Jinx Navigator

Jinx Navigator Podcast — Episode 15: Issue #15 Issue #15 is a compact but well-stocked issue — a three-way out envelope used for real election-night publicity, a self-working spelling effect updated for American audiences, a coat-mounted ball retriever that takes Jay on a nostalgic tour of his heavily rigged performing jackets, and a parlor effect that Annemann calls the best drawing-room conception he knows. The editorial is sharp, covering glowing promotional eyes, a handwriting expert working a crystal ball act, and Annemann's blunt thoughts on how the magic community handles exposers. Effects Covered [0:52] Editorial — Theodore Annemann Annemann opens with a photo of Otis Manning landing a three-column front-page picture — full details promised next issue. He covers a lobby display trick using luminous paint on a promotional photo, a crystal ball act secretly backed by a handwriting expert sending personalized notes about audience members, and a practical tip about writing predictions on your own business card so people keep them. He closes with a pointed editorial on magic exposers — formal expulsion doesn't work, he argues, and watching the community immediately surround a known exposer asking to see his latest stuff proves it. [3:42] An Original Faked Envelope with a Publicity Angle — Theodore Annemann A three-compartment envelope that opens to a different compartment depending on which end is trimmed — content simply falls into the helper's palm, no fumbling required. Annemann describes using it during a local election: writing a prediction, having a newspaper editor sign it, apparently having second thoughts and sealing a new envelope, then returning after the results came in to verify it — leaving the clean original on the table and pocketing the faked one. Clean entry, clean exit. [5:21] A Different Card Spelling — George C. Hannemann A refinement of a spelling effect from Gibson's Houdini's Magic, updated for American audiences who don't call Jacks "knaves" or 2s "duces." A helper spells out their card's suit and lands on a matching suit, then spells the value and lands on a matching value — two separate arrivals, both exactly on cue, with no sleight of hand. Nineteen cards in a specific order near the middle of the deck, and the trick essentially runs itself. Hannemann also offers a handling that avoids a force entirely. [6:42] An Original Ball Dropper — Otakar Fischer A coat-mounted device that delivers a palmed ball with nothing more than a slight lowering of the arm and two fingers of gentle pressure — gravity does the rest. Fischer's key note is that the hand stays completely still throughout, and the dropper lies flat against the body once empty. Jay takes a nostalgic detour through his performing jackets of 40-some years ago, which apparently housed doves, pinned cards, a vanishing candle, and a giant card against the breast pocket simultaneously. [7:57] Diabolical Influence — Harris Solomon The performer writes a prediction, covers it with an initialed sticker, and leaves the room — from outside, he directs a series of apparently free choices: a card at a counted position, a named card, three random numbers. He returns, peels the sticker, and the prediction matches the card at the counted position. Two more cards match the other selections. The three numbers add up to the sum written under the sticker. The pocketed card is named, the deck shown complete. Annemann calls it the best parlor and drawing-room conception he knows, and Jay says he's going to try this one. [9:31] Outro Links and a preview of Issue #16 — featuring Doc Mifflin's "Again, a Prediction."

Jinx Navigator Podcast — Episode 13: Issue #13 Issue #13 arrives with two black cats overhead and Annemann unbothered — he notes the cat should be the worried one. The issue delivers practical stagecraft from a Viennese theater veteran, a publicity stunt involving a postage stamp and a ceiling, a newspaper prediction with mentalism flair, and a self-working eight-ace routine that Manning insists should be performed as one unbroken sequence. Effects Covered [0:56] Editorial — Theodore Annemann Annemann opens with a genuine pet theory: magicians do too many things in threes, and the third repetition risks nullifying the mystery entirely. Jay pushes back slightly — he's fine with threes, but argues that if you repeat something, at least vary what the audience perceives. The editorial also covers a bird cage update tracing Robert Heller's version, a recommendation for U.F. Grant's one-way deck booklet, a cigarette vanish by Calvert Cole that fooled Annemann completely, and Andrew Brennan's follow-up to last issue's shrinking dollar — which ends with a large souvenir penny and the punchline that the secret of 59 cents is that they have bigger cents. [4:21] An Original Tie for Loads — Otakar Fischer A practical stagecraft solution from a man who spent 12 consecutive years performing two-hour shows at a magical theater in Vienna. The device is a simple endless loop of cord with a ring and a dress hook — a load secured diagonally releases instantly with a single upward motion of the hook, and the heavier the load, the more securely it holds until needed. Twelve years of professional use is about as good a recommendation as it gets. [5:17] Higher Magic — Theodore Annemann A wet postage stamp pressed to a half dollar and thrown at the ceiling with a particular motion — the coin comes back down, the stamp stays up. Annemann's best version involves a card name written in ink on the back of the stamp, placed on a hotel ceiling during one visit and confirmed by forcing that card on a return visit. Practical notes: use ink not pencil, small stamps work best, and for a walking advertisement, have gummed stickers printed with your name instead. [6:35] The Super Slates — Anonymous A two-slate effect where both slates are openly numbered on all four sides before anything happens — and when opened, there's chalk writing on the inside of each one. The method involves a precisely timed sequence of flap handling woven around the numbering procedure. Jay's honest take: lay audiences probably aren't going home wondering why only one slate had writing on it, but if you want to fool the folks at the next magic club meeting, this will do it. [7:51] Cards and a Newspaper — Arthur Johnson A helper shuffles and cuts a deck into four piles, cards are moved between them, and the top card of each pile turns up a page number, column, line, and word — which matches a prediction written before anything began. The underlying card principle is one magicians will recognize from the classic four-aces location, but Johnson's repurposing of it as a newspaper prediction shifts the feel entirely toward mentalism. Jay notes it would work just as cleanly as a book test with a small adjustment to the presentation. [8:58] Aces of Eight — Otis Manning Eight aces — two from each suit — are mixed and cut by a helper, and the performer produces them from behind his back in a sequence of escalating phases: matching suits, then matching colors, then a spelling sequence, then finally both hands emerge with reds in one and blacks in the other. No conventional sleight of hand — the work happens behind the back through arrangement and one simple repeated move. Manning's instruction is to learn it smoothly and perform the whole thing as one continuous unbroken effect. [10:04] Outro Links and a preview of Issue #14 — featuring Annemann's Thoughts in the Air, an almost-impromptu two-person mentalism effect.

Jinx Navigator Podcast — Episode 11: Issue #11 Issue #11 is a card-heavy issue with a few pleasant surprises — a clever cigarette gag, a matchbook divination that requires nothing more than a book of matches and one quick calculation, and a borrowed business card that survives being cut in half. Annemann's editorial is in a reflective mood, anchored by a story about a fireman with an excellent memory for shoes. Effects Covered [0:56] Editorial — Theodore Annemann Annemann opens with a summer complaint about slow mail, recommends a Liberty magazine article on university telepathy experiments, and highlights a magic newsletter disguised as a hometown newspaper. The centerpiece is a story about a fireman who remembered a substitution act from 20 years earlier in perfect detail — including the performer's shoes changing mid-routine — which Annemann uses to make the point that audiences are paying closer attention than performers tend to assume. [3:45] A Cigarette Rolled by Proxy — Orville Meyer Tobacco and rolling paper go into the mouth, a few chewing motions later, out comes a perfectly rolled cigarette. Meyer's version uses a rubber novelty cigarette and a well-timed switch, and produces a clean result every time — unlike earlier marketed versions that often left the cigarette looking the worse for wear. For close-up situations, Meyer suggests substituting ground coffee for the tobacco, signing off with a cheerful "after all, it's for the sake of art." [5:40] The Fan Location — El Rey A card technique rather than a complete effect — a method for secretly marking a selected card the moment it's returned to a fanned deck, using nothing but a finger's sense of touch and a tiny crimp. The right hand stays completely clear throughout, the helper can even be invited to reposition their card, and the deck ends up shuffled by the helper with the performer's hands nowhere near it at the crucial moment. Jay — self-described non-card-guy — tried it this morning and reports it works as written. [7:17] A Trick with the Fan Location — Theodore Annemann Annemann's own application of El Rey's technique, built around a neat reversal of standard card trick logic: the helper chooses their card from a face-up spread, returns it, shuffles the deck, and the performer finds it face-down. The presentation hook — chosen face up, found face down — gives the effect a tidy internal logic that, as Annemann notes, tends to stick in people's minds long after the show. [8:26] A Card to Be Thought About — Theodore Annemann A helper mentally selects one of three freely chosen cards, the deck is mixed, and the performer produces — incorrectly, then incorrectly again — before ultimately finding the card in the most dramatic way possible: from his pocket. The method is structured so that the pocket production is the most likely outcome, and the apparent failures along the way make the ending land harder whenever it arrives. [9:48] A Divination with Matches — Fred Demuth A helper secretly pockets some matches, tears out more to represent the count remaining, then holds an unknown number in their fist — and the performer names exactly how many without asking a single question. The secret is a fixed mathematical principle built into the standard 20-match booklet that always produces the same result regardless of the choices made, leaving the performer with just one quick calculation. Adapted from an older card effect, the matchbook setting gives it a pleasantly casual, impromptu feel. [11:15] The Card Unharmed — Theodore Annemann A borrowed business card is sealed in an envelope, both ends are cut off, the card is slid back through so both ends are visibly sticking out, and then the scissors cut straight across the middle — yet the card comes out completely unharmed. Annemann has been using this as a press piece for years, preparing batches of envelopes in advance and carrying them mailed and ready. Jay has a note about the moment when the card first gets shaken

Jinx Navigator Podcast — Episode 9: Issue #9 Issue #9 of The Jinx features one of the most widely used envelope techniques in mentalism, a mathematically driven counting effect dressed up in Depression-era politics, and the effect Annemann himself called one of the greatest one-man psychic pieces available — and it's hard to argue with him. The editorial is lively too, with convention news, a rare unprompted book recommendation, and a very satisfying mathematical footnote. Effects Covered [0:51] The Modernized Reading — Theodore Annemann A method for secretly reading the contents of a sealed envelope while it's still being held by the person who sealed it — using a prepared envelope, one piece of ordinary office supplies, and a natural-feeling moment of staging that arouses no suspicion. Annemann traces the idea back to 1924 and notes this is the cleanest version he knows. Jay points out it's almost certainly the precursor to Alan Shaxson's famous envelope work, and adds some tips of his own in the comments at jinxnavigator.com. [2:41] The Renovated Sphinx Card Trick — Eddie Clever Three helpers each initial a freely chosen card, all three go into a hat, and from there the cards travel back and forth between the hat and the deck in ways that shouldn't be possible. Two specially prepared cards do the heavy lifting — one a familiar gimmick many card workers already own, the other a small but clever alteration to a single index. The sleights involved are minimal enough that Jay prefers to call them moves. [4:08] A Matter of Policy — Theodore Annemann A mathematical counting effect built around a 1935 political joke — twenty oversized cards representing Republican and Democratic employees get counted off every tenth one, and every single Republican ends up out of a job. No sleight of hand, just a very old principle in a topical wrapper. Jay notes the method works regardless of what's on the cards, so the presentation is wide open for updating. [6:20] Pseudo Psychometry — Theodore Annemann A dozen helpers seal personal objects inside envelopes while the performer's back is turned — and then the performer opens them one by one, sometimes describing the owner in detail, sometimes walking directly into the audience to return the object without asking anyone to identify themselves. The method requires nothing but the envelopes and a system simple enough to hold in your head while performing. Annemann called it one of the greatest one-man psychic effects available, and Jay wholeheartedly agrees. [8:07] Editorial — Theodore Annemann Annemann reports on a busy convention season and notes the Jinx now has 859 readers as of May 2, 1935. He defends his five-foot shelf list from the volume of argumentative mail it generated, announces a new Jinx Extra — a 16-page special edition twice a year for $1 — and revisits the unauthorized endorsement controversy from Issue #8 now that he's actually bought and examined the trick. He closes with a mathematical curiosity from Royal V. Heath: 84 is the only number between zero and 4,800,000,000 spelled with ten completely different letters — which Annemann notes makes the Jinx's uniqueness official. [10:19] Outro Links and a preview of Issue #10 — featuring Annemann's Extra Sensory Perception, a mind-reading effect that Jay calls one of his personal favorites.

Jinx Navigator Podcast — Episode 7: Issue #7 Issue #7 of The Jinx is a strong one — a clean card transposition, a clever two-person code system, a prediction that disappears from the deck, and a classic bill-in-lemon with some real teeth to it. Annemann also pays tribute to a giant of the magic world and goes on a rant that's just as relevant today as it was in 1935. Effects Covered [0:57] The ELM Card Change — E. Leslie May A chosen card and a card initialed by the performer swap places — the helper's card ends up in the performer's pocket, the performer's card turns up in the middle of the deck. Works with any borrowed deck, no switches, no special cards, and the moves you'll learn along the way are worth adding to your repertoire regardless. [2:04] Question of the Month — Theodore Annemann Rather than a finished effect, Annemann throws down a challenge: he has the production figured out for a card-through-tambourine routine, but not the vanish — and he's offering a 10-issue subscription to any reader who can solve it. If you're listening in 1935, now's your chance. [3:21] A Practical Card Code — Orville Wayne Meyer A complete verbal coding system for a two-person mind reading act, where suit and value are hidden inside what sounds like perfectly natural conversation. Annemann closes with a clever tip: force a pre-agreed card at the end and name it without a single word spoken between you — a nice way to throw off anyone listening too carefully. [4:55] The New Nightmare — Theodore Annemann A card is freely stopped at, and a prediction written beforehand names it exactly — but the twist is that the predicted card has also vanished from the deck and turned up as the card the prediction was written on. Works with a borrowed deck, requires a simple self-made gimmick, and almost no sleight of hand. [6:23] The Lemon and the Dollar — Conrad Bush A borrowed, signed bill vanishes and reappears rolled up inside a lemon that's been in a helper's pocket the whole time — serial number matches, torn corner fits. Annemann adds an editor's note pushing back on one aspect of Bush's handling and offers an alternative vanish method. [7:56] Editorial — Theodore Annemann Annemann opens with a warm tribute to John Northern Hilliard, a press agent and business rep for some of the era's greatest magicians. He then pivots to a rant about magicians who over-explain everything — a critique that, as Jay notes, lands just as hard today as it did in 1935. He closes with a tease for Issue #8 and the controversial list he's been sitting on for two years. [9:05] Outro Links and a preview of Issue #8 — featuring Annemann's Five Foot Shelf of Magic, which has a modern equivalent available. Links Read every article in every issue: jinxnavigator.com Full details on all effects: Issue #7 at jinxnavigator.com Next episode: Issue #8 — featuring Annemann's Five Foot Shelf of Magic.