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On the show
From 14 epsHost
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Recent episodes
Behind the Edit of Euphoria: How the Editors Crafted One of Television's Most Distinctive Series
Jun 26, 2026
Unknown duration
Inside the Cinematography of The Pitt with DP Johanna Coelho | Sight, Sound & Story
Jun 23, 2026
Unknown duration
Crafting The American Revolution Series
May 22, 2026
1h 12m 09s
"Train Dreams": A Visual Journey Cinematographer Adolpho Veloso, ABC, AIP
Apr 24, 2026
34m 15s
Behind the Edit: Editing the TV Series
Apr 22, 2026
2h 02m 18s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/26/26 | ![]() Behind the Edit of Euphoria: How the Editors Crafted One of Television's Most Distinctive Series | Go inside the editing room of HBO's Euphoria with the acclaimed editorial team behind the groundbreaking series. In this episode of Sight, Sound & Story, moderator Josh Apter sits down with editors Julio C. Perez IV, ACE, Aaron I. Butler, ACE, Aleshka Ferrero, and Nikola Boyanov for an in-depth discussion about the creative editing process that helped define one of the most visually innovative and emotionally powerful television dramas of the modern era. From intimate character-driven scenes to dreamlike visual sequences, the editors reveal how editorial decisions shape the show's unique style, pacing, and emotional impact. The conversation explores collaboration with creator Sam Levinson, working with music, performance, cinematography, and visual storytelling techniques that bring Euphoria's unforgettable moments to life. Learn how the editorial team balances experimentation with narrative clarity, crafts emotional character arcs, and develops the rhythm and tone that have made Euphoria one of the most talked-about series in television. The panel also discusses scene construction, performance shaping, music integration, and the collaborative process between editors, directors, cinematographers, and producers. Whether you're an aspiring editor, filmmaker, film student, television professional, or fan of Euphoria, this episode provides a rare behind-the-scenes look at the art and craft of television editing. Moderator: Josh Apter (Founder & Owner, Manhattan Edit Workshop) Panelists: Julio C. Perez IV, ACE (Euphoria, American Made, It Follows) Aaron I. Butler, ACE (Euphoria, Cries From Syria) Aleshka Ferrero (The Morning Show, The Idol) Nikola Boyanov (Euphoria, Under the Silver Lake) Topics Covered Editing HBO's Euphoria Television editing techniques Building emotional storytelling through editing Working with music and performance Scene structure and pacing Collaboration with directors and cinematographers Visual storytelling and experimental editing Character-driven editing workflows Post-production process for prestige television Behind-the-scenes insights from Euphoria | — | ||||||
| 6/23/26 | ![]() Inside the Cinematography of The Pitt with DP Johanna Coelho | Sight, Sound & Story | Go behind the lens of HBO Max's The Pitt with cinematographer Johanna Coelho in this exclusive episode from Sight, Sound & Story. Moderated by Manhattan Edit Workshop founder Josh Apter, this in-depth conversation explores how Coelho's innovative cinematography is redefining visual storytelling for contemporary television. As the sole cinematographer on The Pitt, Coelho developed an unobtrusive, documentary-inspired camera style that immerses viewers in the emotional intensity and urgency of a real-time emergency room. She discusses designing long, choreographed camera moves, working inside fully immersive 360-degree sets, and maintaining visual continuity across an entire season while preserving the authenticity and tension that define the series. Johanna also shares insights into memorable scenes from Season Two, breaking down the creative decisions behind their execution and discussing collaboration with directors, actors, and the production team. From lens choices and lighting techniques to camera movement and storytelling philosophy, this episode provides a rare look inside one of television's most visually distinctive productions. Presented as part of the Sight, Sound & Story series, this conversation is essential listening for cinematographers, filmmakers, editors, directors, film students, and fans of The Pitt interested in the art and craft behind modern television production. Host: Josh Apter (Founder, Manhattan Edit Workshop) Guest: Johanna Coelho (The Pitt, The Rookie) Topics Covered The cinematography of The Pitt Creating an "invisible" camera style Shooting inside 360-degree sets Long takes and choreographed camera movement Visual continuity across an entire television season Collaboration between cinematography, directing, and editing Favorite scenes from Season Two Modern television cinematography techniques Storytelling through camera movement and composition Behind the scenes of The Pitt | — | ||||||
| 5/22/26 | ![]() Crafting The American Revolution Series✨ | editingcinematography+4 | Maya MumaBuddy Squires | Manhattan Edit WorkshopThe American Revolution | — | editingcinematography+5 | — | 1h 12m 09s | |
| 4/24/26 | ![]() "Train Dreams": A Visual Journey Cinematographer Adolpho Veloso, ABC, AIP✨ | cinematographyfilm production+5 | Adolpho Veloso | Manhattan Edit Workshop Podcast NetworkBrazilian Cinematography Association+5 | — | Adolpho VelosoTrain Dreams+7 | — | 34m 15s | |
| 4/22/26 | ![]() Behind the Edit: Editing the TV Series✨ | editingtelevision+3 | Bradinn French, AceShannon Baker Davis, Ace+1 | AvidAutodesk+19 | New York | episodic televisionnarrative rhythm+3 | — | 2h 02m 18s | |
| 4/10/26 | ![]() A Career in Editing with Editor Barry Alexander Brown, ACE✨ | editingfilmmaking+3 | Barry Alexander Brown | AssimilateBlackmagic+32 | FranceAmerica+1 | Spike Leecharacter development+3 | — | 59m 15s | |
| 3/27/26 | ![]() Navigating Music Licensing and Copyright in the Creative Industry✨ | music licensingcopyright+3 | Rob Murray | AvidAutodesk+10 | New York | innovationJingle Punks+5 | — | 35m 25s | |
| 3/25/26 | ![]() Dust Bunny Cinematography: Creative Solutions✨ | cinematographyfilm production+4 | Nicole Hirsch Whitaker | Manhattan Edit WorkshopDust Bunny | — | cinematographyDust Bunny+6 | — | 51m 17s | |
| 3/25/26 | ![]() Documentary Filmmaking: Finding Funding and Success✨ | documentary filmmakingfunding+3 | Jeremy WorkmanJill Campbell+1 | Manhattan Edit Workshop | — | documentaryfunding+4 | — | 1h 36m 06s | |
| 3/25/26 | ![]() Sight, Sound & Story Live - Behind the Edit of "Hello Tomorrow!"✨ | editingfilm+3 | Vanessa ProcopioTodd Downing, Ace+1 | AvidAssimilate+18 | New York | Hello Tomorrow!editing techniques+3 | — | 1h 12m 25s | |
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| 2/27/26 | ![]() Editing Chaos, Crime & Cult Classics✨ | editingfilm+3 | Geofrey Hildrew, Ace, BfeJosh Ethier, Ace+2 | ACEManhattan Edit Workshop+18 | New York | editing techniquescharacter development+3 | — | 1h 25m 49s | |
| 2/19/26 | ![]() The Sound of "Bono and The Edge: A Sort of Homecoming"✨ | sound designdocumentary filmmaking+3 | Woody WoodhallBrian Riordan+1 | AvidAssimilate+15 | DublinIreland+1 | Bono and The EdgeDublin+3 | — | 50m 49s | |
| 2/12/26 | ![]() Challenges and Insights in Filmmaking with Filmmaker, Film Historian, and Author Su Friedrich✨ | filmmakingfilm education+3 | Su Friedrich | AvidAutodesk+8 | New York | filmmaking processfilm critique+3 | — | 43m 54s | |
| 2/2/26 | ![]() Inside the Editing of "A House of Dynamite" with Editor Kirk Baxter, ACE✨ | editingfilm production+3 | Kirk Baxter | AssimilateBlackmagic+9 | New York | A House of DynamiteKirk Baxter+7 | — | 47m 12s | |
| 1/9/26 | ![]() Editor Simon Smith, ACE on The Evolution of Film Editing✨ | film editingdigital editing+3 | Simon Smith | ACEThe Evolution of Film Editing+1 | England | journey in film editingshift from runner to editor+3 | — | 51m 49s | |
| 12/23/25 | ![]() Enhancing Creativity in Stress Management and a Career in Editing with Debby Germino✨ | creativitystress management+3 | Debby Germino | Talking MEWShopSmallville | Los Angeles | editing careerLos Angeles+4 | — | 45m 42s | |
| 12/18/25 | ![]() Editor Insights from Behind the Scenes of "The Morning Show" | Editors of "The Morning Show" share their experiences and challenges in the editing process. They discuss the importance of maintaining the show's rhythm and character while refining material. The conversation covers character dynamics, emotional storytelling, and the impact of technology. Insights into the collaborative nature of editing and updates on future seasons highlight the continuous effort to elevate the show's quality. | — | ||||||
| 11/28/25 | ![]() Editor Matthew Barbato on Navigating Editing Challenges in a Changing Industry | https//www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. In Episode 27 of Talking MEWShop crew talks with "Only Murderers in the Building" Editor Matthew Barbato. The guys explore challenges in production, especially balancing genres on a project, and highlight MEWShop's role in teaching editing techniques. The team discusses Matthew's career journey in editing and the transition from unscripted to scripted work. They also address job loss in Hollywood during COVID, technical adaptations, AI in editing, mentoring, and upcoming events for learning and engagement. Matthew Barbato is an American editor, producer, and director with over two decades of filmmaking experience. Most recently, he returned to season 4 of "Only Murders in the Building" after previously editing season 1 of the show. Beyond "Only Murders in the Building," Matthew has a diverse range of editing credits on several award-winning television series across comedy and drama, including "Lessons in Chemistry," "The Good Place," "Veep," "High Fidelity," and Dave. His other recent credits include Disney+'s "American Born Chinese," Netflix's "The Kominsky Method," and Peacock's "Apples Never Fall." Initially, Matthew's professional career took off in 2001, when his work on "Trauma: Life in the E.R." received a Primetime Emmy Award nomination for Outstanding Sound Editing for a non-fiction program. Matthew's professional credits are not limited to the editing sphere; his varied career includes shooting and directing verité, as is evident in Anthony Bourdain's first television series, "A Cook's Tour," for which he acted as camera operator and director. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 Follow, like and share Talking MEWShop on Social Media https://www.mewshop.com/talking-mewshop-podcasts #ManhattanEditWorkshop #MEWShop #Mewtube #matthewbarbato #filmediting #onlymurderersinthebuilding #editing #production #remote earning #AIinpostproduction #mentoring #talkingmewshop #joshapter #jasonbanke #raphisalem | — | ||||||
| 11/21/25 | ![]() Cutting Horror and Dark Comedy | https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. Sight, Sound & Story Halloween Edition I– Cutting Horror and Dark Comedy Inside Episode XLVII: Just in time for Halloween, Sight, Sound & Story brings you an evening of chilling thrills and razor-sharp storytelling with two acclaimed editors who know how to make an audience squirm, laugh, and scream. Editor Brian Philip Davis will discuss shaping suspense and unsettling mood in his work on "Oddity." Editor Patrick Lawrence will share how he crafted the mix of humor and horror in "Screamboat." Together, they’ll reveal how choices in pacing, rhythm, and tone can turn raw footage into scenes that shock, scare, and entertain. Moderator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College) Panelists: Editors Brian Philip Davis, BFE ("Worldbreaker," "Oddity,") and Patrick Lawrence ( “Bonding,” “Screamboat") Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 Follow, like and share Sight, Sound & Story on Social Media https://www.facebook.com/SightSndStory/ https://twitter.com/SightSndStory https://www.sightsoundandstory.com/ #ManhattanEditWorkshop #MEWShop #sightsoundandstory #sightsoundandstorylive #ssslive #aja #Mewtube #filmediting #screamboat #oddity #horrormovies #filmeditor #BrianPhilipDavis #PatrickLawrence | — | ||||||
| 11/5/25 | ![]() Editor Mark Hartzell, ACE, Navigating a Career in Editing: Insights and Experiences | https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. In Episode 31 of "Talking MEWShop," Editor Mark Hartzell, ACE, talks about how his personal experiences shaped narratives in storytelling. He recalls how his early career networking opened job opportunities. Mark also discussed how relationships between editing and writing are crucial, the constant battle with industry challenges, and he offers invaluable advice for aspiring editors. | — | ||||||
| 10/3/25 | ![]() Making the Grade: Painting with Light, Color, and Emotion | https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. Inside Episode XLVI: Join us for an in-depth conversation on the art and science of color correction with two of the industry’s leading Colorists, Maxine Gervais and Roman Hankewycz of Harbor. With decades of combined experience shaping the look of major films and series, Maxine and Roman will share insights into their creative process, collaboration with directors and DPs, as well as the evolving role of color in visual storytelling. Moderated by acclaimed Cinematographer Christine Ng, this panel will explore real-world workflows, case studies from recent projects, and the powerful emotional impact of color grading in post-production. Senior Colorist Maxine Gervais notes an illustrious career, having collaborated on over 50 blockbuster and critically acclaimed feature films. She has been recognized for her exceptional work, garnering two Hollywood Professional Association (HPA) nominations for Outstanding Color Grading – Feature Film, for her work on Hughes Brothers’ "The Book of Eli" and Guillermo del Toro’s "Pacific Rim." Gervais made Hollywood history as the first woman to receive an HPA award for Outstanding Color Grading for Albert Hughes’ Alpha. Gervais’ credits include Ryan Coogler’s Black Panther, Robert Zemeckis’ Here, Clint Eastwood’s "Cry Macho," Peacock’s "The Continental: From the World of John Wick," Hulu’s "Nine Perfect Strangers," Netflix’s The Brothers Sun, Universal Pictures’ Strays, and Sundance Grand Jury Prize Winner, A Thousand and One, directed by A.V. Rockwell. With a background in classical arts, Gervais earned her B.A. in visual art from Laval University in Quebec, demonstrating her passion for creative expression through color and technology. Recognizing the potential applications in the digital world, she furthered her education by obtaining a post-graduate certificate in computer technology for cinema and television. Gervais is also an Associate Member of the American Society of Cinematographers (ASC). Roman Hankewycz collaborates with some of the most established filmmakers in the advertising and entertainment industries, including Spike Lee, Martin Scorsese, Andrew Ahn, Nathaniel Kahn, Brian Koppelman, Ari Aster, William Rexer (ASC), Tim Ives (ASC), Pawel Pogorzelski, Eric Lin, Edu Grau (ASC), and Errol Morris. Hankewycz lends his color expertise to restoring Criterion Collection titles alongside celebrated filmmakers such as Martin Scorsese on his collection of early works as well as the iconic concert film "Last Waltz," the Hughes brothers and Lisa Rinzler on "Menace II Society", Ed Lachman to reimagine the color palate for Mira Nair's "Mississippi Masala," Bette Gordon on "Variety," Bill Pope on the Wachowski's "Bound," and Terence Malik on his masterpiece "Days of Heaven." His ongoing collaborations include working with Ari Aster and Pawel Pogorzelski on both "Midsommar" and "Beau is Afraid," produced by A24. Other recent entertainment credits include Lesli Linka Glatter’s "Zero Day," Ron Howard’s "Jim Henson: Idea Man," Hulu’s "We Were the Lucky Ones," HBO's "Love & Death," Netflix’s "Halston," Chiwetel Ejiofor’s "Rob Peace," Spike Lee’s "NYC Epicenters 9/11-2021 1/2," Rebecca Hall’s "Passing," Starz’s "P-Valley," and Ken Burns’ "College Behind Bars." Major brands include Jimmy Choo, Samsung, Tacori, Vogue, Facebook, Tide, Budweiser, Advil, Nike, and Swarovski. | — | ||||||
| 9/20/25 | ![]() Navigating the Film Editing Landscape: Insights and Opportunities with Editor Christopher Firth | https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. In Episode 30 of "Talking MEWShop, the team sits down with Editor Christopher Frith. Christopher talks about how the film industry features contrasting views on indie and studio films, highlighting the need for personal connections. Christopher shares his filmmaking journey and emphasizes the importance of practical experience, collaboration, and networking in advancing careers in editing. Recently completing his work with Editor Eddie Hamilton on the last installment of the "Mission: Impossible" franchise, Chris is an Editor, Associate Editor, and Assistant Editor who splits his time between low-budget indie films and studio blockbusters. He has lived and worked in Los Angeles, California, and is now based in London, UK. Other credits include "Rogue One," "Kingsman: The Golden Circle," "Wonder Woman 1984," and "Top Gun: Maverick," the final four films in the "Mission: Impossible" franchise. | — | ||||||
| 9/12/25 | ![]() Asst Editor Sophia Grimbaum Flores on Navigating an Editing Career in NYC: Networking & Education | https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. In Episode 28 of Talking MEWShop, Assistant Editor and Six Week Alumni Sophia Grimbaum Flores recalls moving to New York City to pursue a film career, starting with no connections. She goes over attending Manhattan Edit Workshop to learn editing, which boosted her industry value. Sophia talks about networking through MEWShop classes helped build a personal community to build off of. She also shares her journey from journalism to film, emphasizing the importance of workshops for skill development and connections. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 #ManhattanEditWorkshop #MEWShop #Mewtube #SophiaGrimbaumFlores #assistantediting #amcnetworks #sixweekartofediitng #sixweekintensiveworkshop #sixweekintensive #sixweekalmuni #talkingmewshop #learnediting #filmschoolforeditors #joshapter #jasonbanke #raphisalem | — | ||||||
| 9/5/25 | ![]() "The Chi" Directors Deondray Gossfield and Quincy Lenear Gossfield | https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. In Episode 29 of "Talking MEWShop," "The Chi" Directors Deondray Gossfield and Quincy Lenear Gossfield share their filmmaking journeys, discussing their backgrounds and inspirations. They reflect on early work, the shift from acting to directing, and the cultural impact of cinema. They dive deep into their creative risks, emotional vulnerability, and the importance of mental health in storytelling. Both Directors emphasize the need for persistence, mentorship, and a genuine love for the craft to overcome industry challenges. Deondray Gossfield is an American producer, director, screenwriter, and actor. . He is known for "The Chi," "The Chadwick Journals," and "Legendary." He has been married to Quincy LeNear Gossfield since 2014. Deondray and his husband, Quincy LeNear Gossfield wrote "Had U," which won first place at Showtime's Digital Media Festival for Best Experimental Short in 2000. Thereafter, The Gossfields worked on "The DL Chronicles," and thereafter gained work as producers on reality TV shows such as "America's Best Dance Crew," "The Sing Off," "Shake It Up Make Your Mark Ultimate Dance Off," "Family Dance Off," "The World Dog Awards," "Roast of Justin Bieber," and the talk show "Kocktails with Khloé." Quincy LeNear Gossfield is a Director, Producing Director/Supervising Producer of Paramount+ Showtime's acclaimed hour-long drama series "The Chi." He and his spouse/partner, Deondray Gossfield, are dubbed the "Godfathers of LGBTQ+ TV." They are the creators, writers, and directors of the iconic GLAAD award-winning anthology series, "The DL Chronicles," a predecessor of LGBTQ POC series such as "POSE." "The DL Chronicles" achieved the historic distinction of becoming the first African American cable TV series to be nominated and win the GLAAD Media Award in 2008. The Gossfields later created and directed the Amazon Prime spin-off series "The Chadwick Journals," which won the 2021 Telly Award and garnered a 2020 Daytime Emmy® Nomination. As a TV producer in both narrative and unscripted, Gossfield has developed and produced specials and scripted series for networks such as Cinemax, ABC, Disney Channel, MTV, Sony Television, CBS, CW, SyFy, Comedy Central, and more. For the first ten years of LeNear's diverse career, he found success as a television and film actor, having co-starred and appeared in multiple motion pictures, TV series, and national television commercials. He is an active member of the Director's Guild of America, the Producer's Guild of America, and the Screen Actors Guild. He and his partner/spouse are the co-founders of the Russelli & Hall Company production company. | — | ||||||
| 8/22/25 | ![]() From Lost to Passionate: A Journey in Editing with Assistant Editor Deborah Emilio | https://www.mewshop.com/ Contact: info@mewshop.com for information and inquiries on classes and events. In Episode 26 of Talking MEWShop, Assistant Editor Deborah Emilio talks about her personal journey of the transformation from feeling lost to finding a passion for editing. The COVID-19 pandemic prompted a shift to online learning, which led to unexpected opportunities to take the Six Week Intensive class at Manhattan Edit Workshop. In Deborah's case, taking an online class proved beneficial, resulting in career growth despite initial job market challenges, as Deborah now works as an assistant at AMC Networks remotely. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 #ManhattanEditWorkshop #MEWShop #Mewtube #deborahemilio #talkingmewshop #assistanteditor #sixweekintensiveworkshop #sixweekartofediting #sixweekalumni #careerchange #filmediting #joshapter #jasonbanke #raphisalem | — | ||||||
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