Master Fiction Writing

Do your characters keep feeling sad, furious, lonely, ashamed, or devastated on the page... but the reader still isn’t feeling much?In this episode of Master Fiction Writing, we’re looking at the difference between explained emotion and experienced emotion. You’ll learn why naming a feeling isn’t always the same as creating it, and how to give the reader stronger emotional evidence through behaviour, body language, thought patterns, sensory detail, dialogue, silence, subtext, objects, and action under pressure.We’ll also look at when it’s perfectly fine to name an emotion directly, why over-explaining is such a normal drafting habit, and how to revise emotional labels into moments the reader can actually feel.The takeaway: your job isn’t to hide emotion from the reader. Your job is to make emotion happen inside the reader.If you enjoy the podcast and would like to support future episodes, you can buy me a virtual coffee over on Ko-fi: ⁠https://ko-fi.com/masterfictionwriting⁠No pressure at all, but it does help keep the podcast going, and lets me pretend I’m a terrifyingly organised media empire.

In this episode of Master Fiction Writing, we explore one of the most quietly intimidating parts of writing fiction: creating characters when you’re afraid of getting them wrong.Inspired by a listener question, this episode looks at the difference between research as preparation and research as protection. Research, plotting, and worldbuilding are essential tools, especially when your story is inspired by real histories, cultures, political conflicts, or human suffering. But sometimes those tools can become a very respectable hiding place from the messier, more intimate work of character.We’ll look at why character work can feel so exposing, how to begin before you feel perfectly ready, and how to invent responsibly without becoming paralysed by fear. You’ll also learn practical ways into character, including dictated monologues, private letters, character complaints, petty desires, contradictions, and the wonderfully freeing “ugly first character pass.”If you’ve ever delayed writing because you felt unqualified, uncertain, or afraid of causing harm, this episode offers a calmer, braver way forward. Not certainty. Not perfection. Just care, humility, specificity, and the courage to begin.If the podcast helps you with your writing and you’d like to support the time, thought, and mildly alarming number of notes that go into each episode, you can do that here: https://ko-fi.com/masterfictionwriting

Need a gentler kind of story without sacrificing plot? In this episode, I’m diving into the craft of cozy and feel-good fiction and unpacking how to write low-stakes stories that still have tension, momentum, and emotional payoff. We’ll look at why readers are drawn to comfort fiction, especially when real life feels relentless, and why “low stakes” never means “nothing matters.”I cover the key ingredients that make this kind of story work, including character goals, emotional stakes, tone, pacing, setting, community, and the subtle engines of anticipation that keep readers turning pages. I also talk about what goes wrong when cozy fiction becomes shapeless, sentimental, or overly reliant on “vibes,” and how to create genuine emotional refuge without draining the story of movement or meaning.Whether you already love writing warm, hopeful fiction or you’ve been quietly suspicious of anything described as cozy, this episode will help you see the real craft underneath it. Because writing comfort well is not easy. It’s structure in a soft jumper.

Writers are surrounded by bad advice masquerading as wisdom. In this episode, we take six of the most persistent fiction-writing myths and throw them politely but firmly in the bin. From talent and inspiration to first drafts, genre snobbery, publishing myths, and the idea that only bleak literary fiction counts as serious, this is a sharp, funny, practical reset for writers who are tired of feeling like they’re doing it wrong.

If your scenes keep slipping into “and then… and then… and then…”, this episode is for you. In this episode, Stuart breaks down one of the simplest ways to create stronger cause-and-effect on the page: scene turns.You’ll learn what a turn actually is, why it matters, and four reliable types you can use to make any scene work harder. Stuart also walks you through a quick Scene Turn Audit you can use in revision, plus a mini quiz to help you test your understanding as you listen.In this episode:What a scene turn isWhy flat scenes often lack meaningful changeFour practical scene-turn types you can use straight awayA simple two-question audit for revising weak scenesA quick assignment to help you apply the tool to your own draftIf you want scenes that generate momentum instead of just filling space, this episode will help you build them!Follow the show for more practical story-development tools, and check out the earlier causality episode for a perfect companion listen.

If your character’s “need” sounds like a motivational poster, readers won’t feel it in scene.In this episode of Master Fiction Writing, Stuart Wakefield breaks want vs need out of the self-help zone and turns it into a practical decision tool you can use immediately: the Want / Need / Cost triad.You’ll learn why vague “needs” kill scene friction, how to define want and need in operational terms, and how to add teeth with the Cost Ladder (three escalating levels: comfort, relationship/status, identity/future). Plus: a deliberately awful want/need example gets lovingly eviscerated… then rebuilt step-by-step into something specific, dramatic, and copyable. You’ll leave with a fast 5–10 minute assignment to generate your own triad and stress-test it against a scene, so your character choices start landing with consequences on the page. Follow the show for next week’s episode: POV contract—how to pick the right lens for this arc.

The difference between an “interesting” idea and a story that actually moves? Your premise.In this episode, I'll break down why so many drafts end up with “optional chapters” - scenes that could be shuffled, skipped, or swapped without changing anything. Then you’ll learn a simple, repeatable framework for building a premise that creates real story pressure: Protagonist + Pressure + Price.You’ll get:The 3 ingredients that make a premise generate scenes automaticallyA quick Premise Stress Test (3 questions) to spot a situation disguised as a storyTwo live premise upgrades (weak → strong), plus 5 inevitable scenes for eachThe exact fill-in-the-blank sentence stem I use with clients to write a one-sentence premise with teethA 10-minute assignment to lock your premise so your scenes stop feeling optionalIf your idea feels compelling but your chapters feel… negotiable, this one will fix that.If this clicked, hit Follow - and next week I’ll build the ‘binding question’ that turns your premise into an outline. Until the next time, happy storytelling.

Welcome to Master Fiction Writing!In this conversation, Alexandra Vassilaros shares her journey as a writer and workshop founder, emphasising the transformative power of writing workshops, particularly in the context of grief and loss.She discusses her Make Meaning Workshop, which helps participants explore their emotions and experiences through writing.We delve into the importance of vulnerability, self-expression, and the challenges of self-censorship in writing.Alexandra also offers insights into character development and the significance of diverse perspectives in storytelling, ultimately encouraging writers to embrace their authentic voices and tell their truths on paper.Find more about the Make Meaning Workshop here.Find out more about my book coaching services here.

How do you write a frozen corpse in a heated pool and make it believable? What’s the etiquette when cold-calling a forensic entomologist? And how do you stop your own research from hijacking the plot?In this episode, I’m joined by bestselling mystery author Lee Clark, whose Matthew Paine Mysteries spans spans seven intricately researched novels. We dive into the weird, wonderful, and sometimes disturbing world of crime fiction research from poisons and human trafficking to cold cases and black diamonds.Lee shares how she turns real-world expertise into gripping plot points, why she’s never afraid to approach a subject matter expert, and what she does when her characters (or her rabbit holes) take the story in unexpected directions. We also talk about writing emotional truth, editing with a scalpel, and the fine line between curiosity and chaos.Whether you’re writing thrillers, historical fiction, or anything that requires digging into the dark corners of human behaviour, this episode will leave you feeling informed, inspired, and slightly worried about our search histories.

In this episode, Shara Moon discusses her new book 'Let Us March On', which tells the story of Lizzie McDuffie, an influential yet often overlooked figure in American history. Shara shares her journey of researching and writing the book, the challenges of balancing fact and fiction, and the importance of telling Lizzie's story in today's context. The discussion also touches on themes of activism, the role of women in history, and the significance of addressing difficult topics such as racial injustice. In this conversation, Shara Moon discusses the political shifts within the Black community during FDR's presidency, the challenges of writing historical fiction, and the importance of balancing fact with creative storytelling. She shares insights on the editing process, the transition from memoir to historical fiction, and her personal connection to Lizzie herself.

It was great to be interviewed by Sara Gentry about creating characters! We delve into the significance of character backstory in storytelling, distinguishing between world backstory and character backstory - and emphasising the importance of understanding a character's history to make them relatable and believable. We talk about how backstory influences character decisions, the necessity of managing multiple characters, and the concept of "minimum viable backstory". Takeaways Backstory is essential for character development. Understanding a character's history helps readers connect. World backstory and character backstory serve different purposes. Characters need relatable motivations to engage readers. The complexity of characters can enhance storytelling. Managing multiple characters requires varying levels of backstory. Minimum viable backstory is crucial for side characters. Character reactions should be rooted in their backstory. Writers should focus on the cause and effect of character actions. Resources like podcasts and courses can aid in character development. Unlocking the Secrets of Character Backstory The Art of Character Development "Stuart is the king of character." "Backstory makes somebody feel real." "The minimum viable backstory." Chapters 00:00 Introduction to Character and Backstory 01:22Understanding Backstory: World vs. Character 04:54 The Importance of Backstory in Storytelling 08:36 Character Consistency and Relatability 13:21 Managing Character Backstories in Complex Narratives 21:47 The Minimum Viable Backstory for Characters

In this conversation, Emma Dhesi and I explore the themes of personal growth, the Four Pillars to Author Success , and the importance of celebrating small wins. We discuss how clients evolve from feeling inexperienced to becoming peers in the coaching process, emphasising the significance of acknowledgment in personal development. Our conversation also highlights the journey of self-improvement and the necessity of recognising progress, no matter how small!

Do you feel stuck in a rut with your writing? Do you struggle to even sit down to write? Does the blank page seem to loom over you like a cloud, leaving you feeling overwhelmed, uninspired, and heading for Netflix?   Don’t worry, you’re not alone!   Many writers experience this same struggle (me included). Whether you’re working on a novel or just trying to write an article, finding the motivation to get started—or keep going—can be difficult. Fortunately, there are a few strategies that can help keep your writing motivation high.