SEAMSIDE: Exploring the Inner Work of Textiles

Creative work requires two movements: going inward into solitude and reaching outward into community. Neither is better than the other—what matters is learning to sense which one you need in the moment. This meditation helps you feel the gifts each offers, recognize the signals that you need more of solitude or connection, and trust your own rhythm.

Some questions close quickly—you answer them and move on. But other questions open outward, revealing more complexity and interest the longer you explore them. This meditation helps you identify questions worthy of sustained inquiry and practice holding them open rather than rushing to resolution. Series work isn't repetition; it's sustained investigation that builds intimacy with what genuinely matters to you.

When you write in a journal, you often discover what you think by seeing your thoughts on paper. Making works the same way—your hands think through materials, and you discover what you know by seeing what emerges. This meditation explores creative work as externalized thinking, a conversation between your conscious intentions and your intuitive knowing.

Creative inspiration isn't scarce, requiring special trips or perfect conditions—it's abundant, hiding in plain sight. This meditation helps you expand your attention to notice inspiration in places you usually overlook. We'll practice a particular quality of noticing—curious but not hungry—and build cross-pollination between creative and everyday activities.

Our bodies have so much to tell us—where we hold tension, what hurts after hours of making, what feels tight or soft. This meditation guides you through a gentle full-body scan, not to fix problems, but to notice what's present. We'll develop body literacy so you can recognize what your creative practice asks of you physically and respond with practical care.

Many makers carry a quiet voice that says "I'm not good enough." This meditation helps you remember your inherent creative worthiness—not something earned through skill or output, but something that exists simply because you choose to show up. We'll reconnect with moments when creating felt natural, anchor belonging in your body, and recognize that your particular way of seeing matters.

A collection of heartfelt reflections from the HUDDLE retreat in Fontana, Wisconsin, exploring how textiles connect people, preserve stories, and foster creative transformation.

The last time Judy Martin and I caught up was about a year ago. At the point in time, she was just starting Your Fragile Life, a quilt project that she just wrapped up in recent weeks. If you haven’t heard our first chat, you can find it in the feed under April 2023. That conversation is one of the most-listened to episodes of all time, and in that chat, called HOW TO HOLD YOUR LIFE IN YOUR HANDS, Judy and I talk about: ① the tole time plays in our work ② how we can meet ourselves in our materials ③ how our creative arc shifts over time These days, she’s getting ready for her first international solo show at the Festival of Quilts in the UK and so there’s a lot to catch up on. In this conversation, Judy shares her reflections on quilting, caretaking, and the meaningful interactions she has had with different audiences, including a recent visit to her granddaughter's class. She discusses recent projects, like 'Your Fragile Life,' the importance of showing her work, even though showing itself comes with its own demands. One thing you’ll hear in this conversation that I think it quintessentially judy is how she emphasizes the essential nature of care and touch in her quilts, highlighting how these elements connect with viewers on a deeply personal level. The discussion also touches on the power of minimalism, daily routines for creativity, and the broader implications of quilts in fostering compassion and understanding in the world we live in.

Barbara Campbell Thomas had a long-established painting practice when, about a decade ago, her mother bought her a sewing machine. Little did she know, but that gift provided her the perfect missing piece to her creative practice. What draws me to Barbara’s work is the balance between tautness and texture. Her stretched and pieced canvas quilt works pushes back an “all or nothing” perspective on genre. Her work is naturally generative and generous, creating expanses for so much.

Russell James Barratt and his wildly joyful quilts make me want to lasso the UK and bring our two countries closer together. His work is loud and colorful, his demeanor is gentle and composed, and those two sides of Russell make for an imminently enjoyable friend to chat with.

We talk about Tyrrell's newest work along with three artists he thinks everyone should follow

Time continually marching forward. Each new day just piles on top of yesterday and gets buried further back in what we have come to call history. I think there's a problem with thinking about time that way, and that's what we're exploring today on SEAMSIDE. I'm going to share with you a quilt that I made called Generation. It's part of the Southern White Amnesia, a body of work that I've pulled together in the last couple years, exploring the stories that Southern White families tell each other and the ones they don't.

In this episode, I share more about a quilt I call LIKE FAMILY. It's part of the Southern White Amnesia Collection, which explores the kinds of stories that Southern White families tell one another, or maybe more importantly, the ones they don’t tell one another about their own family history. You may have heard me talk about other pieces in the same collection on SEAMSIDE before, and if not, I'd encourage you to check out some of those episodes. So far, we've got SILVER DOLLAR, SNAKE HANDLER, OUR CHILDREN, and ONUS // ON US