The Paris Review

Jordy Rosenberg reads his story “My Life, by Barbara Rosenberg,” from issue no. 253 (Fall 2025), told from the perspective of Barbara, a mother from Brooklyn who is ready to battle a corduroy blazer and the child who wants to wear it freely. This episode was produced by John DeLore, Lori Dorr, and Emily Stokes. The music used in this episode is “Gamelan Ornaments,” composed and performed by David Cieri.Rosenberg’s story can be read online at:https://www.theparisreview.org/fiction/8430/my-life-by-barbara-rosenberg-jordy-rosenbergSubscribe to The Paris Review at www.theparisreview.org/subscribe.

Lisa Carver reads an essay about visiting two strip clubs with her French husband: first the Moulin Rouge, then a dive bar in Bedford, New Hampshire. At the Moulin Rouge, she has a revelation: “Even though the women had naked boobies, they still looked like angels. I think angels do have naked boobies, now that I’ve seen this show.”This episode was produced by John DeLore and Helena de Groot, and was mixed by Helena de Groot. Our theme song for this series is “Bryant Park and Ride,” composed and performed by David Cieri.Lisa Carver’s essay can be found online at:https://www.theparisreview.org/blog/2023/09/13/two-strip-clubs-paris-and-new-hampshire/Subscribe to The Paris Review at www.theparisreview.org/subscribe.

“When people see your truck, they tend to see what you can do for them,” J. D. Daniels writes in his essay about a black Nissan hardbody pickup he owned many years ago.This episode was produced by John DeLore and Helena de Groot, and was mixed by John DeLore. Our theme song for this series is “Bryant Park and Ride,” composed and performed by David Cieri.J. D. Daniels’s essay can be found online at:https://www.theparisreview.org/blog/2024/11/15/what-i-want-to-say-about-owning-a-truck/Subscribe to The Paris Review at www.theparisreview.org/subscribe.

“Personals” is a new audio series from The Paris Review, featuring writers reading first-person essays. Featuring essays from Ottessa Moshfegh, Mihret Sibhat, Joseph Earl Thomas, Lisa Carver, and J.D. Daniels. The series is produced by Sophie Haigney, Lori Dorr, Olivia Kan-Sperling, John DeLore, and Helena de Groot.Many thanks to our sponsor: MUBI. MUBI is the curated streaming service dedicated to championing great cinema. Get 30 days free at M-U-B-I.com/theparisreview.

In Zach Williams’s “Trial Run” (issue no. 239, Spring 2022), an employee is subjected to two coworkers’ conspiracy theories when their office is targeted by an anonymous white supremacist hacker. The story is read by Michael Chernus, Danny Mastrogiorgio, and Gabriel Marin. This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: www.theparisreview.org/fiction/7873/trial-run-zach-williams Subscribe to the Paris Review

The legendary actor George Takei reads one of the oldest stories in the Review’s archive. Published by the magazine in 1957, “The Victim” is Ivan Morris’s English translation of the Japanese author Jun'ichirō Tanizaki’s 1910 literary debut. This episode was produced by John DeLore and Helena de Groot, and was mixed and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/fiction/4872/the-victim-junichiro-tanizaki Subscribe to the Paris Review The Japanese American Museum: https://www.janm.org/

The Nobel Prize–winning Polish writer Olga Tokarczuk discusses the souls of animals, discovering feminism, and her home in the village of Krajanów where she was once neighbors with “three different translators of William Blake in an excerpt from her Art of Fiction interview with Marta Figlerowicz. This episode was produced and sound-designed by John DeLore. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/interviews/7968/the-art-of-fiction-no-258-olga-tokarczuk Subscribe to the Paris Review

“Nothing reifies a romance like proximate disaster.” Seated at her kitchen table, Jean Garnett reads her essay “Scenes from an Open Marriage” and chats with the Review’s deputy editor, Lidija Haas, and senior producer of the podcast, Helena de Groot. This episode was produced, sound-designed, and mixed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/blog/2022/06/29/scenes-from-an-open-marriage/ Subscribe to the Paris Review

The Pulitzer Prize–winning poet Sharon Olds discusses sex, religion, and writing poems that "women were definitely not supposed to write,” in an excerpt from her Art of Poetry interview with Jessica Laser. Olds also reads three of her poems: “Sisters of Sexual Treasure” (issue no. 74, Fall–Winter 1978), “True Love,” and “The Easel.” This episode was produced and sound-designed by John DeLore. The audio recording of “Sisters of Sexual Treasure” is courtesy of the Woodberry Poetry Room, Harvard University. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/interviews/8000/the-art-of-poetry-no-114-sharon-olds theparisreview.org/poetry/3462/the-sisters-of-sexual-treasure-sharon-olds Subscribe to the Paris Review

Actor, producer, and screenwriter Lena Waithe reads Rivers Solomon’s “This Is Everything There Will Ever Be,” which was published in issue no. 243 of the Review. The story, dark and uplifting by turns, is a portrait of “just another late-forties dyke entirely too into basketball, dogs, and memes.” This episode was produced and sound-designed by Helena de Groot. Our theme song this season is “Shadow,” composed and performed by Ernst Reijseger. Additional Links: theparisreview.org/fiction/7963/this-is-everything-there-will-ever-be-rivers-solomon rivers-solomon.com/ Subscribe to the Paris Review

Our Season 3 finale opens with “The Trick Is to Pretend,” a poem by Natalie Scenters-Zapico, read by the singer-songwriter Phoebe Bridgers: “I climb knowing the only way down / is by falling.” The actor Jessica Hecht plays Joan Didion in a reenactment of her classic Art of Fiction interview with Linda Kuehl. Jericho Brown reads his poem “Hero”: “my brothers and I grew up fighting / Over our mother’s mind.” The actor, comedian, and podcaster Connor Ratliff reads Bud Smith’s “Violets,” the story of two unlikely arsonists rediscovering life in the flames. The episode closes with Bridgers performing “Garden Song.” To hear more from Connor Ratliff, check out his podcast Dead Eyes. To hear Avery Trufelman’s latest show, find the podcast Nice Try! “Hero” by Jericho Brown appears courtesy of the 92nd Street Y Unterberg Poetry Center. This episode was sound designed and mixed by Hannis Brown, and mastered by Justin Shturtz.

This episode focuses exclusively on the work of fiction writer Edward P. Jones, Pulitzer Prize–winning author of The Known World and All Aunt Hagar’s Children, and subject of the Art of Fiction no. 222. The episode opens with an excerpt from that interview, a conversation between Jones and Hilton Als. Then actor Amber Gray (Hadestown) reads Jones’s story “Marie” from issue no. 122. This episode was sound designed and mixed by Helena de Groot, and mastered by Justin Shturtz.