Princeton UP Ideas Podcast

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton University Press, 2026), Dr. Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600. Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

In Renaissance Italy, the gun was not only a tool of war but also a desirable object, a luxury item carried at court. Guns were in use on the battlefield by 1440; later in that century Leonardo da Vinci sketched a design for a faster-firing, more portable handgun that could be hidden beneath a cloak. As the gun proliferated in society, it became both a means of self-defence and a threat to civic order. In The Firearm Revolution: From Renaissance Italy to the European Empires (Princeton University Press, 2026), historian Catherine Fletcher explores the emergence of firearms in Renaissance Italy and beyond, describing the social transformations that accompanied the evolution of the handgun from innovative military technology to widely used personal accessory. Fletcher shows that as guns became smaller and the new wheellock mechanism made concealed carry possible, Italian states increasingly tried to control their use—even as they viewed firearms as necessary for their militias. In the end, Fletcher reports, the importance of civic defence trumped the concern for social order. As guns became ever more acceptable, stories of how firearms aided Europeans’ overseas conquests created a new and more positive image for a weapon once considered the devil’s work. Debates over the regulation of firearms five centuries ago—which included arguments over the restriction of gun ownership, the use of guns for self-defence and the regulation of an armed militia—in many ways anticipate discussions about gun control today. Fletcher’s groundbreaking account sheds new light on how governments weighed the competing priorities of defence and social order as they set out to build empires. Catherine Fletcher is professor of history at Manchester Metropolitan University. She is the author of several books on early modern Italy, including The Roads to Rome, The Beauty and the Terror: An Alternative History of the Italian Renaissance and The Black Prince of Florence: The Life of Alessandro de’ Medici. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here

Bukovina, when it has existed on official maps, has always fit uneasily among its neighbors. The region is now divided between Romania and Ukraine but has long been a testing ground for successive regimes, including the Habsburg Empire, independent and later Nazi-allied Romania, and the Soviet Union, as each sought to reshape the region in its own image. In this beautifully written and wide-ranging book B ukovina: The Life and Death of an East European Borderland (Princeton UP, 2025), Cristina Florea traces the history of Bukovina, showing how this borderland, the onetime buffer between Christendom and Islam, found itself at the forefront of modern state-building and governance projects that eventually extended throughout the rest of Europe. Encounters that play out in borderlands have proved crucial to the development of modern state ambitions and governance practices.Drawing on a wide range of archives and published sources in Russian, Ukrainian, German, Romanian, French, and Yiddish, Florea integrates stories of ethnic and linguistic groups—rural Ukrainians, Romanians, and Germans, and urban German-speaking Jews and Poles—who lived side by side in Bukovina, all of them navigating constant reconfiguration and reinvention. Challenging traditional chronologies in European history, she shows that different transformations in the region occurred at different tempos, creating a historical palimpsest and a sense among locals that they had lived many lives.A two-hundred-year history of a region shaped by the conflicting pulls of imperial legacies and national ambitions, Bukovina reveals the paradoxes of modern history found in a microcosm of Eastern Europe.