
Technically Creative by KoobrikLabs
by Orlando Wood
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Rethinking AI, Culture & Creativity | Oonagh Murphy, Arts Council England
Sep 8, 2026
1h 04m 53s
Maybe the answer is... make more movies? Week in Review
Sep 7, 2026
19m 05s
AI, Taste and the Future of Advertising | Justine Armour, 72andSunny
Sep 1, 2026
1h 04m 49s
Week In Review - w/e August 28th, 2026
Aug 31, 2026
15m 45s
SAG-AFTRA on AI: Who Owns Your Face, Voice & Performance? with Duncan Crabtree-Ireland
Aug 25, 2026
1h 05m 55s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 9/8/26 | Rethinking AI, Culture & Creativity | Oonagh Murphy, Arts Council England | Why are we using AI? This episode of Technically Creative is brought to you by The Future of Life Insitute, an independent nonprofit working to steer transformative technologies toward benefiting humanity. https://futureoflife.org/ In this episode of Technically Creative, Orlando Wood sits down with Oonagh Murphy, Director of the Responsible AI Academy at Arts Council England, Senior Lecturer at Goldsmiths, University of London, and former Turing Fellow at the Alan Turing Institute, to explore what responsible AI actually looks like for artists, museums, cultural institutions and the creative industries. As generative AI becomes embedded across creative work, Oonagh argues that organizations need to start with a deceptively simple question: not “How can we use AI?” but “Why would we use AI?” That distinction opens up a much bigger conversation about AI ethics, copyright, intellectual property, data, trust, governance and the responsibility creative organizations have to the artists, audiences and communities they serve. Oonagh explains why responsible AI governance can actually make organizations more effective, how Arts Council England developed its approach to AI policy, and why there is no single AI policy that every creative organization should simply copy. Responsible AI requires understanding your purpose, consulting the people affected, establishing your own red lines and making deliberate choices about where AI belongs. The conversation also explores the unique role of arts and cultural institutions in the age of artificial intelligence. Museums, galleries, libraries and artists can provide spaces to slow technology down, question it, make its impact tangible and help society understand what AI means beyond the hype. We explore: • Why responsible AI starts with “why,” not “how” • AI ethics and governance for creative organizations • How Arts Council England developed its approach to artificial intelligence • Why organizations need their own AI policies and ethical red lines • Copyright, intellectual property and AI training data • Why trust and transparency matter when adopting AI • Whether artists should use generative AI • How AI is changing museums, galleries and cultural institutions • The MUNCH Museum's experiments with AI, data and its collection • Why museums may become data custodians in the AI era • AI-generated grant applications and Arts Council England's approach to assessing them • The role of human expertise in an increasingly automated world • Why responsible AI can be good project management rather than simply compliance • How artists can help society understand the impact of emerging technology • Why culture provides a space to slow down and ask better questions • The difference between purposeful AI adoption and simply using AI because everyone else is This is a conversation about moving beyond the binary debate around whether AI is good or bad and asking more useful questions about how we choose to build, govern and use these technologies. For creative companies, artists and cultural organizations, Oonagh's message is refreshingly practical: understand who you are, who you serve and what you're trying to accomplish. Then decide whether AI actually helps you get there. Because responsible AI isn't just about what the technology can do. It's about what we decide it should do. Technically Creative is a technology podcast for people who don't necessarily think of themselves as tech people, exploring how AI and technology are changing film, television, advertising, publishing, arts, media and the creative industries. This episode of Technically Creative is sponsored by the Future of Life Institute. | 1h 04m 53s | ||||||
| 9/7/26 | Maybe the answer is... make more movies? Week in Review | Hi, and welcome to the Technically Creative Week in Review, where every Monday I look back at the biggest stories in AI, technology and the creative industries from the week just gone, and try to figure out what they actually mean for the week ahead. Technically Creative is sponsored by KoobrikLabs, the AI and IT partner for creative companies. If you’re trying to figure out how AI, data and technology should actually work inside your business, visit us at KoobrikLabs.com. And this week, I’m going to do something slightly alarming. I’m going to be optimistic. Because a bunch of seemingly unrelated stories in filmmaking all seem to be pointing in the same direction. California is finally taking post-production incentives seriously. There’s suddenly bipartisan support for bringing more film and television production back to America. Tom Cruise thinks Paramount and Warner Bros. can make 30 movies a year. New production technology is making entirely different kinds of filmmaking economically possible. And AMC is getting into distribution. And all of that has me asking a question that feels almost embarrassingly simple: What if we just made more movies? Not more $250 million movies that have to make a billion dollars to survive. More $2 million movies. More strange movies. More first-time filmmakers. More scripts coming out of drawers. More stages working. More jobs. We’ve spent the last few years talking about an industry in contraction. Maybe the more interesting possibility is that technology, incentives and new ways of reaching audiences could help us build one that expands again. So, let’s get into it. | 19m 05s | ||||||
| 9/1/26 | AI, Taste and the Future of Advertising | Justine Armour, 72andSunny | In this episode of Technically Creative, Orlando Wood sits down with Justine Armour, Chief Creative Officer of 72andSunny International, for a conversation about AI, advertising, creativity, taste, originality and the future of creative work. As generative AI makes it possible to produce more ideas, images, advertising and content than ever before, Justine argues that the most valuable creative skill may no longer be the ability to make more. It may be knowing what not to make. Her argument is fascinating: AI is already very good at producing work that is acceptable. Work that is pretty good. Work that lives in the middle. But culture has never moved forward from the middle. It moves because of outliers, divergent thinkers and people with enough conviction to pursue ideas that initially make everyone else uncomfortable. And that means taste may become more valuable in the age of AI, not less. After nearly 30 years in advertising, including leadership roles at some of the world's most celebrated creative agencies, Justine believes experience, discernment and the ability to recognize an extraordinary idea are becoming increasingly important. In a world of infinite creative possibility, the advantage belongs to people who can tell the difference between something that's merely good and something genuinely original. But this conversation goes well beyond AI. Justine talks candidly about creative leadership, agency culture, collaboration, burnout, failure and the importance of remaining human inside an industry becoming increasingly automated. We explore how 72andSunny builds a collaborative creative culture, why consensus can sometimes push advertising toward mediocrity, and why creative leaders need to create environments where unusual ideas have enough space to survive. Justine also reflects on stepping away from advertising after more than two decades of pushing herself relentlessly, what that experience taught her about creativity and leadership, and why reconnecting with instinct and creative energy changed the way she works. And for the next generation of creatives entering advertising during the AI revolution, her advice is surprisingly clear. Learn the tools. But don't let the tools define your taste. “Reject the algorithm, reject the averaging of yourself.” Because if AI can increasingly reproduce what's already familiar, originality, obsession, cultural curiosity and a genuinely individual point of view become the things that separate one creative from everyone else. In this episode: • AI and the future of advertising and creative agencies • Why generative AI makes taste and discernment more valuable • Why “the middle” may lose value as AI-generated content increases • How creative leaders identify truly original ideas • AI tools including Midjourney, Runway and Luma • Why AI-generated advertising can still fail at craft • Creativity, collaboration and consensus inside advertising agencies • The changing role of copywriters, art directors and creative departments • Why young creatives need to develop taste beyond social media algorithms • 72andSunny's approach to creative culture and collaboration • Independent agencies and the changing economics of advertising • Burnout, creative leadership and Justine's decision to step away • Why failure can make creative leaders better • What the next generation of advertising talent should learn about AI • Why originality may become the ultimate creative advantage If you're interested in artificial intelligence, advertising, generative AI, creative leadership, agency culture, branding, marketing, creative careers or the future of creativity, this is a conversation about what becomes valuable when the ability to simply make things is no longer scarce. Technically Creative is a technology podcast for people who don't necessarily think of themselves as tech people, exploring how AI and technology are changing film, television, advertising, publishing, media and the creative industries. Visit KoobrikLabs: https://koobriklabs.com Connect with Orlando Wood: https://www.linkedin.com/in/orlando-wood/ #ArtificialIntelligence #Advertising #GenerativeAI #Creativity #CreativeLeadership #72andSunny #JustineArmour #FutureOfAdvertising #AIAdvertising #TechnicallyCreative | 1h 04m 49s | ||||||
| 8/31/26 | Week In Review - w/e August 28th, 2026 | Weekly AI news for the creative industries. Every Monday, Technically Creative brings you a fast, opinionated recap of the biggest stories in artificial intelligence, entertainment, media and technology from the week just gone, and what they mean for the week ahead. This is a new kind of episode for Technically Creative. Alongside our usual interviews with leaders across film, television, advertising, technology and the creative industries, Orlando Wood will now start each week with a short AI Week in Review, designed for anyone trying to keep up with an industry that seems to change every five minutes. For the week ending August 28, 2026, the AI debate is getting considerably more complicated. Hollywood leaders including Kathleen Kennedy have been quietly discussing how the industry should distinguish between generative AI, machine-learning tools and genuinely human-controlled creative workflows. Meanwhile, the music industry is simultaneously investing in AI and fighting it in court. Universal Music Group, Sony Music and Warner Music are backing Stability AI, while music publishers pursue copyright litigation against Anthropic. The emerging dividing line may not be AI versus artists, but licensed AI versus unlicensed AI. We also look at why Luminate’s new system for identifying AI-generated music could make metadata, attribution and provenance some of the most important infrastructure in the creative economy, and what Nvidia’s reported interest in acquiring Hugging Face could mean for open-source AI and the wider technology ecosystem. The bigger question connecting all of these stories is whether “AI: good or bad?” has stopped being a particularly useful debate. What kind of AI is being used? Who controls it? What was it trained on? Was the material licensed? Is it augmenting creative people or replacing them? Who owns the output? And who gets paid? Technically Creative: Week in Review is a weekly guide to the AI news, arguments and technology shaping Hollywood, entertainment and the creative industries. AI news, weekly AI news, generative AI, artificial intelligence, AI in Hollywood, AI entertainment, AI and creativity, creative industries, AI copyright, AI ethics, AI backlash, AI criticism, artists vs AI, AI replacing jobs, AI job loss, creator rights, artist rights, AI regulation, AI filmmaking, AI music, future of work, future of entertainment, media technology, Technically Creative | 15m 45s | ||||||
| 8/25/26 | SAG-AFTRA on AI: Who Owns Your Face, Voice & Performance? with Duncan Crabtree-Ireland | SAG-AFTRA on AI: Who Owns Your Face, Voice & Performance? 🤝 Presented in Partnership with the Future of Life Institute This episode is part of a special series presented in partnership with the Future of Life Institute (FLI). Throughout Season 4 of Technically Creative, we're exploring some of the biggest questions surrounding artificial intelligence, creativity, copyright, performer rights, AI safety, and responsible innovation. Learn more about the Future of Life Institute: 📺 YouTube https://www.youtube.com/@futureoflifeinstitute/ 🌐 Website https://futureoflife.org/ 🎭 AI, Actors & Hollywood's Biggest Conversation In this episode of Technically Creative, Orlando Wood sits down with Duncan Crabtree-Ireland, National Executive Director and Chief Negotiator of SAG-AFTRA, to explore one of the biggest questions facing the creative industries today: Who owns your face, your voice, and your performance in the age of AI? As artificial intelligence transforms filmmaking, television, advertising, gaming and digital media, performers are facing entirely new questions around AI actors, digital replicas, voice cloning, copyright, consent, likeness rights and ownership. Duncan has been at the center of those conversations, leading SAG-AFTRA's negotiations on AI protections and helping shape one of Hollywood's most important agreements for the future of creative work. But what makes this conversation so interesting is that it isn't about stopping AI. It's about making sure AI develops in a way that respects creators, protects human performance, and gives performers meaningful control over their identity. Throughout the discussion, Duncan shares a refreshingly pragmatic perspective. Technology isn't the enemy. The challenge is building the legal, ethical and commercial frameworks that allow innovation to flourish while ensuring the people whose creativity powers this industry remain in control of how they're represented. Highlights • How SAG-AFTRA negotiated landmark AI protections for performers • Who owns your face, voice and digital likeness in the age of AI? • Why consent is becoming the foundation of AI creativity • How voice cloning and digital replicas are changing Hollywood • What actors, filmmakers and studios need to understand about AI contracts • Why Duncan believes AI should augment human creativity, not replace it • The future of acting, entertainment and storytelling in an AI-powered world Whether you're an actor, filmmaker, producer, creative director, entertainment executive, lawyer, or anyone interested in AI, Hollywood, copyright, performer rights and creative technology, this conversation offers one of the clearest and most balanced discussions you'll hear anywhere on where the industry is heading. This conversation is part of our ongoing series with the Future of Life Institute exploring the ethical, legal, and creative questions shaping the future of artificial intelligence. 👉 Subscribe for more conversations about AI, creativity, entertainment, filmmaking and the future of creative work. Visit KoobrikLabs https://koobriklabs.com Connect with Orlando https://www.linkedin.com/in/orlando-wood/ Chapters [00:00] Who Owns Your Face? [04:10] Why SAG-AFTRA Didn't Try to Stop AI [11:20] Digital Replicas, Voice Cloning & Consent [21:15] Negotiating Hollywood's AI Agreement [33:40] Copyright, Contracts & Human Performance [46:30] The Future of Acting in an AI World [58:10] Why Human Creativity Still Matters #ArtificialIntelligence #SAGAFTRA #AIActors #Hollywood #VoiceCloning #DigitalReplica #Copyright #AIEthics #FutureOfLifeInstitute #TechnicallyCreative #KoobrikLabs | 1h 05m 55s | ||||||
| 8/24/26 | Why We're Partnering with the Future of Life Institute | 🌍 Learn More About the Future of Life Institute The Future of Life Institute (FLI) is a nonprofit organization working to help ensure that transformative technologies, including artificial intelligence, benefit humanity while reducing catastrophic and existential risks. Through research, policy, public education, and collaboration, FLI brings together scientists, policymakers, technologists, and creators to help shape a safer future. 📺 Future of Life Institute on YouTube https://www.youtube.com/@futureoflifeinstitute/ 🌐 Official Website https://futureoflife.org/ If these conversations resonate with you, I highly recommend subscribing to their channel and exploring the work they're doing. 🎙️ Why We're Partnering with the Future of Life Institute This isn't just a sponsorship announcement. It's an explanation of where I stand. I'm incredibly proud to announce that Season 4 of Technically Creative is partnering with the Future of Life Institute (FLI), a nonprofit dedicated to helping ensure that transformative technologies like artificial intelligence benefit humanity while thoughtfully addressing the risks they create. Over the last few years, I've been called a hypocrite more times than I can count. Why? Because I believe the wholesale training of AI models on copyrighted creative work represents the largest copyright theft in history... and yet I also spend my career building AI products and helping creative companies adopt these technologies. To some people, those positions seem impossible to reconcile. I don't think they are. I believe we can acknowledge that artists were treated unfairly and recognize that AI is now part of our creative future. We can celebrate innovation while demanding better conversations around copyright, consent, compensation, creator rights, AI ethics, safety, risk, and responsible adoption. That's what Technically Creative has always been about. Not choosing a side. Creating a place where the difficult conversations can happen. That's why partnering with the Future of Life Institute feels so natural. Throughout Season 4, you'll hear a series of special conversations exploring AI ethics, copyright, performer rights, creative ownership, AI safety, responsible innovation, and the future of creativity alongside conversations with the founders, engineers, artists, and companies building these technologies. We're not here to tell you AI will save the world. We're not here to tell you AI will destroy it. We're here to talk to the people who are actually wrestling with what happens next In this video • Why Technically Creative partnered with the Future of Life Institute • Why I reject the "fair use" argument for AI training • Why I've been called a hypocrite • Why I still build AI products • How creative companies should think about AI adoption • Why copyright, consent, compensation and creativity belong in the same conversation • What responsible AI innovation actually looks like Whether you're an artist, filmmaker, writer, musician, creative director, entrepreneur, policymaker, or AI builder, this conversation is about finding a path that protects creativity while embracing technological progress. 📺 Subscribe for more conversations about Artificial Intelligence, AI Ethics, Copyright, Creative Industries, Entertainment, Responsible Innovation, Creator Rights, and the Future of Creativity. Visit KoobrikLabs https://koobriklabs.com Connect with Orlando https://www.linkedin.com/in/orlando-wood/ #ArtificialIntelligence #AIEthics #FutureOfLifeInstitute #Copyright #ResponsibleAI #CreativeIndustries #TechnicallyCreative #KoobrikLabs | 4m 06s | ||||||
| 8/18/26 | The Artist, Not The AI - Cannes Winning The Real Real "Am I Real" and Gaia "Hidden Heartbreak" | Can AI Create a Cannes-Winning Commercial? Watch these films before you answer. 🎥 The RealReal (Silver Cannes Lion) https://www.youtube.com/watch?v=MORj7Cn1Wo0 🎥 Gaia https://shots.net/news/view/gaia-exposes-dairys-hidden-heartbreak If you're a creative company looking to future-proof your business, book a free consultation call at 👉 https://koobriklabs.com/contact/ 🎬 AI Filmmaking, Cannes Lions & Creative Craft — Don't Miss This One In this episode of Technically Creative, Orlando Wood sits down with Sebastian Strasser, one of advertising's most celebrated commercial directors and founder of Lipstick, alongside Sascha Peuckert, Executive Producer at Team One, to explore one of the biggest questions facing the creative industries today: Can AI produce truly world-class creative work? For the last few years, much of the conversation around AI filmmaking and AI advertising has focused on what the technology supposedly can't do. Then came The RealReal. Winner of a Silver Cannes Lion, it's one of the first end-to-end AI commercials that genuinely feels like the work of a master filmmaker. It doesn't just demonstrate what AI can do. It demonstrates what happens when extraordinary creative talent embraces extraordinary new tools. Then came Gaia. A film that's emotional, cinematic and deeply human. It proves something many people still question: AI doesn't remove emotion from storytelling. In the hands of great artists, it can become another way to express it. This isn't a conversation about prompting. It's a conversation about craft. About directing. About taste. About authorship. And about why the future of AI filmmaking won't be defined by the people who learned AI first. It'll be defined by the people who've spent decades mastering storytelling. Highlights • How The RealReal became one of the first AI commercials to win a Cannes Lion • Why Gaia proves AI can create genuine emotional storytelling • The difference between prompting and directing • Why craft, taste and authorship matter more than ever • How AI is changing commercial production • What agencies, brands and filmmakers can learn from these groundbreaking films If you're a filmmaker, creative director, producer, agency leader, or simply fascinated by AI filmmaking, commercial directing, advertising production and creative technology, this episode is one of the clearest conversations yet about where creative work is heading. 👉 Subscribe for more conversations about AI, advertising, filmmaking and the future of creative work. Visit KoobrikLabs: https://koobriklabs.com Connect with Orlando: https://www.linkedin.com/in/orlando-wood/ Chapters [00:00] Can AI Create a Cannes-Winning Commercial? [04:12] The RealReal: Inside an AI Cannes Lion Winner [12:40] Why Great Craft Still Wins [22:18] Directing vs Prompting [31:55] Building an AI Production Workflow [42:30] Gaia and the Power of Emotion [52:15] The Future of AI Filmmaking #AIFilmmaking #AIAdvertising #GenerativeAI #CannesLions #CommercialDirector #SebastianStrasser #CreativeTechnology #Advertising #Filmmaking #TechnicallyCreative #KoobrikLabs | 1h 05m 38s | ||||||
| 8/11/26 | How Disney Finds the Future: Inside Disney Corporate Innovation | How does Disney stay innovative? Inside the Disney’s Innovation Team and the future of entertainment with David Min For the latest news on the Disney Accelerator, please check it out at: https://sites.disney.com/accelerator/ Technically Creative is brought to you by KoobrikLabs, the data partner for creative companies. 🏰 How Disney Finds the Future In the Season 4 premiere of Technically Creative, Orlando Wood sits down with David Min, VP of Corporate Innovation at The Walt Disney Company, to explore how one of the world's most iconic entertainment companies discovers, evaluates, and deploys emerging technologies. As the executive responsible for Disney's external innovation strategy and the Disney Accelerator, David sits at the intersection of startups, venture capital, robotics, immersive media, and Disney's creative businesses. His team connects Silicon Valley with Disney, helping identify the technologies that could shape the next generation of storytelling, theme parks, streaming, filmmaking, sports, and entertainment experiences. This conversation goes far beyond just the technologies they employ. It's about how large creative organizations stay curious, how innovation teams operate inside enterprise businesses, and why the future belongs to companies that can combine creative excellence with emerging technology. We explore Disney's approach to founders, the Disney Accelerator, startup partnerships, Imagineering, robotics, augmented reality, Unreal Engine, StageCraft, vertical video, YouTube-native storytelling, and why creator-led innovation is becoming increasingly important across the entertainment industry. 🎧 Highlights include: • How the Disney Accelerator discovers breakthrough startups • Bob Iger's vision for corporate innovation at Disney • Why Disney partners with startups instead of building everything internally • How Walt Disney Imagineering works with emerging technologies • AR, Robotics, and the future of theme park experiences • The story behind Epic Games, Unreal Engine, and StageCraft • Why vertical video and mobile-first storytelling are reshaping entertainment • Creator-led, responsible AI, and Disney's approach to emerging technology • How venture capital helps Disney identify technology trends • Why innovation starts with excitement, not education • Lessons every creative company can learn from Disney's innovation strategy Whether you work in film, television, advertising, publishing, gaming, music, or creative technology, this episode offers a rare look inside how one of the world's most innovative entertainment companies thinks about the future. 👉 Subscribe for more conversations exploring AI, creativity, media, technology, and the business of creative work. Visit KoobrikLabs: https://koobriklabs.com Connect with Orlando: https://www.linkedin.com/in/orlando-wood/ 📍 Chapters [00:00] Inside Disney Innovation [03:45] What the Disney Accelerator Actually Does [09:10] How Disney Works with Startups [17:30] Imagineering & Robotics [26:20] How Disney Evaluates New Technology [34:15] Epic Games, Unreal Engine & StageCraft [43:00] Vertical Video and the Future of Storytelling [51:10] Creator-Led AI and Responsible Innovation [58:00] Why Innovation Starts with Excitement #Disney #DisneyAccelerator #DavidMin #Innovation #Imagineering #Startups #Entertainment #Media #CreativeTechnology #TechnicallyCreative #KoobrikLabs #OrlandoWood | 51m 19s | ||||||
| 8/7/26 | Technically Creative: Digital Hollywood Panel - AI in the Creativity Pipeline | Don’t miss Digital Hollywood’s panels on the future of entertainment and media. Sign up for more information at - https://www.digitalhollywood.com Episode description Technically Creative is brought to you by KoobrikLabs, your AI transformation partner for creative companies. What happens when AI moves upstream into the creative process, before the camera ever rolls? Recorded live at Digital Hollywood: The AI & Entertainment Summit 2026, this episode of Technically Creative brings together filmmakers, producers, technologists and creative leaders to explore how generative AI is changing film development, screenwriting, ideation, visualization, storyboarding and plot structure. The conversation focuses on the part of filmmaking that can be the hardest to accelerate: turning the first spark of an idea into something structured enough to make. Orlando Wood, founder of KoobrikLabs, joins Russell Palmer, CEO & Co-Founder of CyberFilm AI and SAGA; Matt Pfeffer, Executive Producer and President of Ritual Labs; Albert Thompson, creative and digital innovation leader; Alex Gocke, VP of Sales at Largo; and moderator Annie Hanlon, Co-Founder of PLAYBOOK PLBK. Together, they examine how AI is becoming a new kind of creative collaborator. Not simply a tool for generating finished images or video, but a system for helping filmmakers explore possibilities, interrogate ideas, develop characters, visualize scenes, build storyboards and pressure-test narrative structure. The panel explores: How filmmakers and writers are actually using AI in the creative development process The emerging AI tools for screenwriting, story development and pre-production Using AI for concept visualization and storyboarding Where AI helps creativity and where human taste, judgment and experience still matter How creative companies can adopt AI without surrendering the creative process to technology Why the biggest opportunity may be using AI to make great creative people more ambitious, rather than simply making production cheaper For anyone working in film, television, advertising, production, screenwriting or entertainment technology, this is a practical look at what an AI-assisted creative pipeline is starting to look like in 2026. Technically Creative is the technology podcast for people who don’t think they’re technical, but increasingly need to understand the systems shaping creative work. Keywords: AI filmmaking, generative AI film, AI screenwriting, AI storyboarding, AI pre-production, AI for filmmakers, artificial intelligence entertainment, film technology, AI storytelling, creative AI, Digital Hollywood, AI Entertainment Summit, SAGA AI, KoobrikLabs, future of filmmaking. | 48m 39s | ||||||
| 6/15/26 | The Hairdresser Who Ran Hollywood: Jon Peters, Part 3 "Dreaming Big is the Only Way to Dream" | In this third bonus episode of Technically Creative, Orlando Wood continues his conversation with legendary Hollywood producer Jon Peters, the producer behind Batman, A Star Is Born, Caddyshack, Flashdance, Superman, and many of the biggest blockbuster films of the 1980s and 1990s. In Part One, we explored Jon Peters' unlikely journey from hairdresser to Hollywood producer through his partnership with Barbra Streisand and the making of A Star Is Born. In Part Two, we followed the rise of the Guber-Peters Company and Jon's partnership with Peter Guber, one of the most successful producing collaborations in Hollywood history. In this episode, the story shifts from filmmaking to something bigger. By this point, Jon Peters has already produced some of the most influential films of his era. A Star Is Born helped redefine movie marketing and soundtrack albums. Batman became one of the highest-grossing films of all time. The Guber-Peters partnership was reshaping Hollywood. But success was never the destination. Every achievement simply became permission to dream bigger. This conversation explores how Jon Peters thought about blockbuster filmmaking, movie marketing, soundtrack albums, intellectual property, franchising, and the business of entertainment long before Hollywood became obsessed with cinematic universes and franchise ecosystems. We discuss how A Star Is Born created a blueprint for soundtrack-driven movie marketing, why film soundtracks became a critical revenue stream for studios, and how Jon viewed movies as much more than what audiences saw on screen. The conversation eventually leads to Sony Pictures Entertainment, where Jon Peters and Peter Guber found themselves running one of the most powerful movie studios in Hollywood. And even that wasn't enough. Because while most executives saw a studio, Jon saw a launching pad. We explore: • How A Star Is Born changed movie marketing and soundtrack strategy • The relationship between Hollywood films, soundtrack albums, and blockbuster profitability • Why Jon believed the movie wasn't the only product being sold • How Wild Wild West and its hit soundtrack became a case study in entertainment marketing • The road from Batman to running Sony Pictures Entertainment • Jon Peters' vision for "Sony Land" and expanding beyond the traditional movie studio model • Superman, intellectual property, and the future of franchise storytelling • The connection between Hollywood, the UFC, Dana White, entrepreneurship, and instinct • Why Jon Peters believes success should expand your ambitions rather than satisfy them Like the previous conversations, this episode is funny, reflective, controversial, and uniquely Jon. It's also a fascinating look at Hollywood history, blockbuster filmmaking, movie producing, studio leadership, entertainment marketing, soundtrack albums, intellectual property, and the mindset that helped shape some of the biggest films of the modern era. If you're interested in Jon Peters, Peter Guber, Batman, Sony Pictures, Superman, Hollywood producers, blockbuster movies, movie marketing, or the business of filmmaking, this chapter goes deeper still. More to come. | 27m 12s | ||||||
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| 4/24/26 | Technically Creative: Live at British Arrows — AI & the Future of Craft | A special live episode recorded at British Arrows. This panel explores how AI is reshaping creative work, from workflows and production systems to decision-making and craft. As more companies adopt AI tools, the real challenge is shifting from experimentation to implementation, redesigning how work actually gets done. We discuss the gap between AI adoption and real impact, why most organizations are still layering AI onto existing workflows, and what changes when you move toward AI-native systems. The conversation also looks at agents, automation, and the evolving role of creative professionals in an AI-driven environment. At the center of it all is craft. What remains human, what becomes automated, and why judgment, taste, and creative instinct are becoming more valuable, not less. Recorded live at British Arrows, this is a conversation about the future of AI in creative industries, including film, advertising, and media. Technically Creative is brought to you by KoobrikLabs, the AI transformation partner for creative companies. | 49m 39s | ||||||
| 4/15/26 | British AdvertisingCreative Work+3 | Simon CooperCharlie Gatsky Sinclair | Technically Creativethe British Arrows+2 | — | British ArrowsCreativity+3 | — | 1h 09m 56s | ||
| 4/8/26 | AIvoice technology+4 | Dan Jasnow | ElevenLabsTechnically Creative | — | AI systemsvoice interface+3 | — | 1h 00m 00s | ||
| 3/31/26 | creator economyentertainment+3 | Kyle Hjelmeseth | Technically CreativeGMB Digital Management | — | ownership of audiencemonetizing the wake+3 | — | 58m 22s | ||
| 3/24/26 | content curationadvertising+3 | Danny Edwards | VHSshots+2 | — | shots.netcreative curation+3 | — | 1h 05m 31s | ||
| 3/17/26 | advertisingcreative standards+3 | Kevin Swanepoel | The One ShowCreative Week+3 | New York | creative excellencecraft+3 | — | 1h 01m 52s | ||
| 3/10/26 | AI and artcreativity+3 | Marco Gentile | Magna StudiosArtist and Audience+2 | — | Invisible Contractimagination+3 | — | 1h 10m 55s | ||
| 3/3/26 | AI filmmakingcreator economy+3 | Jagger Waters | The Creator EconomyTechnically Creative+1 | — | AIfilmmaking+3 | — | 54m 09s | ||
| 2/24/26 | comicsHollywood+6 | Ross Richie | BOOM! StudiosTechnically Creative+1 | Hollywood | IPfilm+4 | — | 1h 04m 33s | ||
| 2/17/26 | AIart+3 | Dani Van de Sande | Artist and the MachineTechnically Creative+2 | NYCLA+1 | Artist and the MachineAI & Creativity Summit+2 | — | 56m 11s | ||
| 2/10/26 | Super Bowl advertisingmulti-screen era+3 | Mark GrossChris Bellinger | Lay’sTechnically Creative+5 | Orlando | advertisingmedia+3 | — | 51m 15s | ||
| 2/3/26 | Why Film Festivals Matter More than Ever with Cara Cusumano, Tribeca Film Festival | 🎙️ Meet the Woman Helping Film Culture Make Sense of Itself In this episode of Technically Creative, Orlando Wood sits down with Cara Cusumano, Festival Director of the Tribeca Film Festival — one of the three major American film festivals alongside Sundance and SXSW, and still one of the most important gateways to legitimacy for filmmakers worldwide. Film festivals remain the first real hurdle for a film or filmmaker to be taken seriously. The place where work moves from being made to being seen, debated, championed, and absorbed into the cultural bloodstream. And in a moment when more creators than ever are making more content than ever — with near–studio-level tools available from their couch — that curatorial role has never mattered more. Cara oversees one of the most complex and influential selection processes in global filmmaking, sifting through more than 13,000 submissions a year to find what’s audacious rather than merely loud. As the filmmaking system is pressured on all sides — economically, culturally, and technologically — this conversation makes the case that festivals, and the humans who curate them, are more essential than ever. Under Cara’s leadership, Tribeca has also been notably forward-thinking about new tools, including AI. Rather than sidelining creators who experiment, the festival has created intentional frameworks that ask the same timeless questions: Is there a point of view? Is there a voice? Is there something human at the center of the work? What makes this episode especially resonant is Cara herself. When asked whether she actually watches everything, she laughs and admits she lives in fear of missing something great. That moves beyond love and into dedication — a reminder that taste-making isn’t algorithmic. It’s human. 🎧 Highlights include: ● Why film festivals remain the path to legitimacy for filmmakers ● How Tribeca filters signal from noise in an era of infinite content ● The evolving role of curation as the film industry fractures ● Tribeca’s approach to AI, tools, and creative experimentation ● Why taste, restraint, and vision still matter more than polish ● How festivals balance indie discovery with major cultural moments ● “I live in fear of missing something” — dedication as a curator 🔗 Learn more about the Tribeca Film Festival: https://tribecafilm.com 🔗 Visit KoobrikLabs: https://www.koobriklabs.com 🔗 Connect with Orlando: https://www.linkedin.com/in/orlando-wood 📍 Chapters: [00:00] Introducing Cara Cusumano and Tribeca [04:00] Film festivals as the path to legitimacy [09:00] Signal vs noise in the age of infinite content [15:00] AI, tools, and Tribeca’s forward-thinking stance [23:00] Discovery, innovation, and community [31:00] Programming across film, TV, games, and podcasts [41:00] Shorts, new voices, and emerging formats [52:00] “I live in fear of missing something” [57:00] Why festivals — and curators — matter more than ever #TechnicallyCreative #CaraCusumano #TribecaFilmFestival #FilmFestivals #Curation #Filmmaking #AIinFilm #Storytelling #CreativeTechnology #IndependentFilm #KoobrikLabs #OrlandoWood | 55m 54s | ||||||
| 1/6/26 | The Hairdresser Who Ran Hollywood: Jon Peters, Part 2 "Cutting His Teeth"" | In this second bonus episode of Technically Creative, Orlando Wood continues his conversation with one of the most talked-about — and least understood — figures in modern Hollywood: Jon Peters. In Part One, we explored Jon’s unlikely path from beauty school to Barbra Streisand and A Star Is Born. In this episode, we move into the next chapter of his career — the years when Jon steps out as an independent producer, helps bring Caddyshack to life, and forms one of the most influential creative-business partnerships in film history with Peter Guber. This conversation is still loose, funny, messy, reflective — and very “Jon.” We get deeper into how instinct, relationships, gamble-taking, and timing shaped a run of films that defined an era. We explore: • How Caddyshack became Jon’s first big independent producing moment • Why Jon believes producing is really about spotting — and backing — raw creative talent • The origin story of the Guber-Peters partnership • How two unlikely partners built a string of hits together • The road from producing movies to running Sony Pictures • Loyalty, ambition, ego, conflict — and what happens when the stakes get massive • How Jon looks back on all of it now This is Part Two in a multi-episode series examining the real story behind the headlines — the ambition, the chaos, the successes, the fractures, and the emotional truth behind one of the most unusual careers in Hollywood. If you’re interested in how big films really get made — and the personalities it takes to make them — this chapter goes even deeper. More to come. | 21m 17s | ||||||
| 11/25/25 | The Hairdresser Who Ran Hollywood: Jon Peters, Part 1 "Making the Cut" | In this special bonus episode of Technically Creative, Orlando Wood sits down with one of the most mythologized and misunderstood figures in modern Hollywood: Jon Peters. Jon’s life story reads like a Hollywood screenplay — from being pulled out of a troubled childhood and thrust into beauty school, to running a chain of iconic LA salons in the 1970s, to meeting Barbra Streisand and producing A Star Is Born, to orchestrating the Sony Pictures takeover, to holding the rights to Superman for nearly 25 years. His fingerprints are on Batman, Rain Man, Flashdance, The Color Purple, American Werewolf in London and more. This first conversation is wide-ranging, messy, intimate, and completely Jon. We explore: His unlikely path from hairdresser to Hollywood power player His time with Barbra Streisand and the origin of their creative partnership The chaos and brilliance of his producing years His relationships with Peter Guber and studio heads like Steve Ross His battles with addiction, his recovery, and the love that grounded him Why his confidence — and instinct — became his superpowers This is part one of a multi-episode series diving into the real story behind the legend, pulling apart what’s myth, what’s true, and what only Jon could possibly describe. If you’re fascinated by Hollywood history, improbable careers, or the personalities behind the films that shaped generations, this is the beginning of a remarkable ride. Stay tuned — the next chapters go even deeper. | 25m 35s | ||||||
| 11/4/25 | The Man Preparing Hollywood for the Future, Yves Bergquist of ETC and CortoAI | 🎙️ Meet the Man Shaping Hollywood's Future In this season finale of Technically Creative, Orlando Wood sits down with Yves Bergquist — Director of the AI & Media Project at USC’s Entertainment Technology Center (where every major studio, from Warner Bros. to Netflix to Sony, collaborates on the future of storytelling), and CEO of Corto AI, a company decoding the narrative DNA of films, ads, and media. Yves is one of Hollywood’s leading voices in AI — helping the industry understand how technology, data, and culture intersect. But this conversation isn’t just about algorithms or analytics. It’s about stories: the ones that shape audiences, and the ones we tell ourselves. In a remarkably candid exchange, Yves shares how his work mapping creative data has paralleled his own journey of reinvention — from public failure to personal growth. It’s a rare, human look at how the next wave of creativity will be built on both intelligence and empathy. 🎧 Highlights include: ● How USC’s Entertainment Technology Center is redefining AI for Hollywood ● The “Content Fingerprinting Initiative” — using math to protect IP in generative media ● Corto AI and the narrative DNA of storytelling ● Why Gen Z wants a John Hughes-style revival of “people misbehaving” movies ● What Yellowstone and House of Guinness teach us about storytelling as marketing ● Yves’ personal story of failure, forgiveness, and self-discovery ● Why the next Golden Age of creativity will be the most human yet 🔗 Learn more about USC’s Entertainment Technology Center: https://www.etcenter.org 🔗 Explore Corto AI: https://www.corto.ai 🔗 Visit KoobrikLabs: https://www.koobriklabs.com 🔗 Connect with Orlando: https://www.linkedin.com/in/orlando-wood 📍 Chapters: [00:00] Introducing Yves Bergquist — data, culture, and storytelling [04:00] Inside USC’s AI & Media Project [07:00] The “Content Fingerprinting Initiative” and copyright in the AI era [12:00] Decoding the narrative DNA of stories [17:00] Global storytelling trends and the Gen Z renaissance [25:00] Corto AI and the future of brand storytelling [34:00] How data and emotion drive creativity [44:00] Yves’ candid story of failure and redemption [57:00] Why the future of creativity is deeply human #TechnicallyCreative #YvesBergquist #USC #EntertainmentTechnologyCenter #CortoAI #AIinHollywood #Storytelling #DataScience #CreativeTechnology #Innovation #FilmIndustry #KoobrikLabs #OrlandoWood | 1h 01m 38s | ||||||
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Chart history for Technically Creative by KoobrikLabs
Peaked at #3 in Norway, top 10 in 1 of 3 tracked markets, currently #3 in Norway.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| Norway | — | #3 | #3 | — |
| Canada | — | #25 | #25 | — |
| United States | — | #44 | #44 | — |
Chart Positions
3 placements across 3 markets.
Chart Positions
3 placements across 3 markets.