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On the show
From 13 epsHost
Recent guests
Recent episodes
Quick on the Draw
May 4, 2026
Unknown duration
Staying the Course
May 1, 2026
1h 50m 14s
When The Window Closed
Apr 30, 2026
1h 23m 52s
Forced to Vote
Apr 28, 2026
1h 21m 09s
A Rose by Any Other Name
Apr 27, 2026
2h 20m 22s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 5/4/26 | ![]() Quick on the Draw | Episode #530: “I don't want to live under fear, obeying [the military]. I could survive, but would be in fear, like every movement I would feel I don't have freedom, and I think I don't want that for myself,” says JC, a Karen illustrator and activist now based in the Netherlands. Raised in Yangon, JC was unaware of Myanmar’s civil war due to school propaganda. Only after moving to Thailand to be near her father did she learn the extent of ethnic conflict and oppression. Seeing refugee camps and hearing stories of the Karen struggle left her angry and determined to understand more. JC earned a communications degree in Bangkok and initially envisioned a career in journalism. A political science course taught by a former prisoner, combined with life among marginalized migrant workers, deepened her sense of purpose. She returned to Myanmar during its brief democratic opening, working with a civil society group serving Karen communities. That optimism collapsed with the 2021 coup. Turning to illustration after protest and journalism became too dangerous, JC found a new outlet for storytelling. “By doing illustration, I feel like I'm contributing,” she says. Inspired by editorial art, she developed a minimalist, emotionally expressive style. Her illustrations accompany stories of trauma and displacement, including one of a pregnant woman who lost twins while fleeing war—a piece she says still haunts her. Creating pieces like this take an emotional toll, however, and she often needs to take breaks between pieces to reground herself. JC’s art bridges personal and political experience, offering a visual language that speaks across cultures. she says, “Emotions are universal,” and her work often introduces Myanmar’s crisis to unfamiliar audiences. Still in legal limbo, she draws to stay connected. “Since I cannot be there physically, it’s a way of me to stay contributing,” she says. “I wish [people] don’t forget about Myanmar.” | — | ||||||
| 5/1/26 | ![]() Staying the Course✨ | Vipassana meditationcommunity organizing+3 | Daniel Dodd | Dhamma PatapaConsumer Financial Protection | GeorgiaBrazil+3 | meditationcommunity organizing+3 | — | 1h 50m 14s | |
| 4/30/26 | ![]() When The Window Closed✨ | environmental challengespolitical commentary+4 | Ola Elvestuen | Norway’s Liberal PartyTelenor | NorwayMyanmar | Ola ElvestuenMyanmar+6 | — | 1h 23m 52s | |
| 4/28/26 | ![]() Forced to Vote✨ | Myanmar politicselections+5 | Nay Chi | Myanography project | Myanmarmilitary | Myanmarelection+6 | — | 1h 21m 09s | |
| 4/27/26 | ![]() A Rose by Any Other Name✨ | anti-Muslim sentimentactivism+4 | Thet Swe Win | SynergyBlue Sticker Campaign+1 | SingaporeRakhine State | Saffron RevolutionBlue Sticker Campaign+4 | — | 2h 20m 22s | |
| 4/24/26 | ![]() Knocking on Malaysia’s Door✨ | migrantsrefugees+4 | Heidy Quah | Refuge for the Refugees | MalaysiaMyanmar+1 | refugeesmigrants+6 | — | 1h 57m 14s | |
| 4/23/26 | ![]() The Path in Question✨ | Vipassanameditation+4 | Max Ante | Goenka tradition | — | Vipassanameditation+3 | — | 2h 40m 09s | |
| 4/21/26 | ![]() A Life In Motion✨ | Burma Studiespolitical turmoil+3 | H | Northern Illinois University | MyanmarInsein Prison | Myanmarpolitical crisis+3 | — | 1h 30m 04s | |
| 4/20/26 | ![]() The Transparency Paradox✨ | humanitarian aidtrust+4 | Than Htike ZawPablo Gassilloud | Myanmarcivil society organizations | — | humanitarian aidtrust+5 | — | 1h 24m 21s | |
| 4/17/26 | ![]() Victims of Success✨ | landmineshumanitarian work+3 | Erin Hunt | Mines Action CanadaLandmine Monitor+1 | — | landmineshumanitarian+5 | — | 1h 18m 55s | |
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| 4/16/26 | ![]() The Akha Way✨ | Akha cultureancestral relationships+4 | Dr Micah Morton | Northern Illinois University | Upper Mekong borderlandsJadae Mirkhanq+1 | Akhacultural anthropology+5 | — | 1h 59m 10s | |
| 4/14/26 | ![]() Aniccā with Feeling✨ | meditationBuddhism+4 | Friedgard Lottermoser | The Essentials of Buddha Dharma in Meditative Practice | RangoonBurma | meditationU Ba Khin+6 | — | 3h 08m 29s | |
| 4/13/26 | ![]() The Leftovers✨ | KMT irregularsBurma history+4 | — | KMTCIA+1 | BurmaShan States+4 | KMTBurma+8 | — | 1h 40m 57s | |
| 4/10/26 | ![]() Enter the Dragon✨ | Sino-Myanmar relationsinternational relations+5 | Wai Yan Phyo Naing | ChinaMyanmar | MoscowThailand+5 | Sino-Myanmar relationsWai Yan Phyo Naing+5 | — | 2h 14m 08s | |
| 4/9/26 | ![]() No State, No Service | Episode #516: “I want to be able to center women in their full right and to shine a spotlight on how I think they are very much the heroes of the revolution,” says Jenny Hedström, a researcher whose book, Reproducing Revolution, examines women’s labor in the Kachin struggle. Joined by Stella Naw, a Kachin activist and scholar, they argue that the conflict cannot be reduced to a simple story of aggressor and victim. Instead, it must be understood through the everyday labor that sustains communities across generations of war. Jenny’s engagement with Kachin women began in the early 2000s while working with the Kachin Women’s Association Thailand. She found that English-language scholarship centered male fighters and formal politics, while the women she spoke with talked about displacement, rebuilding, and survival. When she began her PhD in 2015, she initially focused on female soldiers, assuming armed actors were the proper lens for studying war. But spending time in Kachin towns, army brigades, and displacement camps shifted her perspective: she realized that labor that was not militarily or publicly celebrated proved equally essential to revolutionary endurance. Together, they argue that Kachin womens’ roles in farming, teaching, organizing, and caregiving within Kachin Independence Organization–controlled areas constitute real governance, and not merely domestic support. Stella reframes gender as relational, noting that rigid expectations of masculinity have harmed men as well. “When they can no longer perform the values that define them as Kachin men… they take their own life!” They extend this critique to the international arena, contending that legitimacy is too narrowly defined through sovereignty and armed control. The sustaining labor that makes resistance governance possible remains politically undervalued, and Jenny and Stella want conflict analysis and policy engagement to more explicitly account for this foundational layer of local governance. They stress that the governance sustained by women is politically indispensable, so it should be studied, supported—and valued—accordingly In the end, their commitment remains unequivocal: “We’d rather live and fight for freedom than to submit,” says Stella. “People are willing to die, so they will continue fighting. It's not going to end, but we can end it soon by supporting these resistance actors, who made up for pluralistic states, and support civil society groups who can hold EAOs and EROs accountable.” | — | ||||||
| 4/7/26 | ![]() From a Mirrorless Cell | Episode #515: Toru Kubota is a Japanese documentary filmmaker who believes storytelling can foster empathy beyond abstract argument. A political science student at Keio University who developed an interest in refugee issues, in 2014 he joined a student project interviewing Rohingya refugees in Japan. Using a camera for the first time, he helped produce a short documentary about their lives. In 2016, Kubota traveled to Sittwe in Rakhine State and entered camps housing Rohingya displaced after the 2012 violence. Though officially designated as internally displaced persons camps, he saw them as places of confinement, where communities were segregated and deprived of adequate services. Filming an accidental fire inside one camp became a turning point; editing the footage later convinced him of film’s power to convey lived experience. Following both the military’s 2017 campaign against the Rohingya and the 2021 coup, Kubota returned each time to Myanmar to document events unfolding there. While filming a protest in 2022,soldiers arrested him at gunpoint and used staged photographs as evidence of his participation. He was charged with incitement and immigration violations and sentenced to ten years in prison. Fortunately, diplomatic pressure was able to secure his release after 111 days in detention at the notorious Insein Prison, where he had endured solitary confinement and struggled with despair. Since then, Kubota has supported exiled Myanmar journalists in a variety of different ways. His film “Borderline Resistors” follows exile media collectives along the Thai–Myanmar border. Reflecting on his imprisonment and the fragility of civil liberties, he recalls something an activist once told him: “Freedom is like air. You never appreciate it when you can breathe freely. But you finally realize how important is when you get drowned in water.” | — | ||||||
| 4/6/26 | ![]() Tremors | Episode #514: Richmond Heath, an Australian physiotherapist, longtime vipassana meditator and senior trainer in tension and Trauma Releasing Exercises (TRE) discusses the involuntary movements that arise for some people in meditation. He argues they are not signs of dysfunction, but rather expressions of underlying bodily processes. It’s how a person relates to them that matters most. In his late twenties, Heath developed chronic pain that resisted conventional treatment and forced him to abandon the physical activity that had once grounded him. Turning to vipassana meditation in the tradition of S.N. Goenka, he encountered intense discomfort but discovered that pain was partly a reaction layered onto sensation. By observing it rather than resisting it, its character changed, opening a new way of relating to the body. As his practice deepened, spontaneous movements began to arise. These ranged from subtle shifts to complex, fluid postures that felt unexpectedly free rather than painful. Because he was not consciously producing them, he experienced them as something happening through the body rather than something he was doing. Yet neither medical nor meditative frameworks could account for it. His vipassana teachers discouraged the movements, and eventually he was asked to leave a retreat; medicine, in turn, tended to framed them as manifestations of pathology. Despite this, he trusted his experience and continued observing. He later described these as “neurogenic movements” and came to understand them as part of a broader rhythm of activation and release. While initially interpreting them as trauma discharge, he expanded this view, noting similar patterns in early development, cultural practices, and states of heightened energy. This led him to conclude that no single framework fully explains the phenomenon. Encounters with Aboriginal elder Jack Beatson and later TRE provided validation and context. TRE, which deliberately elicits similar movements, confirmed that such responses can be accessed intentionally, but also reinforced that they function best when not controlled. Heath emphasizes discernment: the same process can regulate or destabilize depending on how it feels. His guiding question—“are you okay, and is it working for you?”—extends beyond meditation to everyday experiences, reframing reactions like panic as part of the body’s attempts to adjust. Even in extreme conditions, such as conflict zones, these processes may offer limited but meaningful relief. Ultimately, Heath maintains an openness to interpretation, grounded in a simple principle that the Aboriginal elder told him: “Enjoy the ride!” | — | ||||||
| 4/3/26 | ![]() Between War and Peace | Episode #513: Georgi Engelbrecht of the International Crisis Group links two stories that matter for Myanmar: the Mindanao peace process and Russia’s ties to authoritarian partners in Southeast Asia.He begins in the Philippines with what he calls the conflict’s “master cleavage” — Muslim communities inside a state seeking self-determination against what they see as colonial intrusion. That grievance was reinforced by migration, exclusion, and underdevelopment until it hardened into decades of separatist war. But the macro narrative never explained everything. Alongside it ran “horizontal violence”: clan feuds, communal disputes, and local power struggles that don’t disappear just because a deal is signed.For Engelbrecht, the 2012 and 2014 agreements with the Moro Islamic Liberation Front were a turning point, not an ending. The MILF largely abandoned fighting, the Bangsamoro autonomy project became real, and governing structures took shape after the autonomous region was established in 2019. Yet the region remains “in flux,” with delays, elite rivalries, contested legitimacy, and violence that has shifted rather than vanished.From Mindanao he pivots to Myanmar and what major powers mean by “stability.” Russia’s push into Asia, he argues, accelerated with its rupture from the West, as Moscow sought partners and arenas beyond Western leverage. In Myanmar, that lens favors the junta: Russia tends to read rebellion as instability and the central state as the default counterweight. With pipelines for hardware, parts, training, and contact, “Myanmar, because of Russia's help, is not that isolated anymore,” and perceptions of durability become a force multiplier.His wager is blunt: “Russia is banking on victory of the regime.” China, by contrast, cannot afford distance and hedges across actors because Myanmar’s disorder sits on its border. As Engelbrecht puts it, “Chechnya [for Russia] is probably what Myanmar is for China.” For Moscow, this becomes part of a broader pattern—how Russia shows it can keep partners standing, stay relevant beyond Western systems, and act as a patron for regimes the West is trying to isolate. For Myanmar, that means the relationship isn’t a blueprint for victory—but it can function as scaffolding: not determining the war’s shape, but bracing the regime’s ability to persist. | — | ||||||
| 4/2/26 | ![]() Left Behind | Episode #512: “The overall consequences are so bad that I myself urged the Norwegian government to stop some of this.” Hanne Sophie Greve, a Norwegian judge and long-time human rights jurist, argues that Telenor’s conduct in Myanmar created foreseeable and preventable pathways to severe human rights harm, but existing legal systems struggle to respond proportionately. She frames the case as both a corporate failure and a test of how Norway—a state that portrays itself as committed to democracy and human rights—handles the risks created when a majority state-owned company operates in a fragile political environment. Greve reconstructs Telenor’s entry into Myanmar during a period of political opening, when optimism about liberalization was widespread. She notes that Telenor had a strong reputation for transparency and human-rights due diligence, which she describes as a tool designed to identify high-risk contexts. Precisely because of that due diligence, Greve identifies the company’s first major failure: Myanmar’s telecommunications sector was structurally high-risk even during the democratic transition, because the legal system lacked safeguards, and Telenor knew this. She argues that the company should have insisted on legal protections and planned for an emergency exit. When political conditions deteriorated and sanctions reinforced those risks, Telenor still failed to act on what it knew. The second failure was Telenor’s handling of real-time interception equipment. Although lawful when imported, Telenor kept it in Myanmar after sanctions were imposed and was later operationalized by the military. She emphasizes that leaving such capacity behind in a country sliding toward authoritarian violence is not a neutral act. She also strongly criticizes Telenor’s exit and sale of its Myanmar operation to a military-linked entity, arguing that sensitive data should have been deleted rather than left accessible. Greve describes the situation in present-day Myanmar as a constant conflict in which surveillance enables arrests, repression, and lethal violence. While she says Telenor’s criminal liability under Norwegian law remains legally uncertain, she argues that if responsibility is established it would attach to the company itself, not individual employees. She concludes by treating the case as a warning about how control over communications infrastructure directly affects whether a society can function at all, and she expresses hope that Norway can support a peaceful transition for Myanmar’s people. “I would love to see my own country in Norway participating in bringing about that peaceful transition for the benefit of the people of Myanmar.” | — | ||||||
| 4/1/26 | ![]() Bonus Episode: Shelter From The Storm | In this bonus episode, Better Burma’s monastic donation manager, Mora, shares what he has been seeing on the ground in Myanmar after years of conflict and displacement, now compounded by the March 28, 2025 earthquake. He explains why so much of Better Burma’s work runs through monasteries and nunneries, as these communities have become frontline sanctuaries for children, providing shelter, food, schooling, and basic healthcare for thousands who have nowhere else to go. Mora describes what it takes to deliver aid under current conditions, the scale of damage and urgent rebuild needs across sites in Sagaing, Mandalay, and surrounding areas, and what Better Burma has been doing since the quake, from constructing temporary and permanent housing to repairing collapsed walls and roofs and helping communities relocate out of unsafe structures. He highlights one orphanage nunnery caring for more than 90 children, including infants, now living in unsafe bamboo shelters after their building was destroyed, and he explains how economic hardship has crushed local giving, forcing some nunneries to travel long distances just to gather rice to send back to the children. He closes by underscoring how vast the remaining needs are, from classrooms and teaching halls to restored water access and basic monastic requisites lost in the debris, and invites listeners who want to support this work to donate at betterburma.org/donation. | — | ||||||
| 3/31/26 | ![]() Coming to Practice | Episode #511: Like many young Kiwis, Jarrod Newell wanted to see the world. Taking advantage of the special working holiday visas available in the United Kingdom, he traveled to London,where he participated in the city’s wild, partying lifestyle. After saving some money, he would pick up and find some new place to visit, ultimately making his way across cities and even continents. While attending hippy festival in Greece, he met a girl who had just completed a ten-day vipassana retreat in the tradition of S.N. Goenka, and told him of an upcoming course in Crete, and Jarrod went there straight away. The course experience was brutal, but had a deep impact on him. After ten years, he finally returned home, and now a committed meditator, sat and served regularly at the local vipassana center. When Jarrod heard that Goenka would be leading a pilgrimage through Burma, he knew he had to go. As soon as he stepped off the plane in the Golden Land, he realized he was somewhere special. He was especially moved by his sitting in in a cave at Shwe Taung Oo in Monywa, where Ledi Sayadaw used to reside nearly a century ago. It was there that the idea of ordaining as a monk came to him, and Goenka eventually gave him his blessing to take robes. Now a monastic, he returned to Shwe Taung Oo Pagoda, where he decided to sit six, 10-day self-courses in the style of Goenka retreats, with just one day between each. As a monk, Jarrod was greeted with open arms and an open heart by nearly every Burmese person outside the military that he came in contact with, and on more than one occasion was invited to remain in whatever area he was in for life, with promises that all his needs would be looked after. However, in the end, he decided to disrobe, and returned to New Zealand via India, where he sat a 60-day course. When he was 32, Jarrod enrolled in medical school, and met his future wife with whom he had three daughters. He has a medical practice, and has opened a business. “I'm just very much a householder,” he notes. But the memories from his time in the Golden Land are never very far away for Jarrod, and the lessons from those years are precious. | — | ||||||
| 3/30/26 | ![]() On the Threshold | Episode #510: “I'm not an activist,” says Bart Was Not Here, a Burmese artist whose politically oriented work reflects a life shaped by dictatorship and displacement. He argues that art creates a space where memory, humor, fear, and imagination can coexist, allowing both artist and viewer to navigate political realities in ways that ordinary language cannot. Bart sees current global politics as part of a wider shift toward more extreme forms of power. Myanmar’s experience, he explains, no longer feels unique but echoes developments now taking place elsewhere. This awareness shapes both his personal outlook and his artistic practice. As an individual he worries about the state of the world, yet as an artist he values the act of creation as a protected interior space from which to observe, reflect, and transform experience into form. Satire plays a central role in his work, as Bart argues that humor can deflate authoritarian power by exposing its absurdity; a practice that Burmese have long been trained in doing. In a society familiar with repression, he notes how humor becomes a subtle form of resistance. For Bart, absurdity reveals how power, while often appearing grand, can be exposed as brittle and theatrical. These ideas shape his recent exhibition, Threshold. The project emerged after he moved to the United States and received an immigration identification number for non-citizens. The label struck him as a strange science-fiction scenario—a “Third World alien” entering the first world. From this experience he developed the idea of a threshold: a suspended, liminal space between departure and arrival where identities shift and renegotiate themselves. It is an interconnected world rather than a series of isolated paintings, and populated by both mythic characters and archetypes from his own internal landscape. Through his layered environments, Bart explores systems of control, waiting, and escape. Ultimately, however, he insists that art should remain playful and exploratory. As he puts it, “Nothing is really that deep… it’s all spectacle and entertainment.” | — | ||||||
| 3/27/26 | ![]() Reality Bites | Episode #509: “I don’t have hope. But I think that this is something that I should accept. It is reality.” Chalida Tajaroensuk, a longtime advocate of democratic reform and human rights across the Southeast Asian region, argues that human rights work collapses when it is built on prediction rather than conditions. Her account begins in a provincial Buddhist temple where community care wasn’t an abstract virtue but daily labor among the elderly, the poor, and those without family. From there, she traces a path through Thai student activism, the violence of the 1970s and 1990s, and a period in the jungle alongside the Communist Party, followed by disillusionment with ideologies that promise total change while leaders chased private benefit. Against grand theories, Chalida advocates a method that stays stubbornly small and specific—bailing people out of detention, negotiating with authorities, finding schools for Myanmar children who can’t study in Thai, persuading landlords to accept refugees who must report regularly, building neighborhood trust so displaced people can survive with dignity. “Do a small thing, and then when you have success, you feel success with the small.” Chalida extends that realism to refugee policy, arguing that reforms can still fail in implementation through language barriers, exploitation, and the hollowing out of camp life when key workers are forced to leave. On Thai public life, she is blunt about worsening conditions and the shortage of leaders she trusts, although what remains is obligation and repetition—ground-level fact-finding, people-to-people exchange, and the insistence that action continues even without a promised ending. Asked why she keeps going, Chalida returns to responsibility, not optimism. “I think that this is my duty.” She does not promise outcomes. She does not offer closure. She insists only on the smallest honest pledge: “Today we do today’s best.” | — | ||||||
| 3/26/26 | ![]() The Justice League | Episode #508: Damian Lilly, a veteran humanitarian and human-rights specialist, who has worked in conflict zones across the world, believes assistance must be joined with protection and accountability. “We can’t just be there to assist people—we also need to be there to protect them.” He formed this conviction through his work with Médecins Sans Frontières, documenting sexual violence in places such as Afghanistan, South Sudan, and the Congo and turning testimony into pressure on governments. Working with the UN, he returned to South Sudan later as Senior Advisor on the Protection of Civilians. The civil war there drove more than 250,000 people into UN compounds, and although his work helped shelter so many people, he looks upon it as a failure because in the end, there was no justice or redress. Protection without justice, he says, “really loses sight of what we’re trying to do.” Later on, he was posted in Gaza in his role as UN Relief and Works Agency for Palestine Refugees: during that time, there were three Israeli military incursions into the territory between 2008 and 2014, with no real repercussions, which only reinforced to Lilly how impunity fuels repeated wars. Accountability, he says, fails not for lack of law but ofpolitical will. When his wife, also a UN employee, received a posting to Myanmar, Lilly and his family moved to Yangon. This was shortly before the coup. He reports watching the tanks roll down the streets. In response, Lilly co-founded the Myanmar Accountability Project (MAP) to pursue prosecutions abroad through what is called “universal jurisdiction,” where crimes against humanity in one country can be prosecuted in another country’s national courts. MAP is seeking cases in countries like Indonesia, the Philippines, and Turkey. Lilly critiques the International Criminal Court and UN Security Council for their paralysis, timidity in engaging the junta, and reluctance to recognize the NUG as the people’s legitimate representative. While the UN employs the claim of neutrality to justify continued relations with the junta, Lilly argues that true neutrality means fidelity to humanitarian principles, not moral equivalence. Despite bureaucratic inertia and shrinking aid budgets, Lilly insists that localization, persistence, and creative legal action can still advance justice. “It is a complex area,” he says, “but an important part of how we address many of these situations.” | — | ||||||
| 3/24/26 | ![]() Terra Incognita | Episode #507: “It’s a process of learning and unlearning, and understanding that knowledge exists in many places and is everywhere, not just in the academy,” says Davina Quinlivan, an Anglo-Burmese writer and research fellow in English and Creative Writing, of her second memoir, Possessions. Her first book, Shalimar, reconstructed her father’s wartime childhood in colonial Burma through historical inquiry, while Possessions turns toward embodiment and the present, exploring how inheritance lives in memory, belief, and the body. Quinlivan recounts her parents’ Anglo-Burmese backgrounds: born before World War II, they knew each other in Burma before their families emigrated to England in the mid-1950s amid post-independence uncertainty. After marrying other partners, they reconnected decades later and married. Raised in West London in the 1980s, Quinlivan grew up with an inherited Burma shaped by atmosphere and narrative. Though she never experienced what her parents described, their stories formed her imaginative interior. Knowledge in her childhood home was transmitted not through books or institutions but through language, food, fragments of memory, and silence. As the first in her family to attend university, she immersed herself in film and French feminist philosophy, later completing a doctorate and building a long academic career. Yet she began to question the hierarchy that privileges institutional knowledge over embodied and inherited forms. Living in rural Devon with her husband and children, she found English folklore—oak trees, medieval churches, Green Man carvings—entering into dialogue with Burmese cosmology. When her youngest son suffered recurring febrile seizures, she rendered the experience through mythic frameworks, imagining ancestors as active presences. Rather than resolve identity into a single narrative, Possessions holds together multiple landscapes, histories, and ways of knowing within one life. | — | ||||||
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Chart Positions
5 placements across 5 markets.
Chart Positions
5 placements across 5 markets.
