About this episode
The episode discusses the evolution of black blues music and the privileges associated with race and gender in its performance.
内容简介 新开一个小系列，来讲讲黑人蓝调音乐怎么就这么变成了得由黑人来演来唱的音乐。当然，这句话后面的意思是，在黑人蓝调成为要由黑人来演唱的音乐之前，白人也可以演可以唱的，甚至，在很长一段时间，唱片里的蓝调音乐是只能有白人来演来唱的。出现这种情况，当然是因为歧视，白人的特权。 小系列第一期，我们先聊聊白人的音乐特权，男性的特权，女性的特权，作为受害者的反抗特权。 早期爵士和蓝调的共生关系 美国流行文化中的一个重要母题：白人男性的危机 对于女艺人的双标 1900 年代新女性艺人的叛逆之道 《talich 闲侃》，有闲得聊，关注美国流行文化史，网址：https://talich.fm 相关链接 主要参考文献 Sanjek, R. (1988). American popular music and its business: the first four hundred years. Volume II: From 1790 to 1909. New York: Oxford University Press. Ashby, L. (2006). With amusement for all: a history of American popular culture since 1830. Lexington: University Press of Kentucky. Apolloni, A. M. (2021). Freedom girls: voicing femininity in 1960s British pop. Oxford University Press. Miller, K. H. (2010). Segregating sound: inventing folk and pop music in the age of Jim Crow. Durham: Duke University Press. Suisman, D. (2009). Selling sounds: the commercial revolution in American music. Cambridge, Mass.: Harvard University Press. Lott, E. (1993). Love and theft: blackface minstrelsy and the American working class. New York: Oxford University Press. Bowden, B. & Dylan, B. (1982). Performed literature: words and music by Bob Dylan. Bloomington: Indiana University Press…
People in this episode
Host: IPN
Topics covered
- black blues music
- white privilege in music
- gender privilege in music
- cultural appropriation
- American popular culture
- jazz and blues relationship
- female artists in music
Keywords
- blues
- music privilege
- cultural history
- jazz
- gender issues
- racial discrimination
- American culture
- female artists
- music history
Mentioned in this episode
Organizations: Oxford University Press, University Press of Kentucky, Duke University Press, Harvard University Press, Indiana University Press, Cambridge, Mass.
Books & works: The Garbage Man, Livery Stable Blues, American popular music and its business: the first four hundred years, With amusement for all: a history of American popular culture since 1830, Freedom girls: voicing femininity in 1960s British pop, Segregating sound: inventing folk and pop music in the age of Jim Crow, Selling sounds: the commercial revolution in American music, Love and theft: blackface minstrelsy and the American working class, Over here: the First World War and American society
More episodes of talich 闲侃
- EP 27: 评《民谣流域》，兼谈摇滚精神 · May 18, 2026 · 2h 40m
- EP 26: 寻找正宗的蓝调（「寻找正宗的蓝调」系列之八） · February 14, 2026 · 1h 1m
- EP 25: 蓝调天后和唱片时代（「寻找正宗的蓝调」系列之七） · December 22, 2025 · 1h 1m
- EP 24: 为什么会有蓝调（「寻找正宗的蓝调」系列之六） · August 13, 2025 · 1h 1m
- EP23: 走进音乐厅的灵歌（「寻找正宗的蓝调」系列之五） · February 16, 2025 · 1h 7m
- 死而复生的灵歌（「寻找正宗的蓝调」系列之四） · January 20, 2025 · 38 min
Explore listener stats, chart rankings, contacts and more on the talich 闲侃 podcast page.