The Sculptor's Funeral

Today we explore the work of the Renaissance masters Niccolo dell'Arca, Guido Mazzoni, and Antonio Begarelli. Never heard of them? You're not alone. Although their work deserves to be ranked alongside their contemporaries Donatello and Verrocchio and yes, even Michelangelo, these sculptors had the misfortune of living on the other side of the mountains from Florence, in Bologna and Modena, far from the marble quarries, far from the Medici. But sculpture finds a way: beyond the influence of Florence, a rich tradition of large scale terracotta figure sculpture developed over several generations, culminating in some of the most elaborate and daring sculpture you've never seen.

Lavinia Ream (but call her Vinnie!) was, despite the odds, a sculptor. Born into a working class family and growing up in a nation at war, in a time and place which scarcely imagined the existence of 'lady-sculptors', she catapulted herself into the international spotlight and into artistic success while still a teenager. One might say her methods were unorthodox - scandalous, even! - but when playing a rigged game, you do what you need to do to win.

Meet one of the most enigmatic and anachronistic sculptors in history - Franz Messerschmidt. His work looks modern, but that's a few centuries off the mark! He's not what you would expect from a sculptor from the Rococo period... So what gives? Why were these strange heads made? Learn the startling answer here.

The Venus De Milo, the Torso Belvedere, The Winged Victory, The Laocoon - some of the most famous Antique sculpture in the world. Strange that we know so little about who made them and why! So what makes them so famous? Find out the unexpected reasons here.

The Sculptor's Funeral Podcast is finishing off this strange and terrible year with the final round of the quiz show! Listen to Lubov, David, and Liz test their knowledge of the history of sculpture, in their quest to attain the coveted Sculptor's Funeral coffee mug.

Listen to Rony, Alison, and David go head to head in Round Two of the Sculptor's Funeral Quiz Show!

Praxiteles and Lysippos - the two giants of 4th century Greece, and they are both covered in this episode. Learn what happened to the first classical nude female statue! Learn why eight heads are better than seven! And does Alexander succeed in Making Attica Great Again? Find out here.

In this episode. Jason discusses the sculpture of Polykleitos and the ideas behind them. One of the most celebrated sculptors in history, Polykleitos devised a new formula for the creation of figurative sculpture, known as the Kanon, which set the standard for generations of Greek sculptors following in this giant's wake. Want to be a Classicist in sculpture? The Kanon of Polykleitos is Classicism 101.

Vision, talent, will, and money - the perfect combination for a Golden Age in sculpture. It's only happened a small handful of times, and it happened first in 5th Century BC Greece. In the first of a series of episodes covering this period, Jason discusses well-known landmarks of Classical Greece such as the Riace Bronzes, the Discus Thrower, and the life and work of the greatest of Old Masters - Phidias.

Renaissance means 'Rebirth'. But we don't hear much about the original 'Naissance' in Ancient Greece that gave birth to what we call Classical sculpture. When were the first lifesized bronze figures cast? What were the first civic public monuments? Who invented Contrapposto? Find out here.

Gutzon Borglum's masterpiece, the Mount Rushmore National Monument... Overblown tourist attraction, or a sculpture for the Ages? Listen to the unlikely story of its creation, and you might decide that somehow it's both.

This episode of the Sculptor's Funeral examines the controversy surrounding the removal of statues from public spaces around the United States. Why are statues commemorating the losing side of a civil war more prevalent than those commemorating the victors of other wars? What is the message they were designed to send - and who sent the message? Jason examines this fascinating case study in public art as propaganda.