NYIH Conversations

This is a special edition of the New York Institute for the Humanities’ Vault podcast. On May 13, 2026, Princeton’s Center for Human Values hosted a day-long conference titled Audio & Ideas: Exploring the Possibilities for Scholarly Podcasting. It was co-sponsored by Princeton’s Journalism program, and the NYU Podcast Initiative. Over the course of four panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In the first panel, podcaster Benjamen Walker discusses Tuning Time, a podcast about the politics of time stretching technology, with NYU media and disability studies professor Mara Mills. Professor Mills teaches in the Department of Media, Culture, and Communication and is Director of the NYU Center for Disability Studies. Her work on “disability and media” spans disability arts and technoscience, with a focus on the history, politics, and cultures of electronics and digital media. Benjamen Walker is one of the co-founders of the podcast network Radiotopa from PRX, and for a decade hosted and produced his award winning program Benjamen Walker’s Theory of Everything. The panel continues with a presentation by NYU musicologist Fanny Gribenski in which she discusses her current project, The Elephant in the Piano: Music, Ecology, Empire. The book, and podcast, is an investigation of the 19th century piano through a material history of its primary components: ivory, wood, felt, and metal. Professor Gribenski is a historical musicologist who specializes in the history of musical and sonic practices. Her first book, L'Église comme lieu de concert. Pratiques musicales et usages de l'espace (Paris, 1830–1905) analyzes the role of music in the production of sacred spaces. Tuning the World: The Rise of 440 Hertz in Music, Science, and Politics, 1859-1955 (University of Chicago, 2023) traces the rocky path towards international pitch standardization. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities’ Vault podcast. On October 10, 2025, NYU’s Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In this second panel of the day, Ellen Horne moderates a conversation with Chenjerai Kumanyika, Barry Lam, and Julia Barton, three veterans who have made a specialty of working on creative, idea-informed series. Professor Ellen Horne directs the Podcasting and Audio Reportage concentration at NYU’s Arthur L. Carter Journalism Institute. She was the executive producer and editor of Admissible: Shreds of Evidence, and was host, reporter, and producer for Luminary’s Lies We Tell. Horne was the executive producer of WNYC’s Radiolab, where she won George Foster Peabody Awards, Third Coast Awards, and the Kavli Science Journalism Award. Her new documentary, Age of Audio, tells the story of the podcast from birth to boom to today. NYU Professor Chenjerai Kumanyika specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio’s Season 2 “Seeing White,” and Season 4 on the history of American democracy. Professor Barry Lam earned a Ph.D. in Philosophy from Princeton, taught at Vassar, and recently moved to UC Riverside. He is the host and executive producer of Hi-Phi Nation, a story-driven podcast about philosophy, at Slate magazine. He is also an Associate Director of the Marc Sanders Foundation, which promotes excellence in philosophy and public philosophy. Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She’s the editor of Malcolm Gladwell’s audiobook The Bomber Mafia, Michael Specter’s Fauci, and Michael Lewis’s unabridged Liar’s Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She is the author of the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today’s episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2010, Isabel Wilkerson spoke to the Institute about the fifteen years she spent reporting and writing her book, The Warmth of Other Suns: The Epic Story of America's Great Migration (Knopf, 2010). The book won the 2010 National Book Critics Circle Award for Nonfiction, In 1994, Wilkerson was the New York Times Chicago Bureau Chief when she won the Pulitzer Prize for her profile of a fourth-grader from Chicago's South Side, and for two stories on the Midwestern floods of 1993. She was the first woman of African-American heritage to win the Pulitzer Prize in journalism. Her 2020 book Caste: The Origins of Our Discontents argues that racial stratification in the United States is best understood as a caste system, akin to those in India and in Nazi Germany She has taught at Princeton, Emory and Boston universities. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week’s episode from the Institute’s Vault, we hear a lecture on the revival of narrative in history by Laurence Stone. Professor Stone taught at Princeton from 1963 to 1990. He died in 1991. He is best known for his books The Crisis of the Aristocracy, 1558-1641, The Causes of the English Revolution, 1529-1642, and Family, Sex and Marriage in England 1500-1800. Since 1977, the New York Institute for the Humanities has brought together distinguished scholars, writers, artists, and publishing professionals to foster crucial discussions around the public humanities. For more information and to support the NYIH, visit nyihumanities.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Institute fellow Ben Ratliff talks with Kelefa Sanneh about his new book, Major Labels: A History of Popular Music in Seven Genres, which tells the story of popular music during the past fifty years. Learn more about your ad choices. Visit megaphone.fm/adchoices

Caitlin Zaloom is a Professor of Social and Cultural Analysis at New York University. Her first book, Out of the Pits: Traders and Technology From Chicago to London, an ethnographic study of the international financial system, appeared in 2006. Her second book, Indebted: How Families Make College Work at Any Cost, was published in 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices

Novelist and Institute Fellow Ben Taylor talks about Here We Are, a memoir of his friendship with Philip Roth. Taylor is the author of two previous memoirs--Naples Declared: A Walk Around the Bay, and The Hue and Cry in Our House, which received the 2018 Los Angeles Times/Christopher Isherwood Prize. Learn more about your ad choices. Visit megaphone.fm/adchoices

Biographer Benjamin Moser talks with Robert Boynton about the making of his 2019 biography of Susan Sontag, which was awarded to Pulitizer Prize. Moser’s previous book, a biography of the Brazilian writer Clarice Lispector, was a finalist for the National Book Critics Circle Award. Learn more about your ad choices. Visit megaphone.fm/adchoices

Poet and NYIH Fellow Peter Filkins talks with Eric Banks about his exceptional involvement with the work of H.G. Adler, the Holocaust survivor who authored definitive fictional and ethnographic portraits of life in the camps. In 2019 Filkins published his biography of this extraordinary figure, a book that was preceded by his translation of the novelistic trilogy. Learn more about your ad choices. Visit megaphone.fm/adchoices

NYIH Fellow Clifford Thompson joins us to discuss his latest book, written in the aftermath of the 2016 election, What It Is: Race, Family, and One Thinking Black Man’s Blues (Other Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

André Aciman's 2007 novel Call Me By Your Name was the rare work of literary fiction that managed to develop an especially enthusiastic following, particularly in the wake of the recent film adaptation. With his recent novel Find Me, Aciman revisited the protagonists of his earlier work. A longtime fellow of the Institute, Aciman spoke to us about literary followups, music and literature, and the books that make readers weep. Learn more about your ad choices. Visit megaphone.fm/adchoices