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Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 4 chart positions in 4 markets.
By chart position
- 🇺🇸US · Film Interviews#5730K to 100K
- 🇸🇪SE · Film Interviews#9010K to 30K
- 🇫🇷FR · Film Interviews#1891K to 10K
- 🇰🇪KE · Film Interviews#930K to 100K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
21K to 72K🎙 Daily cadence·131 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
71K to 240K🇺🇸42%🇰🇪42%🇸🇪13%+1 more - Active Followers
Loyal subscribers who consistently listen
21K to 72K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 14 epsHosts
Recent guests
Recent episodes
Welcome to Sista Brunch: Black Women+ Thriving in Media
Jul 1, 2026
Unknown duration
The UCLA Hollywood Diversity Report: What the 2026 Data Actually Says (with Dr. Ana-Christina Ramón & Jade Abston)
Jun 30, 2026
Unknown duration
Luchina Fisher on "The Dads," Storytelling as Activism, and Why Everything Starts With the Word
Jun 16, 2026
Unknown duration
The Insider Language of Hollywood: Every Season 7 Guest Decodes Their Craft
Jun 9, 2026
21m 31s
What Hollywood Actually Pays: 14 Guests Tell the Truth About Money | Sista Brunch S7 Financials
Jun 5, 2026
26m 35s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 7/1/26 | Welcome to Sista Brunch: Black Women+ Thriving in Media | Pull up a chair. This is Sista Brunch.Sista Brunch is a weekly podcast sharing the stories of Black women and Black gender-expansive people thriving in film, TV, and media. Hosted by Fanshen Cox (she/they), co-author of the Inclusion Rider, the show is seven seasons and 140+ episodes deep — and still growing.Every week, our guests pull back the curtain. How they broke in. What their projects really cost. What they earn, and how they negotiate. The tools they can't work without. And the advice they'd give their younger selves.This trailer features the voices of Erika Green Swafford, Felicia D. Henderson, Effie T. Brown, Gina Prince-Bythewood, Rraine Hanson, Tre'vell Anderson, Gina Yashere, Isis King, Luchina Fisher, and Georgia Fort.Every listen helps us build the largest living archive of stories you won't hear anywhere else.New episodes every Tuesday.Watch and subscribe on YouTube: youtube.com/@TruJuLoMediaFollow us on Instagram: instagram.com/sistabrunchpodcastJoin the community on Patreon: patreon.com/sistabrunchLearn more: sistabrunch.comSista Brunch is a TruJuLo Productions show. | — | ||||||
| 6/30/26 | The UCLA Hollywood Diversity Report: What the 2026 Data Actually Says (with Dr. Ana-Christina Ramón & Jade Abston) | Four years running, the most-watched films on streaming have been led by Women of Color. So why is Hollywood still treating diverse stories as a risk?On this bonus episode of Sista Brunch, we sit down with Dr. Ana-Christina Ramón and Jade Abston, two of the researchers behind UCLA's Hollywood Diversity Report, to break down what the 2026 data actually shows about who gets to lead, direct, write, and who's actually watching.Dr. Ramón runs UCLA's Entertainment and Media Research Initiative and has spent more than two decades studying equity in Hollywood. Jade Abston is a PhD candidate at UCLA and a co-author on the report, whose own dissertation research looks at Black women's innovation in music videos and visual albums.We talk through the history of the report and why it had to be built independently of the studios, the numbers behind this year's findings for Black women in lead roles, directing, and writing, and the audience data that keeps proving the same point: Women of Color aren't just watching, they're driving the ratings.This conversation also unpacks something the headline numbers don't always show: how streaming algorithms shape what gets seen in the first place, and why visibility and sustainability are two different problems.Read the full UCLA Hollywood Diversity Report at socialsciences.ucla.eduHosted by Fanshen Cox (she/they) Guests: Dr. Ana-Christina Ramón, Jade AbstonSista Brunch is brought to you by TruJuLo Productions. Watch on YouTube: youtube.com/trujulomedia Follow on Instagram: @SistaBrunchPodcast Support the show: patreon.com/sistabrunch GiveButter.com/SistaBrunch sistabrunch.com | — | ||||||
| 6/16/26 | Luchina Fisher on "The Dads," Storytelling as Activism, and Why Everything Starts With the Word | Show NotesHow does an "army brat" with no Hollywood connections become an Emmy-winning documentarian whose work sits at the center of one of the most urgent conversations in America? In this bonus brunch, filmmaker Luchina Fisher pulls up a chair to talk about the long, unexpected road from journalism to the director's chair—and the craft, ethics, and relationships that carry a story from the page to the screen to the front lines.Luchina is an Emmy-winning filmmaker, educator, and 2026 North Carolina Media and Journalism Hall of Fame inductee. She's the director behind the new feature documentary The Dads—a follow-up to her Emmy-winning 2023 Netflix short of the same name, executive produced by Dwyane Wade—which follows fathers of trans and gender-expansive kids deciding whether to stay and fight or leave the country.If you make things, fund things, or care about stories that move people toward action, this one's for you. Luchina shares the three questions every filmmaker should ask before any project, why "everything starts with the word" no matter how the technology changes, how an 11-minute short sparked a movement and a foundation, and an honest look at the money—including why the starving-artist myth has to go and what it actually took to pay her team.Pull up a chair. Don't cry. Eat your chicken biscuit. (You'll understand by the end.)In This Episode[00:00] – Big news: Sista Brunch joins the 2026 AIR New Voices AMPLIFY cohort (supported by Apple Podcasts), plus shout-outs to cohort shows worth your follow[02:30] – Welcome to the brunch table: meet Luchina Fisher[04:00] – Her Journey: growing up an army brat, the '70s–'80s golden age of screen, and a big brother directing the neighborhood kids in backyard Star Trek[06:00] – Childhood in Germany, learning the language, and watching reel after reel on the military base[08:00] – UNC Chapel Hill, journalism, the Miami Herald, a lifelong friendship with Tananarive Due, and the leap to study film at the University of Bristol[12:00] – The three questions every filmmaker must ask: Why this? Why now? Why me? On bias, ethics, and "can I sleep at night?"[14:00] – Her brother's charge to "do something," her mother's story, and seeing firsthand the power and urgency of story[16:00] – Becoming a mother, parenting a trans child, and how Gloria Allen became Mama Gloria[18:00] – Why The Dads: the fathers who show up, and the narrative we don't hear enough[19:30] – Let's Talk Tech: from journalist to documentarian, shooting on everything from 16mm to digital, and why the story—not the gear—is the thing[24:30] – The short as poetry: getting it under 12 minutes, designing for middle America, and the Netflix call the day after the SXSW premiere[28:00] – Filmmaking is relationships: how the retreat itself grew out of Luchina's idea to film these dads[31:30] – Financials: paying your team a livable wage, the post–George Floyd commission wave, her 2024 Daytime Emmy, the lean stretch after, and teaching at Yale and Fairfield[36:30] – Building the feature: Stephen Chukumba's "let's keep filming," house-party fundraising, Dwyane Wade, and Elevate Studios[42:00] – Support Sista Brunch + a peek at this summer's Sista Sessions[42:50] – Where and how to see The Dads: festival run, Pride Month screenings, and community screenings you can bring to your own town[44:30] – Sista Brunch: Luchina sits down with her 19-year-old self in Chapel Hill—a chicken biscuit, and the words she needed to hear[46:30] – Closing love and gratitudeResource StackLuchina Fisher & her workDirector's site: luchinafisher.comProduction company: Little Light ProductionsThe Dads (feature): thedadsfilm.comThe Dads Foundation: thedadsfoundation.orgThe Dads (2023 Emmy-winning short) — on NetflixMama Gloria — Luchina's documentary on Black trans elder activist Gloria AllenTeam Dream — short documentaryPeople & partners mentionedDwyane Wade (executive producer) and Elevate StudiosStephen Chukumba, producer and Dads Foundation co-founderTananarive Due, novelist, screenwriter, and directorHuman Rights Campaign / Parents for Transgender Equality CouncilAIR New Voices AMPLIFY cohort shows mentioned (links in the episode description)Consider This For Comfort — Eteng EttahReality Blurred — Andy Dehnart (President, Television Critics Association)Femme and Furious — Julia Rose PortelaSuper Sorry — Amber JankeOut of the Ashes — Vince Comegys-DavisWith thanks to AIR (Association of Independents in Radio), Captain TK Dutes, and Lynn CasperSupport Sista BrunchDonate: givebutter.com/SistaBrunchPatreon (including this summer's Sista Sessions): patreon.com/SistaBrunch | — | ||||||
| 6/9/26 | The Insider Language of Hollywood: Every Season 7 Guest Decodes Their Craft✨ | Hollywood terminologyinsider language+4 | — | TruJuLo ProductionsSista Brunch+3 | — | GreekingFrankenbite+5 | — | 21m 31s | |
| 6/5/26 | What Hollywood Actually Pays: 14 Guests Tell the Truth About Money | Sista Brunch S7 Financials✨ | Hollywood salariesmoney in film+4 | — | Real Women Have CurvesDear White People+4 | — | Hollywoodsalaries+6 | — | 26m 35s | |
| 5/19/26 | Charlie T. Savage: Our Own Associate Producer’s Secret Feature Film Premiering at ABFF✨ | feature filmmusical+4 | Charlie T. Savage | Pineapple Big ShotSista Brunch+2 | Inglewood | Charlie T. SavageVoices the Musical+5 | — | 24m 49s | |
| 5/12/26 | Effie Brown on Project Greenlight, Producer Pay & Why Distribution Eats First | Sista Brunch S7 | Effie T. Brown is an award-winning producer, CEO of Game Changer Films, and a Governor of the Academy of Motion Picture Arts and Sciences. Her producing credits include Real Women Have Curves and Dear White People, and she made history when she challenged the lack of diversity on HBO's Project Greenlight -- a moment that helped spark the creation of the Inclusion Rider.In this season seven finale of Sista Brunch, Effie delivers one of the most transparent and unfiltered conversations we've ever had: -- Growing up as a latchkey kid in New Jersey and seeing Alien as a child -- the moment she realized women can save themselves and storytelling can bring everyone together -- Getting into the LMU film school on sheer audacity: "I'm gonna be bigger than Jerry Bruckheimer and Oprah Winfrey" -- The first class of Film Independent's Project Involve -- The full Project Greenlight story: what happened at the premiere, reading Matt Damon's microexpressions, and learning that she'd never hear from them again -- How that moment led directly to the Inclusion Rider and now state-level inclusion policy through the California Film Commission -- Real producer pay: $75K on Real Women Have Curves, underpaying herself on Dear White People, and doing Project Greenlight because her house was about to be foreclosed on -- Why producers should never defer their 5%: "You know who doesn't put their fee back? The director. The actors. The writers." -- Producers United and the fight for development fees and commencement fees -- Her quilting practice, Conjure Quilts: putting disparate pieces together to make something whole -- What verticals are and why they're the future: "Candy Crush with a narrative" -- Her vision for a collective fund where multiple companies pool resources and replenish the pot -- 18 years sober, gumbo, and the advice to her younger self: have a lot of sex and learn about distribution because they eat first and eat the most Effie was born at Fort Dix, New Jersey, attended Loyola Marymount University on a theater scholarship, and has spent her career making sure overlooked voices get heard, seen, paid, and credited.Keywords: Effie Brown, Sista Brunch Podcast, Game Changer Films, Project Greenlight, Inclusion Rider, Real Women Have Curves, Dear White People, producer salary, film producer, Academy Governor, micro drama, verticals, AKUNA, Idris Elba, Conjure Quilts, Film Independent, Project Involve, Producers United, independent film, Black women in Hollywood, distribution, entertainment business, HBO, diversity inclusion, California Film Commission, LMU, circular leadership | — | ||||||
| 5/12/26 | Effie Brown: Project Greenlight, Real Producer Pay, and Why She’ll Never Stop Fighting✨ | film productioninclusion rider+3 | Effie T. Brown | Game Changer FilmsAcademy+4 | — | Effie T. BrownProject Greenlight+3 | — | 37m 44s | |
| 5/5/26 | Diana Williams: From the DGA Training Program to Building the Future of IP✨ | franchise IPentertainment industry+4 | Diana Williams | Kinetic Energy EntertainmentLucasfilm+1 | New JerseyGeorgetown | Diana WilliamsKinetic Energy Entertainment+8 | — | 37m 14s | |
| 4/29/26 | Ashlee Hypolite: Running Hollywood’s Pipeline From Free Training to Union Careers✨ | workforce developmentbelow-the-line careers+4 | Ashlee Hypolite | Hollywood CPRBrandeis+4 | TrinidadBoston | Hollywood CPRunion-track training+6 | — | 29m 13s | |
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| 4/21/26 | Aaliyah Williams: From Her First Short at Sundance to Netflix’s Black Barbie✨ | film productionBlack representation+4 | Aaliyah Williams | Just a RebelNetflix+4 | HarvardLA+1 | Aaliyah WilliamsBlack Barbie+6 | — | 42m 05s | |
| 4/14/26 | How Stories Actually Get Greenlit: Kamala Avila-Salmon on Studio Deals, Salary Transparency & Inclusive Development✨ | studio dealssalary transparency+4 | Kamala Avila-Salmon | Kas Kas ProductionsLionsgate+1 | JamaicaNew York | greenlitstudio deals+5 | — | 34m 56s | |
| 4/7/26 | Georgia Fort: Covering the Chauvin Trial, Fighting for Press Freedom & Building the Future of Journalism✨ | journalismpress freedom+3 | Georgia Fort | Center for Broadcast JournalismSista Brunch+1 | — | Georgia FortDerek Chauvin trial+3 | — | 45m 37s | |
| 3/31/26 | Marie Douglas on Composing for Film, Freelance Music Careers, and Building a Sound That Blends Everything✨ | Black women in compositionfreelance music careers+3 | Marie Douglas | FAMU | AtlantaBuffalo | compositionfilm music+6 | — | 36m 22s | |
| 3/24/26 | Kai Bowe on Unscripted Power, Showrunning, and Building a Career That Can Actually Sustain You✨ | unscripted televisioncareer development+4 | Kai Bowe | OWNUCLA+3 | — | unscripted TVshowrunning+5 | — | 48m 02s | |
| 3/10/26 | April Reign on #OscarsSoWhite, Media Futures, and Building Equity That Actually Sticks✨ | representationmedia futurism+5 | April Reign | #OscarsSoWhiteAcademy+1 | — | Oscarsrepresentation+6 | — | 35m 19s | |
| 3/3/26 | Rraine Hanson on Queer Jamaican Cinema & Experimental Film✨ | queer identityexperimental film+4 | Rraine Hanson | Sista BrunchTruJuLo Productions+2 | Kingston | queer cinemaJamaican film+4 | — | 41m 30s | |
| 2/24/26 | Kelly Harris on Locations, Logistics, and Powering Hollywood From the Ground Up✨ | locations in film productionlogistics in Hollywood+4 | Kelly Harris | FilmLARage in Harlem | CincinnatiLos Angeles | location managerproduction logistics+5 | — | 45m 43s | |
| 2/17/26 | Asha Chai-Chang on Financing Creativity, Accessibility, and Building Industry Power | Guest: Asha Chai-Chang Titles: Filmmaker; Director; Producer; Accessibility Advocate; Founder, Funding Your Foundation Episode Theme: What happens when a filmmaker learns to fund their own path using finance, community, and strategy as creative tools. Why this matters right now: As traditional pathways shrink and industry access tightens, creatives are being forced to understand money, infrastructure, and ownership. Asha breaks down how financial literacy, accessibility, and self-investment create real leverage, not just opportunity. Asha Chai-Chang didn’t enter the industry through one door, she built several. From political science at Yale to finance and supplier diversity work, to directing award-winning projects and advocating for disabled filmmakers, her journey reframes what a “creative career” actually requires. This conversation connects the dots between art, money, and access and why knowing how systems work can be as powerful as talent. Oscar Festival Win to LA Career Leap (00:16:14) Funding the Creative Life Strategy Blueprint (00:21:05) Access and Advocacy for Disabled Filmmakers Everywhere (00:24:10) 48-Hour Writer’s Room Reality Check Experience (00:09:28) Invest in Yourself First Always (00:32:13) A real blueprint for funding your creative work without waiting for permission (00:21:32) How community partnerships and local businesses can sustain productions (00:10:18) A reframing of “failure” as a leadership and directing tool (00:12:21) Accessibility as a creative and production standard not an afterthought (00:24:38) Practical editing and captioning insights filmmakers can use immediately (00:30:23) A reminder to prioritize yourself while building a career that serves others (00:34:49) Asha Chai-Chang is a filmmaker, director, and accessibility advocate whose work blends storytelling, financial strategy, and industry equity. With a background in political science and finance, she has produced and directed projects that have screened at major festivals, including Oscar-qualifying platforms. She is the founder of Funding Your Foundation, a framework helping creatives understand credit and financial pathways to fund their work, and a leading advocate for disabled filmmakers expanding accessibility across production and exhibition. Listen now on Apple Podcasts and Spotify. Watch the full episode on YouTube @TruJuLoMedia. If this conversation resonates, subscribe, leave a review, and share it with a creative who needs to hear it. Follow @SistaBrunchPodcast for clips, community, and resources. Support the show and help keep these conversations accessible at Patreon.com/SistaBrunch or GiveButter.com/SistaBrunch. | — | ||||||
| 2/10/26 | Karen Horne on Power, Pay, and Mothering Hollywood From the Inside | What does it really take to survive — and shape — Hollywood as a Black woman executive? In this intimate, mentorship-driven conversation, Karen Horne reflects on motherhood, leadership, money, and the invisible labor Black women carry while building entire ecosystems inside the film and television industry. From running major studio diversity and talent pipelines to being laid off during industry “restructuring,” Karen speaks candidly about power, pay inequity, coalition-building, and why Hollywood’s progressive image has never guaranteed real equity. She also shares how nurturing writers, executives, and creatives shaped her leadership style — and why stepping away from corporate Hollywood forced a deep reckoning with worth, rest, and reinvention. This episode is a masterclass in longevity, impact, and believing you’ve earned your seat — especially for Black women and Black gender-expansive creatives navigating entertainment, media, and executive pathways right now. What We Talk About Motherhood and executive leadership in Hollywood Pay gaps, bonuses, and knowing your worth Why diversity programs don’t fail — studios do Coalition-building across marginalized communities Leaving corporate power and redefining success Mentorship, legacy, and making real impact Sista Brunch is a Webby-nominated podcast centering Black women and Black gender-expansive people working in film, TV, and media. Each episode blends honest conversation, career insight, and cultural context — like brunch with mentors who tell the truth. Listen, subscribe, review and share on Apple Podcasts, Spotify and YouTube. On IG follow @sistabrunchpodcast for clips, updates, and community. Support the work via Patreon or Givebutter to help sustain independent Black media. | — | ||||||
| 2/3/26 | Felicia D. Henderson on Longevity, Power & Directing Your Own Path | Felicia D. Henderson has built a career most writers only dream of — and she’s still expanding. In this episode of Sista Brunch, the Emmy-nominated writer, director, and showrunner joins us for a grounded, honest conversation about what it really takes to build longevity in television without letting the industry box you in. From navigating power rooms as a Black woman to making the leap from showrunning into directing, Felicia shares what she’s learned — and what she wishes more creatives were told earlier. We talk about her directorial debut, The Rebel Girls, a short film that has screened and won at festivals across the country, and the significance of being honored with the Best Live Action Shor Award by the African American Film Critics Association. But this conversation goes deeper than accolades. It’s about creative agency, timing, and trusting yourself when the path forward isn’t linear. This episode is for Black women and Black gender expansive creatives building careers in film and television — especially those thinking about expansion, reinvention, or simply staying in the game long enough to tell the stories that matter. If you’ve ever asked how to grow without shrinking, how to pivot without starting over, or how to claim authority on your own terms, this one’s for you. Save this episode. Sit with it. And come back to it when you need clarity. | — | ||||||
| 1/26/26 | Praise Odigie Paige on Birdie, Sundance, and Making the Film You Want to See | In this Season 7 pre-launch bonus episode, we sit with filmmaker Praise Odigie Paige, whose short film Birdie is playing at the 2026 Sundance Film Festival, to talk about quiet storytelling, risk, faith, and what it takes to make the work you believe in — even when the odds feel stacked. This conversation is a reminder that there is power in patience, in subtlety, and in choosing yourself as an artist. Praise’s journey to filmmaking — from growing up between Nigeria and the U.S. to abandoning a pre-med path for film ([00:02:00–00:06:30]) The making of Birdie and why she was drawn to a quiet coming-of-age story rooted in faith, displacement, and girlhood ([00:08:00–00:13:30]) The Biafran War and why this under-discussed history matters to the film’s emotional core ([00:11:00–00:12:45]) Why Virginia (and Appalachia) became the setting for a Nigerian immigrant story — and what cultural exile looks like on screen ([00:14:00–00:15:30]) Writing against expectation: resisting pressure to make the story louder, faster, or more “palatable” ([00:16:00–00:19:30]) Financing the film — self-funding, shooting on 35mm, and what it really costs to make a period short ([00:20:00–00:21:30]) Shooting during election week in rural Appalachia and navigating safety, community, and grace on set ([00:22:00–00:23:15]) The Signature Sista Brunch Question — what Praise would tell her younger self about mistakes, timing, and growth ([00:25:00–00:26:45]) If you’re a Black woman or Black gender expansive creative navigating film or media, this episode offers: A grounded look at career sustainability in entertainment Permission to make work that’s quiet, specific, and true Honest insight into mentorship, risk, and self-trust A reminder that representation isn’t just about visibility — it’s about nuance Praise’s story speaks to anyone building in real time and learning to honor their own pace. Praise Odigie Paige is a Nigerian-born filmmaker based in Brooklyn. Her work centers girls and women on the edge of quiet transformation. Her short film Birdie is screening at the Sundance Film Festival, and she is currently developing her debut feature, Igboland, an intimate period drama exploring faith, girlhood, and desire at the edge of war. 🎧 Listen and subscribe to Sista Brunch on Apple Podcasts and Spotify 📺 Watch the episode on YouTube: @TruJuLoMedia ⭐ Leave a review — it helps more people find this community 📲 Follow us on Instagram: @SistaBrunchPodcast 🤍 Support the podcast via Patreon or GiveButter to help us continue archiving these stories | — | ||||||
| 6/30/25 | Sheila Ducksworth on Making Soap Opera History | Sista Brunch Bonus Episode | TV history in the making! Sheila Ducksworth, executive producer of Beyond the Gates—the first one-hour soap with a predominantly Black cast—joins us to share how she brought her lifelong vision to life. We talk about how the CBS/NAACP partnership came to be, Sheila's career journey from economics major to entertainment exec, and what it means to build with purpose and impact in TV. She also shares a brilliant tech tip, brunch stories, and advice for her younger self. 🎧 Listen + follow us on Spotify, Apple & everywhere you get podcasts. 📲 More on Instagram, YouTube + TikTok: @trujulomedia | @sistabrunchpodcast #BeyondTheGates #SheilaDucksworth #SistaBrunch #BlackWomenInEntertainment #TruJuLoMedia | — | ||||||
| 6/19/25 | Love, Identity & Self-Liberation: Kareema Bee x Ekwa Msangi | Sista Brunch + The HiveMind Unified Q&A | In this intimate post-screening conversation, The HiveMind Unified founder and Emmy-nominated filmmaker Kareema Bee sits down with acclaimed director Ekwa Msangi (Farewell Amor) to unpack the powerful themes in both of their films: The Self Love Act and Farewell Amor. This special Q&A was part of the Sista Brunch x HiveMind Unified celebration held at Vidiots, featuring a community-centered screening and artist talk. From self-love to immigration, cultural identity to creative risk, Kareema and Ekwa speak candidly about what it means to make deeply personal work that also reaches audiences across the globe. Whether you’re a filmmaker, a fan of indie cinema, or on your own healing journey—this conversation is for you. 📍 Farewell Amor is now part of the Criterion Collection. 🎬 The Self Love Act is fundraising to produce more episodes—visit HiveMindUnified.com to support. ⏰ TIMESTAMPS: 00:00 - Welcome & Kareema Bee intro by Shirlyn Cesar 01:00 - Ekwa Msangi intro & career highlights 03:00 - Love, identity & creative parallels between the two films 06:00 - Navigating assimilation & cultural duality 10:00 - Ekwa’s personal inspiration for Farewell Amor 13:00 - Kareema’s journey to on-camera vulnerability in The Self Love Act 16:00 - The metaphor of Kizomba, Kuduro & music as storytelling 19:00 - Final reflections on voice, risk & artistry ✨ Hosted by Sista Brunch and The HiveMind Unified 🎧 Subscribe to hear more stories of Black women and gender expansive creatives in entertainment: 📺 YouTube: @trujulomedia 📲 TikTok: @trujulomedia 📸 Instagram: @sistabrunchpodcast 🌐 Website: www.sistabrunch.com #KareemaBee #EkwaMsangi #SistaBrunch #FarewellAmor #TheSelfLoveAct #HiveMindUnified #Juneteenth #IndependentFilm #BlackWomenDirectors #ImmigrantVoices #CriterionCollection #DocumentarySeries #TruJuLoMedia #StorytellingAsLiberation 🎥🌍🧡 | — | ||||||
| 6/19/25 | Ekwa Msangi on Farewell Amor, Filmmaking Grit & Legacy | Sista Brunch x HiveMind Unified | In this special Juneteenth bonus episode of Sista Brunch, co-hosted by The HiveMind Unified, we sit down with award-winning writer/director Ekwa Msangi (Farewell Amor, Saint X, Three Women) to talk about the deeply personal story behind her debut feature film, navigating the industry as a Black woman filmmaker, and the long journey to recognition—from Sundance to Criterion Collection. Join host Fanshen Cox and co-host Shirlyn A. Cesar (Emmy-winning producer and HiveMind Unified Director of Programs) as they explore the power of storytelling, the realities of independent filmmaking, and what it means to make timeless work—especially in the face of systemic exclusion. Plus, Ekwa shares what she’d tell her younger self at a real-deal Sista Brunch. 🖤 This episode is dedicated to the resilience, creativity, and brilliance of Black filmmakers everywhere. ⏰ TIMESTAMPS 00:00 - Welcome by Fanshen Cox & Shirlyn A. Cesar 03:00 - Introducing Ekwa Msangi & Farewell Amor 06:00 - What inspired the story 08:30 - Navigating Sundance, investors & indie financing 13:00 - Budgeting the film and sacrifices made 16:00 - Distribution journey & pandemic impact 17:30 - Advice to her younger self 19:00 - Five years later: why this film still resonates 20:00 - Immigrant narratives in the age of Trump 21:00 - Favorite creative resources & staying inspired 📍 Recorded at Vidiots and in partnership with The HiveMind Unified, an organization supporting underrepresented early-career creatives in entertainment. 🔗 Follow, Subscribe, and Watch More: Instagram: @sistabrunchpodcast YouTube: @trujulomedia TikTok: @trujulomedia Website: www.sistabrunch.com #Juneteenth #BlackFilmmakers #FarewellAmor #EkwaMsangi #SistaBrunch #BlackWomenInFilm #CriterionCollection #IndependentFilm #TheHiveMindUnified #TruJuLoMedia #FilmTalk #SundanceFilmFestival | — | ||||||
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Chart history for Sista Brunch
Peaked at #9 in KE, top 10 in 1 of 5 tracked markets, currently #9 in KE.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| KE | — | #9 | #9 | — |
| United States | — | #57 | #57 | — |
| Sweden | — | #90 | #90 | — |
| KE | — | #146 | #146 | — |
| France | — | #189 | #189 | — |
Chart Positions
5 placements across 4 markets.
Chart Positions
5 placements across 4 markets.