
Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇳🇱NL · TV & Film#1451K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
300 to 3K🎙 Daily cadence·157 episodes·Last published 1mo ago - Monthly Reach
Unique listeners across all episodes (30 days)
1K to 10K🇳🇱100% - Active Followers
Loyal subscribers who consistently listen
400 to 4K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Plays
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 12 epsHosts
Recent guests
Recent episodes
Take 154 - Showrunner and Creator Craig Gerber, Sofia the First, Elena of Avalor
May 22, 2026
44m 44s
Take 153 - Showrunners and Writers Kristin Robinson and Ian Deitchman, It’s Not Like That
May 14, 2026
47m 54s
Take 152 - Writer, producer, director Thom Harp, Home Delivery, The Donor Party
Apr 17, 2026
41m 54s
Take 151 - Showrunner, Writer Courtney Lilly, Black-ish, Everyone Hates Chris
Apr 10, 2026
51m 06s
Take 150 - Writer, Director David Zucker - Airplane, Top Secret, The Naked Gun
Feb 19, 2026
42m 13s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 5/22/26 | ![]() Take 154 - Showrunner and Creator Craig Gerber, Sofia the First, Elena of Avalor✨ | Disneyshowrunning+3 | Craig Gerber | DisneySofia the First+1 | — | Craig GerberSofia the First+5 | — | 44m 44s | |
| 5/14/26 | ![]() Take 153 - Showrunners and Writers Kristin Robinson and Ian Deitchman, It’s Not Like That✨ | writingTV landscape+3 | Kristin RobinsonIan Deitchman | It’s Not Like That | — | writing duoTV writing+3 | — | 47m 54s | |
| 4/17/26 | ![]() Take 152 - Writer, producer, director Thom Harp, Home Delivery, The Donor Party✨ | movieswriting+3 | Thom Harp | — | — | Thom Harpmovies+5 | — | 41m 54s | |
| 4/10/26 | ![]() Take 151 - Showrunner, Writer Courtney Lilly, Black-ish, Everyone Hates Chris✨ | Hollywoodshowrunning+4 | Courtney Lilly | Black-ishEveryone Hates Chris | — | Courtney LillyHollywood+5 | — | 51m 06s | |
| 2/19/26 | ![]() Take 150 - Writer, Director David Zucker - Airplane, Top Secret, The Naked Gun✨ | comedyfilmmaking+3 | David Zucker | DGAAirplane+3 | — | David ZuckerAirplane+6 | — | 42m 13s | |
| 1/15/26 | ![]() Take 149 - Writer Gary Whitta, Rogue One, See you in Hell✨ | podcastingHollywood+3 | Gary Whitta | Rogue One | — | Gary WhittaRogue One+3 | — | 48m 18s | |
| 12/11/25 | ![]() Take 148 - Showrunner and Novelist Craig Thomas, How I Met Your Mother and That’s Not How It Happened✨ | novel writingdisability in Hollywood+3 | Craig Thomas | That’s Not How It HappenedHow I Met Your Mother | — | Craig ThomasHow I Met Your Mother+4 | — | 46m 52s | |
| 9/6/25 | ![]() Take 147 - Special Episode. Martyn Robertson and Gordon Mackay. Make it to Munich.✨ | filmmakingsports surgery+3 | Martyn RobertsonGordon Mackay | Make it to Munich | Chinese Theatre | Make it to MunichMartyn Robertson+5 | — | 39m 59s | |
| 9/4/25 | ![]() Take 146 - Director, Producer, Writer Nick Verso, Boys in the Trees, Invisible Boys✨ | entertainment industryrejection+3 | Nick Verso | AustraliaLos Angeles+2 | — | Nick Versoentertainment+5 | — | 42m 37s | |
| 8/7/25 | ![]() Take 145 - Story Editor (Head Writer) James Eason-Garcia, Ironman and his Awesome Friends, Star Wars Young Jedi Adventures✨ | screenwritingsuperheroes+3 | James Eason-Garcia | DisneyIronman and his Awesome Friends+1 | — | James Eason-GarciaIronman+5 | — | 47m 34s | |
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| 6/19/25 | ![]() Take 144 - Showrunner, Writer Tony Ayres, The Slap, The Survivors✨ | showrunningwriting+4 | Tony Ayres | The SurvivorsThe Slap | AustraliaHollywood+1 | Tony AyresThe Survivors+5 | — | 44m 19s | |
| 5/15/25 | ![]() Take 143 - Writer Daniel Casey, 10 Cloverfield Lane, F9✨ | Hollywood origin storyscreenwriting+4 | Daniel Casey | 10 Cloverfield LaneF9+1 | — | Daniel CaseyF9+7 | — | 47m 07s | |
| 5/8/25 | ![]() Take 142 - Actor, Writer, Director, Author, Producer Eriq La Salle, Coming to America, On Call | We are delighted to have the legendary Eriq La Salle on the show. The talented actor, writer, producer, director and novelist joins us to talk about his illustrious career, the power of storytelling and his love of acting but not necessarily some of the business of acting. We talk about a writing rejection leading to acting, an acting rejection leading to directing and frustrations about pay disparity and inequality shaping his work as a producer. Eriq talks about his role as producing direct... | 47m 34s | ||||||
| 3/27/25 | ![]() Take 141 - Arika Lisanne Mittman, Writer, Showrunner, Timeless, La Brea, The Irrational | We talk to The Irrational Showrunner Arika Lisanne Mittman. She talks about her ten years as an assistant, finally getting her break and what she learned along the way. We discuss the rise and fall of network television, what the industry learned from the strike and whether she's any good at firing people (she's not!). Arika talks about her strengths and weaknesses as a showrunner, gives advice to those wanting to join the industry and the times she nearly got fired as a script co-ordinator. ... | 48m 29s | ||||||
| 3/20/25 | ![]() Take 140 - Showrunner Joe Wilson, The Equalizer | We talk to Equalizer showrunner Joe Wilson. In one of our most candid episodes so far, he talks about his journey from East Cleveland to Hollywood, the tough days at the start and even sleeping in his car. He explains how he got his break, how he is treated when he goes home and what sort of showrunner he aspires to be. We talk cool Hollywood moments, his strengths and weaknesses and the show about bands he aspires to make. A gritty episode that explores all the areas Hollywood doesn’t normal... | 47m 17s | ||||||
| 3/13/25 | ![]() Take 139 - Co-Creators Tim Walsh and Elliot Wolf, On Call | It's always fun we have two guests on, particularly when they are talking about Wolf Productions first go at a streaming platform. We talk to showrunner Tim Walsh and co-creator Elliot Wolf about their new show On Call, making the most of the freedom of a streamer, whether the police in Long Beach still like them and how hard the industry is right now. Elliot talks about the Wolf legacy, trying new approaches to the industry and his pride in the new show. Tim is brutally honest about his time... | 52m 45s | ||||||
| 3/6/25 | ![]() Take 138 - Showrunner, Writer Sally Bradford Mckenna, Will & Grace, Laid | We talk to Sally Bradford Mckenna, co-showrunner of the new Peacock show Laid. She explains how she first got her break, reluctantly, on Will & Grace, how her father's career helped shaped hers and why every show needs two showrunners. She talks about the evolution of comedy writing, difficult rooms early in her career and being brought in to solve problems on shows, and how that didn't always go down well. Sally talks about the excitement of co-showrunning, why she wants to try it solo a... | 47m 24s | ||||||
| 2/27/25 | ![]() Take 137 - Showrunner JJ Bailey, The Hunting Party | We talk to showrunner JJ Bailey. He talks about his new show The Hunting Party, finding a new angle for a procedural and the excitement of getting a new network show on air. We hear about the complexity of the showrunner role, learning a way round a writers room and whether you should write about your hobbies. Great insight from a man who seems too nice to be successful in Hollywood. | 42m 38s | ||||||
| 2/20/25 | ![]() Take 136 - Writer Matthew Aldrich, Coco, Cleaner | We're back after our New Year and fire break and have a great oe, Coco and Cleaner writer Matthew Aldrich. He talks about the power of spec scripts, why he never celebrates his wins and the pressure and intensity of working with Pixar. He tells about sourcing ideas from news articles, how prior success has meant nothing for future success and the state of Hollywood today. We also cover not living in LA, alternative pastry chef careers and why he feels so fortunate. A great first episode of th... | 47m 17s | ||||||
| 12/19/24 | ![]() Take 135 - Executive and Producer Sue Naegle, Day of the Jackal, Game of Thrones | We talk to former HBO President and now producer Sue Naegle. A fascinating insight from the top of Hollywood about how Game of Thrones nearly didn’t get made, working with Eddie Redmayne and the art of saying no. Sue talks about producing multiple shows at the same time, the projects that got away and the fear of where the next deal is coming from. We also talk about Hollywood coming out of its dark times, the Day of the Jackal and what she learned being an agent. Extraordinary insight from a... | 44m 41s | ||||||
| 12/6/24 | ![]() Take 134 - Writer and Showrunner Kevin Abbott, Roseanne, Golden Girls, Happy’s Place | We talk to comedy writing legend Kevin Abbott. He talks about the drinking, drugs and smoking of his first comedy rooms, how he got his break in the business and working through the night. Pitching while an exec was peeing, why writers are all miserable and the behaviours that are no longer acceptable. Kevin explains that Hollywood is in its worst possible spot, why creatives are not valued and how the industry has changed to be so much more business than show. A fascinating and hilarious dis... | 50m 12s | ||||||
| 11/21/24 | ![]() Take 133 - Producer Michael Costigan, Brokeback Mountain, Based on a True Story | We talk to the magnificent Michael Costigan, producer of such hits as Brokeback Mountain, Robin Hood and Hit Man, among many others joins the show. He talks about his new TV series Based on a True Story, his transition from movies to the small screen and how hard it is to get anything made. Michael explains his journey from terrible assistant, to producing seminal movies and compares adversity in film and television. An honest and candid romp through Hollywood, with tales of the biggest... | 41m 53s | ||||||
| 10/24/24 | ![]() Take 132 - Showrunner Frank Cardea, NCIS, Crazy Like a Fox, Shogun | What an episode! We talk to TV legend Frank Cardea about his decades in the business. He tells us about his move from accountancy to producing, the extraordinary longevity of his writing partnership and working on more than 400 episodes of NCIS. We hear some great examples of failure, some great examples of success and also some great examples of leadership. A fascinating deepdive into one of Hollywood longest and most prodigious careers. | 53m 19s | ||||||
| 10/10/24 | ![]() Take 131 - Writer and Showrunner Michael Rauch, Beautiful People, Royal Pains | We talk to Michael Rauch. He starts with an extraordinary film school firing, then a late-night 'show being un-picked up' call and how he recovered from those early career setbacks. He tells us about his casting frustrations, managing multiple projects, and what he learned from great showrunners. An excellent episode full of brilliant anecdotes. | 46m 03s | ||||||
| 10/3/24 | ![]() Take 130 - Writer and Showrunner Mark Goffman, West Wing, Sleepy Hollow, Bull, Irrational | We talk to the fascinating Mark Goffman. He tells us about swapping real Government speech writing at the State Department for writing on the West Wing, some extraordinary career luck and ventriloqism documentaries. Mark talks about the importance of giving people a voice in a room, the importance of working with good people repeatedly and the importance of reflecting something of yourself in every show. He talks about regret, where he derives his satisfaction in the writing process and he an... | 40m 34s | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.
