Platemark: prints and the printmaking ecosystem

In this episode, host Ann Shafer sits down with Venezuelan-born artist and educator Reinaldo Gil Zambrano. Based in Spokane, Washington, Reinaldo is a relief printmaking specialist whose work explores themes of home, heritage, and the universal human experience. As an Assistant Professor at Gonzaga University and co-founder of the Spokane Print and Publishing Center, Reinaldo discusses his commitment to "democratic" art-making and his role as a bilingual bridge-builder in the global print community. From his early education at United World College to his recent solo museum debut, Reinaldo shares how storytelling and collaboration remain at the heart of everything he carves. Show me the images !! 🔗 Relevant Links Reinaldo's Artist Website: rgzprints.com Spokane Print and Publishing Center: spokaneprint.org "Pulling Roots" Exhibit at the Northwest Museum: Northwest Museum - Reinaldo Gil Zambrano Spokane Print Fest: spokaneprintfest.org United World Colleges (Costa Rica): uwccostarica.org

In s2e38, Ann and Tru continue their History-of-Prints conversation about Venice in the 18th century. This is part three of three in which we talk about father and son, Giovanni Battista Tiepolo and Giovanni Domenico Tiepolo. Shift your gaze from the canals to the clouds as we explore the whimsical, light-filled world of Giovanni Battista Tiepolo. A master of the Rococo, Tiepolo brought a sense of effortless spontaneity to his etchings, moving his needle with the fluidity of a pen. We break down his transition into the world of "Scherzi di Fantasia," where mythical scenes and fantastical themes come to life with remarkable finesse. Unlike the rigid reproductions of the past, Tiepolo's prints offer a personal narrative and a direct line to his wildest fantasies, proving why he remains one of the most enchanting storytellers in the history of art. Show me the images !!

In s2e37, Ann and Tru continue their History-of-Prints conversation about Venice in the 18th century. This is part two of three in which we talk about Canaletto. While often remembered as a topographical painter of postcards, Canaletto was, in fact, a master of curated reality. In this segment, they examine how Canaletto transformed the ordinary streets and canals of Venice into grand, cinematic scenes. Whether using the camera obscura to manipulate perspective or painting en plein air, he captured the "Venetian Vibe" with a meticulous yet lively brush. We take a deep dive into his Capricci—imaginative visions and cityscapes that felt more like Venice than the city itself—and discuss how his work became the ultimate souvenir for travelers seeking to bottle the spirit of the floating city. Show me the images !!

Ready to be globally inspired? On this episode of Platemark, Ann connects with the visionary Amé Bell, Director of David Krut Projects, who wears the hats of artist, historian, and curator. From the bustling print studios of Johannesburg, Amé brought South African voices to the world stage by curating the 2022 Venice Biennale Pavilion. They dive into the profound journey of collaborating with artists, how digital spaces are rewriting the rules of curating, and even get a peek at Amé's other passion: podcasting! Find out what it takes to make a moment in art history and the enriching impact of printmaking on artists' lives. IG @_amebell_ https://davidkrutprojects.com/about @davidkrutprojects Chopped Liver podcast on Spotify Show me the images!!

In this episode of Platemark, Ann talks with Yayoi Shionoiri, an arts lawyer and Vice President of External Affairs & General Counsel at Powerhouse Arts. Yayoi, who has over two decades of experience in art law, discusses her unique career path, from her initial interest in art history to working in law supporting artists and cultural workers. They talk about working together on the Brooklyn Fine Art Print Fair, the significance of transparency in art production, the evolving field of art law, and the intersections of technology and art, particularly generative AI. The conversation also highlights the collaborative and inclusive nature of the printmaking community, the impact of digital tools, and the fair's success in bringing together artists, students, and print enthusiasts. Cover art by Phong Bui @yayoi_shionoiri

In this History of Prints episode, Tru and Ann look at the considerable output of British satirist James Gillray (1756–1815). Younger than William Hogarth by nearly sixty years, Gillray took Hogarth's social commentary, its energy, and caustic approach, and used his skills to skewer politicians and kings, laugh at Napoleon and his empire building, point out the absurdity of the fear of vaccines, and make clear the debauchery of public executions. In fact, he's now called the father of the political cartoon. With scary parallels to current events, Gillray's acerbic eye nails it every time. You can listen to Platemark or watch a video version. Links to all the possibilities are on the episode page at www.platemarkpodcast.com. While you're there, sign up for our newsletter-emails, which alert you to new episodes and occasional other stuff. And, do me a favor and leave us a review. It really helps people find the pod. Show me the images!!

In this episode of Platemark, Ann talks with Sue Oehme, owner of Oehme Graphics in Steamboat Springs, Colorado. Sue shares her journey into printmaking, starting with her initial foray into lithography before discovering her love for etching. We talk about the unique process and intricate technique behind her renowned watercolor monotypes, including how different surfaces and types of paper influence the final artwork. We also talk about her collaborative approach and highlight her experience with artists at Oehme Graphics. Sue also touches on her previous significant work experience at Tyler Graphics, her own artistic practice, and the recent exhibition she curated at the Steamboat Art Museum. USEFUL LINKS https://oehmegraphics.com/artists https://www.facebook.com/oehmegraphics https://www.instagram.com/oehmegraphics/ https://spacegallery.org/artist/sue-oehme/ https://www.jimkempnerfineart.com/susan-oehme https://steamboatartmuseum.org/museum-moments-the-art-of-printmaking-process-and-passion/ Show me the images!!

In this episode of Platemark, Ann talks with artist and educator Nick Ruth to discuss his multifaceted approach to art. Nick, who lives in Rochester and teaches at Hobart and William Smith Colleges, shares insights into his work across various media, including painting, drawing, and printmaking. They talk about his creative process, particularly his use of monoprints as a space for experimentation and growth. They talk about his inspirations, such as the bizarre charm of cell towers and the intriguing backs of road signs, and how these elements serve as metaphors for human communication. They also discuss the evolution of his work over time and explore broader themes of art education, the impact of technology on human connection, and the artist's role in society. Get in touch with Nick here: https://www.nicholashruth.com/ IG @nicholashruth FB https://www.facebook.com/nick.ruth.58 Listen to Nick on Hello, Print Friend (June 22, 2022) https://helloprintfriend.com/episode-145-nick-ruth Show me the images!!