
Insights from recent episode analysis
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Total monthly reach
Estimated from 1 chart position in 1 market.
By chart position
- 🇺🇸US · Wrestling#1985K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
3.5K to 21K🎙 Biweekly cadence·30 episodes·Long inactive - Monthly Reach
Unique listeners across all episodes (30 days)
5K to 30K🇺🇸100% - Active Followers
Loyal subscribers who consistently listen
1.5K to 9K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
Recent episodes
3.2. The Last of the Old Guard
Feb 19, 2019
Unknown duration
3.1. The Smarten Up Super Show
Dec 1, 2018
Unknown duration
2.12. The Contrarian Reaction
May 3, 2018
Unknown duration
2.11. The Meaning of Independence
Apr 5, 2018
Unknown duration
2.10. Promo Day
Mar 22, 2018
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 2/19/19 | ![]() 3.2. The Last of the Old Guard | Vince McMahon's consolidation of power in the wrestling world was not a clean process, nor did it happen in the blink of an eye. All across the country, promotions held on until the bitter end as proud entrepreneurs clung to their dreams in the face of history's inexorable march. But the rise of the WWF and its ultimate victory in the North American wrestling world did not mark the end for the small promotion, but merely a point of demarcation. Those that emerged in the aftermath of consolidation have markedly different objectives and offer a substantially different product than those that held on in the 1980s and '90s. To understand those that have built the new world - and to assess the opportunity available to the upstart AEW in 2019 - it is valuable to start by looking at the old world. In this episode, we explore three of the old guard - the AWA, WCCW, and ECW - each of which changed wrestling, but proved incapable of living in the world they made. | — | ||||||
| 12/1/18 | ![]() 3.1. The Smarten Up Super Show | As we kick off our third season, we are going to dive deeper into specific topics that affect the wrestling world at a more structural level. In this episode, we discuss the decline of the house show and the corresponding rise of the super show, the affect of that shift on both the wrestling product and business, and how we see that trend evolving going forward. | — | ||||||
| 5/3/18 | ![]() 2.12. The Contrarian Reaction | Wrestling is unique as a medium in that the reaction of the live audience can dramatically impact not just the performers involved but the trajectory of the story being told. Matches are booked and narratives written with a desired reaction in mind, but if the live crowd doesn't feel like going along with the script, the consequences can be unpredictable and occasionally disastrous. But why do some crowds boo the babyface and cheer the heels? Why are matches between talented wrestlers sometimes rejected altogether? And how does the wrestling promotion adapt its product to reflect or control the reaction of its loudest fans? In this episode, we dive deep into the contrarian aspect of the wrestling audience and its effect on the product itself. | — | ||||||
| 4/5/18 | ![]() 2.11. The Meaning of Independence | WWE is the biggest American wrestling promotion, but it isn't the only one. In a post-WCW world, the independent wrestling scene has flourished, reaching audiences via digital distribution and differentiating themselves from the big dog. But what does it mean to be an independent promotion - or wrestler - in 2018, and is the industry's history of consolidation doomed to repeat itself? | — | ||||||
| 3/22/18 | ![]() 2.10. Promo Day | There comes a moment in any wrestling story where the performers will take the time to stop and speak directly to the audience. This fourth-wall breaking tradition has its roots in traditional sports interviews, but over the last half century has evolved into a staple of the medium. In this episode, we explore the past, present, and future of the promo, analyze what separates a good talker from a bad talker, and discuss some of our personal favorites on the mic. | — | ||||||
| 2/18/18 | ![]() 2.9. Smarten Up At The Movies: The Wrestler (2008) with Special Guest Dr. Derek Long | It's one of the most important representations of wrestling in mainstream culture of the last twenty years, but is 2008's Darren Aranofsky film The Wrestler really a "wrestling picture"? It's a question too big for Stefan and Drew to answer even in our tag-team configuration, so in this special Trios Edition podcast, we invite Dr. Derek Long, Assistant Professor of Media and Cinema Studies at the University of Illinois at Urbana–Champaign and secret uncredited creator of Smarten Up, to join us in breaking down Mickey Rourke's big comeback. | — | ||||||
| 1/27/18 | ![]() Office Hours: NXT Takeover Philadelphia | In this brief special episode, we discuss our thoughts on tonight's NXT Takeover event and whether the time is right for Johnny Wrestling to become Johnny Champion, among other topics. | — | ||||||
| 1/25/18 | ![]() 2.8. The Royal Rumble | The Royal Rumble is WWE's crowning achievement in the world of gimmick matches. Brilliant in its simplicity yet endlessly flexible, it is a unique stage upon which to tell stories. The Rumble is in many ways the perfect introduction to what WWE is at any given moment in time. This time around, we explore what makes the Rumble unique, the kinds of stories that it can tell, its significance in the WWE calendar, and what separates a great Rumble from a bad one. With the 2018 edition airing on Sunday, January 28, consider this your introduction to one of wrestling's greatest treats. | — | ||||||
| 1/11/18 | ![]() 2.7. The Fashion Files | One of the primary objectives of any wrestling performer is to distinguish himself or herself from the crowd. In a primarily visual medium, costuming and ring attire are effective tools for standing out from the cavalcade of similar looking athletic performers. Costuming communicates critical information about a performer's character and may play an important role in helping a wrestler get over with an audience. In this episode, we dive into the clothes that make the men, and explore what the choice of attire says about the performer. | — | ||||||
| 12/14/17 | ![]() 2.6. Best for Business | World Wrestling Entertainment, Incorporated is a publicly-traded corporation worth approximately $2.5 billion. It is one of the largest companies in a global industry, boasting a surprisingly diverse set of revenue streams and one of the most innovative and important media technology services of the last decade. It cannot be overstated: wrestling is a business first and foremost, and the first objective of its leading promoters is and always has been to make money. This week, we dive deep on how that money is made - by promotions in general, and specifically by WWE. We also touch on a number of related issues, including talent compensation, labor market dynamics, and how business practices best suited to the carny circuit have been folded into a modern media empire. | — | ||||||
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| 11/30/17 | ![]() 2.5. Wrestling With Comedy | Professional wrestling is at its core a variety show, with different segments meant to appeal to different audiences. But while its dramatic aspects are often highlighted, its comedic segments are rarely appreciated in the same way. Sometimes its easier to laugh at wrestling than with it, but there is a proud tradition of wrestling comedy, and the masters of the form are those that understand how to combine fists and farce to make something sublime. | — | ||||||
| 11/9/17 | ![]() 2.4. The Manager - An Introduction | Although less prominent than it once was, the role of the manager has a proud place in the annals of professional wrestling. Managers can make or break storylines, give voice and credibility to performers, and drive programs to new heights. A manager, like a wrestler, is tasked with creating a connection with an audience, but the tools in his or her toolkit are radically different than those of their in-ring charges. Those who wield those tools well can become as big a draw as the grapplers they lead. | — | ||||||
| 10/26/17 | ![]() 2.3. An Introduction to Lucha Libre | Wrestling's reach extends far beyond the United States, and as the medium has moved into different countries, it has come to both reflect and influence local cultures in surprising ways. In Mexico, wrestling is lucha libre, and although the basic structures are largely the same as its US counterpart, its substance, presentation, and place in Mexican culture could not be more different. In this, the first of our journeys outside of the American circuit, we present an introduction to wrestling in Mexico, its history, and what distinguishes it as a unique variation on the form. | — | ||||||
| 10/12/17 | ![]() 2.2. The History of WCW, Part 2 | In the exciting conclusion to our two-part season premiere, we chart the roller coaster that was was WCW's final five years and come to some conclusions about its place in wrestling history. | — | ||||||
| 9/17/17 | ![]() 2.1. The History of WCW, Part 1 | The history of 20th-Century American wrestling climaxed with an explosive battle between the bombastic WWF and its chief rival, World Championship Wrestling. The outcome of the Monday Night Wars is well-known, but the life and death of WCW remains a topic of heated debate. In this two-part season premiere, we dive deep into the promotion's past and attempt understand whether WCW's fate was inevitable, or if there might have been room for two major wrestling promotions in North America. | — | ||||||
| 5/18/17 | ![]() 1.10. Entrance Music (I Hate Rap) | A wrestler's entrance music announces his or her presence to the world, providing valuable information about character and priming the audience for what its about to see. But there are downsides to entrance music as well as upsides, and while some wrestlers thrive with their personal soundtrack, others are hindered or even crippled by the tune that plays as they make their way to the ring. Join us as we explore the world of entrance music, from its inception in the Golden Age of Wrestling to its evolution through the 1980s and 1990s to its spread across the American cultural landscape. | — | ||||||
| 5/4/17 | ![]() 1.9. Tag Team Wrestling, or “Whoomp, There It Is” | The tag team match is a tried-and-true wrestling tool for adding attractions to a card and allowing wrestlers to build on their strengths, hide their weaknesses, and engage with the audience in a different context. But the art of storytelling in a tag team context is radically different than in a one-on-one match, and success or failure depends on a number of factrs beyond the capabilities of any individual performer. Great tag teams elevate both members to heights that they may not have been able to reach individually, and have served as both critical components of wrestling's variety shows and incubators of stars that have yet to reach their full potential. | — | ||||||
| 4/27/17 | ![]() Office Hours 2: Tamale! | Although we recorded this a while ago, sometimes its worth going into the vault to dig out a classic. Drew walks us through his experience at Lucha Underground live, and what an experience it was! | — | ||||||
| 4/20/17 | ![]() 1.8. Commentary, or “The Act of Cowardism” | Michael Cole following Jerry Lawler's heart attack | — | ||||||
| 4/6/17 | ![]() 1.7. The Fulcrum Upon Which The Gimmick Turns | One of the most important things for a wrestler to do is stand out from the crowd, and the gimmick is critical in laying the foundation of character to do just that. Wrestling is a reactive medium, and gimmicks reflect in some ways the genre's interpretation of the broader world around them. But what is the line between a gimmick and a fully-formed character, and when can a gimmick become more of a hinderance than a help? And what is Bull Buchanan doing these days? | — | ||||||
| 3/23/17 | ![]() 1.6. We Don’t Hate He | No description provided. | — | ||||||
| 3/9/17 | ![]() 1.5. Strategies for Creating a Crossover Star | Alias The Champ (1949)Tag Team Pilot (1991) | — | ||||||
| 3/2/17 | ![]() Office Hours 1: Wearing a T-Shirt in A Swimming Pool | During office hours, we unlace our boots and break from our usual lesson plan to discuss the news of the day in the wrestling world. This week: we discuss the Broken Hardys' departure from TNA. We have thoughts! | — | ||||||
| 2/23/17 | ![]() 1.4 Wrestling and The Evolution of Media | Wrestling has been at the forefront of media development since its inception, forging boldly into broadcast television, cable, pay-per-view, and now over-the-top services well ahead of more *ahem* respectable entertainment ventures. In this episode, we explore the reasons why wrestling has consistently been at the forefront of changes in the media world, and how not only those changes have influenced wrestling, but also how wrestling has influenced the evolution of media in America. | — | ||||||
| 2/9/17 | ![]() 1.3 Anatomy of a Match | The match is the central dramatic tool of the wrestling world, and the storytelling tool that separates it from other entertainment genres. Like film, television, theater, and music, the wrestling match conforms to a series of dramatic conventions built over decades to maximize the audience's experience and tell a compelling story within the confines of the squared circle. Join us as we provide an overview of these conventions and explore what makes a great match worth watching. | — | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.
