The Jewish Angle

In May, The CJN's opinion editor, Phoebe Maltz Bovy, published her latest book, The Last Straight Woman. One of the most incisive reviews (from a Jewish writer, no less) was Virginia Karnstein, a PhD candidate whose research crosses feminism, antisemitism and vampires—and, sometimes, the middle of that unique Venn diagram. The Last Straight Woman does not focus on vampires, but it does look at the evolution of feminism and its intersection with sexual orientation and gender identity. So we invited Karnstein onto The Jewish Angle podcast to discuss Maltz Bovy's book, the history of second- and third-wave feminism, separatism, MeToo, tradwives, femcels, the changing cultural status of heterosexual women... and a little bit of vampirism. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle

As the Western world grows more hostile to Jewish life—as exemplified by rising attacks on synagogues and Jewish schools, bullying and boycotts—one would think this strengthens the case for Israel's right to exist as a safe homeland for Jews. But Israel's existence, many anti-Zionists argue, is the very reason for so much antisemitism right now. On the flip side, several of those same anti-Zionists wish for Israel to disappear. But then where would the Israeli diaspora go? To the Western world—where they would open up Israeli stores that one can imagine being continued targets of protests and graffiti. These paradoxes have no easy answer. But for writer Josh Yunis, they raise the question of what it means to centre—or deliberately decentre—Israel in contemporary Jewish life. As he writes in a recent article, "On Collective Jewish Guilt", debates over Zionism, diaspora identity, and progressive politics are intensifying while many Jews feel increasingly alienated from leftist movements that once promised solidarity. Yunis joins Phoebe Maltz Bovy on the latest episode of The Jewish Angle to explain more. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle

In the 1970s, in the wake of an emerging second-wave feminism, women's magazines were expanding rapidly with a unique style. Their focus, however, tended to exclude minorities. Jewish women were seen as privileged "others", not facing the same constraints as their gentile peers. That's why the Winnipeg-born Susan Weidman Schneider founded Lilith, a Jewish feminist magazine, out of New York City in 1976. Lilith was radical in many ways, tackling taboo subjects like abortion and gay rights from a female Jewish perspective. Now celebrating its 50th anniversary, Lilith has persevered as a community of literary, engaged and often mature Jewish women, hosting salons and creating a space for Jewish women to express themselves freely. To reflect on its impact, Weidman Schneider joins Phoebe Maltz Bovy on this week's episode of The Jewish Angle. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle

Earlier this month, the New York Magazine cultural spinoff Vulture published an article by Andrew Ridker, "A New Jewish Plotline", asking whether Jewish writers should tackle different stories after what happened in Gaza—stop portraying themselves as victims, and address the fact that Jews are broadly affluent and powerful. But Phoebe Maltz Bovy questions the logic of this article, as it conflates broad critiques of American Jewry with literature. To help unpack what it means to write Jewishly in a publishing world that often feels hostile to Jews, we're joined by Chaya Lauer, who brings a reader’s perspective to the debate and maps a lineage from Philip Roth to contemporary voices to show how Jewish literature is plural, not prescriptive. She pushes back on the idea that Jewish writers must answer for actions done “in their name,” calling out the dangerous stereotype of collective culpability. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: " Gypsy Waltz " by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle

In the wake of Charlie Kirk's assassination, other right-wing commentators are pushing their way into a more mainstream spotlight. To that end, Tucker Carlson recently hosted Nick Fuentes, a Christian nationalist and Holocaust denier, consequently enraging American Republicans who felt that his sort of extremist voice should be kept outside of the party's public dialogue. But Carlson platformed Fuentes anyway, under the presense of Fuentes being a right-wing thinker who dares to go against the establishment and criticize Israel. Writer Emily Tamkin believes that the two sides of the party have come at odds over Jews, Israel and antisemitism. One side, she argues, comfortably claims to fight against antisemitism—even while using antisemitic dog whistles—while the other side has simply taken the mask off entirely. That's an argument she makes in a [new column](https://forward.com/opinion/782002/nick-fuentes-tucker-carlson-heritage-foundation-antisemitism/) in Forward, "The fundamental miscalculation behind the GOP’s antisemitism crisis"—and also to Phoebe Maltz Bovy on this week's episode of The Jewish Angle. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle

NOTE: Due to a technical error from our host server, this episode of The Jewish Angle did not release as scheduled in RSS feeds on Oct. 23. We are publishing it today instead. We apologize for anyone sincerely irritated by missing their weekly dose of Phoebe Maltz Bovy's opinion—but, hey, at least you get two this week. The U.S. government has, in recent weeks, began cracking down on controversial speech within its borders—especially for non-citizens speaking out against Israel. It's a surprising turn of events for a country whose right to free speech has been codified into the First Amendment, putting into question whether the U.S. has fallen behind the rest of the Western world when it comes to speech protection. But according to David Polansky, a political theorist and senior fellow with the Institute for Peace & Diplomacy, countries like Canada and the United Kingdom are still far more restrictive with their speech laws, cracking down on in-person and online hateful comments with legal force. Yet the 2020s are still being marked by what Polansky has dubbed the "woke right", whereby American right-wing activists and politicians are dictating what is permissible public speech, much like the "woke left" did years ago. And at the centre of this debate are Jews, Israel and Palestine. Polansky explains more on this week's episode of The Jewish Angle. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle

The latest novel by British author Emma Forrest, Father Figure, is arguably the greatest work of Jewish literature in decades—at least, that's according to The CJN's opinion editor, Phoebe Maltz Bovy, who gave a glowing review to the new release on Sept. 29. But across the pond, the book has received a muted reaction. It hasn't been spotlit in any British book fairs; it's been largely ignored by domestic literary awards; professional friends who've helped promote, and even written forwards for, her past works have largely ignored this one. What makes this latest book different? It is unmistakably, idiosyncratically Jewish. Combine that with the growing antisemitism that's erupted in the United Kingdom since Oct. 7—which culminated in a lethal terror attack in Manchester on Yom Kippur—and it's hard for Forrest not to think her apolitical work of fiction has suffered from her personal cultural identity and a broader political climate. Forrest joins Maltz Bovy on the latest episode of The Jewish Angle to discuss her novel, along with its deep inception and quiet reception. Forrest describes the real-life inspirations behind her boarding school setting, including her own encounters with Harvey Weinstein how they influenced her characters, before discussing the recent tragedy in Manchester and how her country's small Jewish community is reacting. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle

You may have new year's resolutions. But do you have Jewish new year's resolutions? Erin Beser, a Jewish educator and rebbetzin, does one each year with her family—sometimes just for the year, sometimes forever. First they gave up meat. Then they gave up screens. This year? Shopping—no more impulse buys, extra clothes or excessive gifts. In 5786, they're only buying what they need. Beser drew attention to this cause by outlining her plan in a recent JTA article, in which she outlined the steps, logic and limits of paring down her family purchases. ("I’m not canceling Hanukkah," she writes, "because I am not a monster.") She hopes to guide her family toward community connection, self-reflection and appreciation for what one has, while learning about the role of Jewish women in the evolution of 20th-century capitalism. She joins Phoebe Maltz Bovy on The Jewish Angle to explain more. Credits Host: Phoebe Maltz Bovy Producer and editor: Michael Fraiman Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective Support our show Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to The Jewish Angle