Photography Clips

I have always loved old photographs. There is something about them that pulls me in. A faded print. A family face. A place that no longer looks the same. A street corner that has changed. A house that is gone. A person who was young then and old now, or maybe no longer here at all. Photography has a way of keeping those things close. That is one of the reasons I love it. A photograph can take something ordinary and give it weight. It can make us stop and look again. It can remind us that a moment mattered, even if we did not fully understand it at the time. But I have also learned there is a danger in nostalgia. Nostalgia can be comforting, but it can also be dishonest... Podcast Notes: https://www.moneymakerphotography.com/the-danger-of-nostalgia-in-photography/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

Photography is due for another revolution—and most likely, sooner rather than later. In fact, it may already be underway, and we don't quite see it yet. Why do I think that a revolution is coming? Well, the short answer is because history repeats itself. You see, if you look back over history, photography has gone through several very definitive growth stages. The first camera obscuras were made millennia ago, with the earliest historical mention of them dating to China around 500 BC. Leonardo da Vinci improved on the technology with designs for lenses. Early film creation began in the 17th century, and it was again revolutionized when Niepce created the first photograph using sheet metal and photographic chemicals in 1827... Podcast Notes: https://www.moneymakerphotography.com/when-is-the-next-revolution/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

How does one define the abstract? That's a question that artists have struggled with for centuries. In its purest form, an abstract photograph's subject is often unrecognizable. The beauty derives not from the subject itself, but from its shapes, textures or colors. The work of Henry Holmes Smith is a great example of this – many of his images are mysterious studies in light. Others – like this image on the right – focus purely on lines, shapes, and patterns rather than portraying a subject as a whole... Podcast Notes: https://www.moneymakerphotography.com/beauty-abstract-photography/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

Why is it that we are driven to create art? Of course, there are hundreds, thousands, probably millions of reasons to create art – anything from personal motivations to causes that the artist supports or statements that need to be made. But there is one broad umbrella that most, if not all art falls under, I think. At its heart, art is made so that it can be enjoyed by others. Now, there is a problem with that, the enjoyment of others. And that problem is that we don't always make that connection with our audience at large. We work and we work until we have created things that we are personally proud of but when we show it to the world, it falls flat. Not an uncommon experience among photographers or artists of any kind – we all face rejection! Podcast Notes: https://www.moneymakerphotography.com/differences-photographic-public-perception/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

In the world of early American photography, few names carry the elegance and influence of Gertrude Käsebier (1852–1934). She is often hailed as one of the first American photographers to elevate portraiture to an art form. Her best-known works, particularly images of mothers and children, embody a tenderness and depth that was revolutionary for her time. Through her lens, she captured the emotional bond between her subjects with unique sensitivity, helping to pave the way for what would later be known as the pictorialist movement—a style focused on creating painterly, atmospheric photos. Her work is a reminder of the quiet power of the photograph to convey feelings that words might struggle to capture... Podcast Notes: https://www.moneymakerphotography.com/gertrude-kasebiers-tender-lens/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

When it comes to learning more about photography, the common wisdom is not only to take more photographs but also to read about photography, to take photography classes and workshops, and to speak with other photographers. And all of these things are great ways to learn—necessary, in fact. But there's a whole other world of art out there, some art forms far older than photography, and they each have their own wealth of knowledge that we can draw from to build our own skills. So let's take a look at some of these art forms and the reasons they are valuable avenues of study for photographers... Podcast Notes: https://www.moneymakerphotography.com/what-you-can-learn-from-other-art-forms/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

I have been noticing something more and more, and I do not think it is just me. People who once cared a lot about photography are walking away from it. Not just beginners who bought a camera, tried it for a month, and got bored. I mean, people who used to go out on purpose to shoot. People who used to talk about photos, plan trips around photos, and spend real time learning and improving. Now the camera sits. The bag stays closed. Months go by, and they do not miss it the way they thought they would. The idea of quitting photography feels strange because, for years, it was treated like a lifelong thing. You start, you keep building, you keep upgrading, you keep chasing better work. You are "a photographer," and that identity can stick to you even when the hobby has stopped fitting your life. So when someone starts thinking about calling it quits, it can feel heavy, as if they are quitting a part of themselves. A lot of the time, they are not quitting who they are. They are just being honest about what their days can hold now, and what their mind has room for now... Podcast Notes: https://www.moneymakerphotography.com/when-to-call-it-quits-photography/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

When we look at old photographs, we tend to expect them to be in black and white. We expect the past to feel distant, muted, and quiet, as if history were always supposed to be sepia-toned and far away. Sergei Prokudin-Gorsky did not accept that. He wanted people to see the world as it actually looked. Not in our time, but in his. Not as a ghost of history, but as something alive with color... Podcast Notes: https://www.moneymakerphotography.com/sergei-prokudin-gorsky-russia-color-photography/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Follow me: https://www.facebook.com/Will.Moneymaker #PhotographyClips #WillMoneymaker #PhotographyPodcast