The afikra Podcast

Language serves as the vital intersection of cultural identity and technological innovation, yet the rapid rise of AI reveals a significant representation gap for the nearly many million ways the Arab world communicates. Professor Nizar Habash, a computer science professor and director of the CAMEL Lab at NYU Abu Dhabi, explores the historical anxieties surrounding technological shifts, drawing a direct parallel between the 150-year delay of the Arabic printing press and contemporary concerns regarding data bias in large language models. The conversation navigates the inherent challenges of modeling a language characterized by immense dialectal variety and non-standardized orthography, shifting the focus from perceived linguistic complexity to the practical need for bespoke, regional data sets. As the field transitions from rigid, rule-based systems to sophisticated neural models capable of abstract meaning through embeddings, the dialogue underscores the urgency of building localized, open-source tools like JAIS and FAMAR to ensure the Arab world's history and diverse voices are accurately represented in the digital age.

Theatrical stages often mirror the intricate evolution of the societies that build them. Professor Carmen Gitre explores the burgeoning performance culture of Cairo between 1867 and 1930. This era witnessed a shift from street storytelling and shadow plays to formal theater houses designed for an emerging class of Western-educated intellectuals. The discussion traverses the grand spectacle of the Suez Canal’s opening to the subversive nationalist songs of performers like Mounira al-Mahdiyya. Through this historical lens, the stage appears as a critical site for negotiating modernity, colonial influence, and Egyptian identity.

The unifying youth culture across the Arab region is characterized by a proud new Arab identity and the changing standards of beauty with the rise of "Arab beauty" (A beauty), which celebrates Arab features and aesthetics. The founder of Mille World and Mille Creative, Sofia Guellaty, talks about her journey launching the first Arab youth platform in the Arab world, the role of media professionals as "editors of conversations," and the emergence of a new, proud Arab identity among both Gen Z and millennials. She discusses how she uses fashion and pop culture as a tool for "soft power" to talk about liberation, representation, and diversity, moving away from superficial content. She reflects on her early career, her shift from being fascinated by the West to "unbashedly proud to be Arab," and the challenges faced by Arab talent, including visa issues and the lack of an Arab-centric market. The conversation also delves into how her platform, Mille World, aims to address the lack of authentic Arab youth representation by giving a voice to young creatives who want to define their own stories, not be perceived through a "western gaze". Explore Mille World 👉 https://www.instagram.com/mille_world/

Discover the interconnectedness of peddling and factory work, the surprising origins of the Aloha shirt, and the key role Syrian workers played in major labor actions like the 1912 Bread and Roses strike in Lawrence, Massachusetts. Associate Professor of History at the University of California and author of "Unmentionables: Textiles, Garment Work, and the Syrian American Working Class" Dr. Stacy D. Fahrenthold discusses her work which offers a class-conscious history of the Syrian-American diaspora, a community of about half a million people in the 1910s, 1920s and 1930s. While the "peddler" is often the central figure and icon of this diaspora's economic history for over a century, Fahrenthold shifts the focus to the new immigrants who came to the U.S. and found work in the textile industries. The conversation explores the hidden role of Syrian-American garment workers, particularly young women, who produced goods like "kimonos", undergarments, stockings, and household textiles.

The discussion delves into the complex historical eras of Iraq, challenging binary understandings of its past and present. A professor at Haverford College and author of "Political Undesirables: Citizen Denaturalization and Reclamation in Iraq and Return to Ruin: Iraqi Narratives of Exile and Nostalgia", Zainab Saleh discusses how the Iraq she grew up in—during the Ba'ath Party reign and under Saddam Hussein—was a time of fear and repression, despite the earlier period of high hopes and political aspirations in the 1940s and 1950s. She explores the concept of nostalgia for the Saddam era, which exists even among those who suffered under the regime, because of the basic services that were provided. The conversation offers a nuanced timeline of modern Iraqi history, from World War I's role in creating Middle Eastern nation-states through the Ottoman and British rules, the monarchy, and the Ba'ath Party. A key focus is placed on the 1990s as a major turning point, with the 1991 bombardment and subsequent sanctions leading to the rapid deterioration of infrastructure, increased social problems like begging and corruption, and environmental collapse. We consider the argument that the Iran-Iraq War, the Gulf War, and the US invasion should be viewed as one long, continuous war. Saleh critiques the simplistic narrative that Americans brought to Iraq after 2003, arguing that it institutionalized a sectarian political system. She emphasizes that the American discourse—classifying Sunnis as loyalists and Shia or Kurds as oppressed—ignored the reality of mixed communities and complex political loyalties. Saleh explores the historical use of denaturalization in Iraq, a topic central to her latest book. She details how the British and subsequent Iraqi regimes used the pretext of "political undesirables" to strip citizens of their rights, citing examples such as Iraqi Jews in the 1950s and Iraqis of Iranian origin in the 1980s.