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- 🇩🇪DE · Film Interviews#9430K to 100K
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Est. listeners per new episode within ~30 days
9K to 30K🎙 Daily cadence·51 episodes·Last published yesterday - Monthly Reach
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30K to 100K🇩🇪100% - Active Followers
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12K to 40K
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Recent episodes
HOW TO: Score Film with Humanity and Imperfection (w/ Nicolas Snyder)
Jun 23, 2026
Unknown duration
HOW TO: Build Momentum as a Filmmaker (w/ Kate Saltel)
Jun 16, 2026
Unknown duration
HOW TO: Interview High-Profile Talent (w/ Ethan Shanfeld)
Jun 9, 2026
Unknown duration
HOW TO: Create Timeless Movies and Timeless Friendships (w/ Andrew Gerstenblatt & Arthur Goldbart)
Jun 2, 2026
Unknown duration
HOW TO: Turn Life Lows into Creative Highs (w/ Mahalia Latortue-Pridgett)
May 26, 2026
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6/23/26 | ![]() HOW TO: Score Film with Humanity and Imperfection (w/ Nicolas Snyder) | This week, we're joined by composer Nicolas Snyder, whose work can be heard in acclaimed animated series like SCAVENGERS REIGN and COMMON SIDE EFFECTS, both on HBO Max. Nicolas reflects on his path to composing—from playing in bands and studying narrative writing to discovering that his meticulous, trained approach to crafting sentences was secretly training him to become a songwriter. We also discuss his long-running creative partnership with creator/showrunner Joe Bennett, how their collaboration evolved organically over time, and why Nicolas rejects the idea of being a musical genius. Instead, he embraces imperfection as a creative strength, arguing that uniqueness and humanity matter far more than technical perfection. Plus, we dive into his composing process, from working with samples and juggling multiple projects to learning the art of delegation. Lastly, he shares valuable advice for filmmakers on how to communicate more effectively with composers. Common Side Effects (HBO) Common Side Effects INTRO SCAVENGERS REIGN (HBO) NICOLAS INSTA New Show - DEALIES Submit Your Horror Short! | — | ||||||
| 6/16/26 | ![]() HOW TO: Build Momentum as a Filmmaker (w/ Kate Saltel) | This week, we're joined by writer/director, and 50/50 selectee Kate Saltel. From the formative experience of screening a student film at the Austin Film Festival while growing up in Texas to secretly creating a viral YouTube alter ego that forever changed her relationship with social media, Kate reflects on the unconventional path that's shaped her voice and her approach to connecting directly with audiences. She also explains why she's intentionally remained an assistant at a management company, and how working on the corporate side of the industry has been instrumental in her growth as a filmmaker. We also dive into Kate's strategy of writing shorts specifically for her favorite up-and-coming comedians and how that philosophy has helped her build lasting creative relationships. Finally, she breaks down the rollout for her 50/50-selected short HEADSHOT, revealing how an ambitious satirical marketing campaign has transformed the film into a genuine event, earning hundreds of thousands of views and demonstrating how filmmakers can create momentum around their work long after production wraps. HEADSHOT (Instagram) HEADSHOT (Youtube) THE LAST CHAPEL (Kate Saltel / Cam Gavinski short film) GREEN @ Elysian Vault (Monthly Show) SUBMIT TO 50/50 HORROR! | — | ||||||
| 6/9/26 | ![]() HOW TO: Interview High-Profile Talent (w/ Ethan Shanfeld) | This week, we're joined by Variety TV reporter Ethan Shanfeld. From his early days studying journalism at Northwestern and freelancing for outlets like Nylon and Pitchfork to landing major cover stories at his current employer, Variety, Ethan breaks down what makes a great pitch email, how he prepares for interviews without over-preparing, and why every celebrity requires a completely different approach. We dive deep into his unforgettable SEVERANCE cover story, including the surreal experience of interviewing Ben Stiller and Adam Scott over a 4pm dinner at an Italian restaurant on Manhattan's West Side Highway—without quite knowing what he was walking into. Along the way, we discuss building trust with interview subjects, broaching the tough questions, and navigating the ever-present publicists in the room. Plus: stories from interviewing a silver-handed Benny Safdie, an incredibly candid Miley Cyrus, and the unique challenge of sitting down with Nintendo's notoriously guarded president through a translator. Welcome to the 50/50 fam, Ethan! Ethan Shanfeld - Variety Page Ethan Shanfeld - Twitter Subit your Horror Short! | — | ||||||
| 6/2/26 | ![]() HOW TO: Create Timeless Movies and Timeless Friendships (w/ Andrew Gerstenblatt & Arthur Goldbart) | Andrew Gerstenblatt and Arthur Goldbart of Silver & Gold Pictures are back on the Pod! The longtime roommates and creative collaborators join us to discuss their latest short film, The Extraordinaries, which recently screened at 50/50 Comedy AND won the Audience Award at NFFTY. We dive into the making of the short, from crafting its timeless aesthetic to maximizing the possibilities of a single-location shoot inside a treasure-filled antique store. Andrew and Arthur share how extensive preparation creates room for spontaneity on set, and why they're passionate about bringing back the kind of theatrical studio comedies that audiences can't stop quoting. Plus, we talk about what's next for the duo as they gear up to make the leap to their debut feature. SILVER & GOLD PICTURES ANDREW INSTA ARTHUR INSTA SUBMIT YOUR SHORT TO 50/50 HORROR | — | ||||||
| 5/26/26 | ![]() HOW TO: Turn Life Lows into Creative Highs (w/ Mahalia Latortue-Pridgett) | This week, we speak with Mahalia Latortue-Pridgett, director's assistant on ABBOTT ELEMENTARY. She breaks down her journey from interning at Viola Davis’s production company in its early days to now carving out her own path as a writer in television. She talks about starting her career in Atlanta, realizing she needed to make the leap to Los Angeles, and balancing a day job at a management company while quietly dedicating an hour every day to writing. Using the relationships and industry knowledge she gained in talent representation, Mahalia eventually signed a shopping agreement and sold her script — all before many people around her even knew what she was building. We also get into the realities of surviving the entertainment industry, and how hardship and rejection can ultimately sharpen your voice as a writer. Mahalia opens up about working with Randall Einhorn on Abbott Elementary, the value of mentorship, and why strong characters and clear comedic engines are the foundation of great TV writing. Plus, we discuss representation, collaboration, and what it looks like to build a creative partnership with a manager who truly understands your voice. MAHALIA INSTAGRAM SUBMIT TO 50/50 HORROR! | — | ||||||
| 5/19/26 | ![]() HOW TO: Advocate for Equity in the Studio System (w/ Janie Kahan) | This week , we sit down with Janie Kahan to trace her path through the animation industry — from learning the studio pipeline at DreamWorks on TROLLS WORLD TOUR and CROODS 2, to Nickelodeon’s PLANKTON: THE MOVIE, and eventually Netflix Animation, where she found a creative home working on Charlie Kaufman’s ORION AND THE DARK. Along the way, Janie reflects on gravitating toward more emotionally mature storytelling and the kinds of projects that align with her artistic instincts. The conversation also dives into the larger purpose Janie brings to every workplace: advocacy, allyship, and creating more inclusive environments for disabled creatives in the industry. We discuss practical ways productions can better support disabled team members day-to-day, the importance of communication and adaptability, and how meaningful social change can happen through both art and workplace culture. DISABILITY FILM CHALLENGE THE MIRACLE PROJECT DEAF WEST THEATRE SUBMIT TO 50/50 HORROR! | — | ||||||
| 5/12/26 | ![]() HOW TO: WIN 50/50 COMEDY (w/ Myles Hodder) | This week, we sit down with 50/50 FESTIVAL WINNER Myles Hodder! We dive into his upbringing in Newfoundland — “straight off the rock” — to becoming an award-winning comedy director. A Second City-trained performer who originally started as an actor, Myles breaks down how a small addition to his commercial directing reel unexpectedly became the project that won him 50/50 Comedy, and why simplicity almost always wins in comedy. We also get into the mechanics of directing funny material — from balancing improv with preparation on set to the importance of timing, rhythm, and why some of the best comedy lives in close-ups. Plus, Myles shares his approach to navigating the wave of industry meetings that followed the festival, including how to take the pressure off generals and build long lasting relationships. MYLES WEBSITE THREE COLORS SCREENING: BUY YOUR TIX NOW! SUBMIT TO 50/50 HORROR FEST RACHEL - John Early/Kate Berlant/Andrew DeYoung | — | ||||||
| 5/5/26 | ![]() HOW TO: Approach Animation from a Writer's Perspective (w/ Anca Vlasan) | This week, we sit down with writer and animator Anca Vlasan -- we start by discussing how her Romanian heritage shaped her love of storytelling, particularly her pull toward “fish out of water” narratives. She reflects on her debut short Lizard Queen, which became her calling card and helped her break into Adult Swim, where she also formed a close creative partnership with Mike Lazzo. We also get into how Anca approaches animation from a writer’s perspective, with a strong emphasis on structure, and how working on Adult Swim’s bumps became an unexpected comedy bootcamp. She talks about recently teaching herself to animate as a step toward becoming a showrunner, and why taking control of the full process has been so creatively important to her. SUBMIT TO 50/50 HORROR FESTIVAL! ANCA'S WEBSITE COSMIC ZOOM (Anca's first animated short!) KOALA MAN YOLO Best Adult Swim BUMPS! | — | ||||||
| 4/28/26 | ![]() HOW TO: Process and Embrace the Assistant Position (w/ Grace Guy) | This week, we sit down with writer and comedian Grace Guy to unpack the complicated, often unspoken dynamics of assistant culture in the entertainment industry. Drawing from her own experience as a former assistant, Grace shares the inspiration behind her deeply personal play Deckhand—a sharp, emotionally charged story about a boss and assistant trapped together on a boat. We dive into the love/hate tension that defines so many of these relationships, and the uncomfortable truth that while assistants are often told their proximity to power will lead to opportunity, that promise rarely materializes. Grace also opens up about recognizing when it’s time to leave a job, the importance of self-care and building a real support system, and the danger of tying your dreams to someone else’s success. The conversation then shifts to her creative process—how she approaches writing “forced proximity” stories, and the journey of developing Deckhand, including testing it in front of audiences ahead of its Edinburgh run. TIX FOR 50/50 COMEDY FESTIVAL MAY 3RD!! Grace's Insta (see upcoming show dates & more!) DECKHAND SHOW Books Mentioned: Artist's Way, Rick Rubin's Book, Anne Lamont (Bird by Bird, Good Writing) | — | ||||||
| 4/21/26 | ![]() HOW TO: Fuel Your Craft Through Preparation, Presence, and Variety (w/ Chloë Kerwin) | This week, Chloë Kerwin reflects on church basements, circuses, ghost-hunting, and oh yeah... acting! Chloë grew up dreaming of Broadway, later finding herself drawn to films like True Grit and Moonrise Kingdom. After high school, she brought that curiosity to Emerson, where she collaborated with filmmakers like her cousin (previous podcast guest) Wylie Anderson, and began building the kind of reel that would eventually open doors. We get into the realities of auditioning (including Little Women with Greta Gerwig), navigating relationships with reps, and her intentional pivot toward comedy—a space she’s found both more challenging and more creatively rewarding. Chloë shares how she’s shaped her artistic voice through on-set experience on shows like MARVELOUS MRS. MAISEL, creative outlets that sustain her passion, and why patience and stability remain central to building a fulfilling career in the industry. 50/50 COMEDY TICKETS MAY 3RD! CHLOË IMDB CHLOË WEBSITE | — | ||||||
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| 4/14/26 | ![]() HOW TO: Produce in a Social-Media-Driven Landscape (w/ Talia Light Rake) | This week, we sit down with director/producer Talia Light Rake to talk about what it really means to self-empower as an artist. Talia dives into redefining her creative identity, how aligning who you are with what you make can unlock new momentum, and the unexpected ways social media gave her work legitimacy and reach. We also get into her algorithm-driven networking events—bringing creatives together across cities—and the recent success of her indie pilot Too Romantic. TICKETS for 50/50 FILM FESTIVAL (MAY 3rd) TOO ROMANTIC Pilot (FESTIVAL DATES ETC) HEAVY SHOVEL PRODUCTIONS TALIA'S INSTA | — | ||||||
| 4/7/26 | ![]() HOW TO: Master the Art of Podcasting (w/ Allie Kahan) | This week, we’re joined by Allie Kahan, producer at Headgum, who carved out her own lane into entertainment by doing something deceptively simple—paying close attention. After immersing herself in podcasts about the industry, Allie found an authentic entry point that led her to Artists First, where she began building both her career and her creative voice in tandem. We talk through her transition to Headgum, including the nuanced balance of being a genuine fan of the company while stepping into a professional role. From there, the conversation expands into her work today—navigating high-profile talent, what actually goes into podcast acquisitions, and the evolving process of developing shows in-house. It’s a candid look at a modern producing career, and how staying curious can quietly open doors. HEADGUM Podcasts! SUBMIT TO 50/50 FESTIVAL! 'Making It' with Ricky Lindhome (Podcast Archive) | — | ||||||
| 3/31/26 | ![]() HOW TO: Start a Monthly Film Festival! (w/ Jared Corwin) | This week, we sit down with Jared Corwin, Co-Executive Director of Silverlake Shorts. After feeling stuck following his first feature, Jared found renewed purpose by helping launch a monthly, sold-out, non-profit film festival alongside collaborator Benjamin Sharpe. What started as a grassroots community event has grown into a meaningful creative engine—one that’s not only spotlighting emerging filmmakers, but actively shaping Jared’s own career as a writer and animator. We dive into the evolution of the festival, from screening films to funding them through their fellowship program, and what kinds of projects they’re looking to support. Jared also shares insights on expanding beyond Los Angeles, including a recent festival in Atlanta, and how the organization is thinking about local audiences as well as potential collaboration with the broader studio system. The conversation widens into the state of the LA film scene, the cultural value of short films, and Jared’s mission to elevate shorts to the same artistic stature as features—all while helping bring filmmaking energy back to Los Angeles in a major way. SILVER LAKE SHORTS Website SILVER LAKE SHORTS Instagram SUBMIT TO 50/50 COMEDY FESTIVAL | — | ||||||
| 3/24/26 | ![]() HOW TO: Work Hard, and Play Harder (w/ John Li) | This week, we’re joined by John Li (Development at Amazon TV) where we dive deep into how careers in entertainment really take shape. From being the guy who’s always grabbing drinks to mastering the art of authentic networking, John shares how genuine relationships—not transactional ones—have driven his path. He reflects on landing at USC just as the industry was being flipped upside down, and why adaptability, curiosity, and getting specific about what you actually want are key to finding your footing. We also dive into why being an assistant might be one of the most fun—and valuable—jobs in Hollywood, offering unmatched exposure early on, and how to reach the point where people rely on you so much your mistakes are actually felt. John opens up about what working at an agency taught him (including the reality that everyone’s “faking it” to some extent), how his taste has evolved over time, and why he’s focused on making impactful, high-quality content that reaches the largest possible audience. JOHN LI LINKEDIN SUBMIT TO 50/50 COMEDY HERE! | — | ||||||
| 3/17/26 | ![]() HOW TO: Self-Start as an Actor (w/ Natalie Ortega) | This week, we sit down with actor/comedian Natalie Ortega to talk about carving out your own lane in an industry that rarely hands you one. Natalie shares how she found her niche in musical comedy (and why it’s not just because the bar is low), her complicated relationship with stand-up, and why she believes actors shouldn’t sit around waiting for the next audition. We get into her time performing in Wicked on Broadway — including the unspoken rules of the Broadway social scene — and what she learned on set alongside Brett Goldstein and J.Lo, where stand-up unexpectedly became her greatest asset. Natalie also opens up about her evolving relationship with agents and managers, and how taking initiative in your own career changes everything: do more for yourself, and your reps will too. Plus, we dive into her creative partnership with Cam Gavinski on PARTNERS, what’s next for the project, and some exciting TV development news on the horizon. NATALIE'S INSTA (Watch PARTNERS HERE TOO!) Submit Your Comedy Short | — | ||||||
| 3/10/26 | ![]() HOW TO: Establish Your “Why” as a Comedy Filmmaker (with Ali Rosenthal) | This week, 50/50 Festival WINNER Ali Rosenthal traces her path towards comedic purpose; after cutting her teeth in New York City, she forged her voice as a comedy filmmaker at Stanford, where she made ICE QUEENS a self-described “fiercely feminist fantasy.” We then dive into her breakout short TEEN MARY - making the film at AFI while managing the creative risk of approaching religion from a fresh, comedic perspective—and why that very risk pushed her to make the film in the first place. From there, we move to bigger questions: why pitching yourself can sometimes be harder than pitching a project, what truly separates a comedic short film from a sketch, and why a strong director’s statement can be essential to articulating your artistic purpose, especially in comedy. We wrap by discussing the project Ali is currently taking out to town and the process of refining drafts with her manager—plus the perennial question: how do you know when a script is actually ready to pitch? TEEN MARY - Instagram ICE QUEENS (Stanford Short) Submit Your Comedy Short | — | ||||||
| 3/3/26 | ![]() HOW TO: Swing Big With a First Feature, and Win (w/ Elijah Davis) | This week, filmmaker Elijah Davis breaks down how he swung big on his debut feature, Three Colors: Pan African — and what it actually took to get it made. We talk about the influence of French cinema on the film’s visual language, and Elijah’s larger mission: creating real authorship opportunities for Black creatives across every department. He shares how funding the first portion of the project as a proof of concept unlocked momentum — and why fundraising proved to be one of the most difficult stretches of the process. We also discuss representation theory and Elijah’s perspective on the relationship between Blackness and media — who gets to tell stories and who controls the frame. Finally, he opens up about balancing all of this while working full-time as an assistant at WME — and what it means to build a filmmaking career from inside the industry machine. THREE COLORS INSTAGRAM/TRAILER THREE COLORS IMDB THREE COLORS LETTERBOXD SUBMIT TO 50/50 FESTIVAL | — | ||||||
| 2/24/26 | ![]() HOW TO: Develop and Refine Your Animation Skillset (w/ Chris Rutledge) | This week, we sit down with Chris Rutledge, whose knowledge of animation extends far beyond his own work and into the underground, deeply influential network of visual artists shaping the medium from the edges. What stands out immediately is Chris’s ability to recognize artistic movements before they even have names, mapping out how ideas circulate through communities long before they surface in the mainstream. His perspective reframes animation not as isolated projects, but as a living conversation between artists pushing each other forward. We also break down the fundamentals of various animation software tools and why teaching them has helped Chris re-familiarize himself with the art form, keeping his creative instincts sharp and reinvigorated. The episode traces how he’s organically emerged as a producer, leaning into his natural role as a connector—bringing trusted collaborators into his own projects and opening doors that have led to work on Adult Swim Shorts and even an A$AP Rocky music video. It’s a conversation about community, curiosity, and how collaboration often becomes the most powerful creative tool of all. HELICOPTER (A$AP ROCKY) BABY BRECK (w/ Tim Robinson) STREET RACE (Adult Swim's 'Off The Air') Chris's Other Work / Insta Submit Your Comedy Short | — | ||||||
| 2/17/26 | ![]() HOW TO: Low-Intervention Filmmaking (w/ Posy Dixon) | This week, we sit down with director Posy Dixon — currently deep in production on a documentary about cult musician Planningtorock — a project that’s evolved into something far more collaborative than traditional nonfiction. In a rare creative dynamic, Posy's subject is actively writing the film alongside her, shaping a kind of career-long retrospective that blurs the line between observer and participant. We talk about what happens when a documentary becomes co-authored, and how identity sits at the center of Posy’s creative practice. We also rewind to her early days at VICE — a time she describes as chaotic, formative, and creatively liberating — and unpack what it means to be thrown into the deep end with freedom to experiment. Plus, Posy shares stories from her collaboration with former 50/50 guest Luke Keeling on an Instagram campaign featuring Tyler, the Creator. The shoot was unscripted, high-pressure, and built around A-level talent — requiring a different kind of preparation that Posy navigated with clarity and grace. POSY'S WEBSITE LUCA (her prod co) CREATE ANYWAY - Tyler The Creator Instagram Campaign Planningtorock (Musician) BEULAH LOVES DANCING (Planningtorock) Submit to the 50/50 Comedy Fest | — | ||||||
| 2/10/26 | ![]() HOW TO: Channel Relentless Passion Into Your Work (w/ David Jacobson) | This week, we sit down with David Jacobson, marketing director at Cherry Lane Theatre — freshly reopened under A24 — to talk shepherding one of downtown New York’s most historic stages into its next era. David cut his teeth in sports marketing with the New York Knicks and New York Rangers (not to mention a brief, glorious stint working the second floor of the old times square NikeTown — RIP). Along the way, he adopted a simple philosophy passed down from his dad: the squeaky wheel gets the oil. Ask questions. Meet everyone. Be the “dumbest” person in the room. Remain a fan at heart. David stepped into Cherry Lane just months before its reopening, balancing the theater’s deep, rebellious history with A24’s modern indie sensibility. He says that running marketing there feels more like a startup than an institution. It’s a candid conversation about hustle, taste, and parlaying every job into meaningful relationships. In classic 50/50 fashion, it's another theatre/film mashup. Buckle your seatbelts! YOU GOT OLDER at the Cherry Lane Theatre The Cherry Lane Theatre Instagram HENRY WINKLER'S INSTAGRAM (random but relevant) - COMEDY FEST SUBMISSIONS - | — | ||||||
| 2/3/26 | ![]() HOW TO: Ideate as a Writer/Director Duo (w/ Aimee Hoffman & Elinor Howells) | This week, we sit down with 50/50 writer-director duo Aimee Hoffman and Elinor Howells about building a creative partnership that’s as honest as it is motivating. From their first days meeting at AFI to developing a shorthand that allows them to pitch wild swings and terrible ideas without judgment, they break down how trust — and taste — sharpen each other’s work. We talk about walking into every room with reps, producers, and execs armed with ideas, not just ambition, and why they’re unapologetic about aiming big: studio movies, spectacle, scale. They share the origin and on-set evolution of their acclaimed short DADDA (50/50 Horror Official Selection), including how Elinor’s presence as a writer during production fundamentally shaped the film in real time. Plus, they dive into their upcoming Florida-set feature, and why physically traveling, researching, and living inside a world is essential to writing something that feels active and alive. DADDA TRAILER Elinor's Website Aimee's Website Comedy Fest Submissions | — | ||||||
| 1/27/26 | ![]() HOW TO: Digest the Industry from a Rep's Perspective (w/ Arman Yaghmai) | This week, we’re joined by Arman Yaghmai, a coordinator at Verve, for a candid, nuts-and-bolts look at how the literary side of the industry actually works. We begin with discussing why coverage is such a crucial entry point for assistants—and how to know when you’re ready to graduate out of it. We then pull back the curtain on the inner mechanics of a lit-forward talent agency, from weekly Open Writing Assignment meetings to how information travels internally and jobs get chased. We also dive into what a signing pursuit really looks like, and why many writers land a manager long before they sign with an agent. Additionally, Arman shares what he looks for in emerging talent, what kind of pitching is most effective, and why the industry’s favorite question—“Why now?”—might be better reframed. We wrap up by defining what makes a great agent (reading, relationships, and genuine passion) and exploring how a shifting industry—and the rise of vertical content—could create new pipelines into traditional entertainment. VARIETY'S 10 ASSISTANTS TO WATCH 50/50 COMEDY FEST SUBMISSIONS | — | ||||||
| 1/20/26 | ![]() HOW TO: Disrupt the Biz with Irrational Confidence (w/ Patrick Lee) | Before Rotten Tomatoes became a cultural barometer for movies and TV, it was just a silly side project built by someone obsessed with community. In this episode, Patrick Lee traces his entrepreneurial instincts back to early adulthood — from reselling computers to launching what would become one of the most influential platforms in entertainment. He opens up about how close Rotten Tomatoes came to disappearing during the dot-com crash, the realities of downsizing, and why the era of canned tuna and instant ramen remains a badge of honor. It’s a candid look at survival, scrappiness, and building something meaningful without a safety net. We also dig into the underrated power of networking — how building out an early professional network could have easily doubled the value of Rotten Tomatoes, and how to approach networking without the usual dread. From there, Patrick lays out the two non-negotiable traits for startup success: irrational confidence and ruthless focus. We close with a conversation about his very real fear of AI (and why we should all give WALL-E a rewatch) and why real-world community and human connection may be the most valuable currency we have left. Patrick's Talk on FOCUS Patrick's Instagram VENN 50/50 COMEDY FEST SUBMISSIONS | — | ||||||
| 1/15/26 | ![]() HOW TO: Establish a Dynamic Artist/Manager Partnership (w/ Annika Rose & Alice Dabell) | This week, we’re joined by singer/songwriter Annika Rose and her manager Alice Dabell for a rare conversation about what it looks like to grow alongside your management as an artist. Their decade-long partnership is a truly remarkable example of trust, evolution, and shared vision—one that began when Alice first discovered Annika through a now-mythical music video cover of Foo Fighters’ “The Pretender” (seriously, we’ve scoured the internet… if you have it, please send asap). Annika’s early career saw her signing to the Simon Cowell / Louis Tomlinson imprint, followed by years of label deals, hard lessons, and major growth. Now, ten years later, Annika and Alice are fully independent—and happier than ever. Much of this episode unpacks what they’ve learned along the way, and just as importantly, what they’ve had to unlearn in order to build something sustainable on their own terms. From Alice’s perspective, we dig into how she approaches artist marketing in an increasingly congested digital landscape, and her push toward a more three-dimensional strategy. Both Annika and Alice agree: marketing shouldn’t be an afterthought—it should be treated as part of the art project itself. On Annika’s side, we talk candidly about personal accountability, why artists need to stop blaming external forces for stalled progress, and how intention changes everything. We also break down the marketing strategy behind Annika’s recent singles “TAKE OFF” and “I’M GOOD. I’M GREAT,” exploring how community-building, calculated rollouts, and a sense of exclusivity—particularly through print media—have fueled both the music’s success and a deeply engaged fanbase. TAKE OFF Music Video I'M GOOD. I'M GREAT Music Video Annika's Instagram | — | ||||||
| 1/6/26 | ![]() HOW TO: Develop IP as a Producer (w/ Tessa Germaine) | This week, we sit down with Tessa Germaine (21 Laps) to trace her path through the beginning steps of Hollywood — from an early break as a coordinator on The Real Housewives of Orange County to navigating survival jobs, agency life, and the winding road toward producing. Ever wonder how working at Trader Joes can actually HELP you get a job in the biz? Well, you're in the right place. We talk about the power of setting small, incremental goals, embracing fresh starts, asking questions, and learning to walk into new environments without fear. Tessa reflects on her formative years at CAA, unpacking the stark contrast between year one and year two, and why working in the book department clarified her path toward producing. The conversation widens into the world of literary IP and its role in her current work at Shawn Levy’s 21 Laps, before coming full circle with the phenomenon of Stranger Things — from OG Tessa guarding the Duffer Brothers at Chapman University to now working at the company behind the global hit. Tessa attended October's horror fest and we look forward to seeing her again at our comedy fest in May! Welcome to the 50/50 Fam, Tessa! | — | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
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