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Estimated from 2 chart positions in 2 markets.
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- 🇨🇭CH · Design#149500 to 3K
- 🇳🇿NZ · Design#185500 to 3K
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Est. listeners per new episode within ~30 days
300 to 1.8K🎙 Daily cadence·53 episodes·Last published 3w ago - Monthly Reach
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1K to 6K🇨🇭50%🇳🇿50% - Active Followers
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400 to 2.4K
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On the show
Recent episodes
S6. Ep 10. In conversation with Hannah Pallubinsky, Assistant Professor at Maastricht University.
Jun 10, 2026
Unknown duration
S6. Ep 9. In conversation with Mairi Claire Bowser, a Dundee born Production Buyer.
Jun 3, 2026
Unknown duration
S6. Ep 8. In conversation with Ellora Coupe Founder of Her Retrofit Space and Her Own Space.
May 27, 2026
Unknown duration
S6. Ep 7. In conversation with John Hall, Director at Remedial Repair & Restoration.
May 20, 2026
Unknown duration
S6. Ep 6. In conversation with Aimée Felton, Director of Estates and Conservations at The Charterhouse.
May 13, 2026
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6/10/26 | ![]() S6. Ep 10. In conversation with Hannah Pallubinsky, Assistant Professor at Maastricht University. | In this episode I am joined by Hannah Pallubinsky, Assistant Professor at Maastricht University where she co-leads the Thermoregulation and Metabolism research group. Hannah’s research focuses on how environmental factors such as temperature, humidity, and air quality impact human physiology, health, and well-being. With particularly interest in how our bodies respond to indoor and outdoor environments, and how we can design healthier living and working spaces in the face of climate change. Hannah talks about how her research has influenced her views on the built environment and the relationship humans have with buildings and how the indoor environment influences our health plus the role old buildings play given the number that are in existence. Old buildings were designed to fit the needs of occupants and as designs have changed how much is considered about the health of the occupants’ vs the buildings aesthetics?We chat about the complications that mechanical ventilationcan have on a person if it were to fail. The impact an environment can have on your health and if we are not exposed to any variation in temperature it can result in a body not performing as it should and our bodies often get lazy. Biologically we are comfort seekers! Hannah shares how the research can feed into the builtindoor environment and make buildings more resilient for the future. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness onour built heritage. | — | ||||||
| 6/3/26 | ![]() S6. Ep 9. In conversation with Mairi Claire Bowser, a Dundee born Production Buyer. | In this episode I am joined by Mairi Claire Bowser, a Dundeeborn Production Buyer, currently based in the South of England. Mairi Claire has worked in the Film and TV industries across the UK since 2011, and has been actively engaged with, and has helped to lead movements for, environmentaljustice in relation to the screen sector since then. Mairi Claire shares her journey into film and TV productionand how the magic happens but also what does and doesn’t happen to props and set components and the challenges they face. We talk about sustainability and the carbon impact but alsothe social side and human equality aspects and how all these factors need to be a driving force in decision making. Mairi Claire talks about what it’s like to own a wikka mudhouse and the complexities and joy of owning such a unique property. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness onour built heritage.Link to the map Mairi Claire mentioned Natural, Historic, Alternative & Sustainable Building& Renovation in the UK Resource Maphttps://www.google.com/maps/d/edit?mid=1K3066GOUPYDTIACOU784arzJYhVnfI0&usp=sharing Material Redistribution Map for the U.K Film & TVIndustrieshttps://www.google.com/maps/d/u/0/edit?mid=1U1gKn0ewMoy96HKB8xMdSulJxEuJO3E&usp=sharingc https://www.mcbowser.com/ | — | ||||||
| 5/27/26 | ![]() S6. Ep 8. In conversation with Ellora Coupe Founder of Her Retrofit Space and Her Own Space. | In this episode I am joined by Ellora Coupe Founder of HerRetrofit Space and Her Own Space, two interconnected member platforms empowering women to lead the UK’s home retrofit revolution. Ellora shares her journey from interior architecture andexposure to building sites at a young age thanks to her father. We talk about how she works with a client and the importance of understanding the client and what they need from their space to ensure the right solution is achieved whichmay mean reconfiguring a space rather than adding an extension. We also talk about seeing properties differently with more of a car mindset then how we often see a property which can be to its detriment. We chat about what you might consider when you areretrofitting a property and how misleading that word is. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness onour built heritage. | — | ||||||
| 5/20/26 | ![]() S6. Ep 7. In conversation with John Hall, Director at Remedial Repair & Restoration. | In this episode I am joined by John Hall, Director at Remedial Repair & Restoration where they help clients to seamlessly blend old and new brickwork whilst also offering restorationservices on all types and ages of properties. John shares where his interest in bricks came from and thejourney he went on which led him to starting his specialist business which includes supply and restoration of historic bricks including brick matching and paint removal. We talk about some of the projects he has worked on. We discuss the tinting process and how bespoke it is whichuses the porous properties of the bricks to achieve the results to ensure the colour is right for the building and the setting. FYI it is not painting bricks! John shares his thoughts on ivy, air bricks and letting abuilding breathe and how quickly stone can decay if it has a crack in it. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness onour built heritage. | — | ||||||
| 5/13/26 | ![]() S6. Ep 6. In conversation with Aimée Felton, Director of Estates and Conservations at The Charterhouse. | In this episode I am joined by Aimée Felton, Director of Estates and Conservations at The Charterhouse, a grade 17-acre estate. Aimée plays a critical role in delivering the strategy which promotes excellence in the care, conservation and stewardship of this magnificent former Carthusian monastery. Managing, presenting and developing the estate, to ensure the ongoing care of the residents, presentation of the estate to the public and excellence in built conservation. Aimée shares her career journey and how she started life as an architect and how her passion for heritage shaped the projects she worked on which then led her to being appointed Director of Estates and Conservations at The Charterhouse. We talk about her role at The Charterhouse and how the estate is used including as almshouses as well as venues for events and filming and photoshoots. We talk about the practical aspects of caring for a listed site and what that means when it comes to maintaining and adapting it to meet changing needs, especially when it comes to sustainability and aging populations. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness onour built heritage. | — | ||||||
| 5/6/26 | ![]() S6. Ep 5. In conversation with Adam Hickey, Founder and Managing Director at Pinnacle Conservation. | In this episode I am joined by Adam Hickey, Founder and Managing Director at Pinnacle Conservation. Pinnacle are passionate about construction, conservation and enhancing venerable and fragile buildings. They offer a holistic approach to the repair and conservation of historic buildings. As conservation specialists they enjoy challenges posed by the most obscure heritage conservation projects presented to them and tackle them with enthusiasm.Adam shares how he became passionate about heritage and exposure to older buildings on family holiday subconsciously played a part. We talk about the types of projects he has been involved in and the thought process that goes into it. Adam shares his thoughts on the north south variation when it comes to the availability of projects and routes into the industry. We talk about the joy and magic of working on older properties and how tangible history is. We also discuss the usual challenges, common themes and misconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you can share Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness on our built heritage. | — | ||||||
| 4/29/26 | ![]() S6. Ep 4. In conversation with Ruth Wightman, founder of Peak Project Solutions. | In this episode I am joined by Ruth Wightman, founder of Peak Project Solutions where she helps architects, contractors, and specifiers across the UK deliver projects that are practical, buildable, sustainable and visually compelling. Part of Ruth’s offering is to source bricks and masonry that blend seamlessly with the existing building which can often be a planning condition when working on listed buildings and buildings in a conservation area. Ruth shares her journey and the array of roles she hasundertaken which led her to establish company. It is incredibly inspiring to hear! We talk about the projects Ruth has been involved in and howthey source, match and tint bricks to suit the clients and building’s needs and the importance of conservation and repurposing materials. Ruth describes what may happen when a building is demolished or there is over ordering/waste on a site and how in some cases change needs to happen and a more joined up approach. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness on our built heritage. | — | ||||||
| 4/22/26 | ![]() S6. Ep 3. In conversation with Karen Haller FRSA, a global expert in Behavioural Design and Colour Psychology. | In this episode I am joined by Karen Haller FRSA, a global expert in Behavioural Design and Colour Psychology. Shehelps businesses and design professionals use colour and design to support mental health, enhance well-being, and create positive, nature-aligned change. Karen consults and collaborates with companies looking for innovative solutions to social problems who seek new ways of improving the human experience in balance with nature. Her clients included architectural and design practices and leading global brands. She has helped hundreds of design professionals aroundthe world to deepen their knowledge of colour through her sought-after colour and design psychology courses and mentoring programmes. Karen is the author of The Little Book of Colour as well as being an in-demand media commentator,international speaker and awards judge. Karen shares her journey and how she became a colour phycology expert and how colour is more than how colour is placed around the colour wheel. Colour phycology is about how colour influences how we think, how we feel and how we behave based on a colour in isolation but also the combination of colours. We talk about how colours have changed and how purple meant death if it was used by anyone else but Julius Caesar as he deemed it exclusively his to use. How the materials that made the paint often resulted in what was deemed exclusive to the rich and whether it was affordable until acrylic paint was invented along with synthetic dyes producing the results of the more expensive materials however that may result in a level of toxicity that is not seen in the natural world when using natural pigments. We discuss considerations when applying colour and appropriateness of materials and the context of the setting whilst also addressing how we feel in the space considering peoples behaviours.We talk about trends and how it is not a new thing and it can be driven by scarcity like purple or the availability of it when purple becomes widely available. Human nature to belongand feel like we are part of it and trends plays into this. We chat about heritage colours in a heritage context and how it can impact how you feel. Along with how people’s decor can be driven by how much external stimulation people areexposed to which was heightened during COVID when people could not leave their home which resulted in more colour or in some cases less colour being used tosupport their wellbeing. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness onour built heritage.Instagram: https://www.instagram.com/karen_haller_colourFacebook: https://www.facebook.com/KarenHallerColourAndDesignLinkedIn: https://www.linkedin.com/in/karenhaller WEBSITE DETAILSConsulting https://karenhaller.comFree design industry e-book https://karenhaller.com/free-10-myths-ebook Colour & Design courses https://karenhaller.com/courses Little Book of Colour https://thelittlebookofcolour.com Free first chapter https://thelittlebookofcolour.com/free-chapter | — | ||||||
| 4/15/26 | ![]() S6. Ep 2. In conversation with Sarah Charlesworth, Business Skills Foundation Lead at the Hopwood Foundation and Hopwood DePree, writer, actor and Co-Deputy Chair of Historic Houses North-West Region. | In this episode I am joined by Sarah Charlesworth, Business Skills Foundation Lead at the Hopwood Foundation and Hopwood DePree, writer, actor, director and producer and now Co-Deputy Chair of Historic Houses North-West Region. He is also a published author which details his restoration journey of a Grade 2 listed building, Hopwood Hall, which wasbuilt by his ancestors with parts of it dating back to the 1420s. Sarah shares how she started working within the heritage sector after studying building archaeology and then working in local government and Historic England. Hopwood grew up in Michagan and then lived in Los Angles where it is heavily influenced by Art Deco designs. When he found out that the stories from his childhood were true and Hopwood Hall was real, he visited the UK and saw the building and the state ofdisrepair but was overwhelmed by how the community was trying their best to care for it. Using the skills he learnt working in film he applied them to saving the building and his work continues. We talk about the importance of having the right level of resourcing and knowledge in planning departments to support projects and the impact it can have on a building when they are not in place. Hopwood shares the challenges they are facing in particular all the red tape which is more than he anticipated but the community has fuelled his passion to save the building forfuture generations. Hopwood describes his surprise at skills shortages given theage of the UK’s building landscape. Sarah talks about the programme they’ve established with prisons to build skills and provide work opportunities when they leave the prison system. We talk about Hopwood’s plans for Hopwood Hall and how itwill serve the community whilst offering it as an event space to generate income to help maintain the building for generations to come so it can be self-funding rather than rely on grants. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you can share Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness on our built heritage.Links to organisations mentioned on today’s episodeHopwood Foundation https://hopwoodfoundation.org/Architectural Heritage Fund https://ahfund.org.uk/Heritage Fund https://www.heritagefund.org.uk/Heritage Trust https://heritagetrustnetwork.org.uk/ Getting involved in the skills training/learn more about theprogramme Skills@hopwoodfoundation.org | — | ||||||
| 4/8/26 | ![]() S6. Ep 1. In conversation with Emma Fletcher, Director of Low Carbon Homes at Octopus Energy. | In this episode I am joined by Emma Fletcher, Director of Low Carbon Homes at Octopus Energy which focuses on delivering sustainable and affordable energy solutions for residential properties. Emma is also Chair of the Residential Professional Group Panel and a member of the Knowledge and Practice Committee at RICS, where she contributes to advancing best practices in residential surveying. Emma shares how her interests in properties and visitinghistorical sites and subjects at school influenced her journey. We chat about how buildings are driven by function and how historically the church would have played a central role both in terms of the community but also in terms of where buildings were located. We discuss how important health, wellbeing and warmth was in building design particularly since the industrial revolution and how these factors are still a fundamental consideration in building design today. Factors such as engineering, advances in technology and the choices in materials where the best they could afford, striving for excellence are all things we shouldcontinue to consider when designing buildings. Emma talks about owning a Grade 2 listed property and thechanges the building has seen over years and how each generation has left its mark. This resulted in some surprises being uncovered and how important it is to live in the building before making any changes so that you fully understand the building. We talk about Emma’s work in bringing the first rural district heat network to the UK and how this could help replace oil and help with rising electric bills. Emma shares her top tips on how to manage gas and electricity bills and make the most of lower tariffs at night and the benefits of solar panels and how they may be perceived by homeowners. We also discuss the usual challenges, common themes and misconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on a project and is looking for some guidance and anyone generally interested in older properties. If you liked what you heard it would be great if you canshare Our Built Heritage with anyone else you think will find it interesting and also subscribe so that you know when the next episode has been released. It would be amazing if we between us can raise awareness onour built heritage. | — | ||||||
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| 1/28/26 | ![]() S5. Ep 10. In conversation with Sarah Harrison, Co-Founder and Director of Harrison Stringfellow Architects. | In this episode I am joined by Sarah Harrison, Co-Founderand Director of Harrison Stringfellow Architects who specialise in creatively reusing buildings. Sarah is particularly good at negotiating the planning system and finding creative solutions for tricky sites combining organisational skills with a creative flair she is also an accredited RIBA Principle Designer.Harrison Stringfellow Architects ethos is centred around Community, Conservation, and Climate. We talk about Sarah’s journey into conservation and her work as an architect and how exposure to older properties at the start of her career influenced her career progression andviews on repurposing buildings. Sarah and I chat about advances in technology and how trends often influence a build but whether they are appropriate depending on the client and the age of the property and the buildings overall health and understanding this is integral before you start. This will then ultimately lead to creating the right solution to address any issues in lifestyle, building health etc. Sarah describes some of the incredible projects she has worked on, the thought process behind them and the importance of heritage making sure it was centric to the final designs. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 1/21/26 | ![]() S5. Ep 9. In conversation with Paul Mowbray, a Scottish award-winning craftsperson and artist who specialises in fine art, sculpture, wood carving and applied art. | In this episode I am joined by Paul Mowbray, a Scottish award-winning craftsperson and artist who specialises in fine art, sculpture, wood carving and applied art. He has a comprehensive knowledge of the decorative arts, as well as a professional career working on many highly skilled craftsmanship projects and has crafted ornate decorationfor many renowned historic buildings. Paul has also featured in Country Life, The Guardian, The Times and Scottish Field magazine to name a few, and some of his decorative projects have featured on More4 and the BBC. Paul shares his journey into the industry and how his interests started at an early age and grew as his skills developed working with some incredible mentors and how some of his work ended up in America. It is inspiring how his hard work and dedication led him to work on some amazing projects in a multitude of disciplines.We talk about the importance of understanding the provenance of a piece and how it was crafted and thereforehow it should be cared for so that it remains relevant in today’s world. Paul and I talk about training opportunities, and the lack of them in some cases and how hard it can be to find opportunities to gain hands on experience but also some top tips. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 1/14/26 | ![]() S5. Ep 8. In conversation with Jim Whitson, owner and blacksmith at The Blazing Blacksmith. | In this episode I am joined by Jim Whitson, owner and blacksmith at The Blazing Blacksmith based in Peebles. Theethos of the Blazing Blacksmith has always been to give clients the choice to enrich their homes, gardens and lives with innovative and exciting work which is created to suit their practical requirements whilst being sympathetic to thesetting of the piece. Whether it is a practical piece or purely sculptural Jim strives to create work which is individual and striking.We talk about how Jim became a blacksmith, the training he undertook and how he approaches a project and thevariety in the work he is commissioned to produce. From things like strawberries to gates and anything in between. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 1/7/26 | ![]() S5. Ep 7. In conversation with Angela Nicholls, a historian and published author. | In this episode I am joined by Angela Nicholls, a historianand published author whose interest lies in the provision of housing for the poor in early modern England, in particular the nature and variety of post-Reformation almshouses from the 16th century onwards. Angela’s book “Almshouses in Early Modern England”, addresses a neglected element of English welfare history, examining the role and significance of English almshouses in the period 1550 - 1725 and the contribution they made within the developing welfare systems of the time. We discuss the differences between history and heritage andhow they are both important when working on older properties. Angela explains the types of accommodation provided to poor people and how taxes paid for it. How the almshouses have changed and people’s attitudes to them and who might qualify for an almshouse plus parish houses and workhouses. We talk about the welfare system, particularly during the Victorian period and how Parishes looked after the poor and the physical boundaries they set around it. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone wanting to knowmore about almshouses or you are embarking on a project and are looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 12/10/25 | ![]() S5. Ep 6. In conversation with Stephanie Harris, an associate lighting designer at CBG Light Perceptions. | In this episode I am joined by Stephanie Harris, an associate lighting designer at CBG Light Perceptions where they provide bespoke design, consultancy and project management services for lighting and associated systems for historic, religious and other important buildings. Stephanie is also a member of the Society of Light and Lighting. We talk about how important it is to understand a space, howit will be used and by whom and how integral a clear brief is to work out what type of lighting is required. We also discuss how reading the building to understand what makes it special and what needs to be highlighted and what may need to be in the background is integral. Stephanie shares her experiences when working on a project and how she creates different lighting levels as over lighting can have a worse impact than under lighting a space or building. When working with a historical and listed building it isvital that the fabric of the building is not impacted and how the context of its setting is important when developing lighting plans plus working with the various bodies to obtain sign off. What chat about how advances in technology helps manage lighting settings to help with sustainability so that lighting is only on when it is needed and the importance of using the right suppliers to ensure longevity of the light fitting and system. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 12/3/25 | ![]() S5. Ep 5. In conversation with Venetia Flint, a Material Broker and Commercial Partnerships Lead at Material Index. | In this episode I am joined by Venetia Flint, a Material Broker and Commercial Partnerships Lead at Material Index, a leading platform providing the digital infrastructure for end-to-end material reuse in the Construction and Real Estate sectors, achieving a material reuse rate that is 10 times the UK average. With a BSc Hons in Real Estate from Oxford Brookes and five years experience in the Architecture & Design sector, Venetia has an understanding of both the commercial and creative sides of the industry. She connects valuable reclaimed assets with new projects, driving significant cost, carbon and waste savings.We talk about how Venetia got into the industry and how herexposure at a young age to older buildings and items generally planted a seed for the importance to reuse. We get into how Material Index can help companies and projects and that it is not just for older buildings looking to reinstatean item or seamlessly blend finishes but that it can be used from a ground up project where reusing materials on a new build can be just as important. Venetia outlines the approach they take when cataloguing the items and how important the past usages, location and condition is just as important as the dimensions to help tell a story of how and when it has been used and keep its history alive. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 11/26/25 | ![]() S5. Ep 4. In conversation with Kathryn Ferry, a historian specialising in Architecture, Design and Seaside Culture. | In this episode I am joined by Kathryn Ferry, a historian specialising in Architecture, Design and Seaside Culture. Kathryn has published several books which range from the history of beach huts, through Victorian homes and 1950s kitchens, to the official history of Butlin’s and the story of Britain’s largest Anglican convent at East Grinstead. She is also a Fellow of the Royal Historical Society and a Founder Member of the Seaside Heritage Network. The latest publication is called 20th Century Seaside Architecture which is published in association with the 20th Century Society.Katheryn shares where her passion for history and heritagecame from and the roles she has undertaken and working for The Victorian Society where they helped inform the future of a building referring to some great examples. We talk about how the seaside was an integral part of people’s lives and what it meant for the economy and how it was an industry in its own right. Plus, the importance of candy floss, sticks of rock, donuts and amusement arcades. Kathryn and I talk about how advances in technology, socialelements, country variations, the lack of servants and knowledge have shaped designs and how we interact with and use buildings and spaces. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 11/19/25 | ![]() S5. Ep 3. In conversation with Sarah Dowd, serial heritage and cultural entrepreneur, founder and chair of The Tricolor Collective. | In this episode I am joined by Sarah Dowd, serial heritageand cultural entrepreneur, founder and chair of The Tricolor Collective, which is 15 years old this year, as well as Founder and Co-Managing Director of Les Raconteurs and host of “History FFS”, a podcast looking at the intersection ofhistory as seen through the arts. Sarah takes us on her journey of where her passion forheritage came from and how the stories her grandmother told her and the time she spent in England helped shape her view of the world and our connection with the past and also her study and carer choices and the various roles and companies Sarah has worked with and the support she has provided organisations through their challenging times. We talk about the meaning of heritage and how it is widerthan a building and how this informs how you should approach projects. We discuss the importance of collaboration and the need to think about how the endusers of a space will interact with it and how their needs have to be considered in the design process and not just the direct project teams and the funders perspectives – it needs to have an audience first mentality. We also discuss the usual challenges, common themes andmisconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 11/12/25 | ![]() S5. Ep 2. In conversation with Lorraine Finch, Director and Founder of LFCP. | In this episode I am joined by Lorraine Finch, Director andFounder of LFCP where they are accelerating climate and environmental action in cultural heritage through research, knowledge sharing and resource creation and training. LFCP provides remote and onsite consultation, training opportunities and mentoring to museums, libraries and archives nationally and internationally to help them work sustainably and to assist them in meeting their sustainability goals. Lorraine is an accredited conservator specialising in theconservation and preservation of archives, focusing on photographs, film and sound. We talk about how Lorraine got into the conservation worldand how this led to her caring for paper based documents which later expanded into photographs. Lorraine shares some of the projects and artifacts she has worked on which is not only broad ranging but incredible in terms of the significance and age of some of the pieces she has handled and restored. Lorraine shares information on training and routes into theindustry and how climate change is impacting the health and wellbeing of collections and heritage assets. We discuss the usual challenges, common themes andmisconceptions working in the heritage sector which includes a myth that you can’t wash paper along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 11/5/25 | ![]() S5. Ep 1. In conversation with Rory Keenan, a Senior Architect at Purcell. | In this episode I am joined by Rory Keenan, a SeniorArchitect at Purcell where they offer architectural, master planning and heritage consultancy services. Purcell’s approach is based on thoughtful understanding of our shared heritage. Inspired by the qualities of each place, they design responsibly for future generations working throughout the UK and abroad. We talk about how Rory became an architect and the influence his mum and travel had on him and how the difference in training he received in Belfast and then London informed his view of design and architecture. Rory shares his thoughts on the training he received and how it is rare to start with a blank piece of paper and consideration always needs to be given to the existing environment.Rory describes the way he approaches a project and how heloves to get involved in the history, setting and surrounding area and how this informs how he approaches the design and specification and the importance of getting the right people involved in the project, especially when it is a traditional building and how a fireman’s pole may not be a great addition to your home. We discuss how advances in technology and lifestyle changesinfluenced design and architecture plus the usual challenges, common themes and misconceptions working in the heritage sector along with top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 9/3/25 | ![]() S4. Ep10. In conversation with Daniel Bland from Upland Architecture. | In this episode I am joined by Dan Bland from UplandArchitecture. Where he offers a refreshing approach to architecture, conservation and the traditions of building. Dan is also passionate about regenerative agriculture as a means to support sustainable land management and he also raining to be a dry stone waller. We talk about how Dan became passionate about working with older properties and how this translates to the projects he works on along with the linkages with sustainable land management. We discuss the challenges, common themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 8/27/25 | ![]() S4. Ep9. In conversation with Benedict Ryan, Director at Charles Cooper. | In this episode I am joined by Benedict Ryan, Director at Charles Cooper, a Conservation, Restoration & Heritage Consultation Project Manager and Chair of the Young Irish Georgian’s- London Chapter.We talk about how Benedict got into the industry and theincredible projects he has worked on and how he approaches and project and building. We touch on paint analysis and how this may influence the design direction and how to train to be a gilder. We discuss the challenges, common themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 8/20/25 | ![]() S4. Ep8. In conversation with Robyn Pender who provides a fresh look at the climate emergency through the twin lenses of science and history. | In this episode I am joined by Robyn Pender who provides afresh look at the climate emergency through the twin lenses of science and history. Robyn is passionate about the world and promoting change for the better! Robyn was originally a physicist and then studied wall paintings and conservation which then lead her to working in the built environment andworking for Historic England as a Senior Building conservation Advisor. We talk about how buildings should be climate specific andhow World War 2 and the industrial revolution impacted how buildings were built along with the changes in glass making and it becoming cheaper and how this also changed the way a building was built and performed. We discuss the idea of defining a building as a greatcoatand a raincoat, Medieval illumination and wall cloths and how integral they were along with other architectural detailing that helped maintain the property and kept it healthy and structural sound. The way heat transfers or is lost depending on the product and how this can impact on comfort levels. We look at some of the challenges faced, plus common themes and misconceptions when working in the heritage sector along with the usual top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 8/13/25 | ![]() S4. Ep7. In conversation with Russel Trudgen, Architect and Director at Arctic Associates. | In this episode I am joined by Russell Trudgen, Architectand Director at Arctic Associates, an award-winning Conservation Architects practice working with heritage properties based in West Yorkshire. They offer thoughtful conservation, restoration, adaption, and extensions of listed buildings as well as new buildings in historic and sensitive settings.We talk about where Russell’s interest in heritage came fromand how this then carried through into his work and the creation of his practice and the work he then focussed on. What might be involved when it comes to working with a traditional and listed building and the planning process andthe skills shortage. We look at some of the challenges faced, plus common themes and misconceptions when working in the heritage sector along with the usual top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
| 8/6/25 | ![]() S4. Ep6. In conversation with Cait Whitson from Whitson’s and Carte Blanche. | In this episode I am joined by Cait Whitson from Whitson’s and Carte Blanche. The aim of Whitson’s is to manufacture, source and supply exceptional products for the decorationindustry. Carte Blanche which was Cait’s first business offered high-end decorative painting and restoration services. We talk about Cait got into the industry and the trainingshe undertook and the kind of properties she worked on which ignited her passion to learn more about paint, how it is made and how it is applied and developing her specialist paint skills in graining and marbling. How life in a male dominated environment was and how she circumnavigated it. We discuss the impact of products on the environment,challenges, common themes and misconceptions working in the heritage sector along with the usual top tips when working with an older property. It will be an interesting listen for anyone embarking on aproject and is looking for some guidance and anyone generally interested in older properties. | — | ||||||
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2 placements across 2 markets.
