider audience, Jonathan is interested in thinking about different ways of writing the history of philosophy, in particular what a truly global history of philosophy would look like.

We are very, very, very exited to be welcoming the dazzling provocateur, artist and all-round London legend STEWART HOME back to Housmans to talk about his latest book, Fascist Yoga: Grifters, Occultists, White Supremacists, and the New Order In Wellness, a dazzling exposé on the violent politics and occultic fascism that underpins much of the history of contemporary yoga. As ever, Stewart Home shows that nothing is sacred.The practice of yoga promises peace, self-realisation and release, thanks to the power of its ‘mystic’ Indian origins. But what if this is just hype? In Fascist Yoga, Stewart Home sweeps away the half-truths to tell a new origin story of the world’s first modern yogi – a Californian escapologist who added some Hindu fairy dust to gym and circus exercises.Ever since, the world of yoga has been full of grifters, occultists and white supremacists, all out to exploit and recruit via the medium of exercise. From cult leaders to brainwashed followers, TV celebrities and fake gurus, the story of yoga has involved some of the strangest currents of humanity.Today, the COVID pandemic has activated elements within the modern yoga movement to espouse far-right conspiracies, and QAnon’s fascist political programmes mirror some of yoga’s key early proponents.Interviewing Stewart about the book we have the legendary poet Sascha Aurora Akhtar! Sascha was born in Pakistan. Since that was obviously a mistake, she fled as soon as possible to an environment where women could be wacky. What was born was a hydra. Each head a different medium, via which to transmit her wyrd and whimsical witchery. She graduated from Bennington College in 1999. She has written all too many poems, out of which some have managed to become titled collections. Her films include Ana-el-Haqq (2002) and The Sea and Medusa (2006). In 2003 she received a fellowship from the Creative Writing department at UMASS Amherst where she worked with James Tate, Sabina Murray and Peter Gizzi. In 2005 and 2006, she performed in Butoh-based dance pieces at Chisenhale Dance Space in London. She recently was part of a year-long initiative by the International Museum of Women in San Francisco, exhibiting work by women artists from around the globe. Her photographic work was on display at Gallery 27 on Cork Street in September 2007 and an exhibition of her works is upcoming in Spring 2008 at The Commune in Karachi, Pakistan. She spends her time in London and Pakistan and is the co-producer of the successful La Langoustine Est Morte reading series.

The culture war is over. If you want it to be. It wasn’t even a culture war; it was a war on culture. A sustained attack, Dan Hicks argues, in the form of the weaponisation of civic museums, public art, and even universities – and one that has a deeper history than you might think.We are delighted to welcome Professor Dan Hicks back to Housmans to discuss his incredible new book Every Monument Will Fall: A Story Of Remembering And Forgetting, a beautifully written, polemical but generous work. Tracing the origins of contemporary conflicts over art, heritage, memory, and colonialism, Every Monument Will Fall joins the dots between the building of statues, the founding of academic disciplines like archaeology and anthropology, and the warehousing of stolen art and human skulls in museums – including the Pitt Rivers Museum, where he is a curator.Part history, part biography, part excavation, the story runs from the Yorkshire wolds to the Crimean War, from southern Ireland to the frontline of the American Civil War, from the City of London to the University of Oxford – revealing enduring legacies of militarism, slavery, racism and white supremacy hardwired into the heart of our cultural institutions.Every Monument Will Fall offers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. Refusing to choose between pulling down every statue, or living in a past that we can never change, the book makes the case for allowing monuments to fall once in a while, even those that are hard to see as monuments, rebuilding a memory culture that is in step with our times.

Alex Bollen is a Postnatal Practitioner with the National Childbirth Trust and researcher with over 20 years of experiance, in Motherdom: Breaking Free from Bad Science and Good Mother Myths she picks apart the pernicious histories of what she refers to as ‘Good Mother Myths.’ These myths are deployed to censure mothers and blame them for society’s problems. Incensed by the way bad science is used to shame mothers, she decided to set the record straight. With meticulous research and keen insight, Motherdom exposes both the shaky science and unjustified prescriptions about how mothers should ‘naturally’ behave. Competing visions of birth – ‘natural’ versus ‘medical’ – mean women can be criticised whatever happens, raising the odds that birth will be a damaging, even deadly, experience. Mothers are judged and belittled whether they breast- or bottle-feed their babies. Bogus claims about brain development and dodgy attachment theories mean that whatever mothers do, it is never enough. This must stop, she says. We must replace Good Mother myths with a realistic approach to parenting. Alex Bollen proposes ‘motherdom’, a more expansive conception of motherhood, which values and respects the different ways people raise their children. Instead of finding fault with mothers, Motherdom shifts our focus to the relationships and resources children need to flourish.Alex will be in conversation with Helen Charman whose book Mother State, not even out in paperback yet, already has a well deserved reputation as one of the major works of Marxist-Feminist thinking produced this decade. In it, Helen argues that motherhood must be conceived within poltical terms and that we must take a wider historically cohesive view of the figure of the mother, who is both monstered, and legislated againist, by the state, whilst also being held up as sort of ideal of reactionary political femininity. From the blurb: “In Mother State, Helen Charman writes a new history of Britain and Northern Ireland. Beginning with Women’s Liberation and ending with austerity, the book follows mothers’ fights for an alternative future. Alongside the mother figures that loom large in British culture, from Margaret Thatcher to Kat Slater, we meet communities of lesbian squatters, anti-nuclear campaigners, the wives of striking miners and teenage mothers protesting housing cuts: groups who believed that if you want to nourish your children, you have to nourish the world around them too. Here we see a world where motherhood is not a restrictive identity but a state of possibility. ‘Mother’ ceases to be an individual responsibility, and becomes an expansive collective term to organize under, for people of any gender, with or without children of their own. It begins with an understanding: that to mother is a political act.”

From Cape Town to Bristol and Richmond, statues have become sites of resistance and contestation of our imperial past and postcolonial present.We are very excited to be launching The Psychic Lives of Statues by Rahul Rao which offers an insightful exploration of these global controversies, demonstrating that beneath their surface lie deeper struggles over race, caste, and the politics of decolonisation.Rao takes readers on a journey through South Africa, England, the US, Ghana, India, Australia, and Scotland, revealing how statue controversies have dramatically rearranged the canon of anticolonial political thought. By examining these debates through a personal and literary lens, Rao addresses the multifaceted issues of justice, cultural memory, and belonging. The Psychic Lives of Statues examines both the toppling of colonial statues and the raising of postcolonial ones, demonstrating that the statue form as a medium of representation and a bid for immortality is by no means obsolete. Engaging with artists, scholars, and activists, Rao provides fresh perspectives on how societies grapple with and reinterpret the past and present through iconography.Rahul Rao is a Reader in International Political Thought in the School of International Relations at the University of St Andrews, and Professorial Research Associate at SOAS University of London. He is the author of two books – Third World Protest: Between Home and the World (2010) and Out of Time: The Queer Politics of Postcoloniality (2020), both published by Oxford University Press. He is a member of the Radical Philosophy editorial collective.