Morally Offensive

Bill and Stephanie are joined once again by returning guest Christopher Hoppe, previously heard on the show’s Stigmata episode, to discuss the notorious 1979 nunsploitation film Killer Nun starring Anita Ekberg and Joe Dallesandro. Inspired by a real criminal case, the film follows Sister Gertrude, a morphine dependent nun whose grip on reality steadily collapses inside a convent hospital. The episode covers the strange intersection of Catholic imagery, Italian exploitation cinema, psychological horror, and late 1970s grindhouse filmmaking, along with Anita Ekberg’s career after La Dolce Vita and the larger wave of controversial religious horror films coming out of Italy at the time.

Bill and Stephanie are joined by Veronica (Leave, Laugh, Love) to talk about Benedetta—starting with her own experience discerning religious life, and the moment that path ended when she was denied entry to a convent because she’s a lesbian. From there, the conversation moves through fundamentalist Catholic spaces and the charismatic movement, touching on ideas like vocation, discernment, religious orders, and what it actually means to be “called” in a system with hard boundaries. We also get into the reaction to Benedetta, including a harsh condemnation from Tradition, Family, Property and a more favorable take that approaches the film on its own terms. Along the way, we set the stage for Part II with some context on director Paul Verhoeven—known for films like Basic Instinct, Showgirls, and RoboCop—and why a movie about Catholic mysticism, sainthood, and alleged miracles was always going to land exactly where it did: somewhere between serious religious drama and total controversy. Check out the Leave, Laugh, Love podcast: https://podcasts.apple.com/us/podcast/leave-laugh-love/id1755663974 Support the show: FILTHY HABITS T-SHIRTS AND MERCH ARE IN!Merch: https://morallyoffensive.bigcartel.com/ SUPPORT THE SHOW JUST BECAUSEBuy Us a Coffee: https://www.buymeacoffee.com/morallyoffensive Website and Contact info: https://www.morallyoffensive.com Follow and watch:YouTube: https://www.youtube.com/@MorallyOffensivepodTikTok: https://www.tiktok.com/@morallyoffensivepodInstagram: https://www.instagram.com/morallyoffensivepodThreads: https://www.threads.net/@morallyoffensivepod

This week, Bill and Jess are joined by comedian, actor, and writer Syd King to talk The Little Hours—a movie where nuns drink too much, swear constantly, and ignore basically every rule they’re supposed to follow. Loosely based on The Decameron, it’s equal parts historical weirdness and modern comedy. We get into the Catholic angle, the controversy (or lack of it), and why this kind of story keeps coming back. In episode one, find out why Bill Donahue called the movie ”Pure Trash”, why a fringe Catholic Cult protested the movie (with bagpipes!), discover the existence of a creepy Catholic nun doll museum in northern Michigan, Jess finds out about ”The Shack”, and Bill reviews the hot dog menu from The Gay Bar in Gay, Michigan.

This week on Morally Offensive, Bill and Kevin are joined by actor, filmmaker, ghost tour guide—and former Judas—Orion Couling to break down Jesus Christ Superstar (1973). Along the way, expect some truly off-key singing as we dive into one of the most controversial religious films ever made.

Bill and Jess begin a two part deep dive into the classic film Black Narcissus (1947) as part of the Morally Offensive series Filthy Habits, where the show examines religion, repression, and scandal in films about nuns and clergy. Joining them is film director Delila Droege to help unpack one of the most visually stunning and psychologically intense films of the 1940s.

In this episode of Morally Offensive, co-hosts Bill and Stephanie continue their series on X-rated films with Stanley Kubrick’s A Clockwork Orange. Originally released with an X rating, the film remains one of the most controversial titles in cinema history, raising enduring questions about violence, free will, censorship, and state power. Guest John Enroth, composer (Regular Show, Interior Chinatown), joins the discussion to examine Wendy Carlos’s electronic score, Kubrick’s use of Beethoven, and the role of music as psychological control and moral irony.

This week on Morally Offensive, Bill and Kevin dig into the origins and impact of John Waters’ Pink Flamingos. The crew is joined by Bryan Wendorf of the Chicago Underground Film Festival and Thomas Bottoms of Bottoms of the Barrel to trace Waters’ early years making films in Baltimore, from DIY shorts and church-basement screenings to cultivating an audience far outside the mainstream.

This week on Morally Offensive, everybody’s talkin’ (okay its just Kevin and Bill) with singer/songwriter (and former film student) Stefanie Joyce about the ONLY X-Rated Film to win Best Picture, Midnight Cowboy. The film features a young Jon Voight as an aspiring sex worker who runs from his past in a small Texas town, toward the bright city lights of Broadway and 42nd St. While unsuccessfully attempting to get into the game, he runs into Ratso Rizzo (a young Dustin Hoffman), a small-time hustler who gets by on petty theft and squating in an abandoned apartment building. The crew uncovers the shocking facts surrounding the film being screened at an international Cahtolic Film Festival, while simultanesouly receiving an A-IV rating (Adults with Reservations - so, not QUITE ”C” or ”O” - our bad). Diversions including pocketing cold cuts at swanky parties, Meat-and-Threes, Flannery O’Connor, Baby Bob Balaban, and the ongoing debate about THAT scene.

In this episode of Morally Offensive, we explore the cultural earthquake sparked by the 1972 film Deep Throat with special guest Mark Covino, director of the award-winning documentary A Band Called Death. We dive into the rise of 1970s “porn chic,” the collapse of the Hays Code, the creation of the X-rating, and how a low-budget film became a mainstream phenomenon seen by public figures like Jackie Onassis and Truman Capote.

In this episode of Morally Offensive, we revisit the 1995 cult classic Mortal Kombat — the movie that brought video game violence, bad CGI, and 90s martial arts chaos to the big screen. We dig into Catholic reviews of the film, including one that blames stuffed-crust pizza and child day planners for the future downfall of civilization. We talk about the movie, it’s place in 90s pop culture, our mutual experiences with the game series, the panic surrounding video game violence, the mammoth status of its CD soundtrack, a brief history of Belgium New Beat, and a tangent about the Wisdom Tree Christian NES Videogame knockoffs, including the classic convert-the-heathens-by-throwing-fruit Zelda ripoff, Spiritual Warfare.

This week, Bill and Stephanie drag Atlanta filmmaker Nicole Kemper into the delivery room to talk David Cronenberg’s The Brood (1979), a horror movie which doubles as the world’s worst sex-ed film. We’re talking cinematic birth control, belly-buttonless mutant murder children, slutty vintage men’s bathrobes, and why men are absolutely terrified of the female body. Diversions include Oliver Reed’s drunken shenanigans, an attempted cult kidnapping, the Canadian public’s outrage over finding out their tax dollars were financing gorey art, and, of course, we read another Catholic review which completely disregards the artistic merits and possibilities of the horror genre. This is definitely an episode to listen to if you’re still comtemplating bringing children into a violent world which is on fire. For us, the Brood proved to be far more effective than abstinence-only sex education.

Bill and Cisco take a deep dive into The Pope’s Exorcist, the horror film where Russell Crowe channels his inner Super Mario Bro, and chews scenery as Father Gabriele Amorth, the wacky, self-proclaimed ”Chief Exorcist” of the Vatican (he wasn’t). We unpack the real Amorth’s history and his outrageous claims about what opens the door to demonic possession — from Harry Potter books to yoga classes, from Freemasonry to the soothing music of Yanni. Along the way we compare the movie’s Hollywood exorcisms with the actual Catholic ritual, talk about the Church’s checks and balances within the practice of exorcism, and laugh at the over-the-top sequel setup that plays like the Pope (played by B-movie favorite Franco Nero) is putting together a ragtag team of supernatural warriors. It’s a mix of film criticism, Catholic weirdness, and irreverent comedy that only Morally Offensive could deliver.

Dogma looms large in the canon of Morally Offensive films, casting a long shadow over many millennial Catholics. For those of us who were teens when it premiered, Dogma felt like the ultimate “anti Catholic” movie we were warned about, crafted by ”satanic” filmmakers from Hollywood (never mind that Smith is from New Jersey). Written and directed by Kevin Smith, it sparked national outrage and became one of the most high profile targets of Bill Donohue and the Catholic League in their crusade against media, which they viewed as attacking the Church. Starring Ben Affleck, Matt Damon, Linda Fiorentino, Salma Hayek, Jason Lee, Alanis Morrisette, George Carlin, Chris Rock, Jason Mewes, Alan Rickman, and many others, Dogma is a comedic epic which has persisted, despite attacks from religious groups and attempts by Harvey Weinstein to suppress it’s re-release. In this episode of the Morally Offensive podcast, Bill and Cisco are joined by comedian Ross Childs aka Crabman732 to revisit the controversy. Was Dogma truly as offensive as the Catholic League claimed, and does it hold up?