New Books in Comics and Graphic Novels

In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen’s UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont’s narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.In the Land of the Lacandón illuminates de Colmont’s expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do technical renderings of plant cells in trees have to do with Disney’s animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney’s groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America Learn more about your ad choices. Visit megaphone.fm/adchoices

John R. Davis's Keep Your Ear to the Ground (Georgetown University Press, 2025) is the first history of the fanzines that emerged from Washington, DC's highly influential punk community DIY culture has always been at the heart of DC's thriving punk community. As Washington, DC's punk scene emerged in the mid-1970s, so did the periodicals--"fanzines"--that celebrated it. Before the rise of the internet, fanzines were a potent way for fans to communicate and to revel in the joy of fandom. These zines were more than just publications; they were a distillation of punk's allure, connecting the city to the broader punk community. Fanzines remain a meaningful, tactile, creative medium for punk fans to connect with like-minded people outside the corporate-controlled world. In Keep Your Ear to the Ground, the archivist and musician John R. Davis unveils the development of punk fanzines and their role in supporting DC's hardcore and punk scene from the 1970s into the twenty-first century. He sheds new light on DC's scene and highlights some of its key personalities, including many who are often left out of punk history, with high-quality images of rare zines and insights from numerous interviews with zine creators and musicians. This book vividly weaves together the origin of zines and their importance in underground communities. For punk enthusiasts, zine creators, American studies scholars, and anyone who has ever felt like an outsider, Keep Your Ear to the Ground traces how the unique environment of Washington, DC, helped zines thrive. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hope Never to See It: A Graphic History of Guerrilla Violence during the American Civil War (U Georgia Press, 2025) by Dr. Andrew Fialka illustrates two exceptional incidents of occupational and guerrilla violence in Missouri during the American Civil War. The first is a Union spy's two-week-long murder spree targeting civilians, and the second is a pro-Confederate guerrillas' mutilation of almost 150 U.S. troops.The men leading the atrocities (Jacob Terman, alias Harry Truman, and “Bloody" Bill Anderson) weren't so different. Both the Union spy and the infamous Confederate guerrilla claimed to be avenging the deaths of their families, operated under orders from military officials, and were hard drinkers. Their acts outline the terror inflicted on both sides of the struggle.This book's use of sequential art, illustrated by Anderson Carman, displays these grisly realities to mute the war's glorification and to help prompt a modern, meaningful reconciliation with the war. The moral ambiguities contained within this story call into question our understanding of the laws of war and the ways in which wars end. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this NBN episode, host Hollay Ghadery speaks with Kay Sohini about her graphic memoir, This Beautiful, Ridiculous City: A Graphic Memoir (published by Ten Speed Graphic, 2025). A vibrant graphic memoir of a woman—an immigrant, a survivor, a writer, a foodie, and, ultimately, an optimist—who rebuilds her life in New York City while recovering from the trauma of an abusive relationship. “An intimate portrait of the city not only as a place of dreams, but as a vital source for healing and self-discovery.”—Nick Sousanis, Eisner Award–winning author of Unflattening On her first night in New York City, Kay Sohini sits on the tarmac of JFK Airport making an inventory of everything she’s left behind in India: her family, friends, home, and gaslighting ex-boyfriend. In the wake of that untethering she realizes two things: she’s finally made it to the city of her literary heroes—Kerouac, Plath, Bechdel—and the trauma she’s endured has created gaping holes in her memory. As Kay begins the work of piecing herself back together she discovers the deep sense of belonging that can only be found on the streets of New York City. In the process she falls beautifully, ridiculously in love with the bustling landscape, and realizes that the places we love do not always love us back but can still somehow save us in weird, unexpected ways. At once heartbreaking and uplifting, This Beautiful, Ridiculous City explores the relationship between trauma and truth, displacement and belonging, and what it means to forge a life of one’s own. About Kay Sohini: Kay Sohini is a South Asian researcher, writer, and graphic novelist based in New York. She holds a PhD in English from Stony Brook University and her essays and comics have been featured in The Washington Post, The Nib, and more. Her work focuses on utilizing comics in the scholarly examination of healthcare justice, environmental humanities, resisting disinformation, and creating an equitable future for all. This Beautiful, Ridiculous City is her first book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains. Bringing together different approaches and critical perspectives across disciplines, in Supervillains: The Significance of Evil in Superhero Comics (Rutgers University Press, 2025) Dr. Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, Supervillians explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oberbrechen: A German Village Confronts Its Nazi Past (Oxford UP, 2024) is a new title in OUP's Graphic History Series that chronicles the events of the Holocaust and its aftermath in a small village in rural Germany. Based on meticulous research and using powerful visual storytelling, the book provides a multilayered narrative that explores the experiences of both Jewish and non-Jewish villagers from the First World War to the present. Its focus on how "ordinary" people experienced this time offers a new and illuminating insight into everyday life and the processes of violence, rupture, and reconciliation that characterized the history of the twentieth century in Germany and beyond. The graphic narrative is accompanied by source documents published in English translation for the first time, an essay on the wider historical context, and an incisive reflection on the writing of this book—and of history more broadly. Kim Wünschmann is Director of the Institute for the History of the German Jews and teaches at the University of Hamburg. She obtained her Ph.D. from Birkbeck, University of London. Her research centers on German Jewish history, Holocaust Studies, and legal history. She held fellowships at The Hebrew University of Jerusalem and the International Institute for Holocaust Research at Yad Vashem. She was DAAD Lecturer at the Centre for German-Jewish Studies at the University of Sussex and Research Associate at the Department of History at LMU Munich. Her Publications include Before Auschwitz: Jewish Prisoners in the Prewar Concentration Camps (Harvard University Press, 2015), awarded the Yad Vashem International Book Prize for Holocaust Research. She is also the co-editor of Living the German Revolution 1918–19: Expectations, Experiences, Responses (Oxford University Press, 2023) and together with Stefanie Fischer co-author of the Graphic History Oberbrechen: A German Village Confronts Its Nazi Past, illustrated by Liz Clarke (Oxford University Press, 2024) . Stefanie Fischer a Senior Lecturer at the Center for the Study of Antisemitism at the Technical University of Berlin. Her fields of scholarly research are German Jewish history and Holocaust Studies. Fischer is the author of Jewish Cattle Traders in the German Countryside, 1919-1939. Economic Trust and Antisemitic Violence (Indiana University Press, 2024) and with Kim Wünschmann of Oberbrechen. A German Village Confronts its Nazi Past (Oxford University Press, 2025). She is also co-editor of the Leo Baeck Institute Year Book (Oxford University Press, since 2024). Learn more about your ad choices. Visit megaphone.fm/adchoices

This interview includes Jeffrey Herlihy-Mera, Professor of Humanities, Universidad de Puerto Rico-Mayagüez (UPR-M); Annette Martínez-Iñesta, Instructor of Italian, UPR-M; and Baruch Vergara, Artist and Professor of Plastic Arts, UPR-M. This episode has been sponsored by the Mellon Foundation, the Department of Humanities at the UPR-M, and the Instituto Nuevos Horizontes. This is the second podcast with Ilan Stavans about Latino USA; the first, in Spanish, is available on the New Books Network en español. About the book: In Latino USA, Latin American and Latino scholar Ilan Stavans captures the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. Combining the solemnity of so-called serious literature and history with the inherently theatrical and humorous form of comics, this cartoon history of Latinos includes Columbus, the Alamo, Desi Arnaz, West Side Story, Castro, Guevara, the Bay of Pigs, Neruda, the Mariel boatlift, Selena, Sonia Sotomayor, and much more. To embrace the sweep of Hispanic civilization and its riot of types, archetypes, and stereotypes, Stavans deploys a series of "cliché figurines" as narrators, including a toucan (displayed regularly in books by García Márquez, Allende, and others), the beloved Latino comedian Cantinflas, a masked wrestler, and Captain America. Their multiple, at times contradictory voices provide unique perspectives on Latino history, together creating a carnivalesque epic, democratic and impartial. Updated to bring the book up to the present moment, this twenty-fifth anniversary edition includes thirty new pages of Latino history, from Hamilton to George Santos. Latino USA, like the history it so entertainingly relates, is a treasure trove of irreverence, wit, subversion, anarchy, politics, humanism, and celebration. Learn more about your ad choices. Visit megaphone.fm/adchoices

You Must Take Part In Revolution is a mind-bending graphic novel by award-winning journalist Melissa Chan and acclaimed dissident artist Badiucao. A near-future dystopia in the vein of George Orwell's Animal's Farm, the book explores technology, authoritarian government, and the lengths to which one will go in the fight for freedom. Three idealistic young people, forever changed by the real-life protests in Hong Kong in 2019, develop different beliefs about how best to fight against a techno-authoritarian China. The three characters take different paths toward transformative change, each struggling with how far they will go to fight for freedom and who they will become in the process. A powerful and important book about global totalitarian futures and the costs of resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices

How can we better protect survivors? How can we learn from their stories without causing further harm? With a pen in one hand and watercolours in the other, graphic journalist Dan Archer embarks on an investigation into human trafficking and how comics can be used to empower survivors and raise awareness of human rights issues. Based on years of research and reporting, Voices from Nepal: Uncovering Human Trafficking through Comics Journalism (University of Toronto Press, 2024) holds a mirror up to the ways that international and local NGOs study and combat trafficking, reflecting on both the positive and negative impacts they can have. Featuring interviews with trafficking survivors across Nepal, as well as former traffickers themselves, Archer dispels common misconceptions around labour trafficking, sex trafficking, organ trafficking, and more. Through a combination of live sketches, illustrated reportage, and visual testimonies, he champions the use of graphic journalism in human rights reporting and emphasizes the need for a survivor-centric approach to this work. Carefully compiled and expressively illustrated, Voices from Nepal sheds light on an important issue while fostering a discussion about how we can improve the tools and methods we use to make change. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts. Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices