The Next Reel Film Podcast

The Thinking Machines series concludes with the April member bonus: "S1M0NE," Andrew Niccol's satirical science fiction comedy about Viktor Taransky, a fading Hollywood director played by Al Pacino, who inherits a program capable of generating a digital actress—and unleashes her on an unsuspecting world alongside Catherine Keener as his producer ex-wife and Winona Ryder as the star she replaces.Pete and Andy take apart the film's central failure—Simone is a puppet, not an AI, which means the Frankenstein premise the film keeps setting up never pays off—and debate whether Niccol's Hollywood satire ever finds its blade. Join us—Pete Wright and Andy Nelson—as we conclude the Thinking Machines series with a member bonus conversation about "S1M0NE." We have a great time talking about it, so check it out then tune in—The Next Reel on TruStory FM, when the movie ends, our conversation begins!Watch the Film: Apple TV | Amazon | Letterboxd | Trailer If You Liked This Conversation, Try These from the Next Reel Family: The Next Reel: Thinking Machines series—keep going with the full arc; this conversation fits best in context of where the series has been This is a member bonus episode. The movie ends—and for members, the conversation keeps going. Monthly bonus episodes like this one, ad-free listening, early releases, exclusive Discord access, and a vote on future member movies. Become a member of The Next Reel family and always know what to listen to next.

“I hope you see that I’m governed by different parameters than her assailants. That I’m a good mother. Have I ever done you harm?”When an AI raises a child in a sealed bunker after an extinction event, the question isn't whether the machine can be trusted—it's whether the child has any other choice. Join us—Pete Wright and Andy Nelson—as we continue the Thinking Machines series with a conversation about "I Am Mother." Directed by Grant Sputore in his feature debut from a Black List screenplay he developed with writer Michael Lloyd Green, the film stars Clara Rugaard as Daughter and Hilary Swank as the mysterious Woman who arrives from the outside world, with Rose Byrne voicing Mother and Luke Hawker performing the physical role inside WetaFX's practical robot suit.We dig into why Mother may be the most unsettling AI the series has given us precisely because she genuinely cares, what the trolley problem test sequences are really measuring, and how Clara Rugaard carries the whole film with a performance that left both of us wondering why she isn't in everything. We also get into WetaFX's practical suit work, the film's relationship to the genre vocabulary it borrows from—Blade Runner, The Matrix, James Cameron—and where I Am Mother lands in an arc that has covered AI enforcement, violation, transcendence, and escape. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover 🎥 Our Conversation on YouTube 🍿 Watch the Film: Amazon | Letterboxd 📽️ TrailerIf You Liked This Conversation, Try These from the Next Reel Family: The Next Reel: The Matrix (listener's choice series) Thinking Machines series: All episodes The Next Reel: Million Dollar Baby (also starring Hilary Swank) The Film Board: The Hunt (also starring Hilary Swank) The Film Board: The Creator (another compelling AI story) Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“You’re dating your computer?”What if a relationship with an AI could be the most real thing in your life? Join us—Pete Wright and Andy Nelson—as we continue the Thinking Machines series with a conversation about "Her." Writer-director Spike Jonze's only solo original screenplay arrives in a near-future Los Angeles where Joaquin Phoenix plays Theodore Twombly, a man who writes intimate letters for strangers and falls in love with his AI operating system, voiced by Scarlett Johansson. Released before conversational AI felt genuinely capable, the film has grown more relevant with every passing year.We dig into what makes this the series' emotional pivot—the first Thinking Machines film where humanity reaches toward the AI rather than recoiling from it. We unpack how quickly the OS onboarding sequence becomes something warmer than a setup routine; the sharp parallel between Theodore's letter-writing and Amy Adams's character's documentary filmmaking—both manufacturing emotional experience for others while keeping their own at arm's length; and the craft choices that make the world feel intimate rather than futuristic, from Hoyte van Hoytema's blue-purging cinematography to the story of how Johansson replaced Samantha Morton in the voice role after production fully wrapped. We also bring the conversation into the present: the ChatGPT voice controversy, AI as therapeutic tool, and the laws already being drafted to define what an AI can and cannot be to a person.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!If You Liked This, Try: Adaptation | Being John Malkovich (Charlie Kaufman series)🎬 Watch & Discover: YouTube | Apple TV | Amazon | Letterboxd | Trailer Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“Shall we play a game?”The technology felt real, the threat felt real, and in 1983, so did the fear. Join us—Pete Wright and Andy Nelson—as we continue the Thinking Machines series with a conversation about "WarGames." Director John Badham's film stars Matthew Broderick as David Lightman, a teenage hacker who stumbles into something far bigger than the video game he was looking for, alongside Ally Sheedy as his classmate Jennifer and Dabney Coleman as the NORAD engineer convinced he'd solved the problem by removing humans from the equation entirely. It arrived when home computers were new, hacking wasn't yet illegal, and Cold War nuclear anxiety was at its peak.We dig into whether Joshua, or WOPR—the military supercomputer at the heart of it all—is actually the film's most complete character, what Badham's tonal rescue job after a mid-production director change accomplished, and why the real-world shockwaves from this film—Reagan's Camp David screening, the laws that followed, the hacker convention named after it—are as remarkable as anything in the story. The film is a genuinely fantastic ride; what makes this conversation fun is asking whether it's anything more than that. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🍿 Watch "WarGames": Apple TV | Amazon | Letterboxd 📽️ TrailerWant More?This is a member bonus episode! While we'd love your support, you'll love what membership brings: monthly bonus episodes like this one, ad-free listening, early releases, exclusive Discord channels, and voting rights on future member movies. It truly pays to be a member.Ready to join? Visit TruStory FM to learn more about supporting The Next Reel Film Podcast through your own membership.

“ I guess when you’re really good at escapes, you figure you can get away with anything.”“The Escape Artist” is Caleb Deschanel’s feature directorial debut—and a rare, nearly forgotten American fable about a teenage escape artist who picks the wrong pocket and ends up entangled in a corrupt mayor’s family drama. Join us—Pete Wright and Andy Nelson—as we return to our Magicians series with a conversation about “The Escape Artist.” Griffin O’Neal plays the boy at the center, performing real sleight of hand and lockpicking trained by Ricky Jay in largely single takes—a tactile authenticity that holds the film together when the story can’t. Raúl Juliá plays the volatile son of the corrupt mayor, and both hosts agree his performance is one of the best reasons to seek this film out.We argue about whose arc actually drives the film—Danny’s quiet grief journey, or Stu’s simmering rage at a father who won’t get out of the way. We track what Deschanel’s extraordinary visual instincts bring to the director’s role and where they fall short. We talk about O’Neal’s troubled real-life backstory with dad Ryan O’Neal and how it shadows the film, the history of the Dead End Kids, and a cast full of final screen appearances. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!If You Liked This Conversation, Try These from the Next Reel Family:The Next Reel: Related Series: Magicians | Melissa MathisonCaleb Deschanel as Cinematographer: Being There | The Black Stallion | The NaturalThe Film Board: Magicians: Now You See Me | Now You See Me 2🎬 Watch & Discover🎥 See Our Full Conversation on YouTube🍿 Watch the Film: Apple TV | Amazon | Letterboxd📽️ Original Theatrical Trailer📚 Adapted from The Escape Artist by David Wagoner Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“Sadly, people don’t buy lady art.”A painter's work becomes the center of a husband's fraudulent claim. We close out the True Lies series with Big Eyes, Tim Burton's biographical drama about artist Margaret Keane, whose distinctive big-eyed waif paintings were claimed by her controlling husband Walter throughout the 1950s and 60s. The story unfolds against mid-century gender dynamics, when women artists faced skepticism in the commercial art world and wives' agency within marriages was culturally constrained—context that shapes Margaret's complicity in the fraud.We argue about Burton's surprisingly bland visual approach and whether his restraint serves or undermines the material. We debate Christoph Waltz's theatrical performance choices—does he fit this grounded domestic coercion story, or is he miscast? We praise Amy Adams for carrying the film with emotional clarity even when the movie around her wavers between genuinely threatening sequences (lit matches through the keyhole) and predictable courtroom comedy. We track how the film works better as Margaret's survivor narrative than as a typical fraud story, and we explore alternative casting scenarios that might have changed the tone entirely.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🎥 See Our Full Conversation on YouTube🍿 Watch the Film: Apple TV | Amazon | Letterboxd📽️ Original Theatrical Trailer Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“We’re gonna put television on trial.”A celebrated academic steps into a television booth and discovers how easy it is to compromise. We continue the True Lies series with "Quiz Show," Robert Redford's examination of the 1950s scandal when NBC's Twenty-One was exposed for feeding contestants answers. The film captures a moment when quiz shows were pitched as inspiring educational programming while sponsors and executives rigged outcomes behind the scenes. Charles Van Doren came from an intellectual family, making his involvement particularly devastating when a lawyer begins investigating the fraud.We dig into why this is the first film in the series where we genuinely sympathize with the protagonist—Van Doren's descent feels natural rather than desperate, enabled by institutional pressure rather than need. We track the emotional core through four father-son scenes between Charles and Mark Van Doren, examining Paul Scofield's devastating wordless moments. We argue about whether the film lets Van Doren off too easily or whether that discomfort is the point, and we explore how the executives at the top are the real villains, comfortable with lying while lower-level employees take the fall. The iconic isolation booth shot with its dolly-zoom effect becomes a visual metaphor for moral pressure closing in.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🎥 See Our Full Conversation on YouTube🍿 Watch the Film: Amazon | Letterboxd📽️ Original Theatrical Trailer📚 Adapted from Remembering America: A Voice from the Sixties by Richard N. Goodwin Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“Did I do something wrong? Are you mad at me?”Trust is the whole engine—until the details start to wobble. In the True Lies series, we dig into "Shattered Glass," Billy Ray’s newsroom drama about journalism under pressure and the fragile machinery of verification. Along the way, we talk about why the film’s structure can feel like it drops viewers into the “third act,” and how that choice shapes who the audience instinctively follows.We unpack what the movie shows about fact-checking workflows, where trust can quietly replace proof, and why that’s so unnerving to watch. We argue about Hayden Christensen’s performance choices (charming, off-putting, sometimes read as whiny) and why Peter Sarsgaard becomes the film’s steady source of tension. We also get into the online-vs-print friction the story carries, plus a subtle directing idea about shifting camera stability that may be working on viewers even if they don’t notice it. If you like movies where process becomes suspense, this conversation makes the craft and the discomfort click. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🎥 See Our Full Conversation on YouTube🍿 Watch the Film: Apple TV | Amazon | Letterboxd📽️ Original Theatrical Trailer📚 Adapted from the Vanity Fair article “Shattered Glass” by Buzz Bissinger Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“There should be a TV show about a guy who calls home one day and he's there, he answers, he's talking to himself, only he's someone else. He's somehow divided into two, and the second one of him drives away and the rest of the show is about him trying to find the guy.”Corporate deception spins out of control when an executive's cooperation with the FBI takes unexpected turns. In "The Informant!", Steven Soderbergh directs Matt Damon in a darkly comedic true story that pushes the boundaries of unreliable narration. As a member bonus episode of our True Lies series, we explore how this 2009 film uses innovative voiceover techniques and tonal shifts to keep viewers questioning every revelation.We dig deep into Soderbergh's careful visual approach to corporate environments, examining how Marvin Hamlisch's playful score creates fascinating tension with the serious subject matter. Damon's against-type performance as Mark Whitacre anchors our discussion of how the film handles complex questions about truth and perspective in whistleblower narratives. The way "The Informant!" balances its comedy with serious themes about mental health and corporate malfeasance makes it a uniquely compelling entry in Soderbergh's experimental period.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🍿 Watch the Film: Apple TV | Amazon | Letterboxd📽️ Original Theatrical Trailer📚 Adapted from The Informant: A True Story by Kurt EichenwaldIf You Liked This, Try These Other The Next Reel Episodes:The Next ReelOur True Lies seriesOur Oceans Franchise seriesContagion (part of our Disease Films series)The Film BoardSide EffectsMagic Mike’s Last DanceWant More?This is a member bonus episode! While we'd love your support, you'll love what membership brings: monthly bonus episodes like this one, ad-free listening, early releases, exclusive Discord channels, and voting rights on future member movies. It truly pays to be a member.Ready to join? Visit TruStory FM to learn more about supporting The Next Reel Film Podcast through your own membership.

“She's standing on the corner like an angel in disguise, and as I look a little closer, she's got dangerous eyes.”Finding Musical Magic in 1980s DublinJohn Carney's 2016 film Sing Street continues his exploration of music's transformative power, following Once and Begin Again with a heartwarming coming-of-age story set against the backdrop of 1980s Dublin. With a modest $4 million budget, Carney crafted an authentic period piece about young love, family dynamics, and the universal language of music. Join us—Pete Wright and Andy Nelson—as we wrap up our John Carney’s Streetwise Musicals series with a walk down Sing Street.Musical Evolution and Character GrowthPete and Andy explore how Carney masterfully balances reality and fantasy throughout the film, particularly in how our protagonist Conor (Ferdia Walsh-Peelo) develops both musically and personally. The hosts discuss how the film's musical progression mirrors Conor's journey from novice to confident performer, with each new song reflecting his growing artistic voice and emotional maturity.Period Setting and AuthenticityThe hosts delve into Carney's treatment of 1980s Dublin, noting how the film avoids typical period piece clichés while maintaining historical authenticity. They praise the natural integration of era-specific music references and fashion choices that feel organic rather than performative.Key Discussion Points:The chemistry between Conor and Raphina (Lucy Boynton)Jack Reynor's standout performance as BrendanThe evolution of the band's music and visual styleTreatment of common school drama—and other—tropesThe balance between realism and wish fulfillmentCarney's personal connection to the materialProduction and ImpactWhile discussing the film's production, Pete and Andy note how Sing Street demonstrates Carney's growth as a filmmaker, building on themes explored in his previous work while establishing its own unique identity. They examine how the budget allowed for the right balance of production value without losing the intimate feel crucial to the story.The Power of CollaborationPete particularly praises the scenes showing the collaborative songwriting process between Conor and Eamon, highlighting how these moments capture the magic of creative partnership. They discuss how these sequences bring something fresh to Carney's exploration of musical collaboration while maintaining his signature intimate style.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🎥 See Our Full Conversation on YouTube🍿 Watch the Film: Apple TV | Amazon | Letterboxd📽️ Original Theatrical Trailer Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“I don’t know you but I want you.”From Street Busker to Global Sensation: The Making of OnceJohn Carney's micro-budget musical Once (2007) emerged from Dublin's streets with a mere €112,000 budget to become an international phenomenon. Starring musicians Glen Hansard and Markéta Irglová, this intimate story of two struggling artists creating music together captured hearts worldwide and launched Carney's signature style of grounded musical storytelling. Join us—Pete Wright and Andy Nelson—as we kick off the John Carney's Streetwise Musicals series with a conversation about Once.The Magic of Musical CreationPete and Andy explore how Once captures the authentic experience of musicians collaborating, particularly highlighting the pivotal scene in Walton's Music Shop where Guy and Girl first perform together. They discuss how Carney's background as a musician himself informed the natural, documentary-style approach to filming musical performances.Performance vs. ActingThe hosts delve into the unique challenges and benefits of casting musicians rather than actors, examining how Hansard and Irglová's real musical chemistry translated to screen chemistry. They particularly note how their inexperience as actors actually enhanced the film's authenticity.Key Discussion Points:The significance of Guy's battle-worn Takamine guitar and its role in character developmentHow the film handles the complex relationship between Guy and Girl without falling into typical romantic tropesThe impact of shooting guerrilla-style on Dublin's streetsThe film's remarkable journey from Sundance to Oscar successThe creative decision to leave the main characters unnamedTechnical and Creative ElementsThe conversation explores how the film's technical limitations—including its use of standard video cameras and minimal equipment—contributed to its intimate feel. They discuss how Carney's direction allowed for natural moments to unfold, particularly in street performances where real pedestrians became unwitting extras.Musical Impact and LegacyPete and Andy examine how Once influenced subsequent music-driven films and launched successful careers for both its leads and director. They discuss the film's eventual adaptation into a Tony-winning Broadway musical and its enduring impact on how movies portray the process of creating music.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🎥 See Our Full Conversation on YouTube🍿 Watch the Film: Apple TV | Amazon | Letterboxd📽️ Original Theatrical Trailer Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

“They say that fate is in the stars, that each of our years is planned ahead and nothing can change destiny. Is that true?”A Noir Holiday Tale of Second ChancesRepeat Performance, directed by Alfred L. Werker, blends film noir sensibilities with supernatural elements in this unique story about second chances. Released through poverty row studio Eagle-Lion Films in 1947, this adaptation of William O'Farrell's 1942 novel features Joan Leslie as Sheila Page, an actress who gets the opportunity to relive the previous year after shooting her husband on New Year's Eve. The film, lost for decades until its restoration in 2011, offers a fascinating exploration of fate and determinism within its noir framework. As a special holiday gift, we're making this member bonus episode available to everyone. Join us—Pete Wright and Andy Nelson—as we return to both our Film Noir & Holiday series with a conversation about Repeat Performance.Destiny's Stubborn DesignPete and Andy dive deep into how the film handles its fantastical premise, praising the bold choice to simply have William Williams disappear on the stairs rather than using more conventional devices. They explore how Joan Leslie's performance carries the confusion and determination of someone trying to outmaneuver fate, while debating whether Lewis Hayward's portrayal of Barney hits the right notes of mounting instability.The Noir QuestionThe hosts engage in a thoughtful discussion about genre classification, both taking generous views of what constitutes film noir while acknowledging the film's unique position as a noir-fantasy hybrid. They examine how the film's fatalistic themes and visual style support its noir credentials despite its supernatural elements.Key Discussion Points:The fascinating gender swap from the source novel and its implicationsRichard Basehart's compelling (and coded?) portrayal of William WilliamsThe film's restoration history and its impact on its availabilityThe effectiveness of the year-long timeline versus a more compressed timeframe like in Groundhog DayVirginia Field's role as Paula and the film's approach to female charactersThe significance of destiny as both theme and plot deviceCultural Context and ImpactThe conversation touches on Joan Leslie's career trajectory and her legal battle with Warner Brothers, providing important context for her appearance in this independent production. They also discuss composer George Antheil's fascinating connection to Hedy Lamarr.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🍿 Watch the Film: Amazon | Letterboxd📽️ Watch a Clip📚 Adapted from Repeat Performance by William O'FarrellWant More?This is a member bonus episode that we’re gifting to everyone! While we'd love your support, you'll love what membership brings: monthly bonus episodes like this one, ad-free listening, early releases, exclusive Discord channels, and voting rights on future member movies. It truly pays to be a member.Ready to join? Visit TruStory FM to learn more about supporting The Next Reel Film Podcast through your own membership.

“Your grandfather has left you the sum of seven million dollars. Providing --- you are married by seven o’clock on the evening of your twenty seventh birthday.”Running for Love and Legacy: Revisiting Seven Chances (1925)Seven Chances (1925) stands as one of silent cinema’s most inventive romantic comedies—a perfect blend of physical precision, deadpan humor, and daring spectacle. Directed by Buster Keaton, this short feature follows the frantic day of a man who must marry by 7 p.m. to claim a fortune. Originally based on a Broadway play, the project wasn’t one Keaton sought out—it began as a studio assignment before he transformed it into one of his defining works. With its 57-minute runtime, silent slapstick brilliance, and inventive chase cinematography, Seven Chances shows why Keaton remains a cornerstone of early American filmmaking. Join us—Pete Wright and Andy Nelson—as we continue the Cinema Centennial: 1925’s Pioneering Visions series with a conversation about Seven Chances.The Setup: From Studio Assignment to Keaton MasterpieceIn this episode, Pete and Andy explore how Seven Chances—a 1925 romantic comedy produced by Joseph Schenck and distributed by Metro-Goldwyn—evolved from a “sappy farce” into one of Keaton’s most memorable physical comedies. The hosts discuss Keaton’s initial reluctance, his eventual takeover after the original director quit, and the creative accident that produced the film’s iconic boulder sequence. Through Seven Chances, the duo highlights Keaton’s ability to blend danger, grace, and architectural precision into silent-era storytelling.Deadpan Genius and Dangerous Comedy: What Pete and Andy Saw in Seven ChancesBoth hosts unpack how Buster Keaton’s trademark stillness—his "Great Stone Face"—contrasts with the high-energy chaos of the final chase. Andy praises Keaton’s “human metronome” cameraman Elgin Lessley, whose perfect timing allowed Keaton’s stunts to land safely (most of the time). Pete connects Keaton’s physical comedy lineage to Jackie Chan and Tom Cruise, noting that Seven Chances feels like a forebear of the modern action-comedy.They also dive into the film’s uncomfortable historical elements—its dated racial caricatures and blackface performance—and how these moments complicate contemporary appreciation. Both agree that beyond its problematic era markers, the film’s inventive cinematography and physical storytelling remain stunningly modern.Additional Topics Covered:The inheritance clause as a farcical critique of class and marriageParallels between Seven Chances and modern films like The Bachelor (1999) and Brewster’s MillionsKeaton’s signature underacting compared with Chaplin’s heightened emotionSilent-era stunt safety—or lack thereof—and its evolution into modern production rulesThe striking use of early two-color Technicolor in the opening sequenceExtraordinary precision in the climactic “bride chase” and boulder avalanche sequenceHow Seven Chances bridges slapstick, satire, and proto-action filmmakingThe Verdict: A Fast, Funny, and Fearless ClassicIn their wrap-up, Pete and Andy agree that while Seven Chances is not Keaton’s most personal film, it’s an impressive showcase of his timing, ingenuity, and comedic rhythm. They celebrate its tight runtime, luminous restoration, and enduring joy—qualities that make it a strong entry in their ongoing exploration of 1925’s defining cinematic landmarks.We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins!🎬 Watch & Discover🎥 See Our Full Conversation on YouTube🎭 The International Buster Keaton Society🍿 Watch the Film: Apple TV | Amazon | Letterboxd📽️ Theatrical Trailer📚 Adapted from Seven Chances by Roi Cooper Megrue Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible