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Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
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Total monthly reach
Estimated from 8 chart positions in 8 markets.
By chart position
- 🇬🇧GB · News Commentary#1615K to 30K
- 🇮🇳IN · News Commentary#1241K to 10K
- 🇵🇹PT · News Commentary#2410K to 30K
- 🇹🇷TR · News Commentary#4710K to 30K
- 🇳🇿NZ · News Commentary#733K to 10K
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Est. listeners per new episode within ~30 days
9.9K to 38K🎙 Daily cadence·278 episodes·Last published yesterday - Monthly Reach
Unique listeners across all episodes (30 days)
33K to 126K🇬🇧24%🇵🇹24%🇹🇷24%+5 more - Active Followers
Loyal subscribers who consistently listen
13K to 50K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 10 epsHost
Recent guests
Recent episodes
How a niche newsletter about startups evolved into a data business
Jun 4, 2026
Unknown duration
How a weekly PDF became one of Africa's most innovative news products
Jun 2, 2026
Unknown duration
This former TV writer now produces prestige audio dramas for Audible, iHeart, and Spotify
May 21, 2026
Unknown duration
This independent magazine publisher doubled down on print
May 19, 2026
Unknown duration
Publishers are sitting on valuable audience data — many just aren't using it well
May 14, 2026
Unknown duration
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/4/26 | ![]() How a niche newsletter about startups evolved into a data business | My newsletter: https://simonowens.substack.com/ When Will Richards first started compiling news about startups, he wasn't trying to launch a media company. He was working at a family office and needed a better way to track what was happening across the Australian startup ecosystem. After realizing there wasn't a single place that aggregated all this information, he began sending out a weekly email. That side project eventually evolved into Overnight Success, a newsletter read by thousands of founders, investors, and startup operators. But Richards didn't stop at building a newsletter. He's since expanded Overnight Success into a broader business that includes sponsorships, a startup database, and an investment syndicate. In our interview, we discussed how he grew within such a narrow niche, why a small audience can still attract major sponsors, and how he's turning years of startup coverage into a valuable data product. | — | ||||||
| 6/2/26 | ![]() How a weekly PDF became one of Africa's most innovative news products | My newsletter: https://simonowens.substack.com/ When Sipho Kings and his co-founder Simon Allison launched The Continent in 2020, they wanted to rethink how journalism is distributed online. Instead of chasing search traffic and social algorithms, they created a weekly PDF newspaper designed specifically for smartphones and distributed it through platforms like WhatsApp, Signal, Telegram, and email. The idea was to bring back the simplicity of a curated newspaper while adapting it to how people actually consume information today. Six years later, The Continent reaches tens of thousands of readers across Africa and around the world. In a recent interview, Kings explained how the publication grew entirely through word of mouth, why its unusual PDF format created a deeper relationship with readers, and how it's building a sustainable media business outside the traditional web ecosystem. | — | ||||||
| 5/21/26 | ![]() This former TV writer now produces prestige audio dramas for Audible, iHeart, and Spotify | My newsletter: https://simonowens.substack.com/ For years, Hollywood writer Aaron Tracy built his career inside the traditional television system, writing for shows like Law & Order and navigating the endless cycle of pilots, canceled series, and development purgatory that defines much of the TV business. But over the last several years, Tracy has quietly carved out a very different kind of entertainment career: producing serialized audio dramas for platforms like Audible and iHeart. Along the way, he's worked with everyone from Aaron Paul to Lizzy Caplan to Glenn Powell, helping pioneer a form of storytelling that sits somewhere between television, audiobooks, and podcasting. In a recent interview, Tracy explained why audio dramas offer writers far more creative freedom than television, how he packages and sells narrative shows to platforms like Audible and iHeart, and the surprisingly lean production process behind large-scale audio series. | — | ||||||
| 5/19/26 | ![]() This independent magazine publisher doubled down on print | My newsletter: https://simonowens.substack.com/ After spending several years helping launch food and travel magazines in London, Krista Faist returned to Toronto with a simple idea: replicate the free magazine model that was thriving across the UK transit system. In 2015, she launched Twenty Two Media Group and started building two media outlets into lifestyle brands focused on food, travel, and culture. What began as a one-person operation has since grown into a media company spanning print, digital, events, and now shortform video. In a recent interview, Faist explained how she landed major advertisers before the first print issue even launched, why she still believes premium print magazines have real value in a digital-first media landscape, and how Twenty Two Media Group is expanding into vertical video and creator partnerships while keeping print at the center of the business. | — | ||||||
| 5/14/26 | ![]() Publishers are sitting on valuable audience data — many just aren't using it well | My newsletter: https://simonowens.substack.com/ James Capo has spent much of the last decade helping publishers solve one of the industry's biggest challenges: how to better understand and monetize their audiences. As CEO of Omeda, he oversees a platform that powers subscription management, email marketing, audience data, and paywall tools for many of the world's largest media companies. In a recent interview, Capo explained why he believes many publishers have made audience management far more complicated than it needs to be, how AI could soon help publishers better predict churn and improve subscriptions, and why media companies should build more niche products and verticals around loyal audiences. | — | ||||||
| 5/12/26 | ![]() This media startup is trying to reach readers exhausted by political noise | My newsletter: https://simonowens.substack.com/ Straight Arrow News was founded around a simple idea: a lot of Americans feel like they're living in completely different realities depending on where they get their news. The company grew out of conversations between founder Joe Ricketts and media executive Jonathan Harding, who come from different political viewpoints but realized they were often consuming very different versions of the same stories. Their goal was to build a digital news outlet focused on politically unbiased reporting and a clearer separation between news and opinion. Over the past year, that mission has increasingly been shaped by chief content officer Derek Mead, the former Vice editor who helped oversee that company's international expansion and also ran its US newsroom. In a recent interview, Mead explained why the company is moving away from high-volume aggregation and investing more heavily in original journalism, how it's using video and social distribution to reach audiences fatigued by partisan news, and why he believes there's still room for a new national media brand built around trust instead of outrage. | — | ||||||
| 5/7/26 | ![]() The 30-year-old PDF newsletter with a 98% market penetration rate | My newsletter: https://simonowens.substack.com/ There's a certain irony that one of the most influential publications covering Australia's telecommunications industry still arrives each morning as a daily PDF. But that format has become central to the success of Communications Day, the niche B2B outlet founded by Grahame Lynch in 1994. What began as a fax-delivered newsletter covering the early deregulation of Australia's telecom market evolved into an indispensable industry briefing read by executives, regulators, infrastructure providers, and tech companies across Australia and New Zealand. While much of digital media spent the last two decades chasing pageviews, social traffic, and algorithmic distribution, Lynch built a highly profitable subscription business by doing almost the opposite: keeping his journalism off the open web, tightly controlling distribution, and turning Communications Day into a daily habit for nearly everyone working in the sector. In a recent interview, Lynch explained why Communications Day still distributes its journalism as a PDF despite the rise of blogs and social media, how he built a subscription business with near-total market penetration in a niche B2B sector, and why conferences now account for nearly half the company's revenue. | — | ||||||
| 5/5/26 | ![]() The $100 billion problem lurking inside digital video ads | My newsletter: https://simonowens.substack.com/ The TV advertising business has changed dramatically over the past two decades. What used to be a relationship-driven industry built around upfront presentations and manual negotiations has turned into a fast-moving, highly automated digital marketplace. As ad dollars have shifted to streaming, the system has become more complex, introducing new challenges like hidden fees and widespread ad fraud. Matt Wasserlauf, the founder of Blockboard and a longtime veteran of both traditional TV and digital video, has had a front-row seat to that evolution. In a recent interview, he explained why ad fraud has ballooned into a nine-figure problem for the industry, how blockchain-based verification aims to ensure ads are actually reaching real humans, and why he believes as much as 90% of ad spend is lost to fraud and intermediary fees combined. | — | ||||||
| 4/30/26 | ![]() This product review blog pivoted to video to protect itself from AI✨ | product reviewsaffiliate marketing+3 | Andrew Palermo | Prudent ReviewsGoogle | — | product reviewsaffiliate marketing+5 | — | 58m 06s | |
| 4/28/26 | ![]() Can media companies ever claw back advertising revenue from big tech?✨ | advertising revenuebig tech+4 | Rick Erwin | AdstraGoogle+1 | — | advertisingbig tech+5 | — | 57m 05s | |
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 4/21/26 | ![]() How a niche YouTube channel became a multi-platform travel business✨ | travel mediaYouTube+4 | Jessica Dante | Dante MediaSimon Owens | London | travel businessYouTube channel+3 | — | 58m 06s | |
| 4/16/26 | ![]() This company is rewiring the economics of TV advertising✨ | TV advertisingdigital marketing+3 | Philip Inghelbrecht | Tatari | — | TV advertisingTatari+3 | — | 44m 45s | |
| 4/14/26 | ![]() How a yoga teacher turned bedtime stories into a media empire✨ | sleep podcastsmedia empire+4 | Kathryn Nicolai | Nothing Much Happens | — | sleep podcastsbedtime stories+5 | — | 41m 11s | |
| 4/7/26 | ![]() How Axios Local is leveraging AI to expand into smaller cities✨ | local journalismAI in media+3 | Holly Moore | Axios LocalCharlotte Agenda+1 | Charlotte | Axios LocalAI+5 | — | 49m 08s | |
| 3/31/26 | ![]() How a professional voice actor built a hit indie game studio✨ | voice actingindie game development+3 | Robbie Daymond | Sassy Chap GamesSimon Owens | — | voice actorindie games+3 | — | 54m 59s | |
| 3/12/26 | ![]() From MrBeast to microdramas: Scott Brown's bet on phone-native storytelling✨ | phone-native storytellingmicrodramas+4 | Scott Brown | MrBeastLarry King+5 | — | microdramasScott Brown+5 | — | 1h 03m 16s | |
| 3/10/26 | ![]() Inside the YouTube strategy that turned Starter Story into a $2M+ media brand✨ | YouTube strategymedia brand+3 | Pat Walls | Starter StoryHubSpot Media | — | Starter StoryPat Walls+5 | — | 52m 40s | |
| 3/5/26 | ![]() The playbook behind one of the fastest-growing social-first newsrooms✨ | social media journalismplatform-first newsrooms+3 | Rebecca Hutson | The News MovementTikTok+2 | — | social-first newsroomjournalism+5 | — | 45m 55s | |
| 3/3/26 | ![]() The accidental ad tech founder: Eric Hochberger's 20-Year bet on the open web | My newsletter: https://simonowens.substack.com/ In 2004, Eric Hochberger co-founded Mediavine, which would eventually become one of the most influential ad management companies on the open web. The company didn't start as an ad tech firm — it began as a scrappy collection of SEO-fueled fan sites, built by three founders chasing traffic in the early blogosphere. While selling $50 sidebar ads and offering SEO consulting services, Eric and his partners learned firsthand how fragile and inconsistent early digital advertising could be. That experience ultimately pushed Mediavine to build its own header bidding system in 2014, a move that quadrupled the company's ad revenue and transformed it from a publisher into an ad management platform. Today, Mediavine represents roughly 17,000 publishers and operates with a 140-person team, primarily serving independent creators rather than legacy media brands. In a recent interview, Eric pulled back the curtain on how programmatic advertising actually works, why "made-for-advertising" sites are siphoning off industry dollars, and how Google's AI Overviews are reshaping traffic patterns — sometimes wiping out entire businesses overnight. | — | ||||||
| 2/26/26 | ![]() From Hedge Fund Analyst to Independent Publisher: How Asian Century Stocks Built a Six-Figure Research Business | My newsletter: https://simonowens.substack.com/ Michael Fritzell doesn't fit the typical profile of a newsletter writer. Before launching Asian Century Stocks, he spent 15 years inside the machinery of global finance — working in investment banking and eventually managing money for a wealthy family in Singapore. A Swedish native who studied Chinese at Peking University, Michael built a career analyzing overlooked equities across China and Southeast Asia. When he struck out on his own to launch the Asian Century Stocks newsletter in 2021, he wasn't experimenting with a side hustle — he was walking away from a traditional finance track to build a niche media business focused on Asian stocks that most Western investors ignore Launched on Substack and now operating independently, Asian Century Stocks sells in-depth, 40- to 60-page research reports to paying subscribers, many of whom are professional investors accustomed to paying banks tens of thousands of dollars a year for comparable research. Michael positioned himself as a bridge between local Asian markets and global capital — offering deeply reported, independent analysis without the conflicts that often accompany sell-side research. In an interview, he explained how he went from anonymous finance professional to six-figure recurring revenue newsletter operator, why he ultimately left Substack for Ghost, and what it takes to monetize serious financial research in a tightly regulated industry. | — | ||||||
| 2/25/26 | ![]() How a former hedge fund analyst built a six-figure newsletter covering Asia's overlooked stocks | My newsletter: https://simonowens.substack.com/ Michael Fritzell doesn't fit the typical profile of a newsletter writer. Before launching Asian Century Stocks, he spent 15 years inside the machinery of global finance — working in investment banking, buy-side firms, and eventually managing money for a wealthy family in Singapore. A Swedish native who studied Chinese at Peking University, Michael built a career analyzing overlooked equities across China and Southeast Asia. When he struck out on his own to launch the Asian Century Stocks newsletter in 2021, he wasn't experimenting with a side hustle — he was walking away from a traditional finance track to build a niche media business focused on Asian stocks that most Western investors ignore Launched on Substack and now operating independently, Asian Century Stocks sells in-depth, 40- to 60-page research reports to paying subscribers, many of whom are professional investors accustomed to paying banks tens of thousands of dollars a year for comparable research. Michael positioned himself as a bridge between local Asian markets and global capital — offering deeply reported, independent analysis without the conflicts that often accompany sell-side research. In an interview, he explained how he went from anonymous finance professional to six-figure recurring revenue newsletter operator, why he ultimately left Substack for Ghost, and what it takes to monetize serious financial research in a tightly regulated industry. | — | ||||||
| 2/18/26 | ![]() He Shut Down Time's Moscow Bureau. Then He Built His Own Magazine | My newsletter: https://simonowens.substack.com/ In 2011, as the golden era of glossy newsweeklies was fading, former Time correspondent Nathan Thornburgh made a bet that serious journalism didn't have to look the way it always had. Alongside food writer Matt Goulding, he launched Roads & Kingdoms as a scrappy Tumblr experiment, using food as a gateway into geopolitics, history, and culture Over the next decade, Roads & Kingdoms evolved from a bootstrapped digital publication into a creative hub for Anthony Bourdain—who invested in the company and used it as a base for ambitious editorial and branded projects. After Bourdain's death in 2018, the outlet was forced to reinvent itself. Nathan and Matt shrank the operation and rebuilt it around high-end culinary travel experiences. Now, they're relaunching the media arm with a membership-driven model and an annual print magazine In a recent interview, Nathan reflected on the collapse of legacy media, the perils and possibilities of brand-funded journalism, and why he believes independent, reader-supported publishing offers a more durable path forward. | — | ||||||
| 2/16/26 | ![]() How a small journalism nonprofit is holding the largest pharma companies to account | My newsletter: https://simonowens.substack.com/ For decades, Diane Salvatore helped lead some of America's most recognizable magazine brands, including Consumer Reports, where rigorous product testing and consumer safety were core to the mission. Now, as executive director of the MedShadow Foundation, she's applying that same watchdog mentality to one of the most opaque corners of the marketplace: prescription and over-the-counter drugs. In a recent interview, Diane walked through how MedShadow operates as a nonprofit investigative newsroom, its expansion into social media video, and its plan to build a donor-supported model that funds independent health journalism. | — | ||||||
| 2/13/26 | ![]() Should the media be afraid of Google Zero? | My newsletter: https://simonowens.substack.com/ For today's episode I spoke to Jim Louderback, the writer behind a newsletter called Inside the Creator Economy Jim is a longtime media veteran who started out in magazine publishing and then eventually made his way over to the Creator Economy. He spent several years running Vidcon, the annual event where the world's biggest YouTubers connect with their fans, and he now helps organize creator economy events all over the world, including the 1 Billion Followers summit in Dubai. In our discussion, we covered a wide range of media topics. We discussed whether media companies were overreacting from the threat of Google Zero, why athletes are the new super creators, and how YouTube will slowly devour Hollywood. | — | ||||||
| 2/9/26 | ![]() A couple teenagers launched a media company that now drives 240 billion annual views | My newsletter: https://simonowens.substack.com/ Kit Chilvers started posting memes on Instagram when he was 14, treating the platform like a video game and obsessing over what made posts take off. A decade later, that experimentation has turned into Pubity Group, a bootstrapped social media company with roughly 170 million followers and hundreds of billions of annual views. In a recent interview, Kit broke down how he cracked early Instagram growth, why wholesomeness turned out to be a massive business opportunity, and how he's trying to turn platform-native virality into durable media brands, original franchises, and real revenue. | — | ||||||
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Chart Positions
8 placements across 8 markets.
Chart Positions
8 placements across 8 markets.
