
Shutter Nonsense: A Nature Photography Podcast
Welcome to Shutter Nonsense - a laid-back nature photography podcast with hosts Michael Rung and Jeffrey Tadlock. Every other week, we dive into the world of landscape and nature photography with casual conversations abo...
Insights from recent episode analysis
On the show
- Jeffrey1 ep
- Andrew Baruffi1 ep
- Shauna Hart1 ep
Also: Michael Strickland, Jon Norris, Brenda Tharp
Audience Interest
Podcast Focus
Publishing Consistency
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Based on the show's feed history.
Built from
By chart position
- 🇳🇱Netherlands · Visual Arts#386.5K to 80K
- 🇬🇧United Kingdom · Visual Arts#1452.6K to 31K
- 🇦🇺Australia · Visual Arts#1551.1K to 13K
- 🇯🇵Japan · Visual Arts#144930 to 11K
- 🇳🇴NO · Visual Arts#150204 to 2.5K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
11K to 140K🎙 Weekly cadence·35 episodes·Last published 2d ago - Monthly Reach
Unique listeners across all episodes (30 days)
23K to 280K🇺🇸71%🇳🇱16%🇬🇧6%+3 more - Active Followers
Loyal subscribers who consistently listen
13K to 154K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
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Total Plays
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Total Reviews
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 10/18/26 | Special Announcement: Our 2027 Workshops! | This is a special excerpt from the bonus episode we released on Patreon. We share some exciting updates about our 2027 workshops and we didn't want to keep them from you! | 8m 05s | ||||||
| 10/6/26 | Documentary vs. Interpretive Nature Photography: Where Do You Draw the Line? | How much can you change a nature photograph before it becomes something other than a photograph of the moment you experienced? There is no clean line, and that is what makes the question useful. In this episode of Shutter Nonsense, we dig into the spectrum between documentary and interpretive nature photography. We talk about why even a highly representational photograph still involves choices, how RAW processing and composition already shape a scene, and where our own comfort levels change when editing moves from emphasizing what was there to creating what was not. We also get into the ethics side - audience expectations, sky replacements, composites, generative AI, digital art, disclosure, and why authenticity matters more to us than trying to force every photographer into the same rules. Michael explains how his own editing became more restrained as his field craft improved, while Jeffrey makes the case for experimenting with techniques before deciding they do or do not belong in your work. The conversation is not an argument that representational nature photography is morally superior. It is a framework for thinking about your intent, your audience, your creative process, and the promises your finished images make to the people viewing them. Join the free Shutter Nonsense community on Patreon and tell us where your line is. Are sky replacements fair game? Do abstracts change your rules? Is disclosure enough, or do you think nature photography should stay closer to the scene? 👉 https://www.patreon.com/ShutterNonsense Focused Fan members and above get new episodes before the public release and without the public-release ads. Free followers can still join the conversation and upgrade any time if they want early, ad-free access. Highlights Why pure documentary photography is difficult, even before post-processing enters the picture How composition, focal length, timing, JPEG profiles, RAW processing, and film choice all interpret a scene The difference between enhancing light that was present and creating conditions that were not Why stronger field craft can reduce the need to rescue photographs in editing Why Michael and Jeffrey give themselves more freedom with abstracts and black-and-white work What non-photographers may assume when they see a nature photograph Composites, AI, digital art, and the role of honest disclosure Why business, workshops, print sales, and competitions can raise the stakes around representation How a personal ethics statement can help you define your own working rules Why experimentation is still one of the best ways to find your photographic voice Related Links Episode 10 - Evolving Editing Styles with Murray Livingston: https://www.shutternonsense.com/post/episode-10-evolving-editing-styles-with-murray-livingston Episode 08 - Matt Payne and a Deep-Dive into Photo Competitions: https://www.shutternonsense.com/post/episode-008-matt-payne-and-a-deep-dive-into-photo-competitions Continue with the educational guide for a practical framework you can use to define your own line between representation and interpretation, decide what deserves disclosure, and write a simple personal ethics statement for your photography: https://www.shutternonsense.com/post/documentary-vs-interpretive-nature-photography Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 10m 36s | ||||||
| 9/22/26 | Using Nature Photography for Conservation with Eric Bennett | Can a landscape photograph do more than show people a beautiful place? And if you care deeply about wilderness, how do you move beyond saying it matters and actually become useful to the work of protecting it? In this episode of Shutter Nonsense, we sat down with nature photographer, author, and conservationist Eric Bennett to talk about the relationship between photography and conservation. Eric shares how years of exploring Utah changed both the way he photographs and the way he thinks about wilderness, why he believes affection and reverence matter alongside legal protection, and how photographers can help people care without pretending a photograph can solve every environmental problem. We also get into the harder parts of advocacy: misinformation, audience fatigue, choosing issues you actually understand, and resisting the pressure to weigh in on everything. Eric explains why he focuses close to home, how writing and self-initiated projects led to relationships with conservation organizations, and why sending one email can sometimes be more useful than waiting around for an invitation. A major part of the conversation centers on something that is easy to leave outside the frame entirely - natural silence. Eric talks about the ideas behind Space, Stillness, Silence, his work with Quiet Parks International, and why protecting a place should include more than preserving what it looks like. Join the free Shutter Nonsense community on Patreon and tell us about the place you feel most protective of. What changed your relationship with it, and have you found a way to contribute beyond making photographs there? 👉 https://www.patreon.com/ShutterNonsense Focused Fan members and above get each new episode before the public release and without the public-release ads. Free followers can upgrade whenever they want early, ad-free access while still joining the same community discussion. Highlights How Eric moved from destination-driven photography toward a more responsive 'conversation with nature' Why familiarity with one place can make conservation work more credible and useful How photographs can build emotional connection without replacing policy, science, or stewardship Why exaggeration and misinformation can undermine a conservation message Why Eric doesn't wait for organizations to invite him before starting a project Natural sound, solitude, and silence as conservation resources How photographers can contribute through writing, field knowledge, fundraising, documentation, and outreach Why one small, informed action can be a better starting point than trying to solve everything at once Related Links Eric Bennett: https://www.bennettfilm.com/ Conservation is Not Enough: https://www.bennettfilm.com/ConservationIsNotEnough Factory Butte Article: https://www.bennettfilm.com/ProtectingBeautyAndSolace Silence: The World's Scarcest Resoource: https://www.bennettfilm.com/SilenceProject Escalante Photo Essay: https://medium.com/@wilderness/photo-essay-touring-the-areas-to-lose-protections-at-utahs-grand-staircase-escalante-eb04b5140b65 Escalante Boundary Reductions: https://www.bennettfilm.com/TheTragicUndoingofEscalante Wilderness Society: https://www.wilderness.org/ Southern Utah Wilderness Alliance: https://suwa.org/ Grand Staircase Escalante Partners: https://gsenm.org/ Quiet Parks International: https://www.quietparks.org/ Eric's Book Recommendations We may earn a small commission from purchases made through the provided links. "One Square Inch of Silence" by Gordon Hempton: https://amzn.to/3UpZh02 "Desert Solitaire" by Edward Abbey: https://amzn.to/3V34U4k "The Voice of the Desert" by Joseph Wood Krutch: https://amzn.to/4x0Gk1E "Downriver" by Heather Hansman: https://amzn.to/4xoY9IB "The Solace of Open Spaces" by Gretel Ehrlich: https://amzn.to/3T0EXlu "The Quiet Crisis" by Steward L Udall: https://amzn.to/4gtqQ0Y "The Desert" by John C Van Dyke: https://amzn.to/4qGGiu0 Learn more about Michael's photography: www. | 1h 17m 51s | ||||||
| 9/8/26 | landscape photographydramatic conditions+5 | Jeffrey | — | — | landscape photographydramatic sky+8 | — | 1h 13m 53s | ||
| 8/25/26 | nature photographymental health+3 | Andrew Baruffi | Shutter Nonsense | Zion National Park | Zion National Parkmental health+4 | — | 59m 16s | ||
| 8/11/26 | wildlife photographyconservation+3 | Shauna Hart | Utah Wildlife FederationLessons Through the Lens: Kids for Conservation | — | wildlife photographyconservation+3 | — | 1h 09m 47s | ||
| 7/28/26 | photo archivingediting older photos+3 | — | Patreon | — | photo archiveediting tools+3 | — | 1h 05m 25s | ||
| 7/14/26 | carbon transfer printingphotography+4 | Michael Strickland | — | Kansas | carbon transfer printingplatinum-palladium printing+4 | — | 1h 23m 25s | ||
| 6/30/26 | self-evaluationphotography critique+4 | — | Patreon | — | photographyevaluation+5 | — | 1h 18m 51s | ||
| 6/16/26 | landscape photographyJoshua Tree+3 | Jon Norris | — | Joshua Tree National Park | Joshua Treelandscape photography+3 | — | 1h 08m 03s | ||
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| 6/5/26 | anniversarylandscape photography+3 | — | — | Great Smoky Mountains | Shutter Nonsensephotography+5 | — | 55m 33s | ||
| 6/2/26 | creative voicelandscape photography+5 | Brenda Tharp | — | — | nature photographycreative voice+5 | — | 1h 06m 53s | ||
| 5/19/26 | landscape photographynature photography+4 | — | — | Death ValleyLost Dutchman+2 | nature photographylandscape+4 | — | 1h 00m 13s | ||
| 5/5/26 | Creative Growth Through Constraints | In this episode of Shutter Nonsense, Michael and Jeffrey dig into the idea of growth through limitation in nature photography. What happens when you intentionally narrow your options instead of keeping every possibility open? They talk about one-lens outings, local shooting, black and white challenges, slowing down in the field, and how removing certain choices can actually help you see more clearly. The conversation also gets into the difference between a constraint that helps you grow and one that just leaves you frustrated. If you have ever felt stuck, burned out, or too dependent on your usual habits in the field, this one may give you a few ideas to shake things up. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Episode Highlights How a one-lens outing can help you learn to truly see in a new focal length Why local photography can become a powerful tool for growth instead of feeling limiting The difference between a helpful challenge and a frustrating restriction Thoughts on trying black and white only for 30 days as a way to train your eye How reducing gear and decisions can help break creative ruts and burnout Why slowing down in the field can improve both composition and intention Michael’s story of avoiding sunrise and sunset photography to force a different way of seeing How to choose challenges that push your photography without ruining the experience Related Links: Moterra Vans: https://alnk.to/1N5B0k5 Thomas Heaton: https://www.youtube.com/@ThomasHeatonPhoto Gavin Hardcastle (Fototripper): https://www.youtube.com/fototripper Alan Ross: https://www.alanrossphotography.com/ Ephemeral / Permanence: https://www.michaelrungphotography.com/product-page/ephemeral-permanence Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 02m 59s | ||||||
| 4/21/26 | Color vs. Monochrome with Cole Thompson & John Barclay | In Episode 25 of Shutter Nonsense, Michael and Jeffrey are joined by Cole Thompson and John Barclay to talk about color versus monochrome photography, and how to know when each one makes sense. The conversation goes way beyond editing choices and gets into vision, intention, creativity, and why black and white can be either a distraction-free tool or a deeply personal way of seeing. Along the way, they talk about learning to see in black and white, how personal vision shapes the work we make, the difference between photographing for likes versus photographing for meaning, and why this choice often goes much deeper than simple aesthetics. There’s plenty of humor in this one too, which is probably exactly what you’d expect when these four get together. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights: Cole explains why black and white is not a style choice for him, but simply how he sees the world John talks about using both color and monochrome, and how he decides which serves the image best Michael and Jeffrey reflect on using black and white as a beginner “save” versus making a deliberate creative choice The group discusses whether color or black and white is actually harder to do well A conversation on vision, imitation, and finding your own voice as a photographer Why color can sometimes overpower a photograph instead of helping it The role age, experience, and older darkroom exposure may play in how photographers connect with black and white A bigger conversation about social media, likes, and making work that feels personal and meaningful Related Links: John Barclay: https://johnbarclayphotography.com/ Cole Thompson: https://colethompsonphotography.com/ The Cole & John Photography Show: https://www.youtube.com/@thecoleandjohnshow7236 Rick Rubin’s The Creative Act: https://www.penguinrandomhouse.com/books/717356/the-creative-act-by-rick-rubin/ Sarah Marino: https://www.smallscenes.com/ Matt Payne: https://www.mattpaynephotography.com/ Murray Livingston: https://www.murraylivingston.com/ Jack Curran: https://jackcurranphotography.store/ Joshua Cripps: https://www.joshuacripps.com/ Mitch Dobrowner: http://mitchdobrowner.com/ Chuck Kimmerle: https://www.chuckkimmerle.com/ Michael Kenna: https://www.michaelkenna.com/ Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 00m 43s | ||||||
| 4/7/26 | Does Your Photography Hit Rate Matter? | In this episode of Shutter Nonsense, Michael and Jeffrey talk about nature photography hit rate, keeper rate, and whether taking fewer photos actually means you are becoming a better landscape photographer. They dig into the difference between intentional landscape photography and the old spray and pray approach, how culling photos after a trip can shape your view of success, and why a low hit rate is not always a bad thing. If you have ever wondered how many photos you should come home with, how many should be keepers, or whether your process in the field is actually helping you grow, this one is for you. This episode also gets into creative experimentation, slowing down in the field, using your phone to test compositions, revisiting old files, and why comparing your photography process to someone else usually is not very helpful. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights What photography hit rate really means Whether a higher keeper rate actually matters The difference between intentional shooting and spray and pray Why experimentation can lower your hit rate for good reasons How Michael and Jeffrey think about culling after a trip Why revisiting old images can change what counts as a keeper Why your photography process has to work for you Related Links: Michael’s Lightroom Classic Start-to-Finish Walkthrough: https://www.patreon.com/posts/145865590 Linda Nickell’s Happiness Hour: https://www.youtube.com/@LindaNickellHappinessHour Gavin Hardcastle (Fototripper): https://www.youtube.com/fototripper Lost Dutchman State Park: https://azstateparks.com/lost-dutchman Michael’s Lightroom Compare Photos Demo: https://www.patreon.com/posts/125609814 Landscape Photographers Worldwide: https://discord.gg/GxE7HWc9 PhotoPack Pro: https://www.photopackpro.com Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 54m 20s | ||||||
| 3/24/26 | Minimalism vs. Maximalism in Nature Photography | In this episode of Shutter Nonsense, we dig into minimalism vs maximalism in landscape photography and talk through what those ideas actually mean in practice. We start by catching up on the usual behind-the-scenes chaos: preparing for the long drive from Ohio to Death Valley for an upcoming workshop, building landing pages for holiday promotions, launching a new iPhone photo app, and squeezing in a last-minute presentation for Angel McNeese’s 2025 landscape photography summit. From there, we get into the main topic and explore the difference between minimalist and maximalist photography, why “small scenes” are not automatically minimalist, and how the places you shoot can heavily influence the way you see and compose images. We also talk about reducing visual confusion, managing visual weight, why minimalist images are often harder to pull off than they look, and how editing can either strengthen or completely undo a simple composition. We also get into the role social media plays in what photographers choose to share, and how that can shape perceptions of style more than we might realize. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: Defining minimalist vs maximalist landscape photography Why small scenes are not automatically minimalist How your environment can influence your natural shooting style The challenge of simplifying chaotic scenes into stronger compositions Using visual weight to create balance and clarity in an image Why minimalist photography is often harder than it first appears The difference between an image feeling empty versus intentionally minimal How editing and processing can strengthen or weaken minimalist photographs Social Media Influence Related Links: PhotoPack Pro App John Barclay and Cole Thompson YouTube Channel Jennifer Renwick Sarah Marino Anna Morgan Eric Bennett Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com | 53m 57s | ||||||
| 3/10/26 | Planning and Scouting for Nature Photography Trips | In Episode 22 of Shutter Nonsense, Michael and Jeffrey dig into one of the least glamorous but most important parts of landscape photography: planning and scouting. From pre-trip research to in-field decision-making, this episode is all about finding the balance between being prepared and staying creatively flexible. The conversation pulls from real experiences photographing in Utah, Colorado, and the Great Smoky Mountains, and explores how planning changes depending on whether you are visiting a new location or returning to a familiar one. Along the way, they talk about using weather as a creative tool, managing expectations, avoiding preconceived shots, and why scouting does not stop once you arrive. If you have ever overplanned a trip, underplanned a trip, or shown up with great intentions only to be humbled by conditions, this one is for you. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Why planning matters, but rigid plans can hold your photography back How pre-trip research differs for new locations versus familiar places Using weather, seasons, and conditions to guide creative decisions Managing expectations and setting realistic goals for a trip The role of scouting before and during a photography outing Avoiding preconceived images and staying open to what the landscape gives you Balancing preparation with spontaneity to stay creatively engaged Related Links: Michael’s Amazon guidebook list: https://www.amazon.com/shop/michaelrungphotography/list/2EDPL69ILQ1K7?ref_=aipsflist Cole Thompson's article on photo celibacy: https://colethompsonphotography.com/2018/03/22/photographic-celibacy-thoughts-ten-years-later/ Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 06m 02s | ||||||
| 2/24/26 | Ben Horne and How Perceptions of Our Photography Change | In this most recent episode of Shutter Nonsense, hosts Michael and Jeffrey sit down with special guest, landscape photographer Ben Horne, for a thoughtful conversation about how the way we see our own photographs changes over time. What starts as excitement or disappointment in the moment often shifts months or years later, sometimes in ways we never expect. Ben shares stories from a recent trip to Zion, walks through his film and large-format workflow, and reflects on what it’s like to revisit older work with fresh eyes. Together, they talk openly about creative doubt, the tension between technical perfection and emotional impact, and why some images only reveal their value long after they were made. This episode is an honest discussion about growth, patience, and learning to trust the photographic process. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights How photographers’ perceptions of their own work evolve over time Revisiting older images and seeing them differently years later Creative doubt and its role in long-term growth Balancing technical perfection with emotional impact Film photography, large format workflow, and slowing down Why some images take time to reveal their value Related Links Ben Horne’s Website: https://www.benhorne.com/ Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 26m 49s | ||||||
| 2/10/26 | Photography as a Hobby or a Business? | Is photography better kept as a passion, or does turning it into a business change the relationship entirely? In this episode of Shutter Nonsense, Michael and Jeffrey dig into the real-world tradeoffs between photography as a hobby and photography as a source of income. The discussion explores what monetization actually looks like for landscape photographers, why prints and education tend to be the most common paths, and how financial pressure can quietly influence creativity, subject choice, and long-term enjoyment of the craft. The episode also looks beyond gear and images to the less visible side of the business: financial readiness, safety nets, diversification of income, and the mental and emotional weight of being “always on.” Whether photography is something you love on the weekends or something you are trying to build into a career, this episode offers an honest framework for thinking through the decision with intention. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Hobby vs business: what it really means to monetize photography Common income paths for landscape photographers, including prints and education Why portraits and events often become the first step into paid photography The reality of saturation and competition in nature photography The hidden workload behind monetization and being constantly “on” Financial readiness beyond gear: savings, insurance, and unexpected expenses Why timing matters when considering full-time photography How monetization can influence creativity and subject choice Balancing personal passion with work that is more marketable When paid photography starts to pull energy away from what you love How teaching and selling work can deepen connection with an audience The importance of diversified income streams for long-term stability Relevant Links: https://www.michaelrungphotography.com/post/struggling Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 31m 17s | ||||||
| 1/27/26 | How Photography Trips Help You Grow | In Episode 19 of Shutter Nonsense, hosts Michael and Jeffrey dig into how photography trips shape us far beyond the images we bring home. Travel can spark creativity and excitement, but it also introduces uncertainty, pressure, and the challenge of balancing expectations with reality. We talk about what happens when you photograph unfamiliar places, how travel can help reconnect you with your original motivation for picking up a camera, and why growth often comes from being uncomfortable. Along the way, we share personal travel stories, discuss planning versus spontaneity, explore solo versus group travel dynamics, and reflect on how revisiting familiar locations compares to chasing something new. This episode is less about destinations and more about intention, awareness, and the long-term impact photography trips can have on your creative life. Whether you travel often or only occasionally, this conversation is about making those trips more meaningful. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights: Why photography trips often change how we think about photography, not just what we photograph The creative benefits and mental challenges of working in unfamiliar locations How travel can help reconnect you with your original motivation for picking up a camera Planning versus spontaneity, and why both matter on photography-focused trips Solo travel compared to group trips, and how each shapes the experience differently Balancing photography goals with simply being present while traveling The role of repeat visits versus constantly chasing new destinations How deeper connections to places can influence conservation awareness and advocacy Practical advice for photographers planning their first trip centered around photography Relevant Links: Learn more about Michael's photography: www.michaelrung.com Learn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 12m 19s | ||||||
| 1/13/26 | The Value of Staying Local in Nature Photography | In this episode of Shutter Nonsense, hosts Michael and Jeffrey explore the often-overlooked power of local photography and why shooting close to home can make you a stronger, more fulfilled nature photographer. Traveling for your nature photography is inspiring and iconic, but local landscapes offer something just as valuable: repetition, familiarity, and the chance to truly learn a place. We talk about how photographing nearby locations can sharpen your skills, deepen your connection to the land, and help you stay creatively energized without constantly chasing new destinations. We also dig into the realities of balancing local and travel photography, how to work through location fatigue, and why your audience often connects just as much with meaningful local work as they do with bucket-list locations. This episode is part practical advice, part creative mindset, and part honest reflection on what keeps photography enjoyable long-term. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: Why local photography is one of the best ways to improve technical skills How familiarity with a place leads to stronger compositions and better timing The mental and creative benefits of shooting close to home Scouting and building fitness without always bringing a camera Planning vs spontaneity when working locally How to avoid burnout and location fatigue Balancing local projects with travel photography Audience reactions to iconic travel shots vs meaningful local images Relevant Links: Michael’s App: https://www.photopackpro.com 2026 Workshops: https://www.michaelrungphotography.com/landscape-photography-workshops Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 59m 06s | ||||||
| 12/30/25 | Selling Photo Prints and Making Money | In Episode 17 of Shutter Nonsense, Michael and Jeffrey dive deep into the business side of selling photographic prints. From pricing and production choices to fulfillment and customer service, this conversation pulls back the curtain on what it really takes to make print sales work sustainably. They discuss how to think about pricing beyond just cost, the pros and cons of printing your own work versus using a professional lab, and how different sales channels like online stores and art fairs shape your strategy. The episode also explores presentation, shipping, refunds, replacements, and the ongoing debate around limited edition prints. If you are a photographer who sells prints or is thinking about adding print sales to your business, this episode is packed with real-world insights and practical considerations. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: • Pricing photographic prints realistically • Self-printing vs third-party labs • Selling online vs art fairs • Presentation and display choices • Shipping and fulfillment workflows • Customer service, refunds, and replacements • Limited edition prints and whether they make sense Related Links: Red River Paper (affiliate link) NMFA Shiny Prints (affiliate link) Matt Payne's print lab reviews Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 23m 19s | ||||||
| 12/16/25 | Overcoming Imposter Syndrome as a Photographer | In this episode of Shutter Nonsense, Michael and Jeffrey take a candid look at imposter syndrome in photography. How it shows up, why it’s so common, and what you can actually do about it. From selling prints and filling workshops to navigating slow seasons and shifting economic realities, they unpack the pressures photographers face at every stage of their creative and business journeys. Michael and Jeffrey share personal stories, talk through the ongoing challenge of balancing healthy humility with unproductive self-doubt, and offer practical ways to manage imposter syndrome when it starts creeping in. If you’ve ever wondered whether you’re “good enough,” second-guessed your portfolio, or questioned whether your work matters, then this episode is for you. And honestly? You’re far from alone. Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: Exploring imposter syndrome and why it affects photographers at every level Personal updates on current projects, art fairs, and calendar printing Behind-the-scenes challenges of scheduling and running workshops Honest stories about self-doubt, validation, and the creative struggle How economic shifts impact photography businesses and marketing Finding the balance between humility and harmful self-criticism Lessons learned from teaching, mentoring, and supporting other photographers Final thoughts on building community and navigating imposter syndrome together Relevant Show Notes Links Landscape Photographers Worldwide Discord: https://discord.gg/kU8GXH6R Nature Photographer’s Network: https://www.naturephotographers.network/ Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 01m 21s | ||||||
| 12/2/25 | Alex Noriega and Mastering the Art of Curation | In this episode, renowned nature photographer Alex Noriega joins the hosts Michael and Jeffrey. The trio delve into the critical importance of curating your nature photography to elevate it from good to memorable. The conversation covers a variety of topics, including the selection and refinement of images, social media’s impact on curation, balancing personal satisfaction with audience engagement, and the influence technology may have on future curation. Alex shares his insights and experiences, offering listeners a new perspective on curating their work. Whether a hobbyist, a seasoned pro, or somewhere in between, this episode highlights the significance of a well-curated portfolio and how thoughtful curation can improve one’s photographic journey Join the Shutter Nonsense Patreon community to participate in post-episode conversations and share your own photography experiences! Available to free and paid members. www.patreon.com/ShutterNonsense Highlights Include: Welcoming Alex Noriega Diving into Curation Emotional Attachment in Photography The Curation Struggle Building Excitement Through Tighter Curation Standing Out in a Saturated Market Social Media and Mediocre Work Curation for the Hobbyist and Professional The Role of AI in Photography Relevant Show Notes Links Alex’s Newsletter Signup: https://www.alexnoriega.com/subscribe Alex’s Website: https://www.alexnoriega.com/ Chrissy Donadi’s Lightroom Organization Course: https://chrissydonadi.com/lets-get-organized-course Learn more about Michael's photography: www.michaelrung.comLearn more about Jeffrey's photography: www.jeffreytadlock.com | 1h 10m 03s | ||||||
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Chart history for Shutter Nonsense: A Nature Photography Podcast
Peaked at #38 in Netherlands, currently #38 in Netherlands.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| Netherlands | — | #38 | #38 | — |
| Japan | — | #144 | #144 | — |
| United Kingdom | — | #145 | #145 | — |
| Norway | — | #150 | #150 | — |
| Australia | — | #155 | #155 | — |
| AE | — | #170 | #170 | — |
Chart Positions
6 placements across 6 markets.
Chart Positions
6 placements across 6 markets.