Jack Dappa Blues Heritage Preservation Radio

Presented by: Jack Dappa Blues Heritage Preservation FoundationIn partnership with The African American FolkloristThis in-depth session brings together leaders grounded in Indigenous identity, tribal sovereignty, and reclamation work to guide participants through the process of connecting and reconnecting families to tribal ancestry.💬 One powerful takeaway?Blood quantum doesn’t equal identity. In this conversation, we unpack how someone can be recorded as having no blood quantum in the Cherokee Nation — not because they aren’t Indigenous, but because they’re from a different tribal nation (like Muscogee Creek). It’s a detail that seems small but carries deep implications for how ancestry is recorded, denied, or erased.This master class covers:Navigating Freedmen and tribal recordsUnderstanding rejection letters as historical archivesMisclassification in blood quantum and tribal rollsUsing the Guion-Miller and Dawes Rolls to uncover family storiesHow Black and Indigenous communities intersect in these histories📺 Now streaming for paid members.Support the work. Reclaim the knowledge. Restore the lineage.

Jack Dappa Blues Heritage Radio presents:Mojo Workin’: Dr. Katrina Hazzard-Donald on Hoodoo, Blues, and the Black Belt TraditionIn this culturally rich and significant episode of Jack Dappa Blues Radio, we welcome renowned folklorist, sociologist, and dance scholar Dr. Katrina Hazzard-Donald for an in-depth discussion on Black Belt Hoodoo, Blues culture, and African American sacred traditions.In this episode, we explore:The African origins and survival of Hoodoo as a metaphysical systemThe jook joint as a sacred space of spirit, resistance, and joyHow Blues music operates as ritual, cosmology, and cultural memoryThe overlap between Dr. Hazzard-Donald’s work and the Blues Ecology frameworkDr. Hazzard-Donald is the author of Mojo Workin’: The Old African American Hoodoo System and Jookin’: The Rise of Social Dance Formations in African American Culture. She is a professor emerita at Rutgers University, a Yoruba/Lukumi initiate, and a lifelong cultural worker dedicated to preserving and interpreting Black Southern lifeways.🪕 Hosted by Lamont Jack Pearley, traditional Blues artist, applied folklorist, and founder of Jack Dappa Blues Heritage Preservation Foundation.Become a Patreon🔗 Visit us at: https://www.patreon.com/jackdappablues💬 Share your thoughts in the comments and help amplify Black traditional knowledge.🎧 Subscribe for more episodes that center Black folklore, cultural heritage, and Blues history.

Each month, The African American Folklorist honors a Black scholar whose life’s work is immersed in the deep study and preservation of African American folkways, knowledge systems, and community truth-telling. For June, we recognize Dr. Elisha Oliver, a biocultural anthropologist, visual ethnographer, and Executive Director of Texas Folklife, as our African American Folklorist of the Month.Dr. Oliver’s scholarship is rooted in lived experience, land memory, and embodied care. Her work crosses the fields of anthropology, folklore, health equity, and the arts, tracing the relationships between space, place, food environments, and Black wellness traditions. Through rigorous fieldwork and visual storytelling, she brings to light the narratives often overlooked in mainstream academia and institutional folklore.In this episode, we’ll explore how Dr. Oliver uses film, photography, and the spoken word to document the intersections of storytelling, traditional healing, and environmental sustainability. We’ll discuss her contributions to the American Folklore Society, the Society for Ethnomusicology, and her role as a Zora Neale Hurston Award winner and Wenner-Gren Public Scholar Fellow. And we'll go deep, into land as medicine, Black maternal health, and the importance of centering community in every research question asked.https://texasfolklife.org/eoliver@texasfolklife.org

In this episode of Jack Dappa Blues Radio, we welcome Kandia Crazy Horse, Afro-Indigenous musician, rock critic, author, and frontwoman of the genre-defying band Cactus Rose NYC. From the newsroom to the stage, Kandia has blazed a singular trail across rock, country, and Americana—reclaiming sound as a site of cultural sovereignty, survival, and storytelling.We dive into her legacy as editor of Rip It Up: The Black Experience in Rock ’n’ Roll, her academic work at Princeton University, and her bold mission to center Afro-Indigenous identity in American roots music. Her concept of “sonic sovereignty” challenges colonial gatekeeping in music, and her voice—both literal and literary—carries the spirit of revolution.🎶 Listen to Kandia Crazy Horse’s music:👉 Spotify – “Gravedigger Gonna Cut You Down” Spotify - "Cactus Rose NYC" 🔗 Featured Topics:Afro-Indigenous identity in musicReclaiming Americana and country bluesThe politics of sound and representationCactus Rose NYC and creative freedomRip It Up and the Black Rock archiveCultural revolt in music journalism and academia

🎙️ REPLAY: The Blues Narrative — The Next Chapter of the Slave NarrativesOriginally aired: Late March Broadcast | 9 PM CSTPresented by: Jack Dappa Blues Heritage Preservation FoundationIn partnership with The African American Folklorist and We The Blues PeopleWe are proud to share the full replay of our special broadcast that launched a new chapter in our cultural memory work — The Blues Narrative.This powerful episode explores the lived experiences of the Children of The Great Migration — the Blues People whose lives carry the rhythms of survival, resistance, and Black cultural power in the face of systemic oppression.In this broadcast, you’ll experience:🎤 First-hand accounts and oral histories from tradition-bearers🎶 Blues soundscapes that score our shared historical memory📚 Critical theory grounded in Black ecological, cultural, and musical traditions🗣️ Reflections on how the Blues functions as both archive and resistanceThis series is the continuation of the Slave Narratives — a living archive voiced by those who inherited the legacy and forged new paths through song, story, and sound.📡 Available now to members.Your support helps us preserve, publish, and share the Black oral tradition — rooted in the real lives of our elders, our communities, and our future.👉🏾 Join us, support the work, and be part of the Blues Narrative.

In this episode of The African American Folklorist, we honor Dr. Ebony Bailey as Folklorist of the month of May. Dr. Bailey is a dynamic scholar, writer, and cultural worker whose groundbreaking research intersects Black Literature and Folklore. Dr. Bailey explores how African Americans have historically been both represented as “the folk” and how they have powerfully redefined that term through literature, activism, and cultural intervention.We dive into her acclaimed article, (Re)Making the Folk: Black Representation and the Folk in Early American Folklore Studies (Journal of American Folklore, 2021), and discuss her public talk, Re(Making) the Folk: The Folk in Early African American Folklore Studies and Postbellum, Pre-Harlem Literature. Through this dialogue, Dr. Bailey highlights how early Black writers and intellectuals used folklore as a site of resistance, cultural affirmation, and narrative control.She also shares insights from her work as a museum researcher with Kera Collective and her leadership in equity-centered initiatives within the American Folklore Society. As a contributor to The African American Folklorist platform, Dr. Bailey helps shape the future of folklore by amplifying Black voices, reclaiming tradition, and challenging dominant narratives.Join us for a rich and necessary conversation on race, representation, and the reclaiming of folk knowledge.

In this month’s episode of The African American Folklorist, we shine a spotlight on Dr. Constance Bailey—Assistant Professor of African American Literature and Folklore at Georgia State University, and an innovative scholar whose research explores Black women’s comedy, speculative fiction, and African American oral traditions.A native of Natchez, Mississippi, Dr. Bailey’s work is grounded in the richness of Southern Black culture, Black humor, and the possibilities of Afrofuturism. In this engaging conversation, we discuss her academic journey, her role as a digital media editor for the American Folklore Society, and her forthcoming book The Black Folktastic: Black Speculation and the Sankofa Aesthetic. We also explore how folklore, humor, and speculative storytelling are powerful tools of resistance, cultural memory, and imagination in Black communities.Join us as we celebrate Dr. Bailey’s contributions to the field and highlight the significance of preserving and teaching Black folklore in contemporary spaces.https://constancebailey.com/

The blues is more than just music—it’s history, it’s storytelling, and it’s the soul of Black American life. In this compelling live broadcast, we explore Writing the Blues—the ways Black authors, poets, and filmmakers have infused their works with the rhythm, pain, resilience, and triumph of the blues.From Langston Hughes’ poetic blues verses to Alice Walker’s deeply emotional narratives, from August Wilson’s stage masterpieces to period-piece films that use the blues as a backdrop, this discussion uncovers how Black storytelling in literature and cinema keeps the essence of the blues alive.Join us as we break down the themes of struggle, survival, love, and liberation found in both historical and contemporary works. We’ll examine films like The Color Purple, Ma Rainey’s Black Bottom, Ray, and Down in the Delta, alongside the written works of W.E.B. Du Bois, Zora Neale Hurston, and more.How does the blues shape Black narratives? How do these stories continue to evolve while honoring the legacy of the blues? Let’s dive into these questions together in an insightful, thought-provoking, and culturally rich discussion.🎙 Tune in live and join the conversation. Let’s keep writing the blues.

In this electrifying episode of Jack Dappa Blues, we sit down with the powerhouse that is Honeychild Coleman—a pioneering force in the world of punk, blues, and avant-garde music. A Louisville native and Brooklyn-based artist, Honeychild’s journey has taken her from busking in the New York subway to collaborating with legends like The Slits, Mad Professor, and Greg Tate’s Burnt Sugar Arkestra.As the frontwoman of blues-punk outfit The 1865, Coleman fuses raw energy with historical narratives, crafting sonic landscapes that echo the struggles and triumphs of Black American culture. Her music has graced films, documentaries, and television screens, all while staying true to her ethos of artistic resistance and community empowerment.In this candid conversation, Honeychild delves into the intersection of punk, blues, and Black identity, sharing how her lived experiences and sociocultural activism inform her art. From her early days in the underground NYC music scene to shaping spaces like Sistagrrl Riots, she continues to be a trailblazer for alternative Black voices in music.Join us as we explore the roots of rebellion, the power of storytelling through sound, and the unapologetic spirit of punk blues. This is an episode you won’t want to miss!Honeychild Coleman (The 1865 / Bachslider / The Phensic) Brooklyn, NY Louisville, Kentucky native recording/visual artist, and Sistagrrl Riots founding member Honeychild Coleman has worked with The Slits, Mad Professor, afro-futurist shoegazers Apollo Heights (The Veldt), Badawi (Raz Mesinai), Death Comet Crew (with Rammellzee), and the late Greg Tate’s Burnt Sugar Arkestra. Honeychild started her musical career during the hot summer of 1993 in the real underground – the New York City Subway system. Busking there, and eventually performing freestyle and improv weekly sets with DJs Olive (we™ /Liminal), Sasha Crnobrnja (Organic Grooves), Lloop (we™), Delmar (Jungle Sky), Fred Ones (Mike Ladd/Sonic Sum) and Badawi (Raz Mesinai) contributed to the unique niche that Coleman created within the New York City electronic scene of the mid-90's.She is featured in documentaries “Afropunk,” (James Spooner, USA), “Tina Turner:My Life. My Songs“ (Dir. Schyda Vasseghi, GERMANY), the MAKERS storytelling platform for trailblazing women (USA), "Fireflies" and "Getting My Name Up There" (Katarina Cibulka, AUSTRIA), Rock Chicks:I Am Not Female To You (Marita Stocker, GERMANY), and upcoming “Rude Girls” (Brigid Maher, USA). Coleman also made a cameo in Brooklyn film “Crooked” (Wordsound, USA) and has composed music in the Sundance awarded film "Pariah" (Dee Rees, Focus Features, USA) and indie short “P.R.” (Maria Paraskevopoulou, U.K./Greece). Coleman fronts Blues-Punk outfit The 1865 (Mass Appeal Records) on lead vocals and baritone guitar. The 1865’s music is in the Hulu series “Woke!” (USA, 2021) and composed an original song for Showtime’s “Everything’s Gonna Be All White” (USA, 2022). Coleman’s writing appears in RAZORCAKE ‘zine issue 138 and BLACK PUNK NOW! (Softskull Press,2023). Affiliations: Black Rock Coalition,Sistagrrl Riots, Underground Producers Alliance, Out Loud Louisville, Willie Mae Rock Camp, Human Impacts Institutehttps://www.instagram.com/hccoleman/https://www.instagram.com/the1865band/www.honeychildcoleman.comhttps://honeychildcoleman.bandcamp.com/https://shutitdowncomp.bandcamp.com/releaseshttps://the1865.bandcamp.com/album/dont-tread-on-we

On this episode, speak with Dr. Anika Wilson, The African American Folklorist of the Month for March! Wilson discusses her book, methodology, scholarship, and positionality as a Black Academic in the field. Anika Wilson (she/her) is Associate Professor and former chair of the Department African and African Diaspora Studies at UW-Milwaukee. She earned her doctorate in Folklore and Folklife Studies at the University of Pennsylvania and specializes in informal narratives (gossip, rumor, etc.). Her book Folklore, Gender, and AIDS in Malawi: No Secret Under the Sun (2013) was awarded the Elli Kongas Maranda Award for feminist scholarship in folklore in 2014. She teaches course topics related to African and African diasporic societies, expressive cultures, spirituality, and gender relations. Her current research project focuses on spirituality, sacredness, and the environment in southern Africa. ( American Folklore Society )

In this episode, we explore the rich cultural legacy of Black American music, focusing on the evolution from slave seculars—non-religious songs of survival, work, and resistance—to the development of the blues. Through stories, historical insights, and music, we uncover how enslaved African Americans used music to communicate, preserve their identity, and confront hardship. They also used their traditional expression to resist and revolt against ideologies and beliefs not part of their traditions. We also highlight the contributions of early folklorists, musicians, and modern artists who continue to keep these traditions alive. Join us as we celebrate the resilience and creativity that shaped American music and culture.

African American Folklorist of the Month - Larry Handy Larry Handy discusses with me the concept of Ethnopoetic theory (a method for analyzing and recording oral poetry and performances to capture the poetic elements of the original performance) and his love for archiving and being a librarian. Handy is a “Folklife Poet” and shares with us the meaning; he also dives deep into activism and protests. Larry lives in California, and we recorded this interview at the height of the California wildfires when he was a few miles away. In sharing his Journey to Folklore, he discusses Folk Consciousness and his "Tour of Duty," an LA Protest Memoir. BIO: Larry Handy is a folklife poet who leads the award-winning poetry band Totem Maples. His fiction, nonfiction, and poetry appear in such journals as The Coachella Review, Cog, Mosaic: Art and Literary Journal, Proximity, Quiddity, Rivet, Roi Fainéant, Storylandia, Straight Forward Poetry, and elsewhere. He holds an MFA in creative writing and writing for the performing arts from the University of California, Riverside, and a master’s in library science from Emporia State University. TWB Press published his horror novelette Paper Cuts: 1000 Paper Cranes. His essay “What to Do When Grandma Has Dementia” was nominated for a Pushcart Prize and was listed in The Best American series under Notable Essays and Literary Nonfiction of 2016. He is either practicing Chinese martial arts or running 26.2-mile marathons when not writing. Southern California is his home.