The Parting Shot with H. Alan Scott

Zoey Deutch and Nick Robinson join us to talk about their new Netflix film Voicemails for Isabelle, a rom-com about grief, love and the most tech-friendly meet-cute in film history. They break down with Newsweek’s H. Alan Scott why Netflix has become the new home for the romantic comedy, what it's like to film a rain scene in actual rain and why, despite starring in a movie about voicemails, neither of them can stand getting one. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscottSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Brooke Shields isn't just the star of Acorn TV's new cozy mystery series You're Killing Me. She's the engine behind it. As both lead actress and executive producer, Shields plays Allie, a bestselling novelist in a quaint New England town who teams up with a young writer and podcaster to solve murders in their community. "I had something to say about everything," she tells Newsweek, from casting and dialog to the DP fighting for closeups on an emotional scene. The show became a hit and was renewed for a second season. It also arrives at a pivotal moment in Shields' public life. Since the 2023 documentary Pretty Baby reframed the conversation around her early career and the sexualization of young women in Hollywood, she's operated with a new confidence. "My proactivity has been met with much more opportunity," she says. "It's amazing what happens if you just ask for it."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ginger Minj and Jujubee stop by to talk about their new film Stop! That! Train!, the World of Wonder and Bleecker Street comedy that casts them as the leads of a drag-fueled disaster movie parody. They get into what it was like carrying a film for the first time, working alongside RuPaul as a colleague rather than a judge, and why Adam Shankman told them to play it completely straight. Plus: JuJu's most challenging line read, the skirt that never came back and why you need to see this one in a theater. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscottSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With The Comeback's 20-year journey now complete, Laura Silverman joined Newsweek’s H. Alan Scott to reflect on what it meant to play Jane, the documentarian who became the audience's eyes and ears into Valerie Cherish's world. Silverman opens up about her bond with Lisa Kudrow, what it was like to act with her every single day and how she found her way into a character that was never overanalyzed, just felt. Plus, the story behind that final scene — and why neither she nor Kudrow could get through it. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Oscar-winner Allison Janney, Andrew Rannells and writer-director Jim Rash sit down with Newsweek’s H. Alan Scott to talk about HBO's ‘Miss You, Love You,’ a dark comedy about grief, estrangement and the unlikely bond between two strangers at a funeral. Janney and Rannells break down how they prepared for the role, why they memorized the entire script before day one and what made this one of the most satisfying projects of their careers. Rash opens up about the personal loss that inspired the story and the delicate balance of making audiences laugh and cry at the same time. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Judith Light talks The Terror: Devil in Silver on AMC+/Shudder, career reinvention and why there's nothing to get in life — only what you can give. If you grew up with her on Who’s the Boss? or were moved by her performance in Transparent, then this chat is for you.  Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Randy Barbato and Fenton Bailey on World of Wonder, Stop! That! Train! and why RuPaul was born to lead a disaster movie. In a media landscape that Bailey describes as its own disaster movie, "tectonic, seismic change" and all, Stop! That! Train! is their answer: an hour and a half of joyful, unapologetic stupidity at a moment when joy feels like its own act of resistance. "There is power in that," Barbato said. "It's a reason to leave the house for crying out loud." Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Will Sharpe has been on a roll since White Lotus, and now he's taking on one of fiction's most iconic roles — Wolfgang Amadeus Mozart in the Starz original series ‘Amadeus.’ Newsweek’s H. Alan Scott chats with Sharpe about keeping Mozart grounded, the chemistry with co-star Paul Bettany and what it's like to navigate a career that just keeps getting bigger. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscottSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sally Field opens up about playing Tova in Netflix's Remarkably Bright Creatures, based on the bestselling book—a story about loneliness, loss and an unlikely bond with an octopus. (Yes, an octopus.) “It has always been hard for me to find roles that I wanted to do, even in supposedly the prime of my motion picture career,” Field told Newsweek’s H. Alan Scott. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Richard Gadd follows Baby Reindeer with Half Man, an HBO limited series about two repressed ‘brothers’ in Glasgow. “I came up with the two characters ,and I couldn't shake them.” Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscottSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Before Friday's MTV finale, the top three queens of RuPaul's Drag Race season 18 join H. Alan Scott to reflect on their path to the crown. Darlene Mitchell, Nini Coco and Myki Meeks talk about Snatch Game wins, lip sync battles, the now-iconic banana bag of tricks and the sensible shoes that became a season-long talking point. They open up about the friendships forged in the workroom, the breakout moments that surprised even them and what they each hope to do with the title if they win. Plus, the queens get candid about drag's role in a chaotic political moment, why joy matters and why, as Nini puts it, we should never fully disconnect drag from the world around us. A funny, warm and thoughtful conversation with three queens about to step into their spotlight. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Billy Magnussen has spent the past twenty years adding diverse roles to his resume, and ‘The Audacity’ is emblematic of an actor coming into his own. Magnussen joins H. Alan Scott to talk about playing tech CEO Duncan Park in AMC's buzzy new series: why no character is a villain in their own story, how he built a man whose good intentions curdled into greed, and what it feels like to finally be number one on a TV call sheet. The fear hasn't gone away, and he's counting on it making him better.  Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, the internet handed conservatives two gifts wrapped in irony, and they opened both boxes with a press release and a cease-and-desist threat that didn't even exist. Druski's two-minute sketch about "conservative women" racked up over 160 million views on X alone — and the right responded with outrage instead of self-awareness. Then the Daily Mail dropped a report claiming Kristi Noem's husband Bryon leads a secret double life that includes wearing fake breasts and chatting with fetish models online — and again, the response was pearl-clutching rather than perspective. Both moments had the DNA of great satire. Both moments were real. So why can't conservatives laugh? I'm joined by Newsweek Politics and Culture editor Carlo Versano to talk about what happens when the joke is about you and you refuse to get it — and whether the inability to take a punch might be one of the right's biggest political liabilities right now. Subscribe to my newsletter: https://for-the-culture.beehiiv.com Follow me: https://linktr.ee/halanscott See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.