
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Total monthly reach
Estimated from 20 chart positions in 20 markets.
By chart position
- 🇨🇦CA · Performing Arts#6630K to 100K
- 🇦🇺AU · Performing Arts#7430K to 100K
- 🇪🇸ES · Performing Arts#3230K to 100K
- 🇯🇵JP · Performing Arts#3530K to 100K
- 🇲🇽MX · Performing Arts#7510K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
146K to 482K🎙 Weekly cadence·70 episodes·Last published 4d ago - Monthly Reach
Unique listeners across all episodes (30 days)
292K to 963K🇨🇦10%🇦🇺10%🇪🇸10%+17 more - Active Followers
Loyal subscribers who consistently listen
117K to 385K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
Recording 81
Jun 20, 2026
Recording 80
Jun 13, 2026
Recording 79
Jun 6, 2026
Recording 78
May 30, 2026
Recording 77
May 24, 2026
Social Links & Contact
Official channels & resources
Official Website
Login
RSS Feed
Login
| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6/20/26 | ![]() Recording 81 | Recording 81 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 6/13/26 | ![]() Recording 80 | Recording 80 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 6/6/26 | ![]() Recording 79 | Recording 79 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 5/30/26 | ![]() Recording 78 | Recording 78 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 5/24/26 | ![]() Recording 77 | Recording 77 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 5/16/26 | ![]() Recording 76 | Recording 76 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 5/9/26 | ![]() Recording 75 | Recording 75 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 5/3/26 | ![]() Recording 74 | Recording 74 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 4/26/26 | ![]() Recording 73 | Recording 73 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
| 4/20/26 | ![]() Recording 72 | Recording 72 continues the weekly rhythm — another full piano session captured on the Yamaha DC7XE3. Each session is a chance to refine both the playing and the production, and the small weekly improvements should be audible over time. Thanks for listening. | — | ||||||
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 4/14/26 | ![]() Recording 71 | It has been over 10 years since the last recording posted here. A lot has changed, including a brand new piano — the Yamaha DC7XE3. This is one of the first recordings captured on it, and I think you will hear the difference immediately. The depth, warmth, and dynamic range of this instrument is remarkable. I hope you enjoy listening as much as I enjoyed playing. | — | ||||||
| 1/23/16 | ![]() Recording 70 | I believe it is the best sounding piano audio I’ve ever captured. Please forgive me for taking so long – almost 2 years to post new music. | — | ||||||
| 6/24/14 | ![]() Recording 69 | The last podcast to be recorded on my Yamaha DC3M4. It goes away tomorrow, and though it’s only been 4 years, I feel as though I have a tremendous amount of history with that wonderful piano. I actually had to pick and choose from about 2 hours worth of recordings since I’m not sure if the old format will be supported on the new piano. I’m truly excited about the capabilities and the sound of the new Yamaha DC7XE3Pro, but it’s also sad to see my old piano leave the studio. I’m sure it will end up in good hands! | — | ||||||
| 1/2/14 | ![]() Recording 68 | Yet another all-original podcast. I did use some pretty familiar chord progressions, but I also tried out some new styles. | — | ||||||
| 2/23/13 | ![]() Recording 67 | You may not hear any familiar melodies as this podcast is mostly original. I’ve adopted a fairly new process to recording the podcast. It has been working out okay so far. It also gives me an opportunity to select the best recordings out of many, and there was a really bad 15 minutes of recording I was happy not to have included in this podcast. You may notice that it may have a slightly different sound than previous podcasts. I’m still perfecting the audio recording and mixing aspect of the podcast even after almost 5 years. | — | ||||||
| 11/24/12 | ![]() Recording 66 | I think this might end up being my favorite podcast to date. | — | ||||||
| 3/12/12 | ![]() Recording 65 | I think this is probably the first podcast ever to be original-free, although, it does contain some originality. Those who like consistently quite and peaceful podcasts may not enjoy this one as much since I get a bit loud in some parts. It may be a few months before the next podcast is posted, but I’ll try to make it softer. I’m blown away at the number of downloads that happen on a daily basis. | — | ||||||
| 11/22/11 | ![]() Recording 64 | What a crazy couple of weeks it has been! I won’t bore you with all the details, but the end result is I finally have a new podcast. You’d think after 3 years of doing this I’d have it down but I don’t. This podcast required a massive amount of editing, but I think it turned out okay. I did find some ways to improve the audio over the previous podcasts. The only issue is there’s too big of a dynamic range so had to go a little overboard on the compression and limiting. | — | ||||||
| 10/16/11 | ![]() Recording 63 | I finished mixing the Soundwave album last week so I’m back at it – thanks for your patience. This podcast, I only used “Hosannah” for a brief period. The rest is original – some from previous podcasts and some that’s fresh and new. An interesting stat about this podcast is it’s the first to be exactly 30 minutes long! I admit, I stretched the end out a little, but it was already pretty close. I added a bit more gain both at the pre amp and in software using a little more compression and gain on the limiter to try to even out the level a bit. There is quite a bit more dynamics in this podcast compared to the previous two or three. This time, I wanted to keep the dynamics as original as possible, especially during the soft parts, and I didn’t change the level on some of the louder midi notes like I have in the past. I think it turned out better this way. | — | ||||||
| 8/29/11 | ![]() Recording 62 | In a way, a lot of this podcast sounds repetitive to me compared to previous podcasts. It’s becoming a little challenging to keep things unique considering there is already over 30 hours of podcasts. | — | ||||||
| 8/1/11 | ![]() Recording 61 | Still searching for the best mic placement and mix, but I think its getting there. Most all the tunes are repeat or new originals. You may recognize one or two of them. Peace. | — | ||||||
| 7/4/11 | ![]() Recording 60 | This podcast does have familiar melodies from others, but I believe it has some uniqueness. One melody from the chorus of “Pour My Love on You” was used at the end. An estimate of 129 billion people have lived throughout the history of the world. Only 5 billion have experienced the freedom we enjoy, and 3 billion are alive today. How rare freedom is. | — | ||||||
| 6/6/11 | ![]() Recording 59 | This podcast, I used the songs, “Came to My Rescue” and “I Will Exalt”. Since I actually recorded this podcast over a month ago, I had to refer to planning center for the song names. | — | ||||||
| 5/9/11 | ![]() Recording 58 | It’s finally finished! The songs used are mostly original. I did play a familiar melody at the tail end. Most of it is a little more fast-paced than the norm. | — | ||||||
| 4/11/11 | ![]() Recording 57 | Be sure to check it out if you haven’t heard it yet. A couple originals are included as well. One was from a previous podcast. I’m still on a quest for the perfect piano mix. Mic placement and EQ has been changing every podcast. I really need to swap out my NT1000 with something else. It isn’t very balanced across the frequency spectrum. Maybe I’ll be able to afford the mic I’d like to replace it with in a couple months. | — | ||||||
Showing 25 of 70
Pitch Fit is a Pro feature
See how bookable this show is for guests, which brands already advertise, the per-episode ad value, and the best-fit guest and sponsor profile. The numbers are blurred on the free plan.
How readily this show books outside guests like you.
How proven this show is for host-read sponsorships.
For Guests
ProFor Advertisers
ProUpgrade to Pro to unlock guest cadence, sponsor categories, fit scores, and per-episode ad value for this show.
Chart Positions
21 placements across 20 markets.
Chart Positions
21 placements across 20 markets.

