I Don't Need an Acting Class
by Milton Justice
Is this your podcast?Insights from recent episode analysis
Audience Interest
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Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 15 chart positions in 15 markets.
By chart position
- 🇩🇪DE · Performing Arts#1205K to 30K
- 🇲🇽MX · Performing Arts#5300K to 800K
- 🇸🇪SE · Performing Arts#3930K to 100K
- 🇰🇷KR · Performing Arts#9910K to 30K
- 🇮🇳IN · Performing Arts#1811K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
190K to 541K🎙 ~2x weekly·233 episodes·Last published yesterday - Monthly Reach
Unique listeners across all episodes (30 days)
380K to 1.1M🇲🇽74%🇸🇪9%🇩🇪3%+12 more - Active Followers
Loyal subscribers who consistently listen
114K to 325K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 22 epsHost
Recent guests
Recent episodes
Don't Talk Away Your Talent
Sep 1, 2026
Unknown duration
It's Enough
Aug 25, 2026
Unknown duration
More Kick Ass Choices
Aug 18, 2026
Unknown duration
Kick Ass Choices
Aug 11, 2026
Unknown duration
Trust Your Preparation
Aug 4, 2026
Unknown duration
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 9/1/26 | Don't Talk Away Your Talent | This week, we explore the actor’s preparation: how to get beyond vague ideas and find something specific that actually feeds you; why we need to shop more widely for choices instead of settling for the first thing that works; and what happens when you return to a choice that worked before.We also look at repetition—how to do the work again without trying to recreate the previous result, how preparation can become shorter once you’ve truly built something, and how to recognize when you’ve done enough.Because sometimes actors find exactly what they need—and then, because they don’t trust it, they keep going until they’ve talked away their talent. | — | ||||||
| 8/25/26 | It's Enough | This week's episode is about learning to trust that acting can be built a little at a time – and recognizing when what you've built is already enough. | — | ||||||
| 8/18/26 | More Kick Ass Choices | Picking up where last week’s episode left off, we dig a little deeper into what it actually takes to make a great acting choice.What makes a choice come alive? In this episode, Milton works with actors on cutting through the explanations, descriptions and unnecessary details that can kill a moment. Stop trying so hard to perform. Stop decorating the work, stop explaining it, stop trying to be impressive—and get to the thing that actually brings you to life. | — | ||||||
| 8/11/26 | Kick Ass Choices | What does it mean to make a great acting choice? This week, we challenge the current obsession with being “authentic” and look instead at what Stella Adler demanded: choices that are appropriate to the play, that require the actor to pay a price, and—importantly—that make good theater.From A Doll’s House to NCIS, we explore why actors have to understand the world and form of the material they’re working on, and why even the simplest line can become compelling when the actor brings something specific and personal to it.Because ultimately, acting isn’t about being accurate or safe. It’s about shopping for choices until you find the one that makes you think: Oh, I love that. | — | ||||||
| 8/4/26 | Trust Your Preparation | Actors often do wonderful preparation—and then abandon it the moment they begin speaking. This episode explores how to trust your work, stop explaining the plot, and let your preparation carry you naturally into the life of the scene. | — | ||||||
| 7/29/26 | Slow The F••• Down | Rushing to make choices means we miss great acting opportunities. In this episode Milton works with one of his students who's going into rehearsals for a play soon. | — | ||||||
| 7/21/26 | Simplify Your Choices | There's a tendency to complicate our choices by inventing elaborate plots, when simplifying to something specific will bring us to life. Also being more specific allows you to dig deeper. | — | ||||||
| 7/14/26 | relationshipsacting+3 | — | — | — | relationshipacting+3 | — | 11m 13s | ||
| 7/12/26 | monologue preparationacting techniques+3 | Rashaud | The Laramie Project | — | actingmonologue+3 | — | 7m 01s | ||
| 7/7/26 | actingcreativity+3 | — | — | — | actingcreativity+3 | — | 12m 30s | ||
| 6/30/26 | acting techniquescreative choices+3 | — | — | — | actingperformance+3 | — | 16m 33s | ||
| 6/23/26 | actingtheater+3 | — | The Subject Was Roses | — | acting classtheater+4 | — | 17m 03s | ||
| 6/16/26 | character developmentacting techniques+3 | — | The Subject Was Roses | — | character buildingacting class+4 | — | 16m 58s | ||
| 6/12/26 | actingscript analysis+3 | — | The Actor Lab | New York | actingscript analysis+3 | — | 12m 23s | ||
| 5/26/26 | behavior analysisattitude building+3 | — | — | — | acting classbehavior+3 | — | 14m 43s | ||
| 5/19/26 | active choicespersonal growth+3 | — | — | — | active choicespersonal growth+3 | — | 15m 53s | ||
| 5/5/26 | acting vocabularyempathy+3 | — | — | — | actingempathy+4 | — | 12m 52s | ||
| 4/29/26 | Broadwayacting choices+3 | — | Death of a Salesman | — | actingtheater+3 | — | 14m 29s | ||
| 4/21/26 | character traitsacting+4 | — | — | — | actingcharacter traits+5 | — | 16m 20s | ||
| 4/16/26 | actingstudent perspective+3 | — | — | Poland | acting classesPoland+3 | — | 16m 09s | ||
| 4/7/26 | monologueacting+4 | JP | Death of a Salesman | — | monologueacting class+5 | — | 18m 05s | ||
| 3/31/26 | actingpersonal connection+3 | — | — | — | actorpersonal connection+3 | — | 14m 57s | ||
| 3/31/26 | actingcharacter development+3 | — | — | — | talking outacting techniques+3 | — | 13m 53s | ||
| 3/18/26 | actingclasses+3 | — | — | — | acting classescharacter analysis+3 | — | 17m 50s | ||
| 3/13/26 | visualizationacting skills+3 | — | — | — | visualizationacting+3 | — | 15m 42s | ||
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Chart history for I Don't Need an Acting Class
Peaked at #5 in Mexico, top 10 in 1 of 16 tracked markets, currently #5 in Mexico.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| Mexico | — | #5 | #5 | — |
| South Africa | — | #30 | #30 | — |
| Sweden | — | #39 | #39 | — |
| Norway | — | #40 | #40 | — |
| Mexico | — | #43 | #43 | — |
| RO | — | #70 | #70 | — |
| New Zealand | — | #77 | #77 | — |
| TH | — | #93 | #93 | — |
| GR | — | #99 | #99 | — |
| South Korea | — | #99 | #99 | — |
| Finland | — | #113 | #113 | — |
| Germany | — | #120 | #120 | — |
| Denmark | — | #140 | #140 | — |
| India | — | #181 | #181 | — |
| PH | — | #185 | #185 | — |
| BE | — | #199 | #199 | — |
Chart Positions
16 placements across 15 markets.
Chart Positions
16 placements across 15 markets.