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On the show
From 11 epsHost
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Recent episodes
Intrinsic Motivation in Science and Music with Ralph Meulenbroeks
Jun 15, 2026
1h 07m 28s
Take Five: Highlights from Five Years of the Music Thinking Podcast
May 18, 2026
17m 55s
Resonant Bodies with Emma Kate Matthews
Apr 13, 2026
1h 14m 57s
Soil Ecoacoustics - Listening to the Underground with Alex F Taylor
Mar 23, 2026
54m 07s
Beethoven and AI Agents with Matthias Röder
Feb 22, 2026
1h 01m 45s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 6/15/26 | ![]() Intrinsic Motivation in Science and Music with Ralph Meulenbroeks | Intrinsic motivation, leadership, and extreme performance are at the heart of this podcast episode, where Christof Zürn deconstructs the mental models of exceptional individuals who perform at the top of their fields and also happen to be musicians. This conversation explores the profound links between leading academic scientists and playing historical string instruments - featuring expert research, unique mindsets, and the intense discipline you can leverage as a toolkit for your own path. Meet the Guest: Ralph Meulenbroeks has lived a fascinating, multitrack life. He started his career in physical engineering, researching large-scale solar cells, before pivoting to become a full-time, professional bass and viola da gamba player for ten years - recording 15 albums, winning an Edison award, and touring the world. Today, he is a full professor of scientific literacy and chairs the Freudenthal Institute at Utrecht University, where he leads 120 highly autonomous academics. Yet, every single morning, his day still starts with meditation and playing his instrument. Key Insights from the Episode The Pressure of the Passion: Discover the unique qualities of the viola da gamba - a historical, fretted relative of the lute family with six or seven strings - and what it feels like to endure the immense psychological pressure of playing the highly exposed solos in Bach's St. Matthew Passion. Tuning In under Pressure: How the intense process of silently tuning highly sensitive gut strings during a 45-minute wait in the St. Matthew Passion translates directly to 'tuning in' to the emotional temperature of a team of academics at the start of a meeting. Redefining Intrinsic Motivation: Why almost everyone misinterprets this term. Ralph explains that true intrinsic motivation means the activity is its own reward - not a means to an end - and why it is an incredibly robust predictor of high performance in teams. Ensemble Forgiveness: Why the ultimate leadership tool is behaving like a classical or free jazz ensemble. When a mistake happens, you cannot point fingers; you must instantly forgive, adapt, and restore the balance together so the audience never notices. The 'No Excuses' Mindset: Why playing a difficult instrument forces a high degree of self-reflection. If a wrong note happens, it is almost always the player and rarely the instrument's fault - a humbling lesson every leader needs to embrace. The Macrobiotic Chord: How a 35-year practice of macrobiotic cooking and balancing Yin and Yang perfectly mirrors the tension and relaxation required to create musical, but also business harmony. Show notes: Connect with Ralph: https://www.linkedin.com/in/ralphrousseau/ St. Matthew Passion Excerpt (Komm, süßes Kreuz): https://youtu.be/WvHTBBLXa-g?si=HIv_K-6ZxzMGt50u Podium Klassiek: https://www.youtube.com/watch?v=LzWjGyjIAQ8 The Jazz of Physics by Stephon Alexander: https://www.goodreads.com/en/book/show/26195938-the-jazz-of-physics Music Thinking Society on Substack: https://musicthinking.substack.com/ More info and downloads on Music Thinking: https://musicthinking.com | 1h 07m 28s | ||||||
| 5/18/26 | ![]() Take Five: Highlights from Five Years of the Music Thinking Podcast✨ | leadershipmusic+5 | Dr. Maya AckermanSteve Keller+2 | Orpheus Chamber Orchestra | Sagrada FamiliaJapan+2 | music thinkingleadership style+5 | — | 17m 55s | |
| 4/13/26 | ![]() Resonant Bodies with Emma Kate Matthews✨ | spatiosonic practicearchitecture and sound+4 | Emma‑Kate Matthews | Routledge Companion to Sound and SpaceMusic Thinking Society | Sagrada Famíliaanechoic chamber | spatiosonic practicearchitecture+5 | — | 1h 14m 57s | |
| 3/23/26 | ![]() Soil Ecoacoustics - Listening to the Underground with Alex F Taylor✨ | soil ecoacousticsmusic and science+3 | Alex Flynn Taylor | Flinders UniversityStormy-Lou | — | ecoacousticsmusic+5 | — | 54m 07s | |
| 2/22/26 | ![]() Beethoven and AI Agents with Matthias Röder✨ | creativityleadership+3 | Matthias Röder | Karajan InstituteBeethoven’s 10th Symphony | — | AIBeethoven+5 | — | 1h 01m 45s | |
| 1/13/26 | ![]() Walking with a Shakuhachi Priest - music thinking in action✨ | music thinkingleadership+5 | Jonen | Komuso Outlaw: The Writings of an American Renegade Priest in Japan | Nara, Japan | shakuhachisoundwalk+8 | — | 34m 03s | |
| 12/8/25 | ![]() Audio investigation for human rights with Fabio Cervi✨ | audio investigationhuman rights+3 | Fabio Cervi | EarshotZifzafa | SerbiaSyrian Golan Heights | audio investigationhuman rights+3 | — | 1h 02m 06s | |
| 11/17/25 | ![]() Orchestrating Innovation and AI for your business✨ | innovationAI+3 | Robin Hoffmann | RSD14 Relating Systems Thinking and Design conferenceNotebookLM+1 | — | orchestrationinnovation orchestrator+5 | — | 21m 41s | |
| 11/3/25 | ![]() Marketing & Singing with Jessica Wan✨ | marketingsinging+3 | Jessica Wan | AppleSan Francisco Opera+2 | — | marketingsinging+3 | — | 51m 02s | |
| 10/13/25 | ![]() Sonic UX research with Caitlyn Trevor - The Power of Music Thinking✨ | sound designuser experience+4 | Caitlyn Trevor | LinkedInSonic UX+1 | Switzerland | sound designmusic cognition+5 | — | 50m 35s | |
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| 9/21/25 | ![]() Intersection of Music and Data with Chris Dalla Riva✨ | musicdata+4 | Chris Dalla Riva | AudiomackThe Economist+3 | Hoboken, New Jersey | music and dataBillboard charts+5 | — | 39m 14s | |
| 8/30/25 | ![]() Audio Postcards from Japan & The Future of Music Thinking✨ | audio postcardsJapan+5 | — | Ko-fiRyoanji Temple+2 | JapanKyoto+2 | audio postcardsJapan+5 | — | 17m 24s | |
| 7/1/25 | ![]() Why do we listen to sad music? With Sandra Garrido | Our guest today is both an accomplished musician and a fascinating researcher. Dr. Sandra Garrido is a pianist and violinist who holds a PhD combining the worlds of music and psychology. Her work focuses on a question that touches all of us: how can music regulate our mood and improve our mental wellbeing? What's truly unique is that she explores this not just today, but through a historical lens, uncovering how music has always been used to help people feel better. In our conversation, Sandra gives us fascinating insights into the paradoxical appeal of sad music. We discussed why the same Adele song might comfort one person while sending another into a negative loop. Sandra also shares how music can be a powerful tool for young people with depression and its surprising role in dementia care. This makes this a conversation you won't want to miss, with practical tips like how to organise your summer playlist (or the winter one if you are down under). Show notes Connect with Sandra on LinkedIn: https://www.linkedin.com/in/sandramgarrido/ University profile: https://www.westernsydney.edu.au/marcs/about/our_people/researchers/dr_sandra_garrido MoodyTunes website: https://www.moodytunes.com.au Dementia resources: https://www.musicfordementia.com.au Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 48m 20s | ||||||
| 6/9/25 | ![]() Challenging the AI Oracle: Maya Ackerman on Music, Creativity, and Collaboration | Our guest today is Dr. Maya Ackerman, a world-renowned AI expert who has been at the forefront of generative AI since 2015. She holds a PhD in Computer Science, is a professor at Santa Clara University, and has authored over 60 research publications. As the co-founder and CEO of WaveAI, one of the earliest generative AI startups, she specialises in creating systems that elevate AI from a novelty to an essential tool for millions. A recognised 'Woman of Influence' and sought after for her expertise by outlets such as NBC News and New Scientist, her perspective is truly unique. In our conversation, we explore the delicate balance between human and machine creativity. It's a relationship that requires trust, improvisation, and a deep understanding of what you could truly call the dance of leading and following. And that perspective is exactly what we explore today. This is a conversation that bridges worlds: from learning to play the piano and sing opera to becoming a CEO in AI. We get into the very nature of creativity itself, discussing improvisation, hallucination, imagination, and what Maya refers to as 'computational creativity.' We even touch on science fiction, asking how these humble creative machines might elevate, and not replace, us in the near future. Show notes Connect with Maya on LinkedIn: https://www.linkedin.com/in/mackerma/ LyricStudio: https://lyricstudio.net/ MelodyStudio: https://melodystudio.net/ Creative Machines Book (available for pre-order, releasing in Oct) https://www.amazon.com/Creative-Machines-Future-Human-Creativity/dp/1394316267 Mentioned in the talk, speculative fiction books by Annalee Newitz, check out Terraformers and Autonomous: https://www.goodreads.com/author/show/191888.Annalee_Newitz Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 51m 23s | ||||||
| 5/6/25 | ![]() Pioneering music thinking and first online interview | This is a personal story about my first online interview at the end of the 1990s. It is a trip back in time with original sound snippets from the interview with famous conductor and pianist Daniel Barenboim in the Opéra Royale at Versailles. Find out how we did this technically and what questions the maestro was asked that came from the internet. This is another special episode where I experiment with different kinds of storytelling. This time, it is also about pioneering the internet and music thinking. You hear original sounds from 1997 that might sound a bit bumpy but have historical value. It shows unreleased material from a great musician, an empathic, sympathetic person in a relaxed, collegial atmosphere. Show notes Europa Concert 1997: https://www.medici.tv/en/concerts/europakonzert-1997-chateau-de-versailles-paris-daniel-barenboim-conductor-and-piano-berliner-philharmoniker-ravel-mozart-beethoven Daniel Barenboim Wikipedia: https://en.wikipedia.org/wiki/Daniel_Barenboim Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 29m 32s | ||||||
| 4/1/25 | ![]() Science, Music and Regulating Emotions with Hauke Egermann | What can people and organisations learn from science and music? Why should we care? Are there universal mechanisms that are valid all over the world to all human species? Or is everything an individual experience? Today, we talk with Hauke Egermann, Professor of Systematical Musicology at the University of Cologne. We speak about universal mechanisms that are valid all over the world; we learn from research with an isolated culture in Congo, the Pygmies from Mebenzélé, that refuse to practise negative music and have different songs to regulate their emotions. Songs against fear, anger, or, among others, music to protect hunters in the rainforest. How do they respond to music they have never heard or connected with? What does it evoke, and how does this relate to Canadian Indigenous people and the listening patterns in the Western world? Hauke also shares the Music Date concert with us, where the audience's emotional reaction is tracked in the first tutti part of a concert to then separate and assign them to eight different mini-concerts around one emotion based on their responses. Show notes Connect with Hauke: https://musikwissenschaft.phil-fak.uni-koeln.de/en/mitarbeiter-innen/professoren-innen/hauke-egermann Mentioned paper about universal emotion-related psychophysiological responses: https://www.frontiersin.org/journals/psychology/articles/10.3389/fpsyg.2014.01341/full Google scholar profile: https://scholar.google.com/citations?hl=de&user=aSSMPDoAAAAJ&view_op=list_works&sortby=pubdate Related podcasts: A love letter to sound with Nina Kraus: https://musicthinking.com/a-love-letter-to-sound-with-nina-kraus/ Standing still with Alexander Refsum Jensenius: https://musicthinking.com/standing-still-with-alexander-refsum-jensenius/ | 59m 22s | ||||||
| 3/11/25 | ![]() Everything about Orchestration with Robin Hoffmann | A few episodes ago, I asked the question What is Orchestration? This was because I saw a lot of different orchestrators, nota bene, non-musical orchestrators with job titles like Design Orchestrator, Value Network Orchestrator, Data Orchestrator and Innovation Orchestrator, just to name a few. This is an ongoing research, and I am writing a paper about what people do when they say they are orchestrating. But today, we flip the side and talk with a music orchestrator, or, shall I say, an original orchestrator? We speak with Robin Hoffmann, a prize-winning composer, arranger and orchestrator from Berlin. We talk about orchestration in music and the difference between composing, orchestrating, arranging and conducting in Hollywood films, games and concerts. This is a deep dive into the music industry and all its facets and an inspiration for everyone orchestrating something. Robin shares with us many insights and a great story. Show notes Connect with Robin: https://www.robin-hoffmann.com/ Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 1h 00m 43s | ||||||
| 2/25/25 | ![]() Inspiring Books on Music Thinking | Let’s talk about books today. What was the last book that inspired you? Was it a novel, a non-fiction book, a design book, a music book or a cookbook? In this episode, I share three books that inspired my sound way of thinking, experiencing the world with an open ear and what has led to developing music thinking, the framework, the jam cards, the book and the podcast. I will briefly discuss Nada Brahma by Joachim Ernst Berend, The Soundscape by R. Murray Schafer, and The Glass Bead Game, the prize-winning novel by Hermann Hesse. These three books directly and indirectly influenced the ideas in The Power of Music Thinking. But my book also influenced another author, and he used parts of the music thinking framework described in the book to explain his idea of rebels in digital development in Belgium. Today I speak with Geert de Mol, a CDO for the leading Belgian Bank for 16 years, during their development of ‘the best app in the world’. Geert is a music lover of rock and pop, and he shares with us how music thinking and the book helped him to pen his story. Show notes Connect with Geert: https://www.linkedin.com/in/geert-van-mol-1779812/ Music from the world of Anathem: https://soundcloud.com/ztutz/sets/iolet-music-from-the-world-of-anathem Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 48m 08s | ||||||
| 1/31/25 | ![]() Sonic Branding with Willemijn van Hussen | Today we speak with Willemijn van Hussen - a trained concert pianist, strategy consultant - co-founder and owner of Sonic Branding agency TAMBR. We talk about the power of our senses and how sound can make a difference in recognising a brand and what it stands for. Willemijn shares with us insights from an audio branding project, with a sonic logo, brand anthem and different sound assets that are used strategically. Among others, we hear the brand anthem of Lazy Vegan and how this might be different from other brands in the industry. Willemijn gives tips for students who work on sound assignments and for brands that want to make a start with sonic branding. Show notes Connect with Willemijn: https://www.linkedin.com/in/willemijnvanhussenfuhring/ TAMBR Sonic Branding Agency: https://www.tambr.nl/en/ Steve Keller Audio Alchemist: https://musicthinking.com/blend-sound-science-with-sound-art-to-make-sound-decisions-with-steve-keller/ Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 51m 29s | ||||||
| 12/21/24 | ![]() The role of emotions and rationality in research with Leonoor Opstelten | We end this year with Leonoor Opstelten, a young researcher who used improvisation and music as an experimental approach for her thesis on forest and nature conservation. With this approach, she won the Birgit Elands thesis prize just a few weeks ago. In her thesis, she included five piano pieces accompanying five different storylines - patterns and themes that resulted from her research. Let's listen to the research, its story, and the beautiful music. Show notes Connect with Leonoor: www.linkedin.com/in/leonoor-opstelten-088957297 Download her thesis: https://edepot.wur.nl/657505 Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 48m 59s | ||||||
| 11/29/24 | ![]() Thinking Music - Music Thinking - special epsiode | Christof Zürn talks about music thinking, the music thinking framework, and JAMMIN’ before SCORE and what this means in the context of co-creation in the business. How does this sound? It sounds marvellous; we hear a lot of musical experts from the new (digital) album of MRZ - an ambient improvisation trio - and get an explanation of how this relates to the music thinking practise. Show notes Thinking Music Playlist: https://open.spotify.com/playlist/0yITUGcz4pH8qU0FbN4vhc?si=bdb26633538a4495 Download Music Thinking Framework: https://musicthinking.com/download-music-thinking-instruments/ MRZ on Bandcamp: https://mrznl.bandcamp.com/album/improvisations-in-an-ambient-space Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 38m 18s | ||||||
| 10/21/24 | ![]() What is orchestration? | What is orchestration? And What is an orchestrator? What do they do? Is everybody now a musician or music thinker? Is it important? And Why should we care? What challenges around orchestration are there in different fields and can music, music thinking or the grandmaster of orchestration, Rimski-Korsakov, help? In this short episode, I discuss a pre-research concerning orchestration in different fields. If you are an orchestrator or use orchestration to explain your work, please fill in the form below. Show notes Please fill in the Pre-Research Survey about Orchestration: https://forms.office.com/e/MJchG9yEgP Principles of Orchestration by Rimski-Korsakov on Project Gutenberg: https://www.gutenberg.org/files/33900/33900-h/33900-h.htm#rimsky1 Prize-winning orchestrator from Berlin: https://musicthinking.podbean.com/e/everything-about-orchestration-with-robin-hoffmann/ Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and/or the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 15m 09s | ||||||
| 9/8/24 | ![]() Strings between MBA and AI with Anna Filochowska | join us in our conversation and hear more about the journey from Poland to Germany and the US, from playing violin in a top-notch orchestra to getting an MBA at Stanford University Graduate School of Business and writing a white paper about AI and music. Show Notes Connect with Anna: https://www.linkedin.com/in/aniaf/ Berlin Philharmonic: https://www.berliner-philharmoniker.de/en/ AI White Paper: https://www.linkedin.com/feed/update/urn:li:activity:7228754698395148288/ Performing at Stanford: https://www.youtube.com/watch?v=QJIjLMMMuYg Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 54m 17s | ||||||
| 8/3/24 | ![]() Sound Walk in the Summer with Christof Zürn | Today is a special episode of the podcast, not just because of the 50th episode anniversary but because there will be no guests today. Instead, you'll be immersed in a unique sound walk experience, a journey of sound I recorded in July in Italy. This is not just a regular episode; it's a sonic adventure. Open your mind and listening brain because, as we learned in the last episode with Professor Nina Kraus, you can only hear what you know. But now let's get on our trip or, better yet, the sound walk of the summer. Every two years, my wife and I, visit the Art Biennale of Venice. It's not just a visit, it's a learning experience, an inspiration, a ritual about creativity in the broadest sense. It's about un-learning, re-learning, and encountering new things that make you rethink. And this time, I brought my recording device with me on a sound walk through the Biennale of Venice. Be my guest while I was walking with my ears and microphone open on this unique sound walk. Show Notes David Rothenberg website and books: http://www.davidrothenberg.net/ Biennale Arte Venice website: https://www.labiennale.org/en/art/2024 Italian Pavillion, Duo Qui/Two here: https://www.duequi-tohear.it/project More on Deep Listening and Pauline Oliveros:https://musicthinking.com/deep-listening-with-sharon-stewart/ Show Support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! I appreciate your support; it helps the show! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 52m 03s | ||||||
| 6/23/24 | ![]() A Love Letter to Sound with Nina Kraus | We don't just hear; we engage with sounds. Our hearing is always on, and we can't close our ears the way we close our eyes, yet we can ignore unimportant sounds. Making sense of sound is one of the most challenging jobs we ask our brains to do. But how does this work? Today, we speak with Dr. Nina Kraus, scientist, inventor, book author, Professor of Neurobiology at Northwestern University, and Director of BrainVolts. Nina's research reveals that our daily lives, filled with sound, play a significant role in shaping how our brain interprets the sounds we hear. This influence can be both positive, as seen in musicians and bilinguals, and negative, as in the case of concussion, hearing loss, and language disorders. Sound, therefore, leaves a profound imprint on our identities. Nina talks about the partnership of sound and the brain and how sound processing drives many of the brain's core functions. To give you an idea of our conversation, there is a short, surprising sound example in the intro of the episode that will make you wonder! Because we only hear what we know, we have to hear and listen a lot to better understand our world and ourselves. So, relax and join our conversation about exploring sound and listening! Or how Nina also talks about her work and book: It is a love letter to sound. Show Notes Brainvolts website www.brainvolts.northwestern.edu Book Of Sound Mind: https://brainvolts.northwestern.edu/of-sound-mind/ Show support Please choose one or more of the ‘three ways to support the show’: Subscribe to the podcast. Leave us a review — even one sentence helps! Tell your friends about the podcast and musicthinking.com Buy the book The Power of Music Thinking and the Jam Cards at a 20% discount using musicthinking20 at the check-out of the BIS Publishers website only. | 51m 16s | ||||||
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