Instant Classics

What happened to Helen after the Trojan War? Mary and Charlotte pick up the trail of mythology’s most famous femme fatale as she makes the long journey home from Troy. The big question at the end of the previous episode was whether her husband Menelaus would kill her as revenge for betraying him with Paris. Needless to say, her charms win out and, after a long stop in Egypt, where she acquires some amazing accessories, they return home to Sparta. Just in time for Telemachus, son of Odysseus, to arrive and ask them if he knows where his father is? The Helen of The Odyssey Book 4 takes us by surprise. She and Menelaus have settled into a rather humdrum domestic companionship. And it raises the question: was all that fighting and bloodshed worth it? For this? Just as fascinating as Homer’s surprise depiction is a theory embedded in Greek texts that Helen never actually went to Troy, but sat out the whole affair in relative safety in Egypt. The Helen people saw on the ramparts of Troy was simply an eidolon - an image. Mary and Charlotte show how the true nature of Helen - villain, victim or double agent? - provided an endless source of debate, and opportunities for creative flights of fancy, in the ancient world. Finally, they look at a few of the different accounts of her final years. @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: In addition to the reading recommended for the earlier episodes: The whole tradition of the phantom of Helen is discussed in detail by Norman Austin in Helen of Troy and her Shameless Phantom (Cornell UP, 2018) Helen and Menelaus in Sparta feature in Book 4 of the Odyssey (with a detailed recent discussion by J Burgess in The Oxford Critical Guide to Homer’s Odyssey, ed Christensen (Oxford UP, pb, 2025)) Herodotus’ account is at his Histories 2, 112 ff Euripides’ play Helen is available online here https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0100 though it is a rather old-fashioned translation (be warned!) and there is a full performance (by students) on YouTube here: https://www.youtube.com/watch?v=-MVyAZbRaK0 Emily Wilson translated Euripides’ Helen as part of a recommended (if you want to go for it) fat selection of Greek plays in recent translation: The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides (Modern Library Classics, pbck, 2017) edited by Mary Lefkowitz and James Romm Instant Classics handmade by Vespucci Producer: Jonty Claypole Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

When Paris, a Trojan prince, abducted Helen of Sparta, the Greeks came in hot pursuit and besieged Troy for ten years. But what was Helen’s role in all this? Was she really kidnapped, or did she elope? And whose side was she really on during the ensuing war? Mary and Charlotte turn to a variety of ancient texts to explore these questions. In Homer’s The Iliad - the longest and greatest account of the war - Helen isn’t even one of the main characters. She watches Paris and Menelaus fight a duel in her name, draws the admiration of old men, and spends some sexy time with Paris. In The Odyssey, we find out about her role in the final episode of the war - the Trojan Horse. Here she appears more of a double agent: secretly communicating with Odysseus, but also tormenting his soldiers. In Virgil’s Aeneid, she is a hate figure and a focus of murderous fantasies for the hero Aeneas. Finally, Mary and Charlotte look at The Trojan Women by Euripides, where Helen defends herself as a victim of the gods and her own beauty. Menelaus plans to slaughter her, but we know by the end of this play that is unlikely. What happens next is the focus of the next episode! @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: The key sections of the Iliad that feature Helen are Book 3 (where she appears 4 times), Book 6, 342 ff and towards the very end of Book 24. Helen herself and Menelaus tell her story of the war in Odyssey Book 4, esp. 220ff. Aeneas’s outburst against Helen is in Virgil Aeneid Book 2, 567 ff. Key modern works on Helen and her role in myth and literature are: Ruby Blondell, Helen of Troy: Beauty, Myth, Devastation (Oxford UP, pb, 2015) Bettany Hughes, Helen of Troy: Goddess, Princess, Whore (Pimlico, pb, 2013) Instant Classics handmade by Vespucci Producer: Jonty Claypole Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

We may think of Ancient Greek warfare as scantily dressed musclemen thrashing it out on the desert plain (and there may have been an element of that), but there was a whole other side of spy work too. Much of this was the result of its fraught relationship with the vast Persian empire to the east - a centuries long rivalry which makes the Cold War look like a hot skirmish. Mary and Charlotte share some of the surviving stories of Ancient Greek espionage, including secret messages concealed in women’s earrings and even tattooed onto an enslaved person’s head. Most of these stories focus on writing and it’s a reminder that in the Ancient World, writing was as innovative and inherently suspicious as drones are to us today. Societies with advanced written culture had the technological upperhand on their rivals, so it’s little surprise that the surviving stories about spies reveal an anxiety about this new form of communication. @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: The story of Bellerophon is told in Book 6 of the Iliad (the “dangerous signs” line 165) The stories of Gorgo can be found in Herodotus, Histories Book 5, 49 and Book 7, 239 (she is described as one of the first cryptanalysts by David Kahn in The Codebreakers (Scribners, 1996)). She is one of the women who features in Sarah B Pomeroy, Spartan Women (OUP, pb, 2002). Herodotus Histories Book 5 (chaps 35 ff) describes the message tattooed into the slaves head. Aeneas Tacticus: the relevant passage is at section 31.20 The revolutionary effects in general of early literacy (and different technologies of writing) are discussed by Walter Ong, Orality and Literacy (Routledge pb, new ed. 2012). For Greece, in particular, Oswyn Murray’s Early Greece (Fontana pb, 2nd ed, 2010) stresses the importance of the beginnings of writing. Instant Classics handmade by Vespucci Producer: Jonty Claypole Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Since Instant Classics launched, we’ve loved getting your questions and ideas for topics. So for our New Year’s Day episode, Mary and Charlotte respond to some of those which have tickled their curiosity too. Where did the Romans stash their cash? What was a trip to the doctor like for women? Why do some people still try to speak (rather than just read) Latin? Was there a Jewish community in Roman Britain? And are there any feminist role models in the pantheon of ancient gods? While it is easier to answer some of these questions than others, each gives an insight to an area of the classical world we haven’t yet examined - and reminds us that however close we think we are to the ancient Romans or Greeks, huge parts of their lives and the way they thought about the world are lost to us. Just when we think we have a handle on them, they elude our grasp once again. Charlotte and Mary’s reading suggestions Jean Andreau, Banking and Business in the Roman World (Cambridge UP, 1999) is a short guide to what Roman “bankers” got up to. For valuables stored in the Temple of Castor, see Juvenal, Satires 14, 260ff The Mildenhall Treasure, now in the British Museum: For a translation of Soranus’ On Gynecology (the qualities of a midwife are discussed near the start of Book1) Hippocrates’ words of wisdom on midwives Hippocrates on the medical dangers of being a virgin For a good online article of Roman midwives, with images of their tombstones: An article on learning to speak Latin via the Oxford Latinitas Project For teaching Latin in the 1920s by the so-call “Direct Method” Article on a possible Jewish tombstone in Roman Scotland (Warren, M., 2023, Invisibility, erasure, and a Jewish tombstone in Roman Britain. Journal for Ancient Judaism, 14 (1). pp. 1-20.) Plus – the tombstone in question with its decoration of palm fronds (or menorahs?) Mary discusses kosher garum in her book Pompeii: The Life of a Roman Town (Profile, 2009) @instaclassicpod for Insta, TikTok and YouTube@insta_classics for Xemail: instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Ancient Greeks, it’s often said, invented theatre - and the plays they wrote are still big box office today, particularly when you have a Hollywood star in the main part. In this episode, Mary and Charlotte wonder what a day at the theatre in Ancient Athens was actually like. Did it bear any resemblance to theatre-going experience in the West End or Broadway today? The more one gets into the nitty-gritty of Greek theatre festivals - the military parades, hymn singing, displays of war booty, processions of unmarried girls, orphans, and large phalluses - the more alien it seems. The fact that it took place in the open air and the actors wore masks is the least of it. So what was really going on when the Athenians got together to watch a play? Why was the state so involved? And would Mary and Charlotte, as women, have even been allowed in? @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com On Greek theatre, the context and the practicalities… Good accessible introductions are: The Cambridge Companion to Greek and Roman Theatre, ed. McDonald and Walton (Cambridge UP pb, 2011) The Cambridge Companion to Greek Tragedy, ed. Easterling (Cambridge UP pb, 1997) There is a crucial academic article on the pre-performance ceremonies by Simon Goldhill: 'The Great Dionysia and Civic Ideology', reprinted in Nothing to Do with Dionysos? Athenian Drama in Its Social Context, ed. Winkler and Zeitlin (Princeton UP, pb 1992) Greek Tragedy: Suffering Under the Sun by Edith Hall Instant Classics handmade by Vespucci Producer: Jonty Claypole Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Recorded live in an actual Roman amphitheatre underneath the Guildhall Art Gallery in London, Mary and Charlotte uncover the (Roman) origins of one of the world’s great cities. London’s Roman amphitheatre may not be the Colosseum, but it’s thought it could hold up to 7,000 spectators, which is not nothing in the ancient world. London was founded soon after the invasion by the Romans in 43 CE as a port city, on the lowest bridgeable part of the Thames, and it quickly became a hub of trade and commerce. By the 60s CE, it was significant enough for Boudica to have a crack at burning it to the ground (and the archaeology suggests she was successful). But what was the city like – and does it bear any relation to its modern counterpart? Evidence suggests, then as now, London was a multicultural city, and part of an administrative and trade network that connected it to the opposite edges of the empire and beyond. From London we have tombstones of men born in Antioch and Athens. And evidence of several religions with origins in far-flung parts of the empire, including the cult of Mithras, which developed in Iran; Isis, originally from Egypt; and Cybele, with its roots in Asia Minor. Finally, Mary and Charlotte come back to the ground beneath their feet. Who would have come to this amphitheatre back in the day? And what took place? In all honesty it’s best not to think of Russell Crowe and lions. Rather some local pot-bellied thugs and wild boar from the local forests. But there’s space for both, right? Our thanks to the Guildhall Art Gallery, the City of London Corporation and the Cultural Mile Business Improvement District for hosting us. And do visit London’s Roman Amphitheatre. It’s open Monday to Sunday 10am-5pm. It is very much worth a visit and it is FREE. Content warning: Mary and Charlotte have a squeamish conversation about a Roman instrument now in the British Museum which may or may not have been used for castration. @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: Mary recommends Charlotte’s Under Another Sky (Vintage pb, 2014), showing how the remains of the city still have an impact now. Roman Britain, by Richard Hobbs and Ralph Jackson, is a beautifully illustrated and concise guide to the province – with a photo of the infamous castration tool (British Museum Press, pb, 2010) A recent survey of the whole history of Roman London is: Richard Hingley, Londinium: A biography (Bloomsbury pb, 2018) For more information on Roman shoes: https://www.londonmuseum.org.uk/blog/these-boots-were-made-for-romans/ For a visit to the temple of Mithras: https://www.londonmithraeum.com/ The full text of the document of the sale of Fortunata is here: https://romaninscriptionsofbritain.org/inscriptions/Brit.34.22 Instant Classics handmade by Vespucci Producer: Jonty Claypole Executive Producer: Natalia Rodriguez Ford DoP:Jéromo Monnot Camera Operator 1 and Photgrapher: Guillaume Valli Camera Operator 2: Vera Novikova Sound Engineer: Nathan Cucharo Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the second of this two-part special, Mary and Charlotte rejoin Boudica as she marches on London, continues her path of destruction, and finally meets the Roman army on the battlefield. It’s a dramatic story, complete with Boudica’s rousing speeches to her troops and her death by suicide when she realises the battle is lost. The Roman historians who tell this story depict her as a brutal perpetrator of war crimes, but… they also present her as a victim, brave warrior and inspiring speech-giver, able to skewer the injustice of Roman imperialism. The question is: why? Why do Roman historians, who had sole control of the narrative, portray Boudica as the agent of a just cause? Today, we rarely treat our enemies with such sympathy. The presentation of Boudica’s story gives fascinating insights into how the Romans not only tolerated but, to a certain extent, even encouraged criticism. Finally, Mary and Charlotte investigate the after-life of Boudica’s legend, ending with her status as a hero in Colchester - the very town she razed to the ground. And if you fancy driving round the Boudica roundabout a few times, it’s on Turner Road near Colchester North Station! @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: The main ancient texts are: Tacitus, Agricola 14-16; Annals 14, 29-39; Dio Cassius, Histories of Rome 62, 1-2, all conveniently collected at https://www.roman-britain.co.uk/roman-conquest-and-occupation-of-britain/boudica-the-iceni-warrior-queen/boudica-classical-references/ Richard Hingley and Christina Unwin, Boudica: Iron Age Queen (Hambledon Continuum pb, 2006) is an accessible account of Boudica from the Iron Age to her modern representations. Hingley reviews the evidence and some of the books on the subject, including his own, at https://fivebooks.com/best-books/boudica-richard-hingley/ Charlotte tells the story of Boudica, and discusses some of the ways she has been represented, in her book Under Another Sky: Journeys In Roman Britain (Vintage, 2014) You can find a detailed history of Thornycroft’s statue in Martha Vandrei, ‘A Victorian Invention? Thomas Thornycroft’s ‘Boadicea Group’, Historical Journal 57 (2014). The verses on the plinth are taken from William Cowper’s poem Boadicea. The Roman tombstone of the official who blew the whistle on Suetonius’ reprisals against the British, Julius Classicianus, can be seen in the British Museum. Instant Classics handmade by Vespucci Producer: Jonty Claypole Executive Producer: Natalia Rodriguez Ford Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices