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Estimated from 1 chart position in 1 market.
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- 🇳🇬NG · Society & Culture#933K to 10K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
1.5K to 5K🎙 Weekly cadence·33 episodes·Last published 6mo ago - Monthly Reach
Unique listeners across all episodes (30 days)
3K to 10K🇳🇬100% - Active Followers
Loyal subscribers who consistently listen
900 to 3K
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* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 10 epsHost
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Recent episodes
The Debt: What Tennessee Owes Its HBCU
Dec 9, 2025
52m 33s
Listen: The Country In Our Hearts
Jun 5, 2025
1m 30s
WPLN News & NPR's Embedded present: "Supermajority"
Jun 17, 2024
3m 02s
Preview: "Making Noise" from WPLN and WNXP
Feb 5, 2024
2m 13s
Bonus: How one police chief struggled to change the system
Nov 26, 2023
6m 05s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 12/9/25 | ![]() The Debt: What Tennessee Owes Its HBCU✨ | government fundingHBCU+4 | Camellia BurrisEmily Siner | WPLNTennessee Lookout | — | TennesseeHBCU+3 | — | 52m 33s | |
| 6/5/25 | ![]() Listen: The Country In Our Hearts✨ | country musichistory+4 | — | — | South NashvilleIraqi Kurdistan | country musicSouth Nashville+4 | — | 1m 30s | |
| 6/17/24 | ![]() WPLN News & NPR's Embedded present: "Supermajority"✨ | political powerconservative women+3 | — | NPRWPLN News | TennesseeAmerica | supermajoritypolitics+5 | — | 3m 02s | |
| 2/5/24 | ![]() Preview: "Making Noise" from WPLN and WNXP✨ | music promotionNashville music+3 | — | WPLNWNXP+1 | Nashville | Making NoiseWPLN+5 | — | 2m 13s | |
| 11/26/23 | ![]() Bonus: How one police chief struggled to change the system✨ | police reformracial issues+3 | Karl Durr | — | Rutherford CountyEugene, Oregon+1 | police chiefMurfreesboro+3 | — | 6m 05s | |
| 11/23/23 | ![]() Dedicated Public Servants | The Kids of Rutherford County✨ | wrongful arrestjuvenile justice+4 | — | SerialThe New York Times+3 | — | Rutherford Countywrongful arrest+3 | — | 38m 42s | |
| 11/19/23 | ![]() Bonus: Rutherford County is not alone. This youth detention center superintendent in Knoxville illegally locks kids alone in cells.✨ | youth detentionjuvenile justice+3 | — | Richard L. Bean Juvenile Service Center | TennesseeKnoxville | youth detention centerseclusion+3 | — | 9m 01s | |
| 11/17/23 | ![]() Bonus: Behind the music of The Kids of Rutherford County✨ | musiccountry+3 | Celia Gregory | The Blasting CompanyThe Kids of Rutherford County | — | minimalistclassic country+3 | — | 17m 08s | |
| 11/16/23 | ![]() Would You Like to Sue the Government? | The Kids of Rutherford County✨ | juvenile justiceclass action+3 | — | Rutherford CountySerial+3 | — | juvenile justiceclass action lawsuit+3 | — | 1h 00m 13s | |
| 11/9/23 | ![]() What the Hell Are You People Doing? | The Kids of Rutherford County✨ | juvenile justicelegal system+5 | — | Rutherford County juvenile courtSerial+3 | — | juvenile courtdetention+5 | — | 33m 22s | |
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| 11/7/23 | ![]() Bonus: Locked up and treated ‘like I’m a dog' | Quinterrius Frazier was 15 years old when he was arrested for aggravated robbery and held in the Rutherford County Juvenile Detention Center. When staff said he was being disruptive — flashing gang signs and rapping, they claimed — he was placed in solitary confinement. It’s been almost seven years now, and Quinterrius still feels the effects of being locked up in a cell for 23 hours a day — he has trouble with small spaces, and he needs constant stimulation. Trauma has a way of lingering like that. | — | ||||||
| 10/26/23 | ![]() The Egregious Video | The Kids of Rutherford County | A police officer in Rutherford County, Tennessee, sees a video of little kids fighting, and decides to investigate. This leads to the arrest of 11 kids for watching the fight. The arrests do not go smoothly. Credits: “The Kids of Rutherford County” is a production of Serial, The New York Times, ProPublica and Nashville Public Radio. It was written and reported by Meribah Knight with additional reporting from Ken Armstrong at ProPublica. The show was produced by Daniel Guillemette with additional production by Michelle Navarro. It was edited by Julie Snyder and Jen Guerra. Additional editing by Anita Badejo, Sarah Blustain, Tony Gonzalez, Ken Armstrong and Alex Kotlowitz. The Supervising Producer is Ndeye Thioubou; research and fact checking by Ben Phelan, with additional fact checking by Naomi Sharp. Music supervision, sound design, and mixing by Phoebe Wang. Our Standards Editor is Susan Wessling. Legal review from Dana Green and Al-Amyn Sumar. Original score by The Blasting Company. Additional production from Jenelle Pifer. Mack Miller is the Executive Assistant for Serial. Art by Pablo Delcan. Sam Dolnick is a Deputy Managing Editor of The New York Times. | — | ||||||
| 10/19/23 | ![]() Coming Soon: The Kids of Rutherford County | A juvenile court in Rutherford County was wrongly arresting and illegally jailing kids for more than a decade before a former juvenile delinquent-turned-lawyer came up with a plan to take it on. This four-part narrative podcast builds on a joint investigation by WPLN Nashville Public Radio and ProPublica and is produced by The New York Times and Serial Productions.“The Kids of Rutherford County” reveals how this system came to be, with particular attention to the adults responsible for it and the two juvenile delinquents-turned-lawyers who try to do something about it. The podcast's host is Meribah Knight, a Peabody Award-winning reporter for Nashville Public Radio who co-reported the original investigation. Listeners can subscribe on Apple Podcasts, Spotify and wherever podcasts are available. The first two episodes will premiere on Thursday, Oct. 26; parts three and four will air the following two Thursdays. | — | ||||||
| 9/27/21 | ![]() Coming Soon: Behind The Blue Wall | In this series, we're going to tell you about what's been described as a toxic culture of misconduct and retaliation within the Metro Nashville Police Department. And the disciplinary system that has allowed that culture to thrive. | — | ||||||
| 10/19/20 | ![]() The Final Exam | It’s February 2020, and Warner Elementary’s star is rising. It’s showing so much progress this year that it might be able to go from one of the lowest performing schools in Tennessee to one of the best. Now it’s just time to hunker down and work until the big state test at the end of the year. But we all know what happens next. First, a natural disaster in Nashville. Then, a global pandemic. And at a school with low-income students, these challenges hit especially hard. “I'm tired of fighting for kids. One person can’t consistently carry that burden,” Warner principal Ricki Gibbs said. “I was at a point where I was going to say, ‘You can have Warner. This is too much.’” In this dramatic final episode of Season 2, crisis brings Warner’s challenges to a breaking point. The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. | — | ||||||
| 10/12/20 | ![]() The Recruitment Divide | There was a time when the decision of where to send your child to school was relatively simple: public or private. Now, in Nashville and many other cities, those choices have multiplied exponentially. In large part, it's because of white families — a way to keep them in the public system, but on their own terms. But with so many choices at play, things have gotten messy. Judgement is cast. Pedagogy is ruthlessly ranked. Gossip and chatter steer decision making. And information begins to splinter. In this episode, we follow two mothers whose experiences in choosing a school couldn't be more different. The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. | — | ||||||
| 10/5/20 | ![]() A Reckoning | Last fall, parents from Lockeland Elementary held a community meeting to talk about the elephant in the room: Despite the diversity of the neighborhood, their school was the whitest school in the entire district. Some white parents in the neighborhood simply didn’t see any problem. Others did and wanted the district to find a solution that would bring more children of color to their school. But there was a time, not that long ago, when an idea was floated that could have changed the makeup of Lockeland’s student body — and it did not go well. In this episode, white parents start to realize that their choices, and the choices of their neighbors, created this problem. The Promise is written and produced Meribah Knight, with additional reporting by Samantha Max. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. | — | ||||||
| 9/28/20 | ![]() Warner's Hope | Warner Elementary is about to take its moon shot. After landing on the state’s list of lowest-performing schools, it’s aiming to make the list of highest-performing schools. Finally, it has all the right tools: an infusion of federal grant money, an energetic and experienced principal, and new class offerings that set the school apart. But the real turnaround will only work if more students enroll — white students, specifically. And most white families in the neighborhood want nothing to do with Warner. In this episode, Warner begins its uphill turnaround battle. The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. | — | ||||||
| 9/21/20 | ![]() What You Can't Unsee | When Willie Sims’ daughter started kindergarten at a high-performing elementary school in East Nashville, all seemed well at first. His daughter loved her teacher. She was making friends. But then Willie realized: In a neighborhood with tons of Black families, his daughter was the only Black child in the entire grade. Then he started hearing murmurings from other families, white families, concerned about the issue of resegregation. They were mobilizing. They wanted to push the school to acknowledge the fact that families of color were becoming scarcer and scarcer at the school. In this episode, white parents start to see the problem. And once they do, they can’t unsee it. The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. | — | ||||||
| 9/14/20 | ![]() The Unraveling | After 43 years of courtroom battles, Nashville's landmark school desegregation lawsuit was settled. In the eyes of the law, the city finally made an honest effort to racially integrate its schools. But in truth, the matter was far from settled. For the Kelley family, whose son was the case's named plaintiff, being Black in America meant there were battles and sacrifices at every turn — far beyond education. And for Richard Dinkins, the plaintiffs' lawyer, hope was quickly replaced by dismay as he watched decades of work and progress towards school desegregation begin to unravel. "The settlement was based on mutual promises," Dinkins said. "The city broke the promise." In this episode, our story about Nashville's fight for school desegregation continues. The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. | — | ||||||
| 9/7/20 | ![]() The Nashville Way | To understand the resegregation of Nashville’s schools, you have to start with understanding desegregation. In 1954, the famous Brown v. Board decision ruled that segregated schools violated the constitution. But in reality, that decision changed very little in Nashville. Segregation was an architecture, and to pull it apart was a grueling endeavor. White families derailed the process. City officials worked mightily to resist it. And black families sacrificed for it. In this episode, we’re going back to the early days of this battle for racial equity in the classroom, to the time not that long ago when school desegregation literally blew this city apart. The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. | — | ||||||
| 8/31/20 | ![]() A Tale Of Two Schools | At the beginning of the 2019 school year, Principal Ricki Gibbs knew he had a tough job ahead. Warner Elementary in East Nashville had just landed on Tennessee’s list of lowest performing schools. It had lost so many students that it wasn’t even half full. Gibbs was the fourth principal in six years. Yet, he had seemingly unending enthusiasm and a federal magnet grant to boot. He was confident he could turn Warner around. But what he didn’t anticipate was the neighborhood divide. Warner’s kids are almost all black and most live in poverty, but just about a mile up the road is another public elementary, named Lockeland, whose student body is exactly the opposite. What happens when you have two schools so close together yet so different? And what happens when people in the neighborhood finally start to notice? | — | ||||||
| 8/3/20 | ![]() Season 2 Coming Soon | Season 2 of The Promise grapples with some of the most divisive topics in America: public education and race. This is a story about one school trying to stay afloat, a neighborhood divided over race and economics, and a city that’s resisted school desegregation every step of the way. Coming Aug. 31 to a podcasting app near you. | — | ||||||
| 11/4/19 | ![]() Update: Letting Go | Ms. Vernell has another big decision to make: to stay in Cayce through the chaos of redevelopment, or to leave? Her conclusion reveals something about this long, messy process to overhaul Nashville’s public housing. What happens when residents get tired — tired of being told to keep waiting, tired of being asked to keep moving … just tired? | — | ||||||
| 11/15/18 | ![]() Bonus 2: The Big Man Interview | If you've listened to The Promise, you no doubt remember Dexter Turner, aka Big Man. We met him in episode 2. The husband, father and community leader with a quick wit and a large personality had been planning a family barbecue, when a fatal shooting happened right in front of his apartment. In this episode, Meribah Knight speaks with Big Man months later, live on stage at Nashville Public Radio's Podcast Party. | — | ||||||
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Chart Positions
1 placement across 1 market.
Chart Positions
1 placement across 1 market.











