Stereo Embers: The Podcast

"Highway To Heavenly" The Oxford indie-pop outfit Heavenly formed out of the ashes of another Oxford outfit, the beloved indiepop band Talulah Gosh. With the addition of singer/keyboardist Cathy Rogers, by the time the band's second album Le Jardin De Heavenly hit shelves, their low-fi jangle became augmented by lush and spellbinding harmonies. Throughout the '90s put out a handful of winning albums including Heavenly vs. Satan and The Decline And Fall of Heavenly but they called it a day in 1996 after the death of their drummer Matthew Fletcher. The core unit of Heavenly resumed under the moniker Marine Research and they put out one lone marvelous album and that was that for a while. Did the members of Heavenly stay busy in the interim? That would be a resounding yes but let's also add accomplished. These are the broadstrokes, but you'll get the idea: Singer Amelia Fletcher, who, by the way, has been in The Wedding Present and the Pooh Sticks and guested on tracks by the Candyskins and the 6ths, is a Professor of Competition Policy at the University of East Anglia and in addition to being a Non-Executive Director on the boards of the Financial Conduct Authority, Fletcher was appointed Officer of the Order of the British Empire and Commander of the Order of the British Empire for services to the economy. As for bassist Rob Pursey, who, by the way, is married to Fletcher, he's a screenwriter and he ran the Touchpaper TV production company. He now co-runs the awesome indie label Skep Wax with Fletcher. An educational neuroscientist, Cathy Rogers was the presenter of the British reality competition series Scrapheap Challenge (https://en.wikipedia.org/wiki/Scrapheap_Challenge) and Junkyard Wars, and she has worked as a producer for the BBC, ran an olive farm in Italy and worked as Creative Director for RDF Media. Meanwhile, guitarist Peter Monchiloff played in the Would Be Goods, Scarlet's Well (https://en.wikipedia.org/wiki/Scarlet%27s_Well), Les Clochards, and Hot Hooves and he was Commissioning Editor for Philosophy at Oxford University Press and is currently Associate Publication Consultant at Lex Academic. As for drummer Ian Button, the former member of The Thrashing Doves has been a university lecturer in music production, he worked with everyone from Robert Forster to Dot Allison, was a member of Death In Vegas and is an in-demand mixer and masterer. Again, this is an abbreviated list, but you can see the members of Heavenly have been busy. But somehow, between all that busy-ness and other bands like Tender Trap and Swansea Sound, Heavenly are back. Not sounding diminished by time, the band's first long player in 30 years Highway to Heavenly is a spry collection of janglepop that's effortlessly melodic and unreasonably catchy. It's lovely work that ranks among the years best. And this is a great chat with three members, then five members, then two members. And we pulled it off without any dropping of the baton--this is a great chat with the charming, gregarious and lovely personnel of Heavenly. www.heavenlyindie.bandcamp.com www.skepwax.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com Stereo Embers: BLUESKY + THREADS + IG: @emberspodcast Email: editor@stereoembersmagazine.com

"My World Is The Sun" It's true, Dominique Fils-Aime--by the way, my pronounciation of her gorgeous name verifies one thing: I'm from California--Dominique Fils Aime did indeed have a comfortable office and a job she loved and all was well, until she realized something was wrong. It wasn't her office, or her job, it was that something else was calling her. In other words, she found the thing she loved but she didn't love it enough, so she walked away. That's her story to tell so I'll leave that to her. What I can tell you is that the in less than ten years, the Canadian-born Fils Aime has established herself as one of the most accomplished artists on the planet. She's already won two Juno Awards, won the Felix award in her home province of Quebec and was nominated for the Polaris Music Prize twice. Not only that, but Fils-Aime has played the Blue Note New Yor and Los Angeles, as well as the Monterey Jazz Festival. Her new album My World Is The Sun is chapter two of her sophomore trilogy of albums and it's a stone cold stunner. Rife with crashing waves, nylon guitar, haunting hand drums and Fils-Aime's singular voice rising and falling through each composition with stirring soulful perfection, My World Is The Sun is riveting, arresting and melodic. domiofficial.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.bombshellradio.com (http://www.bombshellradio.com) www.alexgreenbooks.com IG + BLUESKY + THREADS: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

"Happy Birthday, Peter Hook" There’s nothing about Peter Hook that I can tell you you don’t already know, so let’s just do a refresher run through his musical CV. In the late '70s Hook formed Joy Division with childhood pal Bernard Sumner after the two friends saw the Sex Pistols play in Manchester. The band only put out two albums and one of those albums, the legendary Closer was put out two months after the band had ceased to b,e due to the suicide of singer Ian Curtis on the eve of Joy Division’s debut US/Canada tour. Rechristened New Order and consisting of the remaining members of Joy Division plus keyboardist Gillian Gilbert, New Order blended jittery post-punk rhythms with dance music. The result? Well, you know the result. They were one of the biggest bands of the '80s, spawning hits like True Faith, The Perfect Kiss, Subculture and Blue Monday, which was the biggest selling 12-inch of all time. It might still be. New Order dominated the '80s, but the '90s weren’t too shabby—they had a #1 UK hit with World In Motion in 1990 and they had their biggest US hit with “Regret” in 1993. They kept crushing it, putting out Get Ready in 2001 and collaborating with Billy Corgan and Bobby Gillespie of Primal Scream. They were given the Godlike Genius award at the 2005 NME awards and got nominated for a Grammy in 2006 for Guilt Is a Useless Emotion. Then things got a bit sour, with Hook leaving the band in 2007 and forming his own outfit Peter Hook and the Light, a band that featured his son Jack and much to his fans delight, revisited the Joy Division and New Order songbooks. Over the course of his career Hook has worked with The Stone Roses, and Perry Farrell, he toured with the Durutti Column, put out albums with Revenge and Monaco and wrote one of the best music books ever: Substance; Inside New Order. This is a partial list, btw. Almost a partial partial list because when it comes to Peter Hook, there’s a lot of ground to cover. But these are the basics. Do a deeper dive after you hear the show—the guy is a titan. As for his split with New Order and his boyhood pal Bernard, we don’t have time to go over the legal end of that dissolution, so let’s just say this. If you’re hoping for a reunion you’re wasting your good hope energy. Not going to happen. As a bassist, he plays with an authoritative blend of prowl and sting and not only is he one of the all time greats, he also happens to be a nice guy. This chat covers his fractured friendship with Sumner, why the New Order/Joy Division songbooks appeal to fans across generations and what Hooky has learned from his old material. www.peterhookandthelight.live www.bombshellradio.com www.embersarts.com www.stereoembersmagazine.com www.alexgreenbooks.com Stereo Embers The Podcast Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

"Fighting Fit" For a little over a delicious decade the London band Gene put out four glorious albums. And since we're here and we have time, let me name them: Olympian, Drawn To The Deep End, Revelations and Libertine. From 1993 to 2004, the band's resume just kept building: They were on the cover of Melody Maker and the NME the latter of who also gave them the inaugural BRAT award for Best New Band, they headlined the Reading Festival, played Glastonbury, toured Europe, Japan and the U.S., logged top twenty singles, put out a killer live album called Rising For Sunset, sold hundreds of thousands of albums and played a legendary sold-out show with a full orchestra at London's Albert Hall. Behind the Welsh- born Martin Rossiter, Gene's crunchy blast of melodic muscle and poetic pounce made them one of the most unforgettable bands around but all good things come to an end and by 2004, the band called it a day. A one-off reunion in 2008 was the only blip on the Gene radar until now. Celebrating the 30th anniversary of Olympian, in October of 2025 all four original members of Gene reconvened at the Apolo in London and blew the place apart and sounding positively ageless. What happened next? Well, fans wanted more so more was given in the form of 2026 March dates in Nottingham, Glasgow, Bristol, Dublin and Manchester. www.geneoffical.com (http://www.geneoffical.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Instagram + Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com

"Scala" It's hard to explain everything Barry Adamson did before he was thirty. By then, his resume' was so packed with highlights it was hard to believe there was room for more. But there was. Like, a lot more. Let me explain. The Manchester-born Barry Adamson got his start in music in the late '70s by playing bass for Magazine, a band led by ex-Buzzcock Howard DeVoto. Adamson, who was briefly in the Buzzcocks himself, went on to play with Visage and Luxuria before joining Nick Cave and the Bad Seeds. Adamson played on legendary Cave albums like From Her To Eternity and Kicking Against The Pricks and from there, he stepped into the Iggy Pop fold and toured with Mr. Pop in '87. By then, Adamson was close to thirty and in many ways, that's the point where he really started to spread his musical wings, realizing he liked being on his own than being one of the guys in a band. From there, Adamson started to explore electronic and dub-fueled soundscapes and he moved effortlessly from strength to strength, releasing classic solo albums like Moss Side Story, the 1992 Mercury Prize nominated Soul Murder and his new one, La Scala. More on that in a minute. Over the course of his winning career, Adamson has played with The Birthday, Party, collaborated with everyone from Pulp's Jarvis Crocker to Billy McKenzie of the Associates, contributed to movie soundtracks like David Lynch's Lost Highway and done remixes for everyone from Depeche Mode to The Jon Spencer Blues Explosion. His new album La Scala is the original score for the 2023 documentary Scala!!! Or, The Incredibly Strange Rise And Fall Of The World's Wildest Cinema. The film is a stirring and rousing homage to the legendary London arthouse movie theatre and Adamson's inventive score uses elements of jazz, funk and post-punk noir to detail the rise and fall of a building that meant a lot of people whose lives were saved by the freedom and spirit of life in the counterculture. www.barryadamson.com www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers IG + Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com