
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 12 chart positions in 12 markets.
By chart position
- 🇨🇦CA · Film History#5730K to 100K
- 🇩🇪DE · Film History#8330K to 100K
- 🇲🇽MX · Film History#4530K to 100K
- 🇰🇷KR · Film History#6310K to 30K
- 🇫🇷FR · Film History#7010K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
77K to 252K🎙 Weekly cadence·112 episodes·Last published 3mo ago - Monthly Reach
Unique listeners across all episodes (30 days)
155K to 503K🇨🇦20%🇩🇪20%🇲🇽20%+9 more - Active Followers
Loyal subscribers who consistently listen
46K to 151K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
111 Juan Ortiz - Production Sound Mixer based out of Philadelphia, Pennsylvania
Jan 26, 2026
Unknown duration
110 Rob Moore - Production Sound Mixer based out of Dublin, Ireland
Dec 8, 2025
Unknown duration
109 Mike Fitzgerald - Production Sound Mixer and boom op based out of Orlando, Florida
Jul 1, 2025
Unknown duration
108 Alan Harris - Production Sound Mixer and Boom Op based out of Orlando, Florida
Jun 9, 2025
Unknown duration
107 Halter Technical with Doc Justice
May 16, 2025
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 1/26/26 | ![]() 111 Juan Ortiz - Production Sound Mixer based out of Philadelphia, Pennsylvania | Juan Ortiz is a production sound mixer and boom op based out of Philadelphia, Pennsylvania. He uses a Sound Devices 833 mixer/recorder and also likes the Audio Limited/Sound Devices A10 wireless transmitters and receivers. On the boom pole, Juan uses the Schoeps CMC 641 and the CMIT 5 as well as the Sennheiser MKH-50 and MKH-416. For wires, he uses DPA lavs and Sanken COS-11s. Juan also likes Tentacle Sync timecode sync boxes including the Timebar Slate. Betso Bowtie antennas also round out the kit. Check out Juan at https://www.reddpenmedia.com/ and https://www.instagram.com/b3hindtheboom/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 12/8/25 | ![]() 110 Rob Moore - Production Sound Mixer based out of Dublin, Ireland | Rob Moore is a production sound mixer and boom op based out of Dublin, Ireland. He uses a Sound Devices 633 mixer/recorder and he likes Lectrosonics wireless transmitters and receivers. On the boom pole, he prefers the Sennheiser MKH-50. DPA lavaliers are his choice for wiring talent. For timecode boxes, he uses Tentacle Sync. Rob recently started a film industry clothing line for crew members located at https://www.cruclothing.com/ His sound company can also be found at https://www.soundspeed.ie/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 7/1/25 | ![]() 109 Mike Fitzgerald - Production Sound Mixer and boom op based out of Orlando, Florida | Mike Fitzgerald is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices 833 mixer/recorder combined with the Sound Devices SL-2. He also uses two Lectrosonics DSR4 receivers and Lectrosonics SMQV and SMWB transmitters. Mike uses Sanken COS-11D lav mics. For timecode, the Denecke JB-1 are his choice for sync boxes. When wiring talent, Mike likes the Viviana Super Dots and Extreme Moleskin for expendables. On the boom pole, he use the Schoeps CMC641 and CMIT5u mics, as well as the Sennheiser MKH-416. And he recently got a Blackbird audio cart. For more information, check out https://boommikefitz.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 6/9/25 | ![]() 108 Alan Harris - Production Sound Mixer and Boom Op based out of Orlando, Florida | Alan Harris is a production sound mixer and boom op based out of Orlando, Florida. He uses a Sound Devices MixPre-10T mixer/recorder. Alan also uses Zaxcom QRX200 wireless receivers and Zaxcom transmitters. He likes the DPA 4063 lav mics and also the Sanken COS11 lavs. For the boom pole, he likes the Sanken CS-3e shotgun mic and the Sennheiser MKH-50 mic. For timecode, Alan uses Tentacle Sync timecode boxes. Alan is also a big fan of Ktek products like their boom poles, bags and harnesses. Alan is currently on staff at Full Sail University in Winter Park, Florida. Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 5/16/25 | ![]() 107 Halter Technical with Doc Justice | Doc Justice is CEO and owner of Halter Technical. His company's products are used on-sets all over the world. The Elite Monitor and Scene Monitor headphones are built for creative pros but durable enough for the rigors of set life. The Microsone Discreet Audio Monitoring System is the world's smallest rechargeable Bluetooth earbud with crystal clear audio and no hiss. Tired of the usual IFB surveillance earpiece? Peeko is the smallest, lightest IFB headset available today. With a 5 millimeter earbud and the thinnest transparent cable in the world, it becomes nearly invisible to the eye. And finally, Wildtrax Recording Engine is the multitrack recording platform for sound mixers in TV, film, broadcast and live production. For more information on these products, check out https://www.haltertechnical.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 12/23/24 | ![]() 106 Ryan Monette - Production Sound Mixer / Post Audio / Sound Designer / Composer | Ryan Monette is a Production Sound Mixer, Post Audio Mixer, Sound Designer and Composer based out of Orlando, Florida. He uses a Sound Devices MixePre 10 II, Sound Devices A10 TXs and RXs, DPA 6060 lavs and a Sanken CS3e shotgun mic. Ryan also uses Tentacle Sync time code boxes. Listen as Ryan shares about his audio career working in the studio, on-stage and on-location. Check out his website at https://www.ryanmonette.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 8/5/24 | ![]() 105 Jessie Van Der Vyver - Production Sound Mixer based out of Kansas City, Missouri and London, England | Jessie Van Der Vyver is a Production Sound Mixer based out of Kansas City, Missouri and also London, England. Jessie uses a Sound Devices 888 mixer/recorder. He also uses Sound Devices A20 wireless TXs and RXs including the A20 mini transmitters. Additional wireless includes Lectrosonics TXs and RXs. For time code boxes he likes Ambient Recording LockIt and NanoLockits. For lavs, Jessie uses DPA 6060s and 4060s. On the boom pole he has a Schoeps CMIT 5u and also uses the Schoeps Colette CMC 6u with mk41 capsules. Jessie also uses a DPA 4017c on the boom. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 7/18/24 | ![]() 104 Rodolfo Piedras 2 - Production Sound Mixer from Vancouver, British Columbia | Rodolfo Piedras, Production Sound Mixer from Vancouver, BC, was originally on the podcast on Episode 28 in 2019. He returns this episode to catch us up on what he's been up to the past few years. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 5/14/24 | ![]() 103 Alex Haralson - Production Sound Mixer based out of Knoxville, Tennessee returns for an update | Alex Haralson, production sound mixer based out of Knoxville, Tennessee, joins us again to catch up on new projects and how the strikes and industry shift has affected his work. Alex was originally on episode 92 so check that one out too. His website is https://www.sonolocus.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 12/15/23 | ![]() 102 Greg Murphy - Production Sound Mixer based out of Melbourne, Florida | Greg Murphy is a production sound mixer based out of Melbourne, Florida. He does a lot of work in live news and also projects for Major League Baseball, the NFL, Super Bowl and NASCAR. For news, he uses a Sound Devices 688 mixer/recorder and for smaller jobs, a Sound Devices 633. For wireless, Greg uses Lectrosonics transmitters and receivers. He likes the Sanken COS-11 lavs and also uses dpa 4060 lavs. On the boom, he prefers a Schoeps CMIT 5u and a Sennheiser 416. Greg also uses a Schoeps CMC641 for sit down interviews. Greg likes the Denecke JB-1 time code sync boxes as well as Tentacle Sync. He also likes the Lectrosonics R1a for IFBs and camera hops. Check Greg out on Instagram @soundmixer_murphy Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
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| 10/20/23 | ![]() 101 Michael Reed - Production Sound & Post Audio Mixer based out of Orlando, Florida | Michael Reed, based out of Orlando, Florida, does production sound, post audio mixing and live sound. He's worked on projects like Burt Reynolds: The Last Interview, Screwball(2018) and Movie Money Confidential. Michael uses the Sound Devices MixPre-10T, Audio Limited A10 wireless, a Lectrosonics DSR4 wireless receiver, DBSM and DBSMD transmitters and Sanken COS11-d lavs. He also uses Sennheiser G4s for camera hops, Comtek IFBs, Sennheiser 416 and Audio Technica 4053b shotgun mics, as well as Denecke JB-1 timecode sync boxes. Find out more at https://freqproductions.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 10/12/23 | ![]() 100 Larry Williams, Jr. - Production Sound Mixer based out of South Florida | For the 100th episode of the Location Sound Podcast, we've brought back our very first guest, production sound mixer Larry Williams, Jr. Larry uses Sound Devices mixer/recorders and has a 664, a 688, and MixPre-6. He's all Lectrosonics wireless with a DSR4, 822 and 411 receivers and likes the Sanken COS-11D lav mics. On the boom pole, he uses a Schoeps MiniCMIT, Sennheiser MKH-416 and MKH-50. Larry also uses Tentacle Sync and Denecke time code boxes and a Denecke TS-C slate. He has worked on the HBO original series Hard Knocks, the Super Bowl and the NFL Draft. He's also been a regular sound mixer on Military Makeover with Montel Williams. Larry shares with us his ongoing sound industry journey and offers a lot of tips and tricks along the way. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 9/28/23 | ![]() 099 - Zaxcom - Glenn Sanders | Glenn Sanders founded Zaxcom in 1986 and has been creating innovative audio technology for the feature film, television broadcast, live performance and post-production industries. With a focus on high quality audio products in multi-track recording, mixing and digital wireless, Zaxcom is proud to be honored with technical achievements from the Academy of Motion Picture Arts and Sciences, Television Academy and Cinema Audio Society. https://zaxcom.com/ Each episode of the Location Sound Podcast, we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 9/12/23 | ![]() 098 Adam Hecht - Production Sound Mixer based out of Phoenix, Arizona | Adam Hecht is a production sound mixer and boom op based out of Phoenix, Arizona. He uses a Zaxcom Nova 2 mixer/recorder, Zaxcom 414 receivers, ZMT4, ZMT4x and ZMT3x Zaxcom transmitters, Schoeps MiniCMIT and CMC 141 shotgun mics. Adam also uses dpa 6061, 4071 and 4063 lavs. For IFBs Adam uses Zaxcom URX50s and URX100s. And finally, Adam likes the Betso timecode sync boxes. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 8/26/22 | ![]() 097 Sound Devices A20-RX and A20-Minis with Paul Isaacs and Gary Trenda | Paul Isaacs and Gary Trenda from Sound Devices join us to talk about the new A20-RX two channel true diversity receiver and it's new features and the A20-Mini Digital Wireless Transmitter with GainForward and SpectraBand Technologies. https://www.sounddevices.com Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 4/26/22 | ![]() 096 Ted Hogeman - Production Sound Mixer and Boom Op based out of the Washington, D.C. area | Ted Hogeman is a Production Sound Mixer and Boom Op based out of the Washington, D.C. area. He has experience on all kinds of shoots, from run and gun documentaries and indie features, to high end short films and commercials. Ted uses a Sound Devices 833 mixer/recorder, Lectrosonics wireless with DPA 4061s and Sanken COS-11d lavs. Ted also uses a DPA 4017b, Sennheiser MKH-50, Schoeps CMC641 and Sennheiser MKH-8050 shotgun mics. For time code, Ted uses Tentacle Sync E and some of the original first generation units. He also uses a Betso SB-1 timecode box. For IFBs, Ted likes using some older G3 & G2 IEMs. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 2/23/22 | ![]() 095 Stephen Harrod - Production Sound Mixer and Boom Op based out of Los Angeles, California | Stephen Harrod is a Production Sound Mixer and Boom Op based out of Los Angeles, California. He uses a Sound Devices 633 mixer/recorder, Lectrosonics wireless and Sennheiser G3s for camera hops. Boom mics are the Sennheiser MKH-416, MKH-50 and MKH-60. Stephen also uses a MixPre-10T in a second bag. Deneke and Tentacle Sync for timecode. https://www.stephenharrodsound.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 12/2/21 | ![]() 094 Anna Khromova - Production Sound Mixer and Boom Op based out of New York City | Anna Khromova is a production sound mixer and boom op based out of New York City. Anna uses a Sound Devices 833 mixer/recorder and a Sound Devices MixPre-6 as a backup and audio interface. For wireless, she uses Lectrosonics 411a receivers and 400 series transmitters as well as Lectrosonics SSM transmitters. Anna has a K-Tek Stingray Junior sound bag and harness. She likes using Sanken COS-11D lavalier mics, Sennheiser MKH-416 shotgun mics and a Sennheiser MKH-50. Anna also likes Tentacle Sync timecode boxes. Follow her on Instagram @annasoundny. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 8/8/21 | ![]() 093 Brandon Sequeira - Production Sound Mixer and Boom Op based out of Los Angeles, CA | Brandon Sequeira is a production sound mixer and boom op based out of Los Angeles, California. Brandon uses a Zoom F8 mixer/recorder, Sennheiser MKH-416 shotgun mic, Sennheiser G4 wireless transmitters/receivers, Countryman B3 lavs, Lectrosonics LT transmitter for IFB receivers, Tentacle Sync for timecode boxes and a Betso Slate. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 5/27/21 | ![]() 092 Alex Haralson - Production Sound Mixer based out of Knoxville, Tennessee | Alex Haralson is a Production Sound Mixer based out of Knoxville, Tennessee. He likes using the Sound Devices 688 mixer/recorder and he also has a MixPre-10 II, Lectrosonics SRc wireless receivers and SMDWB transmitters and Sanken COS-11 lavaliers. For IFB, he uses Lectrosonics IFBT4 and the R1a for client monitoring and camera hops. Alex also likes the Sennheiser 8060 shotgun mic and the AKG Blue Line CK93 Hyper-cardioid. For timecode, Alex likes Betso and Tentacle Sync E for timecode. Check out his website at https://www.sonolocus.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 4/29/21 | ![]() 091 Steven Lagosh - Production Sound Mixer based out of the San Francisco Bay Area in California | Steven Lagosh is a Production Sound Mixer and boom op based out of the San Francisco Bay Area in California. He uses an Aaton Cantar Mini mixer/recorder, Lectrosonics DCR822 wireless receivers and SMQV transmitters. Steven uses Sanken COS-11 lav mics along with Countryman B3 and B6 microphones. For use on the boom pole, he likes the Sennheiser MKH-50 and MKH-416 shotgun mics. And he uses Tentacle Sync for timecode boxes. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 4/5/21 | ![]() 090 Phillip Perpich - Production Sound Mixer based out of Atlanta, Georgia | Phillip Perpich is a production sound mixer based out of Atlanta, Georgia. Phil uses a Sound Devices 664 mixer/recorder, Lectrosonics wireless and Sanken COS-11 lav mics. For boom mics he uses a Sennheiser MKH-60, MKH-50 and a Sanken CS-1. Phil likes to use Tentacle Sync timecode boxes and Lectrosonics IFBs. Check out his website at https://pperp8.wixsite.com/perpichprodsound Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 3/19/21 | ![]() 089 Chris Welcker - Production Sound Mixer based out of New Orleans, Louisiana | Chris Welcker is a Production Sound Mixer based out of New Orleans, Louisiana. He's worked on numerous films including Bill & Ted Face the Music, Keanu and Twelve Years A Slave. Chris uses a Sound Devices Scorpio and a Sound Devices 833, Lectrosonics wireless, DPA 4060, 4061 & 6060 lavs, DPA 4017 shotgun & 4018 capsule, Tentacle Sync for timecode with Denecke slates. Chris also has a Magliner Junior Cart and a SuperZuca audio cart. https://www.catgutsound.com/ Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 2/23/21 | ![]() 088 Byron Meyer - Production Sound Mixer based out of Copenhagen, Denmark | Byron Meyer is a Production Sound Mixer originally from South Africa but is now based out of Copenhagen, Denmark. He uses a Sound Devices 6-Series mixer/recorder, Wisycom wireless, DPA 4060 lavs, DPA 4017b boom mic & DPA 4097 micro boom as a plant mic. Byron likes Tentacle Sync for time code and he uses a K-tek Stingray bag. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
| 2/7/21 | ![]() 087 Juan Montoto Ugarte - Production Sound Mixer based out of Madrid, Spain | Juan Montoto Ugarte is a Production Sound Mixer and Boom Op based out of Madrid, Spain. He's worked on the feature film, Terminator: Dark Fate, King Arthur: Legend of the Sword, the Netflix series Money Heist, and Woody Allen's Rifkin's Festival. Juan uses the Zaxcom Nova mixer/recorder, Zaxcom wireless, Schoeps MiniCMIT shotgun mic & Sennheiser MKH-50, DPA 4061 & Sanken COS-11d lavs and Tentacle Sync time code boxes. Each episode we talk with location sound mixers, boom ops and other industry pros about the various aspects of recording sound on-location for feature and independent films, TV commercials, interviews, anytime where dialog from actors is recorded. Whether you're a seasoned veteran or just starting out, this podcast is packed with great stories and lessons about recording on-location. | — | ||||||
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Chart Positions
12 placements across 12 markets.
Chart Positions
12 placements across 12 markets.

























