The Minefield

Over the last twelve months, there have been two conspicuous trends in federal politics. One is the precipitous decline in electoral support for the Liberal Party, which began before last year’s federal election and has continued apace ever since. The other is the rise in One Nation’s electoral fortunes, which began to tick upwards in September but then took a leap in December and January.Both trends converged, rather spectacularly, in the latest Resolve Political Monitor, conducted for the Nine newspapers. Not only had the Coalition’s primary vote drop to 20 per cent (an all-time low), but One Nation’s primary vote shot up to 29 per cent (passing Labor on 28 per cent). Moreover, Pauline Hanson emerged as preferred prime minister with a third of respondents, while Anthony Albanese was selected by 29 per cent — opposition leader Angus Taylor took only 16 per cent of nominations.This poll comes little more than a month after One Nation won the Farrer by-election in rural New South Wales, with a commanding 40 per cent of the primary vote, thereby gaining its first lower house seat in federal parliament. And it came days before Pauline Hanson’s first address to the National Press Club in Canberra, three decades after she entered parliament.Almost exactly forty years ago, then opposition leader John Howard famously said “the times will suit me”. The same could now be said for Pauline Hanson. For three decades she has been a fixture of federal politics. The major parties have variously denounced and attempted to accommodate her views on immigration, multiculturalism and Indigenous policy, among other things. But while the political landscape around her has changed, she has not. If anything, due to the excesses of political rhetoric and perverse incentives of a social-media saturated informational ecosystem, the electorate has grown inured to what once would have been scandalous, perhaps even disqualifying. In an age of Trump, Hanson comes across to many voters as simply “plain spoken”, as the “voice of reason”.The question, however, is whether One Nation’s electoral support is, in fact, an affirmation of the party, its policies (such as they are) and its leader, or merely a kind of aggregated discontent with the major political parties? Is One Nation the temporary beneficiary of voter anxiety and anger — with polling and by-elections here functioning as a means of political communication — or does this point to a more profound disintegration of two-party politics? Does One Nation’s current rise reflect what Pierre Rosanvallon described as the three-fold simplification at the heart of populism’s more general appeal (the simplicity of the ‘natural’ social bond over against the difficulties of multiculturalism; the simplification of the cause of current social problems; the simplification of the political remedy, over against the complexities of deliberation) at a time of dizzying complexity?Either way, Pauline Hanson’s ability to both appeal to and harness electoral discontent in times that are characterised by “a near-constant sense of crisis, spanning the economic, social and political”, presents a challenge to the exercise of responsible political leadership — particularly that of someone like Anthony Albanese, whose moderation and commitment to a kind of gradualist centrism rarely touches the political passions that animate our current moment.Then again, in the UK and Europe, far-right parties have tended to poll well between elections and have even enjoyed a degree of success in European parliamentary elections and by-elections, only to see their support fall away come the general election. Is something similar happening in Australia?Guest: Paul Strangio is Emeritus Professor of Politics at Monash University and the author, most recently, of The Alchemy of Leadership: Seven Australian Prime Ministers in a Turbulent Twenty-first Century.

It could be said that human beings reveal who they most truly are as they approach the end. For the end of one’s life is not simply its terminus ad quem; it is also its telos, its goal or meaning. A life that has been lived in the thrall of egotism, whose fundamental pursuit has been the safeguarding and satisfaction of the self, will almost certainly, at the end, turn inward upon itself and find itself grasping, desperately, at something like immortality — as the indefinite prolonging of the self. It would not be surprising for such a life to be shrunken, fearful, petty, suspicious, diminished at the end, rather than open-handed, open-hearted, at peace.Consider the example of Shakespeare’s King Lear, who craves flattery and reassuring falsehoods, who obsesses over small offenses and slights to his ego, who remains unconcerned with truthfulness and unnourished by the love of his youngest daughter.On the other hand, a life that is lived meaningfully — which is to say, a life that serves a purpose beyond itself — is able to approach the end without fear, not only because a certain humility has become a habit of life, but because the prospect of the end brings what is most important into sharper focus. This is perhaps what Socrates had in mind when he said that “the one aim of those who practice philosophy in the proper manner is to practice for dying and death” (Phaedo, 64a).Here we could think of Martin Luther King, Jr’s final sermon at Mason Temple in Memphis, Tennessee, on 3 April 1968, during which he reflects on threats made to his life. “Like anybody, I would like to live a long life”, he admits. “Longevity has its place.” Then he immediately says, “But I’m not concerned about that now. I just want to do God’ will … And I’m happy, tonight. I’m not worried about anything. I’m not fearing any man.” Or consider the philosopher Stanley Cavell, writing tenderly in his memoir that, “anticipating the ending of my life, I am becoming freer than ever of the desire to persuade”. Or Toni Morrison, after surveying modern literature’s fascination with evil (“Evil has vivid speech; Goodness bites its tongue”), affirms “these last forty years, I have become more and more invested in making sure acts of goodness (however casual or deliberate or misapplied or … blessed) produce language”.Only lives spent renouncing egotism, and pursuing what matters most, could speak such words.So occasionally over the coming months, we’re going to spend some time in the presence of those who are approaching the end, listening to what they have to say. It may not be the end of their lives, but their lives will, in each instance, be approaching a pivotal moment for which their habits of life, their daily devotion to a cause bigger than themselves, will have prepared them.Perhaps the most historically consequential of these moments has just been observed by millions of Muslims around the world. In February 632 CE, twenty-three years after receiving his first revelation in a cave near Mecca, the Prophet Muhammad would lead tens of thousands of his followers back to the city of his birth with the intent of guiding them through the full ritual of the hajj. It was to be his final pilgrimage.Over the course of several days, Muhammad led them in the seven processions around the Ka‘aba — the simple square structure believed to have been constructed by Adam, and then rebuilt by Ibrahim/Abraham, the first monotheist, and finally by Muhammad himself — followed by the journey back-and-forth seven times between the nearby hills of Safa and Marwa, thus re-enacting the frantic search of Hagar, wife of Ibrahim, for water for their dying child Ismail. The Prophet then led them to the plain next to the rocky hill of Arafat and addressed those gathered. His message has all the marks of finality about it. Here is part of what the Prophet said (the translation comes from Yahiya Emerick):“O People, listen to my words, because I don’t know if I will ever be with you here again after this year. Therefore, listen to what I’m saying carefully and take these words to those who could not be here today.O People, your lives, property, and honour are sacred for you until you appear before your Lord, just as you consider this month, this day, and this city sacred. Return the things that are entrusted to you to their rightful owners. You will meet your Lord, and He will hold you answerable for your actions.Know that every Muslim is a brother to every other Muslim and that Muslims are one brotherhood. Nothing is allowed for a Muslim if it belongs to another unless it was given freely and willingly, so do not oppress each other.All practices of idolatry and ignorance are now under my feet. Every right of revenge coming from unjust murder in pre-Islamic times is rescinded …Charging interest is forbidden; therefore, all interest obligations are also cancelled. Your original money is yours to keep. Do no wrong and you will not be wronged.O People, be aware of God concerning women. Indeed, you’ve taken them on the security of God and made them lawful to you with God’s words. Indeed, it is true you have certain rights with your women, but they also have rights over you. It is their duty to honour their intimate obligations and not to do improper actions. If they do, then you will have the right to reprimand them, though not harshly. If they respect your rights, then to them belongs the right to be fed and clothed in kindness. Treat your women well and be kind to them for they are your partners and committed helpers. It is also your right that they not make friends with anyone you don’t approve of and never be unfaithful.Beware of Satan for the safety of your way of life. He has lost all hope in leading you astray in this land, but he will be happy if you follow him in small things. Therefore, abstain from obedience to Satan. Indeed, I’m leaving behind me two things, the Book of God and my example, and if you follow these two you will never go astray …O People, listen to me closely. Serve God, say your five daily prayers, fast during the month of Ramadan, and give of your wealth in charity. Perform the hajj if you can afford it and obey whatever I command you, for that is the only way you will get into Paradise.O People, indeed your Lord is One and your ancestor is one. All of you belong to the line of Adam, and Adam was created from dust. An Arab is not better than a non-Arab nor is a white better than a black or a black better than a white except in piety. The noblest among you all is the one who is the most pious.O People, no prophet will come after me, and no new way of life will be born. Reason well and absorb the words that I am telling you. All those who listen to me shall pass on my words to others and those to others again; and may the last ones understand my words better than the first.Be my witness, O God, that I have conveyed Your Message to Your people.”Accounts have it that, when he finished, Muhammad prayed, “My Lord, have I delivered the message?” His followers replied, “Yes, you have.” In June of that same year, he died.What is immediately apparent about this sermon, quite apart from the substance of its message, is the way the Prophet conveys:the novelty, the sheer newness, of the revelation with which he had been entrusted — such that what came before is consigned to an age of idolatry “ignorance” (Jāhiliyyah);the importance of these words, of this “way of life”, being taken to heart, put into practice and passed on faithfully to those not present on the plain of Arafat — such that “the last ones understand my words better than the first”;the absence of ego, the humility to question whether he himself had discharged his sacred vocation faithfully: “My Lord, have I delivered the message?”Within the Islamic tradition, the example of the life and conduct of the Prophet Muhammad are morally normative, not merely descriptive. So what can we learn about what it means to “approach the end” from the example of his farewell sermon?Guest: Mahsheed Ansari is the Higher Degrees Research Coordinator and Senior Lecturer in Islamic Studies at the Centre for Islamic Studies and Civilisation at Charles Sturt University.For additional reading, Dr Ansari recommends:Martin Lings, Muhammad: His Life Based on the Earliest Sources.Fethullah Gülen, Prophet Muhammad: The Infinite Light.Yahiya Emerick, Critical Lives: Muhammad.

There are four stories that could justifiably be described as foundational to Western culture: the temptation of Eve in the Garden of Eden; Prometheus’s gift of fire to humanity; Doctor Faustus’s pact with the devil; and Victor Frankenstein’s act of monstrous creation.Not only are the principal names immediately evocative to anyone who hears them, but that recognisability allows for nearly endless variations on their original themes. This is, in part, what gives these stories their staying power.But these stories could themselves be said to represent four variations on a still older theme: the longing for some forbidden knowledge, to transgress a proscribed limit — or as WH Auden would put it, the desire to “know too much”. In each instance, rightly or wrongly, the pursuit itself brings a severe punishment, even catastrophe. This is what gives each of these foundational stories an element of tragedy, of pathos. About whom could it not be said that, even though we know the danger of going too far, we want to do it anyway?And yet it is at this point that an important difference emerges between Faustus and the other three stories. Eating from the Tree of the Knowledge of Good and Evil, granting fire to humankind and giving life to a “creature” of one’s own making all point a certain ambition, a restlessness, an unwillingness to remain in a perceived state of underdevelopment or adolescence. The consequences of that restlessness may still be both foreseeable and severe, and so suggest a lack of wisdom or trust or prudence — but that doesn’t mean the acts themselves are either base or self-seeking.The same cannot quite be said of Christopher Marlowe’s depiction of Doctor John Faustus at the end of the sixteenth century. It is true that, at the outset, explicit reference is made to the flight of Icarus from Ovid’s Metamorphoses, who fastened wings to his back with wax, but which melted when he ventured too close to the sun. Speaking of Faustus: “His waxen wings did mount above his reach, / And, melting, heavens conspir’d his overthrow; / For, falling to a devilish exercise, / And glutted now with learning’s golden gifts, / He surfeits upon cursed necromancy …”But even here, the point is not that Faustus went further than he should in his chosen disciplines, but rather that he abandoned them in favour of sorcery. And what Faustus seeks from the outset is not so much forbidden knowledge as it is wealth and renown — his own version of Lucifer’s sin of “aspiring pride and insolence” — and his attraction to necromancy’s “words of art” are mere means to that end.In other words, the reference to Icarus places the emphasis not on the ambition of Faustus’s heaven-ward reach but on the precipitous nature of his subsequent fall. Indeed, the trajectory of Marlowe’s play could be said one of perpetual descent: from the heights of academia to the utter solitude of his plunge into hell.In Marlowe’s play, it is not Lucifer who is the tempter, but Faustus who actively seeks out the means of his own “voluptuousness” — on the belief that the cost (“his soul”) can either be indefinitely deferred or that the bill will never come due (“Come, I think hell’s a fable”, Faustus says; to which Mephistopheles replies, “Ay, think to still, till experience change thy mind”).The lesson of the tragedy of Doctor Faustus probably remains the ridiculousness of the exchange of long-term beatitude for short-term prosperity and pleasure. The bill always comes due. But what Marlowe also reminds us is that the punishment is already present in the solipsism, the self-enclosure of the lives heedlessly devoted to pleasure. As Mephistopheles puts it, “for where we are is hell”.Guest: Kate Flaherty is the Head of English and Senior Lecturer in English and Drama at the Australian National University.

One of the by-products of digital technology’s pervasiveness in our lives is its seeming irresistibility. However much we try to remain conscientious objectors, to resist its allure, its promises of convenience and casual pleasures, to keep some part of our inner lives free of its influence, we soon discover that it is of the essence of new technological forms to exceed their boundaries, to seep out into the wider culture — into our language, our rhythms and habits, our expectations, our ways of seeing and interacting with the world.Such that, before long, we find we’ve become like the technologies we created. It’s like the Turing Test, but in reverse. And once that happens, precisely because there’s no longer any “outside”, it can become very difficult to think clearly about what is, in effect, our habitus. This is how technology ushers us into a condition of unthinkingness. Perhaps we could call it habituation.Digital technology’s irresistibility and sheer scale can make our efforts at thinking seem tiny, irrelevant, insignificant. Perhaps the best we can do is occasionally pause, and try to make sense of underlying rules that govern online experience — perhaps we could call it “the grammar of online life”: the rules of the game, as it were, that you must obey if you want to go viral.Over the last ten years, one of the most popular forms of online content is the reaction video — a kind of split-screen experience in which viewers watch both a piece of content (the livestream of a game, a movie trailer, a music video, another YouTube clip and so on) and another person’s reaction to that content. There is something about the desire to see the facial responses of other people, their seemingly spontaneous responses to what they see and hear, that is inseparable from the viewers’ enjoyment of the content itself. It is similar to the experience of hearing audience laughter during a sitcom, and before that “canned laughter”.Emotion here is the currency. But the point isn’t that the emotion is felt — rather, that it is conveyed. It is communicated. It is as if the emotion is the content.But even if we were to regard all social conventions as performances, as various ways of paying homage to the rules that govern social interactions, this commodification of emotions — which is to say, turning reactions into content — invites such a degree of performance, of exaggeration, that would be impossible to sustain the kind of un-self-consciousness that is essential to authenticity.To put this another way: the online emotion economy encourages participants — whether on reaction videos or video podcasts — not to be themselves but to act themselves; not to listen to what’s being said, but simply to react to it. What is this doing to our capacity to cultivate moral responsiveness?Guest: Nicholas Carah is the Director of Centre for Digital Cultures and Societies and Professor in the School of Communication and Arts at the University of Queensland.Nicholas makes reference to Rose Horowitch’s article in The Atlantic: “The Elite College Students Who Can’t Read Books” (1 October 2024).

There has long been a gap between the emergence of new forms of technology and the development of laws designed to mitigate their dangers. But with the rapid advances in artificial intelligence and immersive technologies, that gap is becoming increasingly problematic.Take the example of wearable technology, such as smart glasses. Companies like Meta, in particular, have poured vast amounts of money into the development and commercialisation of augmented reality (XR) headsets. This would seem to represent the natural extension of the decades-long ambition to commodify and capture the attention of users — combined now with seamless search, audio, call, image/video and geolocation functions.But quite apart from their troubling military and law enforcement applications, there are a range of ethical problems presented by the widespread adoption of smart glasses.For example, on the side of the wearer/user, the interposition of technology directly into one’s field of vision — thereby making the technology the immediate object of one’s gaze — corrupts the ethical concept of attentiveness and further erodes our capacity to be morally present to others in a technologically unmediated way.Smart glasses also erode the concept of a shared reality by imposing prompts from interested parties and advertisers directly into users’ field of vision. And speaking of interested parties, don’t these forms of wearable technology represent new means of acquiring vast amounts of data for advertisers and the training of large language models?What about those who are being observed by wearers of smart glasses? We are assured that safety measures are in place to indicate to non-consenting parties that they are being recorded. But even if those safeguards are trustworthy, the mere possibility of misuse imposes a degree of suspicion between persons that cannot help but be corrosive. And this doesn’t approach the opportunities for abuse that are presented by the technology itself — not least due to embedded facial recognition technology.Then there is the wider issue of the prospect of the inescapability of technology itself, even for those who attempt to opt out or evade the datafication of their lives by tech platforms. It is clear that legislation needs to catch up in order to encompass the vast new possibilities for harm presented by wearable technologies with AI integration. But are we prepared for what that same technology might do to our moral conceptions and habits?Guest: Milica Stilinovic is a Post-Doctoral Research Associate at the University of Sydney, where she is working on the ARC-funded project “Governing Immersive Technologies”. You can read her analysis of the social harms of smart glasses on ABC Religion and Ethics.—The Minefield — Live at the Sydney Writers’ Festival24 May 2026“The Return of Nationalism and the End of Democracy”With each new election, geopolitical deal and technological advancement, it seems like the ideals of democracy are slipping away. In this special live recording of ABC Radio National’s The Minefield, hosts Waleed Aly and Scott Stephens discuss the state of democracy today with Canadian podcaster and political scientist David Moscrop.When: Sunday, 24 May 2026, 4-5pmWhere: Carriageworks, 245 Wilson Street, Eveleigh, NSW, 2015To get tickets: https://www.swf.org.au/program/festival-2026/abc-the-minefield-live—UPCOMING EPISODE: CHRISTOPHER MARLOWE’S “DOCTOR FAUSTUS”Expressions like “deal with the devil”, “selling one’s soul” and “Faustian bargain” are woven through our language. And popular culture is filled with variations on the unsavoury theme of attaining wealth, fame and pleasure by permanently corrupting one’s soul.In the third week of May, Waleed and Scott will be turning their attention to the source of these tropes: Christopher Marlowe’s play “Doctor Faustus”. It was first performed in 1592, just a year before Marlowe’s own untimely death.It is neither a long nor an overly complicated play, but it is powerful and ethically rich. We will be discussing the so-called “A-Text” of Marlowe’s play, revised in 1604. We hope you’ll join us in reading the play beforehand.

There is a thread that’s been left dangling from our show at the end of last year on Ambrogio Lorenzetti’s fourteenth century “Allegory of Good and Bad Government”, painted on the walls of the Sala dei Nova in Siena’s Palazzo Pubblico.The dominant figure of Justice sits on the left side of the central mural. She has her thumbs on two scales to hold them in balance, with angels on either side meeting out punishment and just recompense. Directly below her sits the figure of Concord (Concordia), a carpenter’s plane across her lap, as she weaves together the judgements into a red-and-white braided rope. This rope then passes from her hand to the hand of the first of 24 citizens who stand along the base of the mural.The rope finally becomes the staff held by the figure of “the Good Commune” — or, perhaps, “the Common Good”. It is as though the Common Good is constituted by concord among citizens, from which citizens in turn hope to receive what is necessary for their shared life.From Roman philosophers like Cicero down to the artists of the Italian Renaissance, there has been an understanding that concord — or what we now might call “social cohesion” — proceeds from the fair distribution of justice, and is grounded in the confidence of citizens that it is being distributed fairly. But what happens when concord begins to fray?This month, the Royal Commission into Antisemitism and Social Cohesion will be handing down its interim report. It is fair to say that, since the horrific attack at Bondi Beach that precipitated the establishment of the commission, social cohesion is under severe strain, perhaps to breaking point for some communities.The question for us now is: When the conditions of public trust in a society have weakened, could the deliberative capacity of a mini-public — such as a citizens’ assembly — help restore it?Guest: Ron Levy is a Professor in the College of Law, Governance and Policy at the Australian National University.

One of the words we use to describe political authority gone wrong is "autocracy": which is to say, the concentration of power in a unitary figure who then exercises that power without countervailing constraints and for its own sake. To borrow an expression of St Augustine, autocracy is a form of political authority that curves in on itself.Because most citizens have a clear sense that governance ought to be for something beyond political self-interest or naked self-enrichment, we rightly take a dim view of politicians who are unmoved by the interests and opinions of their constituents. But, of course, only tyrants are prepared to present themselves as wholly disinterested in the lives of those over whom they rule.Autocrats don't claim to be in it for themselves; they typically insist that they represent, serve and fight for "the people" — but "the people" politically defined as those who truly belong to the nation, those who build and contribute, those who are loyal and patriotic. In short, those who can be encompassed by the political pronouns "us"/"we". Accordingly, autocrats also claim to be defending the nation and its interests against "they"/"them", who have no part or place in the nation's life and are therefore no voice in the conversation of politics.What is corrupting about autocratic rule, then, is not simply that it is "corrupt" in the conventional sense of using the affordances of political office for private gain. Rather, it is the way autocracy throws off the basic constraints that define political authority in a representative democracy, and thereby betrays its character.In democratic life, we are constantly being reminded of the contingency of political authority and its fundamental accountability. When autocratic power lays claim to the necessity of an unconstrainted mode of executive decision-making — most often in the face of some "emergency" which suspends the normal functioning of democratic scrutiny — it corrodes the conditions of democratic life, precisely because representative democracy reveals what political authority really is: contingent, correctable and inherently contestable.As George Kateb writes in "The Moral Distinctiveness of Representative Democracy": “political authority is suspect when undivided and thus untroubled by antithetical voices … when it moves too easily or takes shortcuts to accomplish its ends, or when it prevents appeals and second thoughts, or when it closes itself off in secrecy or unapproachability.”It is no stretch, then, to say that autocracy is a politics of contempt. It is contemptuous of deliberation and mutual accountability; it is contemptuous of expertise and the constraints of precedent; it is contemptuous of any notion that the source of one's legitimacy could be extrinsic to one's own self. Which is why, ultimately, autocracy is a form of contempt for the people.It is for this reason, perhaps, that autocracy depends so much on the aesthetics of power: spectacular performances of force mask the lack of substance beneath, designed as they to eliminate accountability and overwhelm deliberation.This episode of The Minefield was recorded in front of a live audience at Customs House in Brisbane as part of the University of Queensland's "Dialogues Across Difference" event series.Guest: M Gessen is an acclaimed and multi-award winning Russian-American journalist, author and activist, known for their influential writing on authoritarianism, human rights and LGBTQ+ issues — most notably in their columns for The New Yorker and The New York Times, and their books Surviving Autocracy and The Future Is History: How Totalitarianism Reclaimed Russia. Gessen is a Distinguished Professor at the Craig Newmark Graduate School of Journalism in New York.

If there is something inherently suspicious about political appeals to “the heart” — which is to say, attempts to exploit unreflective prejudices and reactive emotions — then it is also true that a form of politics that is unresponsive to heart-felt appeals to a common humanity, to compassion, to decency, is dangerous.How can we maintain the precarious balance between a politics that trades cheaply on emotion, and one that both comes from and appeals to the heart?Guest: Christos Tsiolkas is the author of eight novels — Loaded, The Jesus Man, Dead Europe, The Slap, Barracuda, Damascus, 7 ½, The In-Between — and the short story collection, Merciless Gods. He is a playwright, screen writer, essayist, radio host and currently a film critic for The Saturday Paper. In September last year, he delivered the 2025 Ray Mathew Lecture at the National Library of Australia, on the topic “Fence-Sitting”.

Sometimes the language we use every day, often unthinkingly, contains within it traces of a much older wisdom. Consider the phrases “I’ve changed my mind” and “I’ve had a change of heart”.The first thing to notice is activity described by the verbs: one is something that we do — as the result of learning new information, or having experiences that alter our values or view of the world; the other is something we undergo, something that happens to us — we see something we couldn’t see before (as though the light shines differently upon it, as Wittgenstein would say), or the same person or phenomenon evokes a different feeling from us.Perhaps it’s accurate to say that changing one’s mind is like taking a different path or going in a different direction, whereas having a change of heart is more like changing one’s compass bearings. But does that mean we are simply passive when it comes to such a reorientation of heart?In this Ramadan series, we are examining what we’re calling the cardiocentrism of the moral life — which is to say, the vital importance of cultivating the inner disposition of what we most often call “the heart”: the faculty which stands for both our inner-most selves, and that which makes us receptive to moral realities or truths outside of ourselves.The heart can act as a kind of moral compass which responds to moral realities we’d prefer to evade or avoid. Consider the pivotal moment in J M Coetzee’s novel Elizabeth Costello, when the eponymous character responds to demands for reasons or “principles” that would ground her horror in response to the mass killing of animals for food: “I was hoping not to have to enunciate principles”, she says. “If principles are what you want … I would have to respond, open your heart and listen to what your heart says.”So perhaps we can’t change our hearts, but does this suggest it is incumbent on us to maintain a certain “openness” or sustained “exposure” to moral realities we’d rather ignore — and that such openness is a precondition for undergoing a change of heart?Guest: Claire Zorn is the multi-award-winning author of five novels and the author/illustrator of two picture books. Her most recent book is Better Days.—UPCOMING LIVE RECORDINGWhen: Tuesday, 10 March 2026, from 1:45 pm to 3 pmWhere: Customs House, The Long Room, Brisbane City, QLD“The Aesthetics of Power: Why Authoritarianism Needs Spectacle”As democratic norms erode around the world, the performance of political power has become increasingly theatrical. From militarised displays to orchestrated media moments, authoritarian movements rely on spectacle to project stability, legitimacy and inevitability.In partnership with the Brisbane Writers Festival and as part of the University of Queensland’s Dialogues Across Difference series, this special live recording of ABC Radio National’s The Minefield brings together acclaimed journalist and New York Times columnist M Gessen with co‑hosts Waleed Aly and Scott Stephens. Together, they will explore why modern authoritarianism depends on spectacle — and how aesthetics shape the public imagination and the conditions of democratic life.Attendance is free, but registration on Eventbrite is essential.

One of the most unyielding aspects of life in the modern West is, perhaps, the ultimate value that we’ve come to accord to appearance. It is as though our essence, all that matters most about us as human beings, lies on the surface: our soul resides in our skin; how we look reveals who we truly are.Over the last three decades, this has become especially pronounced through our various forms, not so much of self-expression as self-creation — from hair removal (or recovery) to body art, from strict fitness regimens and body sculpting through to the widespread uptake of GLP-1 weight-loss drugs.None of these activities are wrong or detrimental in and of themselves. But when the gap between people is an ontological one — those who are self-creations are of a higher order than those who are still subject to the natural order — the result can be a hierarchy of beings whereby one is viewed with envy and the other with contempt. This can, of course, create its own drive toward conformity and belonging (experienced as an elevation in status) and the desire to escape social punishment, from shame.Fashion can work similarly. As W. David Marx puts it:“Fashion is a never-ending process of ‘chase and flight’. Low-status individuals chase high-status individuals by imitating their conventions, which forces elites to flee to new ones. Since this fleeing will lead to another round of chasing and then fleeing, fashion creates perpetual cultural change, with status serving as the motor.”Again, there is nothing inherently problematic about the desire to conform — which is to say, belong — or the complex cultural demands asserted by fashion. But when it becomes a form of tyranny, the criterion by which our social status is judged, and either fashion or its fashionable refusal becomes the primary means by which we express our sense of ‘self’, the effect can have a suffocating, rather than freeing, effect on our inner life.We partly acknowledge as much already in places like Australia in our insistence on school uniforms: for a particular period of our children’s lives, during which education, the cultivation of habits of learning, curiosity, discovery and surprise, takes precedence, we don’t want them judging others or being judged on the basis of what clothes they can afford. But taking ‘fashion’ out of the equation, we hope they will distinguish and express themselves in other ways. Which is to say: a certain denial of forms of individual expression (clothing) elevates everyone to a common level (community of learners) thereby enabling other ways to distinguish or express themselves (through the cultivation of interiority and sociality).Within certain traditions of moral philosophy, this could find an analogue in a kind of modesty of expression: call it a commitment to non-ostentatiousness, a certain understatedness, a reticence to draw attention to oneself in order that one’s actions may not distract attention from others. It is not invisibility so much as it is principled transparency: desiring that the gracious light of one’s dignified life and actions be the means by which others are seen as worthy objects of love and bearers of dignity.But this also has expressions in certain religious registers — as when a modest uniformity of appearance (such as the use of headcoverings, habits, robes and so on) signifies not so much the suppression of individuality as a common dedication and even the dignity of service to others or to the divine.Could this point us in the direction of ways that the preciousness of the individual — and the richness of the interior life — can be saved from the tyranny of cultural demands for individuality?

If there is a single adjective that captures the difference, both in tone and in action, between Donald Trump’s first presidential term and his second, it’s “unconstrained”.Whatever limits might have been placed on his conduct, his designs, his instincts during his first administration — legal, congressional, electoral, conventional — now seem to have fallen away, leaving Trump emboldened to pursue a series of ambitions that he’s long harboured.Mass deportations by militarised agents, revenge against his political opponents, the extortion of purportedly unsympathetic institutions (most notably law firms and universities) and his own personal enrichment have, perhaps, been the most brazen of these pursuits. But over the last two months, a different kind of ambition has come into view: the desire for territorial expansion and absolute sway over the countries and territories of the western hemisphere.This first manifested itself in the Trump administration’s increasing fixation on Venezuela. It began as a series of nearly two dozen missile strikes on boats in the Caribbean Sea and eastern Pacific Ocean that were purportedly carrying narcotics on behalf of drug cartels, then proceeded to the seizure of oil tankers departing Venezuela, and finally culminating in the brazen capture and arraignment of Venezuela’s President Nicolás Maduro on drug trafficking charges.While Maduro’s corruption and brutality are notorious, and there is some precedent for the kind of case that is being brought against him, what was alarming was Trump’s clear interest in Venezuela’s oil reserves and his insistence on keeping Maduro’s unelected government in place under a care-taker leader, Delcy Rodríguez. His rationale was as brutal as it was clear: “if [Rodríguez] doesn’t do what’s right” — which is to say, what the Trump administration dictates — “she is going to pay a very big price, probably bigger than Maduro”. It’s no stretch to suspect that Maduro’s capture and prosecution was meant to communicate that same message to Venezuela’s neighbours.The imperial logic here would have been familiar to city-states of Athens or Rome: the rulers of conquered territories and peoples would be kept in place but reduced to vassals, and would pay for their survival by offering tribute (taxes, natural wealth, crops, slave labour) to enrich the centre. Failure to pay tribute would be met with lavish punishment. (Karl Marx famously called this the first expression of “the tributary mode of production” in pre-capitalist societies.)So successful was this Venezuela operation, and having been met with such little international resistance, Trump seemed emboldened to press his long-standing claim on the autonomous Danish territory of Greenland. This was the second shoe to drop, as it were. Like Venezuela, his desire for the United States to “own” Greenland was framed as a kind of international security imperative: “Denmark cannot protect that land from Russia or China … The World is not secure unless we have Complete and Total Control of Greenland.” But upon meeting with resistance on the part of NATO nations — which Trump, unsurprisingly, interpreted as ingratitude (“I have done more for NATO than any other person since its founding, and now, NATO should do something for the United States”) — his willingness to threaten coercion in the form of military force or punitive tariffs laid bare the underlying sense of territorial entitlement.In his justly praised speech at the World Economic Forum in Davos, Switzerland, Canadian Prime Minister Mark Carney offered one response to Trump’s ambitions:“if great powers abandon even the pretense of rules and values for the unhindered pursuit of their power and interests, the gains from ‘transactionalism’ will become harder to replicate. Hegemons cannot continually monetize their relationships.”This was then reiterated in the determination of European leaders to resist Trump’s bullying tactics.But the prospect of what might be called hemispheric hegemony — the refusal of “great powers” to be constrained by the interests of what Joseph Goebbels called “crummy little states”, the “reorganisation of the world” along the lines of regional sway and each powerful nation being given “its own proper place” — has unsettling echoes not just of the Monroe Doctrine but of the Tripartite Pact between Germany, Italy and Japan that signaled the end of the “tottering” and “effete” League of Nations.Are we justified in worrying about a similar disregard of law- or rules-based restraint?You can read Brendon O’Connor’s reflections on Trump’s posturing over Greenland on ABC Religion & Ethics.

How should we wrestle with the problem of loving the art, but being unsettled by the behaviour or the beliefs of the artist who created it? It would be a mistake to see it as just an ethical problem. It is also an aesthetic problem. Because knowing what we know causes us to see the work differently.

When saving face is paramount to all other considerations, others invariably pay the price in order for the untrammeled supremacy of the ego to persist. But by permitting someone to "save face", are we not providing a constructive way of keeping them within a moral community?