Not That Kind of Rabbi

Estelle Frankel is a practicing psychotherapist, author, spiritual director and seasoned teacher of Jewish mysticism and meditation. For over forty years she has been a thought leader and popular public speaker on the integration of depth psychology, Kabbalah and the world's great spiritual traditions. Estelle is the author of numerous essays and two popular books: Sacred Therapy: Jewish Spiritual Teachings on Emotional Healing & Inner Wholeness and The Wisdom of Not Knowing: Discovering a Life of Wonder by Embracing Uncertainty. Info about Estelle's teaching schedule and other offerings can be found at www.estellefrankel.com

On this episode of Not That Kind of Rabbi, Ralph Benmergui speaks with neohasid.org founder and author of the book, Kabbalah and Ecology, Rabbi David Seidenberg, on how we can restore the spiritual bond with an earth based Judaism.

Growing up in the Orthodox movement, Neshama Carlebach would hear it a lot: "It's a shame your father never had sons." The father in question, the acclaimed Rabbi Shlomo Carlebach, instead had two daughters—and the implication was that his legacy as a prolific songwriter, whose repertoire includes the popular 1965 folk anthem "Am Yisrael Chai", would die with him. Neshama didn't let those comments stop her—in fact, the opposite became true. After growing up in Toronto, Neshama ended up following in her father's footsteps, first becoming an acclaimed singer, teacher and songwriter, and now embarking on a years-long journey to becoming a rabbi. Her theological studies changed tone after Oct. 7, sparking a new desire in her to be "a rabbi who fights" for her community. But what's remained consistent has been her stubborn defiance of societal expectations. Neshama joins Ralph Benmergui on Not That Kind of Rabbi to discuss her life and music, and explain what it's like raising two sons to carry on the Carlebach legacy in an increasingly antisemitic world.

Rabbi Aaron Rotenberg realized at a young age he was drawn to Jewish studies. After graduating from Jewish day schools around Toronto, he decided to attend the Jewish Theological Seminary, a Conservative rabbinical school in New York City, for five years—only to end up a Renewal rabbi years later, ordained just this month. As the spiritual leader of the Annex Shul in downtown Toronto—and one of a handful of Renewal rabbis in the city—his goal is to connect with younger audiences. That means leading unconventional services including music, dance parties and an emphasis on Earth-based Judaism.Just ahead of Tu b’Shevat, Rabbi Rotenberg sat down with Ralph Benmergui on Not That Kind of Rabbi for a lengthy discussion about the Renewal movement, eco-spirituality and the age-old relationship between Jews and the land.

Once upon a time, Toronto was a sleepy city. The atmosphere shut down at night. Red tape and cultural meekness kept things status quo. But through the 1970s and 1980s, the city's younger generations changed how things work—and one of the biggest players behind the scenes was Gary Topp.A music promoter and independent movie theatre operator, it was Topp—along with his colleague, Gary Cormier, together known as the Two Garys—who first brought and promoted The Ramones, The Police, Slayer and other countercultural icons to Canadians for the first time. Topp also began operating the Roxy Theatre, an art deco building on the Danforth, for punk concerts and movie screenings that wouldn't be shown anywhere else in the country.Last month, Topp's transformative career was printed in a coffee table book, He Hijacked My Brain: Gary Topp's Toronto, recalling legendary stories and performances from decades past. He joins his old friend Ralph Benmergui (who also grew up in Forest Hill, not far away) for a walk down memory lane in exploring his influence on the cultural fabric of the city—and what's changed in the music scene today.

Mark Leiren-Young wrote Shylock in 1996, a play using Shakespeare's controversial Jewish character in The Merchant of Venice to explore modern-day cancel culture. While the script saw productions aorund the world, Leiren-Young was wary of giving the rights away too quickly, knowing it was complex, sensitive subject matter that required an intellectual approach. So when he met the acclaimed actor Saul Rubinek, who proposed that Leiren-Young rewrite the script to tailor it to his own real life, Leiren-Young jumped at the chance. A fan of blending fact with fiction, the B.C.-based writer began researching Rubinek's life and updating the nearly 20-year-old script to match a post-pandemic view of what "cancel culture" really means. The result is Playing Shylock, running at Canadian Stage until Dec. 8 in Toronto. Leiren-Young sat down with his old friend Ralph Benmergui to discuss how this show came to life, what it was like creating the production during and after Oct. 7, and how he got his start in writing—including an early break writing an unconventional pacifist episode of the '90s CGI cartoon Beast Wars.