Reading Writers

In the Season 3 finale, Jo sells Charlotte on Alan Warner’s “amazingly textured” Movern Callar, which leads the hosts to reflect on some of the season’s recurring themes. They’re then joined by the radically reflective William C. Anderson, who explains how the Buddhism transmitted in Thich Nhat Hanh’s Zen Battles, a commentary on the teachings of Master Linji, informed his political development.William C. Anderson is a writer and activist from Birmingham, Alabama. His work has appeared in The Guardian, MTV, British Journal of Photography, Logic(s) Magazine, and Prism, where he’s a monthly columnist. He is the author of The Nation on No Map (AK Press 2021) and co-author of  As Black as Resistance (AK Press 2018). He’s also the co-founder of Offshoot Journal and provides creative direction as a producer of the Black Autonomy Podcast. His writings have been included in the anthologies, Who Do You Serve, Who Do You Protect? (Haymarket 2016) and No Selves to Defend (Mariame Kaba 2014). Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Jo and Charlotte turn their attention to Nobel Laureate Kenzaburo Oe’s mindblowing A Personal Matter and Troubled Lands: Stories of Mexico and Cuba, a collection translated by Langston Hughes, before they’re joined by Gothic-literature-loving writer-of-all-modes Nicholas Russell, who puts the spotlight on Algernon Blackwood’s unsettling preoccupation with mysterious forces in the natural world. Nicholas Russell is a writer and critic from Las Vegas. His work has been featured inMcSweeney's, The Baffler, Conjunctions, The Nation, and Orion, among other publications. He's a long time bookseller, a contributing writer at Defector, and managing editor at Still Alive magazine. His debut novel Observer will be published by Ecco at HarperCollins on September 15th. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Books discussed on all seasons of the podcast are aggregated here on Bookshop. Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Jo takes us on a whirlwind tour of their recent reading, including Mary Helen Washington’s Paule Marshall: A Writer’s Life, and Charlotte explains why Susanna Moore’s In the Cut is one of the most thrilling novels she’s ever encountered. Then, the profoundly thoughtful Jamie Hood joins to explore the many boyfriends and political disappointments of Doris Lessing’s The Golden Notebook. Jamie Hood is the author, most recently, of Trauma Plot: A Life, the hybrid pandemic diary how to be a good girl, the semi-monthly, Proust-infused newsletter, regards, marcel, and a book of love poems, forthcoming in 2026. She has written extensively on books, feminism, #MeToo, and other political matters for many publications, some of them even prestigious. She lives in Brooklyn.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

At last, the audio from December's Bookforum x Reading Writers live holiday event! The justly celebrated novelist Stephanie Wambugu joins Charlotte and Jo to talk about the controversial and inescapable Perfection by Vincenzo Latronico.Stephanie Wambugu is the author of the novel Lonely Crowds. Her work has appeared in The Drift, The Nation, Granta, Frieze, Bookforum. She lives and works in New York. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Charlotte and Jo spring into the new year with a conversation about ancient poetry: Beowulf, The Iliad, and Dante’s Inferno as translated by Mark Musa, Mary Jo Bang, and Danny Lavery. They’re then joined by the wise and wonderful Hanif Abdurraqib who—after sharing a scoop about what series of book he reads every year (!)—reflects on the formative impacts of his encounter with Gloria Naylor’s The Women of Brewster Place. Other titles discussed: Toni Morrison’s Jazz, Bebe Moore Campbells’ Your Blues Ain’t Like Mine, Lloyd Alexander’s The Chronicles of Prydain. Hanif Abdurraqib is a writer from the east side of Columbus, Ohio.Danny Lavery’s translations of The Inferno can be found here.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com.Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In a scandalous rejection of holiday spirit, Jo and Charlotte reflect on the dark, elegant pleasures of Gabrielle Wittkopf’s The Necrophiliac alongside contemporary novel conventions as deployed in Rebecca Novack’s Murder Bimbo. The hosts are then joined by dear friend Clio Chang, who outlines the timeless, charming, annoying allure of Cheryl Strayed’s hit memoir Wild (2012).Also discussed in this episode: Charlotte Roche’s Wetlands, Gillian Flynn’s Gone Girl, and Lillian Fishman’s Acts of Service.  Clio Chang is a staff writer at Curbed who can do three pullups. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest (and book!) coverage requests. Questions and kind comments can be directed to readingwriterspod at gmail dot com. Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free. Her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Jo and Charlotte discuss secret gardens, indoor kids, and Peter Pan’s baby teeth before they’re joined by culture-shaping Annelise Ogaard, who introduces listeners to the lavish, creepy world of Gabrielle Wittkop’s fiction.Annelise Ogaard is a writer, translator, filmmaker, vibesmith, area woman, and friend of the pod. She has translated a variety of Japanese manga, including Hauntress, (one of the NYPL's top ten graphic novels of the year💅), and is currently at work on the classic boxing series Fighting for Tomorrow.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.  To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

This week, Jo discovers the seminal elegance of Sylvia Wynter’s Black Metamorphosis: New Natives in a New World, while Charlotte considers how well she would fare if she traveled back in time to the era of Alexander the Great, as depicted in Mary Renault’s The Persian Boy. Then, the dazzling Lauren Michele Jackson joins to discuss the chaotic, thrilling, sexually vibrant, and deeply unwell narrator of Nettie Jones’ Fish Tales.Also mentioned in this episode: Percival Everett’s Glyph, Danzy Senna’s Symptomatic, Street Zen by David Schneider, and Samuel R. Delany’s Times Square Red, Times Square Blue.Lauren Michele Jackson is an assistant professor of English at Northwestern University and contributing writer at The New Yorker. She is the author of White Negroes and the forthcoming essay collection, Back. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane’s most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In an incendiary season finale, the insightful and hilarious K. Austin Collins joins to discuss Dennis Cooper's controversial classic, The Sluts. Other topics of debate include the old internet, social media in fiction, and the world's ultimate unreliable narrators: service review writers. Thanks to all our listeners and guests for a wonderful second season! K. Austin Collins is a film critic. His writing has appeared in Rolling Stone, Vanity Fair, The Ringer, and the Los Angeles Review of Books. He is the author of BLACK COP, forthcoming from Doubleday, and DOMESTIC VIOLENCE, about Frederick Wiseman’s 2001 documentary of the same name, forthcoming from Fireflies Press.  Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte’s most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Charlotte and Jo enthuse briefly but ardently about friend of the pod’s Tony Tulathimutte’s Rejection and Helen Humphreys’ Followed By The Lark before the powerhouse Shon Faye joins for a rollicking take on Germaine Greer’s The Female Eunuch.Shon Faye is an advice columnist for Vogue dot com and the author of two books The Transgender Issue published by Verso in 2022 and the forthcoming Love in Exile a memoir to be published by FSG in May 2025.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte’s most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In another host-only bonus episode, Jo reviews Paula Hawkins’ art mystery novel, The Blue Hour, and Charlotte rhapsodizes about Jacqueline Harpman’s bizarre science fiction masterpiece I Who Have Never Known Men.Other titles discussed: Karen Slaughter’s Will Trent series, Paula Hawkins’ The Girl on the Train, The Woman in Black by Susan Hill, and The Woman in White by Wilkie Collins.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte’s most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.coTo support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

Jo opens their mind to further basketball books after reading Hanif Abdurraqib’s There’s Always This Year, while Charlotte (11:30) revisits a YA novel from her youth, Bette Green’s Summer of My German Soldier. Glamorous Marlowe Granados then joins (24:30) to expound on great novels of mid-century women, namely Margaret Drabble’s The Millstone. Other books discussed in this episode: Mary McCarthy's The Group and Rona Jaffe's The Best of EverythingMarlowe Granados is the author of Happy Hour, a novel the New Yorker called an "effervescent debut." In 2021, it was shortlisted for the Amazon First Novel award and received starred reviews from Publisher's Weekly and Kirkus Review. It is considered a RAVE on Literary Hub’s BookMarks, a website that aggregates reviews from major publications. She writes a substack called "From the Desk of Marlowe Granados" and is currently at work on her second novel. After spending time in New York and London, she now lives in Toronto. Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte’s most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.

In this special bonus episode, Jo and Charlotte talk about J.M. Coetzee, starting with Disgrace and moving to white South African literature, the legacy of colonialism in fiction, animal rights and Coetzee’s The Lives of Animals, as well as Athol Fugard’s plays, James Percy FitzPatrick’s Jock of the Bushveld, Sunaura Taylor’s Beasts of Burden, Marjorie Spiegel’s The Dreaded Comparison: Human and Animal Slavery, Tina Post’s Deadpan, Eyal Press’ Dirty Work: Essential Jobs and the Hidden Toll of Inequality in America, and much more.Send questions, requests, recommendations, and your own thoughts about any of the books discussed today to readingwriterspod at gmail dot com. Charlotte’s most recent book is An Honest Woman: A Memoir of Love and Sex Work. Learn more at charoshane.comJo co-edits The Stopgap and their writing lives at jolivingstone.com.To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.