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- 🇻🇳VN · Christianity#167500 to 3K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
150 to 900🎙 Daily cadence·434 episodes·Last published 4d ago - Monthly Reach
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500 to 3K🇻🇳100% - Active Followers
Loyal subscribers who consistently listen
200 to 1.2K
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Recent episodes
Abominable Falsehood (Psalm 119:163)
Jun 21, 2026
3m 38s
Where Was the Tower of Babel? (Genesis 11:8–9)
Jun 20, 2026
4m 46s
The Joy of God’s Promises (Psalm 119:162)
Jun 13, 2026
3m 22s
God’s Purpose in Confusing Human Language (Genesis 11:8–9)
Jun 12, 2026
4m 03s
Whom Do You Fear More? (Psalm 119:161)
Jun 6, 2026
3m 00s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/21/26 | Abominable Falsehood (Psalm 119:163) | In Psalm 119:163, the psalmist urges us to ask: Do I love truth and hate falsehood and want my life and beliefs to conform more and more with the truth? Or do I have some presuppositions and views that are simply non-negotiable? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | 3m 38s | ||||||
| 6/20/26 | Where Was the Tower of Babel? (Genesis 11:8–9) | This episode is not meant to make any definitive statement about the location of the Tower of Babel. It is merely meant to help listeners to think critically about common assumptions made about its location. It also gives us an opportunity to pray for those who are considered experts in the field of Scripture studies. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724). | 4m 46s | ||||||
| 6/13/26 | The Joy of God’s Promises (Psalm 119:162) | Can you imagine stumbling upon great spoils or treasure of some kind, so that you were suddenly, instantly rich? How much joy would that give you? Do you realize that you already have an even greater treasure the provides a source of even greater joy? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | 3m 22s | ||||||
| 6/12/26 | God’s Purpose in Confusing Human Language (Genesis 11:8–9)✨ | confusion of languagescattering of humanity+3 | — | Wir eilen mit schwachen, doch emsigen SchrittenJesu, der du meine Seele | earth | Genesis 11language confusion+3 | — | 4m 03s | |
| 6/6/26 | Whom Do You Fear More? (Psalm 119:161)✨ | fear of Godearthly rulers+3 | — | Psalm 119 | — | fearPsalm 119+4 | — | 3m 00s | |
| 6/5/26 | Judgment Tempered with Mercy (Genesis 11:6–8)✨ | mercyjudgment+4 | — | Trinity Evangelical Lutheran ChurchWir eilen mit schwachen, doch emsigen Schritten+2 | — | Genesis 11:6–8mercy+4 | — | 3m 59s | |
| 5/31/26 | The Sum of God’s Word (Psalm 119:160)✨ | truthPsalm 119+3 | — | Psalm 119 | — | Psalm 119truth+5 | — | 3m 37s | |
| 5/30/26 | When God Confused Humanity’s Language (Genesis 11:5–8)✨ | language confusionhumanity's rebellion+3 | — | Wir eilen mit schwachen, doch emsigen SchrittenJesu, der du meine Seele | — | Genesis 11language confusion+3 | — | 4m 08s | |
| 5/17/26 | See My Love for Your Word, But… (Psalm 119:159)✨ | psalmfaith+3 | — | Psalm 119:159 | — | Psalm 119God+5 | — | 3m 55s | |
| 5/16/26 | When God Imposes Limitations (Genesis 11:5–7)✨ | God's authorityhuman limitations+3 | — | Trinity Evangelical Lutheran ChurchWir eilen mit schwachen, doch emsigen Schritten+2 | Shinar | Godlimitations+5 | — | 4m 11s | |
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| 5/10/26 | Disgusted by Double Crossers (Psalm 119:158)✨ | double-crossingdeceitfulness+3 | — | Trinity Evangelical Lutheran ChurchJohann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | — | double-crossingdeceitfulness+3 | — | 3m 32s | |
| 5/10/26 | The LORD Came Down to See (Genesis 11:5)✨ | Genesistheology+3 | — | Wir eilen mit schwachen, doch emsigen SchrittenJesu, der du meine Seele+1 | Leipzig | Genesis 11:5Moses+3 | — | 3m 59s | |
| 5/2/26 | “Even Though” Verses (Psalm 119:157)✨ | devotionhardship+4 | — | Psalm 119 | — | Psalm 119devotion+5 | — | 3m 55s | |
| 5/1/26 | Suspicious Activity in Shinar, Part 3 (Genesis 11:1–4)✨ | disobediencehumanity+4 | — | Wir eilen mit schwachen, doch emsigen SchrittenJesu, der du meine Seele+1 | Shinar | Shinardisobedience+5 | — | 4m 35s | |
| 4/26/26 | Your Compassions Are Many (Psalm 119:156)✨ | compassionpsalms+3 | — | Trinity Evangelical Lutheran ChurchPsalm 119:156 | — | compassionPsalm 119+4 | — | 4m 14s | |
| 4/25/26 | Suspicious Activity in Shinar, Part 2 (Genesis 11:1–3)✨ | Genesissettlement+3 | — | Trinity Evangelical Lutheran ChurchWir eilen mit schwachen, doch emsigen Schritten+1 | Shinar | ShinarGenesis 11+3 | — | 4m 11s | |
| 4/18/26 | Self-Invented or God-Invented Salvation? (Psalm 119:155) | How are you saved? What are the works that are pleasing to God? Just as important, do your answers to those questions originate with you or some other human, or with God? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | 3m 44s | ||||||
| 4/17/26 | Suspicious Activity in Shinar, Part 1 (Genesis 11:1–2) *with BONUS Content | God had told Noah and his sons and their wives to “throng in the earth and multiply in it” (Gen. 9:7). But we don’t get the impression that humanity wanted to do that, even a century after the Flood. (In the bonus content, we consider possible dates for the settlement in Shinar.) Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724). | 5m 15s | ||||||
| 4/11/26 | Take Up My Case! (Psalm 119:154) | It seems pretty bold to ask the holy and almighty God to take up your case, as if he were some nonprofit legal organization seeking justice for the innocent. But in Psalm 119:154, the psalmist encourages us to do so. In this devotion we consider how we can. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | 3m 37s | ||||||
| 4/10/26 | The Same Speech and Vocabulary (Genesis 10:31—11:1) | Even when we speak the same language as someone else today, we can’t always understand them. But from the beginning of the world up to about a century after the Flood, humans all spoke the same way and shared the same vocabulary. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724). | 4m 22s | ||||||
| 4/5/26 | “See My Affliction!” (Psalm 119:153) | The psalmist begins the twentieth stanza of Psalm 119 asking God to see his affliction. We have a good basis on which to ask the Lord of the universe to pay attention to us. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | 2m 35s | ||||||
| 4/4/26 | Of Joktan’s Descendants and Gold (Genesis 10:1, 21–22, 24–30) | This devotion could also be called “The Descendants of Shem, Part 3.” Our last Genesis devotion was about Eber and Peleg. In this devotion we look at the descendants of Eber’s other son, Joktan, one of whom became renowned for gold. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724). | 5m 21s | ||||||
| 3/28/26 | The Self-Authenticating Scriptures (Psalm 119:152) | From where do the Scriptures get their authority? How do we defend them, or become more convinced of their eternal and reliable character? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | 4m 20s | ||||||
| 3/27/26 | The Descendants of Shem, Part 2 (Genesis 10:1, 21–22, 24–25) | After tracing the sons of Japheth and Ham, Moses now pursues the line of the Messiah, which will continue to be his focus in the rest of Genesis. In this devotion, we consider how Eber and Peleg received their names, and how their lives coincided with the events of the Tower of Babel. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724). | 4m 40s | ||||||
| 3/21/26 | The One Who Is Near (Psalm 119:151) | Those who pursue evil plans are constantly drawing near to Christians. But there is Someone else who is always near, who is infinitely more powerful than all of them combined and whose word and promises never fail. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4 | 3m 40s | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.