Registry - A Podcast

Episode Notes I Sources & Further Reading: Jordan, Lawrence. The Lady of the Spheres (1972). P. Adams Sitney, Visionary Film: The American Avant-Garde, 1943-2000. Wheeler Winston Dixon, The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema. Find out more at https://registry-a-podcast.pinecast.co

The 2023 National Film Registry list A Movie Trip Through Filmland (1921) Dinner at Eight (1933) Bohulano Family Film Collection (1950s-1970s) Helen Keller: In Her Story (1954) Lady and the Tramp (1955) Edge of the City (1957) We’re Alive (1974) Cruisin' J-Town (1975) ¡Alambrista! (1977) Passing Through (1977) Fame (1980) Desperately Seeking Susan (1985) The Lighted Field (1987) Matewan (1987) Home Alone (1990) Queen of Diamonds (1991) Terminator 2: Judgment Day (1991) The Nightmare Before Christmas (1993) The Wedding Banquet (1993) Maya Lin: A Strong Clear Vision (1994) Apollo 13 (1995) Bamboozled (2000) Love & Basketball (2000) 12 Years a Slave (2013) 20 Feet from Stardom (2013) Find out more at https://registry-a-podcast.pinecast.co

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Episode Notes More on Saroyan Our Patreon Auto-Generated Transcript Registry-The Human Comedy Fri, 8/12 11:53AM • 6:32 SUMMARY KEYWORDS film, presents, story, family, script, ithaca, andy hardy, focused, work, star, great, comedy, james cagney, telegraph office, incredibly, deserved, dialoguing, fascinating, mayor, role This is Registry, a Podcast, from Office Supply Publishing and Klaus at Gunpoint The Human Comedy is exactly the type of film the National Film Registry should be honoring. It is a uniquely American film about a fascinating time in American history. It has a backstory that's wonderful. But ultimately, it is a hopeful story, a hopeful story being told in a time when hope was somewhat limited. The concept of the Human Comedy is based on the work of William Saroyan and William wrote in the style that been referred to as Troyan esque, it is optimistic, perhaps sentimental, at the same time as being somewhat cynical of the role of society and rules. Basically, it's this idea that everyone in a society is a value in as much as they present, a goodness of sorts, and that becomes more hazy. sering wrote the original screenplay and gave it to Louis B. Mayer of MGM, and Mayer picked up this 240 Page screenplay and said that Saroyan wasn't going to direct it as he had kind of hoped. And he had actually made a short film called The Good Job as sort of an audition for that. Mayer gave the script to another screenwriter and to a different director. And Serena adapted that screenplay into the novel The Human Comedy, which became his biggest seller. The film was excellent. And it featured, among others, Frank Morgan, as the telegraph operator who was fantastic. He, I think, deserved incredibly high billing. And I think he even got it. We also had, of course, Mickey Rooney, who was the biggest star in the world at that point. Well, okay, one of the biggest stars in the world, he was huge. Donna Reed, Van Johnson, this wonderful set of character actors, which is actually the perfect set of actors to have for this story. Because it's not a straight narrative. There's narrative elements, of course, there's a through line. The idea being that the McCauley family is in Ithaca, California in the Central Valley during World War Two, and the oldest son is off at war, the other son has taken a job at the telegraph office, delivering messages, which are often messages of members of their families being killed in action. And we see the interactions between people. What's fascinating is that serine often focused on sort of the focus on immigrant populations, he focused on the downtrodden, the gamblers, the sex workers, to a lesser degree. Here, he focuses on the McCauley family that is decidedly WASPey, for lack of a better word. And what he's done is he has presented them as poor or at least lower on the economic ladder, but an incredibly tight family, an incredibly loving family, and most importantly, I think, an incredibly earnest family, and that earnestness makes the dynamics of the story work. The shooting is wonderful, the script is great. There's probably not a lot of saurians original script, it's he won the Oscar for Best Story. And the story is all there really, but I think the way the dialogue is handled is less certain than it is traditional Hollywood dialoguing. What makes a story so powerful, though, is the fact that there is a positivity towards every scene, even when it's scenes of conflict. There are scenes of conflict towards an end, which is positive and beautiful. In other words, it's a Williams Orion story. Mickey Rooney is great in it. I love Mickey Rooney in general. I think here is his best non Andy Hardy work until we would see him in Sugar Babies and other things in the 70s and 80s. I think that Johnson is great. We there's not a lot of him, but there's just enough that I was very pleased. None of reads. Okay, she's got her moments. But the real star is Frank Morgan. And his presentation is precisely what we get from Saroyan's take on the character and we see this 100% In the scenes where he is dealing with the sons and how he presents what he does. I mean, it's a kind of a showy role, honestly. The youngest I love the family is adorable as always, I think it just Jack Jenkins was his name. I don't know if he did much after. But overall, every performance in it is good. The script is solid. The cinematography is good. I wouldn't say it was one of the best, the best shot films of the time, but it's beautiful. It really is. And that just may be my black and white bias. But ultimately, it is the best example of William Saurian on fill the time of your life also presents that serinus quality but is really more of a James Cagney film. But here you are getting to run through a work that isn't entirely so Ryan. And that actually helps that I think there was a remake of this done called Ithaca I believe in 2016 Directed by Meg Ryan, featuring Tom Hanks, Hamish Linklater, who is actually great in it, and it's okay. It's nothing special. But the original is so strong and such an excellent document of its time that it deserves to be included on the National Film Registry. Find out more at https://registry-a-podcast.pinecast.co

Episode Notes The listing A sampler Find out more at https://registry-a-podcast.pinecast.co

Episode Notes The Breakfast Club is arguably John Hughes most important, and best, film. Released in 1985, the poster was created from an Annie Leibowitz photograph and is an iconic image of teen films, referenced through to today. Comments or questions - johnnyeponymous@gmail.com film filmhistory nationalfilmregistry teenmovie johnhughes bratpack 1980s Find out more at https://registry-a-podcast.pinecast.co

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Episode Notes The original website Find out more at https://registry-a-podcast.pinecast.co

Episode Notes There are two Ben Hurs on the Registry! This one, starring Ramon Navaro, is a masterful piece of spectular viewing! Find out more at https://registry-a-podcast.pinecast.co

Episode Notes An amazing thought piece that looks at concepts of memory, description, image, destruction, and much much more. Find out more at https://registry-a-podcast.pinecast.co

The death of Jonas Mekas reminds me that this is a film that must be on the Registry!

A look at one of the finest films of the last twenty years. From acting to script to direction to impact, Brokeback is a film that 100% belongs on the Registry.