Seen on the Screen with Jacqueline Coley

Adria Arjona has made a point of choosing roles that resist typecasting. Since joining the Star Wars universe in Andor, she’s showcased her versatility across comedy, drama, and genre, from charming in offbeat romantic comedies like Hit Man and Splitsville to navigating serious subject matter with nuance and humor in Blink Twice and Los Frikis. But in her latest film, 80s-inspired horror-thriller Onslaught from A24 and director Adam Wingard (The Guest, Godzilla vs. Kong), she’s going darker and bloodier than she’s ever gone before. As Celeste, an ex-army sniper and struggling mom managing PTSD, she’s forced to go full “Sarah Connor” to defend her daughter when a group of supersoldiers escape from a government facility and descend on her trailer park. In this episode, Adria joins Jacqueline Coley to discuss the grueling physical demands of Onslaught and her creative involvement throughout the process as executive producer, and the close bond she formed on set with Blake Kennedy, the young actress who plays her daughter in the film. She also shares stories from her past projects, from her nerve-wracking Andor audition for showrunner Tony Gilroy to developing her Hit Man character’s dialogue with Richard Linklater and Glen Powell, and reflects on the importance of having a seat at the table as she takes on new challenges in every performance. To watch the movies discussed in this episode and more, head to stream.fandango.com

Monica Barbaro and Callum Turner’s characters spend much of One Night Only running around New York City trading barbs and banter and pretending not to enjoy each other's company—but their chemistry is undeniable. Perhaps best known for their acclaimed dramatic performances (A Complete Unknown, Top Gun: Maverick, Masters of the Air, Fantastic Beasts), the pair go all-in on hilarity and hijinks in the sexy new rom-com from writer/director Will Gluck (Anyone But You, Easy A) as two people looking for love on the least romantic night of the year. In this episode, Monica and Callum talk to Jacqueline Coley about One Night Only’s wild premise, finding their comedic rhythm, and the spontaneous improvisations that led to some of the film’s best moments. They share stories from shooting on location in New York City—including filming on a moving subway train—and debate who did more singing on set: Monica performing in character or Callum breaking into song between takes. They also reflect on their favorite rom-coms, the cinematic experiences that shaped them, and why there’s nothing quite like the magic of watching a movie in a packed theater amongst loved ones and strangers. To watch the movies discussed in this episode and more, head to https://stream.fandango.com

What makes audiences fall in love with a movie—and what makes them walk out? Kevin Goetz is the founder and CEO of Screen Engine/ASI, the research and strategy firm trusted by major Hollywood studios. Nicknamed “The Doctor of Audience-ology,” Kevin has built his career helping filmmakers and studios understand their audiences.In this episode, Jacqueline Coley sits down with Kevin to explore his unexpected journey from child actor to the world’s leading voice on audience testing, work that continues to influence some of Hollywood’s films, from Fatal Attraction to the most recent blockbusters.He shares stories behind test screenings that changed movie history, the art of interpreting data without losing emotion, and his newest book, How to Score in Hollywood: Secrets to Success in the Movie Business. In the end, Kevin reminds us that the audience is never wrong—and that listening may be a creator’s most valuable skill.

Not many actors have lived as many lives on screen as Ethan Hawke. From Dead Poets Society to Reality Bites, Training Day to The Black Phone, his career is nothing short of a masterclass in evolution.At New York Comic Con, Jacqueline Coley sat down with the award-winning actor to talk about his return in The Black Phone 2 and the creative choices that have helped shape his second act. Ethan opens up about reuniting with longtime collaborator Scott Derrickson, stepping once again behind the mask of “The Grabber,” and how genre films allow him to explore deeper truths.Reflecting on his decades-long collaborations with Richard Linklater and Jason Blum, Ethan shares insights on aging with curiosity and the wisdom that comes from a life devoted to storytelling. As he put it: “One lifetime is not enough.”

Horror has always been a space for bold voices. In this episode of Seen on the Screen, Jacqueline Coley sits down with five up-and-coming filmmakers fresh off their short films premiering at the 50th Anniversary of the Toronto International Film Festival. Chandler Crump, Charlie Dennis, Helena Hawkes, Jared Leaf, and Ariel Zengotita were selected for NO DRAMA, a global talent experience powered by Monkeypaw Productions, Universal Pictures, and the Toronto International Film Festival (TIFF).Each filmmaker brings a distinct point of view, using horror as a lens for personal expression and sharp social commentary—making their shorts as thought-provoking as they are thrilling. Together they reflect on their inspirations, the challenges of creating horror in short form, and the thrill of premiering their work at one of the largest film festivals in the world. From first encounters with the genre to behind-the-scenes stories about collaborators and surprises, this conversation captures the humor, heart, and ambition of a new generation of horror storytellers.Meet the filmmakers and their films: Helena Hawkes — Thick Skin: Body-horror obsession peels back the demons within. Chandler Crump — Morty: A stuffed toy’s online counterpart opens a door to something darker. Charlie Dennis — The Pigs Underneath: A working-class community trapped by a brutal survival quota. Jared Leaf — Spilled Milk: A Black father’s search for answers leads to the Milkman—and a reckoning. Ariel Zengotita — Imago: A toxic mother-daughter bond turns monstrous as transformation begins.