Hrkn to .. Share Radio's Film Review

James Cameron-Wilson says that Michael's £11.5m opening was 68% of the weekend take. It's the biggest opening for a musical biopic but, under Antoine Fuqua's direction, it's a hagiography telling only half of the Michael Jackson story. With his nephew in the starring role and six producers having the surname Jackson, perhaps that's not surprising. Overly affectionate, it doesn't feel real but that won't deter his fans. On Netflix, the survival thriller Apex stars Charlize Theron and Taron Egerton. It gripped James from the off. The less you know about the plot, the better. It delivers in spades as a thriller but it does go to some very dark places. Watch it if you dare. As for Roommates, also on Netflix, this is a crude college comedy which is offensive mechanical dross. The longer it went on, the more depressed James became. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson found the romcom #7 You, Me & Tuscany implausible, clichéd and derivative dross. However, he adored #9 California Schemin', a true story directed by James McAvoy about a pair of Scottish wannabe rappers who pretend to be American to get noticed. Told with cinematic verve and with great performances, it's an extraordinary story which reminded him of Trainspotting. James found Keanu Reeves in Outcome, on Apple TV+, a story about a movie star worried about a bizarre video from his past, all rather too familiar and underwhelming. Directed and co-written by Jonah Hill, it's also terribly crude. He adored The President's Cake, an Iraqi film, again based on true events, made with non-actors. Heartbreaking and compelling, it's a small masterpiece, available on BFI Player and Amazon Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson found #2, the Enid Blyton fantasy The Magic Faraway Tree, to be a charmless, farcical misfire. With Claire Foy and Andrew Garfield, it is full of shouty overacting, with music numbers crammed in and is a wasted opportunity. #7 They Will Kill You is a grotesque horror film about a New York highrise which is a temple to Satan. It's another with a surprising 15 certificate. Amazon documentary Man on the Run is about Paul McCartney, covering the breakup of The Beatles to the murder of John Lennon. On Amazon, it starts promisingly but, while there's plenty of home video, there's little that's new. After a dispiriting week, James watched the harrowing but brilliant The Killing Fields to cheer himself up. It's on C4 and Plex. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson laments box office down 32%. #2 Reminders of Him, a Colleen Hoover adaptation, is complete trash and yet, predictable though it is, it has relatable characters and is hard to dislike. #3 How to Make a Killing is an adaptation of the famous Ealing comedy, Kind Hearts and Coronets. Sadly, this lacks the wit or appeal of the original and is to be avoided at all cost. As ever, James was excited by the Oscars, with most of his predictions coming good. It was, he says, the most predictable ceremony for a long time. Although One Battle After Another won Best Picture, it was really the year of the horror film, which has perhaps become respectable again. One of the highlights was the great speech given by Jessie Buckley. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson is not a fan of #1 Scream 7, despite the return of Neve Campbell. He didn't care for the characters, found the film nasty and thought it made no sense. He was more positive about The Testament of Ann Lee, with Amanda Seyfried giving a career-best performance as the founder of the Shaker movement with an excellent Mancunian accent. It's a bonkers film, being a musical biopic on an enormous visual canvas but it shows what cinema can do and is very memorable. Come See Me In The Good Light is an extraordinary documentary – nominated for an Oscar – about a poet with terminal cancer and how they deal with it. It is deeply moving but also full of joy and laughter. It is also one of the most intimate and personal films about a relationship. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson says that #1 Wuthering Heights, written and directed by Saltburn's Emerald Fennell, is not a close adaptation of the novel and has attracted criticism for casting Jacob Elordi alongside Margot Robbie. However, it is thoroughly entertaining, has a great score and production design and is also quite funny. He found it a cinematic delight and feels Fennell is a national treasure. #3 Crime 101 with Chris Hemsworth and a great cast is a rare LA movie actually filmed there. James enjoyed it. Not only is it a good crime thriller, but the characters are very human. On Blu-Ray for the first time is the Oscar-nominated 1974 East German film Jacob the Liar. A darkly comic movie set in a Jewish ghetto in 1944, it is in similar vein to the much later Life Is Beautiful. The disc comes with lots of great extras. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson says the bump up of Hamnet to #1 in the charts shows the important of award nominations. The latest Jason Statham thriller, Shelter, is #3. He's a recluse living in a lighthouse whose past comes back to bite him when he rescues a girl from the sea. It's the same old, same old, but done slightly better than usual. #10 Is This Thing On, about a stand-up comic's marriage with Will Arnett and Laura Dern, is inspired by Liverpool comedian John Bishop. But Bradley Cooper's annoying directorial style obscures and confuses the story. James recommends #38, docu-drama The Voice of Hind Rajab, which is one of the most traumatising war films he has ever sat through. He also discusses the current awards season and the London Film Critics Circle awards last weekend. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson says that #1 28 Years Later – The Bone Temple deserves its 18 certificate as you will need a strong constitution. Starring Ralph Fiennes and Jack O’Connell, it’s hard to watch but is a gripping horror film with style, beauty and terrific dialogue. #7 Rental Family, starring Brendan Fraser, is set in Japan and directed by the Japanese Hikari. It’s an odd but enthralling story with a light touch about an actor rented out as a family member. On Netflix, Matt Damon and Ben Affleck star in The Rip, a generic, often confusing but hard-hitting action thriller. It seems far-fetched but is based on a true story so outlandish, it had to be scaled back. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson reports that 2025 was the best box office year for movies since the pandemic. With the new Avatar still #1, #2 is The Housemaid, a psychological thriller with Sydney Sweeney and Amanda Seyfried which is thoroughly entertaining, as long as you don't think too carefully about the plot. #3 is Marty Supreme, loosely based on a true story. Timothée Chalamet is a supremely-confident hustler turned table tennis player in a movie that, despite being two and a half hours long, flies by, helped by a great supporting cast of non-actors. Not so #6, Anaconda, in which Paul Rudd and Jack Black want to remake the forgettable 1997 monster movie of the same name. It's hard to combine comedy and horror successfully. This film fails. #7 is Song Sung Blue, based on a documentary, with Hugh Jackman as an unsympathetic Neil Diamond interpreter. In a film about second chances, Kate Hudson has never been better. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson says that box office is down 40% again, even though #1 Zootropolis 2 has become the biggest film of the year worldwide. #18 Ella McCay is from James L. Brooks, who brought us such movies as Broadcast News. It stars Emma Mackey as an aspiring politician, backed by a raft of great actors such as Jamie Lee Curtis and Albert Brooks. Full of terrific dialogue, it reminds James of the great screwball comedies of old. He loved every minute. He was also impressed by Netflix’s Train Dreams, with Joel Edgerton as a logger and railroad worker. This is film as art and does require a degree of patience. He was bewitched by a film which reminded him of Days of Heaven. Also on Netflix is the third Knives Out movie, Dead Man Wake Up. Despite a great cast supporting Daniel Craig, James thought the murder plot was forced and, while there were some great moments, he was ultimately disappointed. Learn more about your ad choices. Visit podcastchoices.com/adchoices

For this episode, James Cameron-Wilson is joined by Chad Kennerk, our occasional American correspondent, to discuss the news that Netflix has made an agreement to acquire Warner Bros. Following the separation of Discovery Global for a total enterprise value of $82.7 billion (equity value $72 billion). James covers Disney’s 64th animated feature, 'Zootropolis 2', an entertaining sprint through a world of zoological delights. He raves about awards contender 'Christy', the extraordinary true story of a female boxer in 1990s’ America starring Sydney Sweeney. James was also pleased with the Disney+ release of 'Swiped', in which a tech entrepreneur played by Lily James has her idea for the dating app Tinder swiped. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson likes #1 Now You See Me: Now You Don't as much as the first in the trilogy. Jesse Eisenberg and Woody Harrelson are joined by younger actors as magicians mounting a heist. He particularly cares for the details and the allusions. #2 is Edgar Wright's take on The Running Man with Glen Powell. But despite the big budget, the main character is unsympathetic, the plot makes little sense and the product placement is appallingly blatant. As a fan of French horror, he likes #27 Alpha from Julia Ducournau. It deserves two viewings before the pieces will fall into place. Learn more about your ad choices. Visit podcastchoices.com/adchoices

James Cameron-Wilson laments that no film grossed more than £1m last weekend. He found #1 Bugonia, directed by The Favourite's Yorgos Lanthimos with Emma Stone to be beautiful cinema. The story, about conspiracy theorists convinced a CEO is an alien, is a tad pretentious but you have no idea where it's going. At #11 is Shelby Oaks, a low-budget horror film from film critic Chris Stuckmann. Sadly, this slim tale is full of the usual horror tropes: James couldn't remember when he'd last been so bored. No boredom in Netflix's A House of Dynamite, though. Kathryn Bigelow directs Idris Elba in a thriller about the US facing a defence emergency. If you're short of time, just watch the first 39 minutes. Learn more about your ad choices. Visit podcastchoices.com/adchoices