The 50/50 Podcast

This week, we sit down with writer and animator Anca Vlasan -- we start by discussing how her Romanian heritage shaped her love of storytelling, particularly her pull toward “fish out of water” narratives. She reflects on her debut short Lizard Queen, which became her calling card and helped her break into Adult Swim, where she also formed a close creative partnership with Mike Lazzo. We also get into how Anca approaches animation from a writer’s perspective, with a strong emphasis on structure, and how working on Adult Swim’s bumps became an unexpected comedy bootcamp. She talks about recently teaching herself to animate as a step toward becoming a showrunner, and why taking control of the full process has been so creatively important to her. SUBMIT TO 50/50 HORROR FESTIVAL! ANCA'S WEBSITE COSMIC ZOOM (Anca's first animated short!) KOALA MAN YOLO Best Adult Swim BUMPS!

This week, Chloë Kerwin reflects on church basements, circuses, ghost-hunting, and oh yeah... acting! Chloë grew up dreaming of Broadway, later finding herself drawn to films like True Grit and Moonrise Kingdom. After high school, she brought that curiosity to Emerson, where she collaborated with filmmakers like her cousin (previous podcast guest) Wylie Anderson, and began building the kind of reel that would eventually open doors. We get into the realities of auditioning (including Little Women with Greta Gerwig), navigating relationships with reps, and her intentional pivot toward comedy—a space she’s found both more challenging and more creatively rewarding. Chloë shares how she’s shaped her artistic voice through on-set experience on shows like MARVELOUS MRS. MAISEL, creative outlets that sustain her passion, and why patience and stability remain central to building a fulfilling career in the industry. 50/50 COMEDY TICKETS MAY 3RD! CHLOË IMDB CHLOË WEBSITE

This week, we’re joined by Allie Kahan, producer at Headgum, who carved out her own lane into entertainment by doing something deceptively simple—paying close attention. After immersing herself in podcasts about the industry, Allie found an authentic entry point that led her to Artists First, where she began building both her career and her creative voice in tandem. We talk through her transition to Headgum, including the nuanced balance of being a genuine fan of the company while stepping into a professional role. From there, the conversation expands into her work today—navigating high-profile talent, what actually goes into podcast acquisitions, and the evolving process of developing shows in-house. It’s a candid look at a modern producing career, and how staying curious can quietly open doors. HEADGUM Podcasts! SUBMIT TO 50/50 FESTIVAL! 'Making It' with Ricky Lindhome (Podcast Archive)

This week, we’re joined by John Li (Development at Amazon TV) where we dive deep into how careers in entertainment really take shape. From being the guy who’s always grabbing drinks to mastering the art of authentic networking, John shares how genuine relationships—not transactional ones—have driven his path. He reflects on landing at USC just as the industry was being flipped upside down, and why adaptability, curiosity, and getting specific about what you actually want are key to finding your footing. We also dive into why being an assistant might be one of the most fun—and valuable—jobs in Hollywood, offering unmatched exposure early on, and how to reach the point where people rely on you so much your mistakes are actually felt. John opens up about what working at an agency taught him (including the reality that everyone’s “faking it” to some extent), how his taste has evolved over time, and why he’s focused on making impactful, high-quality content that reaches the largest possible audience. JOHN LI LINKEDIN SUBMIT TO 50/50 COMEDY HERE!

This week, 50/50 Festival WINNER Ali Rosenthal traces her path towards comedic purpose; after cutting her teeth in New York City, she forged her voice as a comedy filmmaker at Stanford, where she made ICE QUEENS a self-described “fiercely feminist fantasy.” We then dive into her breakout short TEEN MARY - making the film at AFI while managing the creative risk of approaching religion from a fresh, comedic perspective—and why that very risk pushed her to make the film in the first place. From there, we move to bigger questions: why pitching yourself can sometimes be harder than pitching a project, what truly separates a comedic short film from a sketch, and why a strong director’s statement can be essential to articulating your artistic purpose, especially in comedy. We wrap by discussing the project Ali is currently taking out to town and the process of refining drafts with her manager—plus the perennial question: how do you know when a script is actually ready to pitch? TEEN MARY - Instagram ICE QUEENS (Stanford Short) Submit Your Comedy Short

This week, we sit down with Chris Rutledge, whose knowledge of animation extends far beyond his own work and into the underground, deeply influential network of visual artists shaping the medium from the edges. What stands out immediately is Chris’s ability to recognize artistic movements before they even have names, mapping out how ideas circulate through communities long before they surface in the mainstream. His perspective reframes animation not as isolated projects, but as a living conversation between artists pushing each other forward. We also break down the fundamentals of various animation software tools and why teaching them has helped Chris re-familiarize himself with the art form, keeping his creative instincts sharp and reinvigorated. The episode traces how he’s organically emerged as a producer, leaning into his natural role as a connector—bringing trusted collaborators into his own projects and opening doors that have led to work on Adult Swim Shorts and even an A$AP Rocky music video. It’s a conversation about community, curiosity, and how collaboration often becomes the most powerful creative tool of all. HELICOPTER (A$AP ROCKY) BABY BRECK (w/ Tim Robinson) STREET RACE (Adult Swim's 'Off The Air') Chris's Other Work / Insta Submit Your Comedy Short

This week, we sit down with David Jacobson, marketing director at Cherry Lane Theatre — freshly reopened under A24 — to talk shepherding one of downtown New York’s most historic stages into its next era. David cut his teeth in sports marketing with the New York Knicks and New York Rangers (not to mention a brief, glorious stint working the second floor of the old times square NikeTown — RIP). Along the way, he adopted a simple philosophy passed down from his dad: the squeaky wheel gets the oil. Ask questions. Meet everyone. Be the “dumbest” person in the room. Remain a fan at heart. David stepped into Cherry Lane just months before its reopening, balancing the theater’s deep, rebellious history with A24’s modern indie sensibility. He says that running marketing there feels more like a startup than an institution. It’s a candid conversation about hustle, taste, and parlaying every job into meaningful relationships. In classic 50/50 fashion, it's another theatre/film mashup. Buckle your seatbelts! YOU GOT OLDER at the Cherry Lane Theatre The Cherry Lane Theatre Instagram HENRY WINKLER'S INSTAGRAM (random but relevant) - COMEDY FEST SUBMISSIONS -

This week, we’re joined by Arman Yaghmai, a coordinator at Verve, for a candid, nuts-and-bolts look at how the literary side of the industry actually works. We begin with discussing why coverage is such a crucial entry point for assistants—and how to know when you’re ready to graduate out of it. We then pull back the curtain on the inner mechanics of a lit-forward talent agency, from weekly Open Writing Assignment meetings to how information travels internally and jobs get chased. We also dive into what a signing pursuit really looks like, and why many writers land a manager long before they sign with an agent. Additionally, Arman shares what he looks for in emerging talent, what kind of pitching is most effective, and why the industry’s favorite question—“Why now?”—might be better reframed. We wrap up by defining what makes a great agent (reading, relationships, and genuine passion) and exploring how a shifting industry—and the rise of vertical content—could create new pipelines into traditional entertainment. VARIETY'S 10 ASSISTANTS TO WATCH 50/50 COMEDY FEST SUBMISSIONS

This week, we’re joined by singer/songwriter Annika Rose and her manager Alice Dabell for a rare conversation about what it looks like to grow alongside your management as an artist. Their decade-long partnership is a truly remarkable example of trust, evolution, and shared vision—one that began when Alice first discovered Annika through a now-mythical music video cover of Foo Fighters’ “The Pretender” (seriously, we’ve scoured the internet… if you have it, please send asap). Annika’s early career saw her signing to the Simon Cowell / Louis Tomlinson imprint, followed by years of label deals, hard lessons, and major growth. Now, ten years later, Annika and Alice are fully independent—and happier than ever. Much of this episode unpacks what they’ve learned along the way, and just as importantly, what they’ve had to unlearn in order to build something sustainable on their own terms. From Alice’s perspective, we dig into how she approaches artist marketing in an increasingly congested digital landscape, and her push toward a more three-dimensional strategy. Both Annika and Alice agree: marketing shouldn’t be an afterthought—it should be treated as part of the art project itself. On Annika’s side, we talk candidly about personal accountability, why artists need to stop blaming external forces for stalled progress, and how intention changes everything. We also break down the marketing strategy behind Annika’s recent singles “TAKE OFF” and “I’M GOOD. I’M GREAT,” exploring how community-building, calculated rollouts, and a sense of exclusivity—particularly through print media—have fueled both the music’s success and a deeply engaged fanbase. TAKE OFF Music Video I'M GOOD. I'M GREAT Music Video Annika's Instagram

This week, we’re joined by the 2025 50/50 Horror Festival WINNER, Nishanth Ramasubramanian! Nishanth breaks down how to balance ambitious visuals with economic constraints, how to achieve real catharsis within a short film, and what it’s like co-writing deeply personal material while navigating collaboration. We also dive into the nuances of showing your work to family members (his sister’s husband said WHAT?!) and how feedback can land very differently when it’s close to home. The conversation expands into the evolving landscape of the industry — from the rise of vertical content and why directors should embrace it as a way to get reps (and leave the ego behind), to the importance of not being too precious about your work. Nishanth also shares thoughts on bridging the gap between Indian and U.S. filmmakers, and how to approach marketing your films without getting completely burnt out. NISHANTH'S LINKTREE INDIAN IN A BOX TEASER/TRAILER

This week, we hit the ground running with documentarian/filmmaker Jacob Hurwitz-Goodman. Jacob gives us an exclusive look into his current documentary project, rooted in his deep-dive research on the “Rationalists”—a community of thinkers who live at the intersection of tech and philosophy, and seem to both dread tech/AI's inevitable takeover and welcome it with open arms. Jacob walks us through what it’s been like to study them from the inside, and why their contradictions make them such compelling documentary subjects. From there, we get into why casting is one of the most underrated components of nonfiction storytelling, and how contradictory personalities and sudden left turns make documentaries so exciting to be a part of. Jacob speaks with real passion about documentary filmmaking as a poetic and ambiguous artform. In contrast, we also discuss how some worthwhile documentaries are often overshadowed by the oversaturated, formula-driven true-crime landscape. Jacob's mission: to approach the form with more curiosity, artistry, and humanity. We also unpack his lifelong love for music, how he weaves it into the DNA of his films, and how his eclectic sensibility has shaped his path into commercial work. Jacob shares how he uses the skills, instincts, and aesthetics he’s honed as an artist to stand out—and stay grounded—in a commercial industry that can easily dilute a filmmaker’s voice. SQUAREPUSHER - DETROIT PEOPLE MOVER FAR OFF SOUNDS

This week, we chat with perhaps the truest definition of a multi-hyphenate, Karen Zipor. We begin by unpacking the uniquely ego-free culture of animation and why its constant collaboration has shaped her entire filmmaking approach. Karen breaks down the big differences between animation and live action — from timing and cost to workflow — and shares the animation-born skills she now leans on while producing and directing live action. Through Karen's calling-card animated short THE WORM'S EYE VIEW OF THE BIRD, she invited a huge number of collaborators into her vision and found strength in trusting specialists who even exceeded her abilities in specific parts of the animation process. Karen talks about meeting high-level animators, why rising in animation can feel slow (hint: projects take forever), and what being a “real” producer means — from juggling multiple roles on set to navigating relationships with creative leads. Finally, Karen shares how her producorial role on Brittany Broski’s Royal Court has evolved as the show’s rapid success reshaped the scale of production and her responsibilities along with it. ZIPPED UP FILMS (KAREN'S PROD CO) FILM BROS OF GREENWICH VILLAGE (WYATT'S WEB SERIES SHE PRODUCED!)

This week, we sit down with actor/ singer Lesley Chiang for a fascinating conversation that begins in the heart of the Hong Kong entertainment scene. Lesley breaks down the unique structure of the industry she grew up in—where performers are contracted to a single production company or channel, unlike the freelance, network-hopping model in the U.S. As a third-generation entertainer, she reflects on how deeply acting runs in her blood, and the profound influence of her father, a Hong Kong acting legend whose passion for the craft continues to shape her. Lesley also revisits her public debut as one half of the brother-sister duo Benji & Lesley, unpacking the pressure that came with the public’s awareness of their family legacy, and how transitioning into indie music ultimately gave her the freedom to steer her own creative ship. Furthermore, Lesley speaks candidly about mental health and how going public with her depression reframed her relationship to artistry and vulnerability. She then takes us inside her new life in Los Angeles—why she made the move, the challenges of essentially starting from scratch, and even the questionable acting classes she found herself in along the way (are they stealing her money? We don't know!)... Through it all, Lesley shares the lessons that taught her she could never be just an actor or just a singer, but a true multi-hyphenate. Having Lesley on the podcast was quite the honor, and we're thrilled to have her in the 50/50 Fam. LESLEY'S INSTA LESLEY'S YOUTUBE LESLEY'S IMDB