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- 🇦🇺AU · Hobbies#9030K to 100K
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15K to 50K🎙 ~2x weekly·217 episodes·Last published 1mo ago - Monthly Reach
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30K to 100K🇦🇺100% - Active Followers
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From 10 epsHosts
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Recent episodes
Capoferro, AI, and the missing zero, with Dr Marc Heimann
Apr 17, 2026
2h 19m 31s
Making seated longsword work, with Ella Rose
Apr 3, 2026
2h 03m 25s
The pen and the sword of justice, with Ariel Anderssen
Mar 20, 2026
2h 25m 21s
Swords in your Seventies, with Deborah Fisher
Mar 6, 2026
2h 02m 02s
Armoured Martial Arts, with Jenny Häbry
Feb 20, 2026
1h 36m 17s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 4/17/26 | ![]() Capoferro, AI, and the missing zero, with Dr Marc Heimann✨ | AI ethicshistorical martial arts+3 | Dr Marc Heimann | The History of Zero: The Nothing That IsDie Impetustheorie Der Scholastik | — | AICapoferro+4 | — | 2h 19m 31s | |
| 4/3/26 | ![]() Making seated longsword work, with Ella Rose✨ | historical martial artschronic illness+4 | Ella Rose | Black Cat Historical Fencing | — | longswordhistorical fencing+5 | — | 2h 03m 25s | |
| 3/20/26 | ![]() The pen and the sword of justice, with Ariel Anderssen✨ | BDSMmemoir+4 | Ariel Anderssen | PatreonSword School+1 | NigeriaWelsh town | Ariel AnderssenDirty+5 | — | 2h 25m 21s | |
| 3/6/26 | ![]() Swords in your Seventies, with Deborah Fisher✨ | sword fightingaging+3 | Deborah Fisher | Whidbey Swordplay AssociationSeattle Knights+3 | Seattle, WashingtonWhidbey Island | sword fightingrapier+5 | — | 2h 02m 02s | |
| 2/20/26 | ![]() Armoured Martial Arts, with Jenny Häbry✨ | Armoured Martial ArtsMartial Arts Competition+3 | Jenny Häbry | Armoured Martial Arts NottinghamUK | — | Armoured Martial ArtsJenny Häbry+6 | — | 1h 36m 17s | |
| 2/6/26 | ![]() Physio for Ninjas, with Erick Ellison✨ | physiotherapyNinja history+3 | Erick Ellison | Bujinkanswordschool+2 | Helsinki Finland | physiotherapyNinja+3 | — | 1h 32m 40s | |
| 1/23/26 | ![]() Embodying martial arts in an aging body, with Jess Finley✨ | martial artsaging+3 | Jess Finley | PatreonSword School+2 | — | martial artsaging+5 | — | 1h 56m 41s | |
| 1/9/26 | ![]() From Homeschool to Author, with Amos Wilson✨ | homeschoolingwriting+4 | Amos Christian Wilson | Sword SchoolPatreon+5 | Substack | homeschoolauthor+6 | — | 1h 35m 33s | |
| 12/26/25 | ![]() Medieval European Body Culture, with Dr Maciej Talaga✨ | Medieval European Body CultureHistorical Martial Arts+4 | Dr Maciej Talaga | University of WarsawHEMAtac+2 | — | medievalbody culture+5 | — | 1h 23m 58s | |
| 12/12/25 | ![]() Swords are where I can be me, with Vera Martocchia✨ | historical martial artssword fighting+3 | Vera Martocchia | SwordpunchPatreon | — | sword fightinghistorical martial arts+3 | — | 1h 49m 16s | |
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| 11/28/25 | ![]() The perfectly rational fencer? With Martin Höppner | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-207-the-perfectly-rational-fencer-with-martin-hoppner To support the show, come join the Patrons at https://www.patreon.com/theswordguy Dr Martin Höppner has been involved in historical martial arts since joining a local reenactment club, “Berliner Rittergilde” in 2008 before getting into historical fencing in 2015 studying classical sabre and rapier at the University of Berlin club. He then moved into sword and buckler, inspired by Roland Warzecha’s work (you can hear from Roland here) and Fiore’s Art of Arms, before being seduced by Manciolino and Marozzo. In 2017 he co-founded Schildwache Potsdam as a collaboration between the Berliner Rittergilde and the University of Potsdam’s Academic Sports Centre. In 2020 and 2021 he was on the DDHF national longsword first squad. And since 2022 he was on the Rapier national squad, where he is now head coach. He runs the Schildwache Potsdam YouTube channel, and is one of the organizers of one of my favourite events, Swords of the Renaissance. He is a research associate at the Brandenburg University of Technology Cottbus-Senftenberg and has a PhD in economics and social sciences. Economics is very relevant to this episode, because Martin and I discuss how Game Theory relates to fencing. What is it rational to do when sparring and what do people actually do? What is the most rational way to react to an opponent who hits you increasingly hard or fast? Should you match them, or walk away? We also talk about rule sets in tournaments, and Martin’s thoughts on how to devise them to stop people gaming the rules, and make the fencing cleaner and scoring fairer. Links of interest: Schildwache Potsdam (Martin’s club) and info on Swords of the Renaissance event: https://schildwache-potsdam.de/ The Schildwache Potsdam Patreon: https://www.patreon.com/cw/SchildwachePotsdam Schildwache Potsdam YouTube channel: https://www.youtube.com/schildwache-potsdam | 1h 39m 40s | ||||||
| 11/14/25 | ![]() You’re a Fechtmeister too, with Liam Clark | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-206-you-re-a-fechtmeister-too-with-liam-clark To support the show, come join the Patrons at https://www.patreon.com/theswordguy Liam H. Clarke is a historical fencer with a focus on Renaissance-era German fencing traditions, specifically the work of Joachim Meyer. He has been practicing since 2016, first in the Rocky Mountains before returning home to the Pacific Northwest. For the last few years, he has been delving into the archives, researching the lives and times of the contemporaries of Joachim Meyer, publishing his findings, including illuminating Joachim Meyer’s family through his Substack, Evergreen Historical Fencing. In our chat, we discuss the appeal of delving into archives instead of just doing swordfighting: does having a better understanding of the lives of past masters help us fence better, or have a deeper enjoyment of practising historical fencing? Liam explains who Meyer was, his family’s background in paper production, and what life was like in city states like Strasbourg in the 16th Century. Every (male) citizen had a responsibility to own arms and armour and be prepared to protect the city, whether on night watch, military conflicts, or fire calls. Liam’s research can help us picture what daily life was like for Meyer and his contemporaries, and how they had the same struggles with money and other commitments that we have today. One thing Liam’s research has highlighted is how young these fencing masters were, and how a “Fechtmeister” wouldn’t have been a wizened old man with a long beard. Meyer was only in his early thirties when he died. Many of us practising HEMA today would qualify as a ‘Master’, which is a nice thought for reducing the imposter syndrome! All of Liam’s research findings and articles are open source and freely available at https://evergreenfencing.substack.com/p/three-other-fechtmeisters-of-strasbourg Check it out! | 1h 39m 24s | ||||||
| 10/31/25 | ![]() Salute before you cross swords with Damon Young | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/salute-before-you-cross-swords-with-damon-young To support the show, come join the Patrons at https://www.patreon.com/theswordguy My guest today, Damon Young, is an Australian philosopher, author and martial artist. He has written 14 books or so, including Philosophy in the Garden, Distraction, and On Getting Off: Sex and Philosophy. He has also edited a couple of books on philosophy and martial arts, such as Engagement: Philosophy and the Martial Arts, and Martial Arts and Philosophy: Beating and Nothingness, perhaps my favourite title. His latest work is Immortal Gestures, Journeys in the Unspoken. For transcriptions and more detailed shownotes, please go to: To support the show, come join the Patrons at https://www.patreon.com/theswordguy You might remember Damon from his previous appearances on this show in Episode 31, Why Swords Are Cool, and again in Episode 44, What is a Sword? Unfortunately for Damon, he’s not doing a lot of sword swinging at the moment because of an as yet unidentified issue with his arms. We discuss how he might get this issue sorted – which may involve flying to Helsinki – and how it can be tricky to prioritise your own health over other priorities and difficult life stuff. We also revisit the definition of a sword. What is a sword? When is a sword-like object not a sword? Damon’s new book is about gestures, and we talk about the weird politeness of a salute or a bow that’s absolutely essential before you try and murder someone with a kilo of sharp steel. A gesture can be an important symbol of trust and respect, and this courtesy separates martial arts or duels from a more bestial act or something a commoner might do. Our conversation goes off in several tangents, discussing whether philosophy is a scam, pens, getting rid of stuff, cataloguing your book collection, notebooks and the history of sticking two fingers up to the French. | 1h 49m 23s | ||||||
| 10/17/25 | ![]() Staying Fit for Fencing, with Dr. Elizabeth Scott | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-204-staying-fit-for-fencing-with-dr-elizabeth-scott To support the show, come join the Patrons at https://www.patreon.com/theswordguy Elizabeth Scott is a historical martial arts and armoured combat practitioner on foot and on horseback, which is extremely cool, as well as being an orthopaedic surgeon, which is arguably even cooler. Her latest venture is Sprezzatura Sports, a company providing health and fitness training for sports fencers and historical martial artists. Of course, her main claim to fame is having appeared on this show before in episode 114. Things have changed for Liz since our last conversation in 2022, as at the time of recording, she was preparing to move herself, her dog, and maybe her horse over to the UK to start a master’s degree in Sport, Strength and Conditioning at Loughborough University. It’s just Liz doing the degree, not the dog or the horse. In our conversation we talk about recovery from injury, how to stay injury free and take care of our bodies as we age. We also talk about training for historical fencing, training for tournaments, and dealing with both the mental and physical sides of tournament fencing. Liz is a mounted combat enthusiast, and we discuss vaulting onto your horse – while in full armour – and how this was an essential part of the medieval training, despite seeming pretty impossible to us modern folk. | 1h 22m 43s | ||||||
| 10/3/25 | ![]() Writing Great Sword Fights, with Sebastien de Castell | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-203-writing-great-sword-fights-with-sebastien-de-castell It’s a welcome return for a previous guest, the brilliant writer Sebastien de Castell. His first published novel was Traitor’s Blade in 2014. Since then he has published the Greatcoats Quartet, the Spellslinger YA fantasy series, The Malevolent Seven and his latest Play of Shadows. He also has eight more books under contract, so there are plenty more to come! Sebastien has written some of my favourite sword fights in all of literature, so when I decided to update my book, Swordfighting for Writers, Game Designers and Martial Artists, it was a no-brainer to talk to Sebastien about how he approaches writing action scenes in his books. We talk about more than just sword fights, and this conversation will be fascinating to any writer or anyone thinking about writing their first novel. It’s not just a chat for novellists. As you’d expect on The Sword Guy Podcast, we do talk about weapons, like a pistol within a rapier, and other strange and unusual weapons that never quite caught on. To find out more about Sebastien’s books, visit https://decastell.com/ and to listen to his previous appearance on the podcast, check out episode 69: Swashbuckling with Sebastien de Castell. | 2h 00m 24s | ||||||
| 9/19/25 | ![]() The Schielhau in detail, with Alexander Fürgut | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-202-the-schielhau-in-detail-with-alexander-furgut To support the show, come join the Patrons at https://www.patreon.com/theswordguy It’s a warm welcome back to the Sword Guy Podcast to Alexander Fürgut, who was one of my interviewers on Episode 132, Podcasting with the Sword Whisperer. He's the co-host of the Schwertgeflüster HEMA podcast and of Schwabenfedern Ulm, a large HEMA club in Germany. We're here today to talk about his new book, The Schielhau in Detail: a comprehensive guide about fundamentals, tactics and strategy of this longsword technique. We talk about the challenges of writing a book, and how much tougher Alexander found the process than he expected, especially as he immediately went on to translate the original German version into English. Will he write another? We have a chat about possible subjects, and the best approach when choosing a topic to write about. Is it better to write something with the widest possible audience, or is it better to focus on something very niche, like, for example, the Schielhau? Find Alexander’s book, The Schielhau in Detail here: German edition: Amazon UK – Amazon US – Amazon DE – Amazon CA – Amazon AU/NZ English edition: Amazon UK – Amazon US – Amazon DE – Amazon CA – Amazon AU/NZ | 1h 22m 14s | ||||||
| 9/5/25 | ![]() The Notebook and a Zibaldone Salad with Roland Allen | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-201-the-notebook-and-a-zibaldone-salad-with-roland-allen To support the show, come join the Patrons at https://www.patreon.com/theswordguy Roland Allen is the author of The Notebook: A History of Thinking on Paper. The book is about the development of the notebook (i.e. a book you write in yourself) in European history, and it covers everything from the development of paper as a cheaper thing to write on than vellum, to wax tablets, to Italian accounting practices, to Leonardo da Vinci's famous notebooks, to Darwin, to the modern Moleskine and where it actually comes from. In our conversation we talk about the means, motive and opportunity that enabled Roland to write The Notebook, and the challenges of covering such an enormous topic: what had to be left out; and the power of holding a grudge. There’s also great advice for anyone writing any sort of book about how to incorporate cause and effect into your storytelling. Readers need reasons and consequences to stay engaged. We talk about Roland’s favourite genre of notebook, the zibaldone, which existed in medieval Florence as a way for people to write down all the bits of literature they liked, local songs, recipes, events – anything notable was written down in a hodgepodge paper version of a mixtape. To connect this to fencing, it is similar to one of our oldest treatises, Manuscript 3227a, also known as the Döbringer manuscript. This is basically a zibaldone, with a section in it on fighting with a longsword. But it also has sections in it on other things like fireworks and recipes. There’s lots else to talk about, including our preferred brands of notebook, and our favourite paper. Find out more about The Notebook on Roland’s website: https://roland-allen.com/ | 1h 10m 14s | ||||||
| 12/6/24 | ![]() Episode 200 with Michael Chidester: sharing hidden treasures | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-200-with-michael-chidester-sharing-hidden-treasures To support the show, come join the Patrons at https://www.patreon.com/theswordguy For our two hundredth episode it’s the welcome return of Michael Chidester. Michael is the architect of Wiktenauer, the online archive of historical martial arts sources. He's also the founder of HEMA Bookshelf, which produces stunningly good facsimiles of historical sources, such as the Getty manuscript of Fiore dei Liberi’s Il Fior di Battaglia. He also produces a whole bunch of academic books on historical martial arts as well. If you haven’t already heard of him, go back and listen to episode 21 as well. In today’s episode, we talk about how Michael took on Wiktenauer and saved it from deletion, for which we all owe him a beer. It has changed and grown enormously since its inception in 2009. For transcriptions and more detailed shownotes, please go to: To support the show, come join the Patrons at https://www.patreon.com/theswordguy We talk about translation, including how to interpret multiple translations of the same source, or even multiple versions of the same treatise, such as the different manuscripts of Fiore’s Il Fior di Battaglia. We discuss the frustration of knowing that there is a manuscript out there, owned and hidden away by the Pisani Dossi family, which we just can’t access. Michael talks about the process of reproducing manuscripts, and the lengths he goes to to ensure that his versions are as accurate as possible. This includes reproducing the collation, and the rough and smooth sides of the original parchment. Since Michael’s first appearance on the podcast in 2020, he’s changed his mind a little about what he’d do with a million dollars to improve historical martial arts. We also hear about what he’s got coming up and the huge project he hasn’t started yet. Wiktenauer: https://wiktenauer.com/ HEMA Bookshelf: https://www.hemabookshelf.com/ | 1h 30m 40s | ||||||
| 11/22/24 | ![]() Why Guy needs a pie in the face, with Sydney Schwindt | For transcriptions and more detailed shownotes, please go to: To support the show, come join the Patrons at https://www.patreon.com/theswordguy Sydney Schwindt is an actor, fight director and clown. She is also an artist and illustrator. In our conversation, we talk about how Sydney got into fight direction and some of the plays Sydney has worked on, or would like to work on and the swords she enjoys using. We also talk about being a clown, and the joy of having the audience throw a pie in your face. This leads us into a discussion about some of Shakespeare’s clowns and how they have been portrayed on film by different actors, more or less successfully. Sydney has a website for her art, called True Edge Art, and we talk about some of her designs and what inspires her. A big part of her inspiration in both her visual art and her stage work is environmentalism, and she is keen to do more work making the violence of climate change feel more real and more visceral by embodying it through actual violence on stage. And she’s also going to do a one-person show about a clown raccoon. | 1h 14m 47s | ||||||
| 11/8/24 | ![]() Safety Testing Swords, with Jamie MacIver | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-198-safety-testing-hema-with-jamie-maciver To support the show, come join the Patrons at https://www.patreon.com/theswordguy Jamie MacIver is a historical martial arts instructor who co-founded the London Historical Fencing Club in 2016, which has grown to over 120 members and now has his own permanent training space. We start our conversation with Vadi, and why Jamie prefers Vadi to Fiore. We have a discussion about guards and whether Vadi is more defensive than Fiore. You can find updates on Jamie’s translation of Vadi’s The Art of Swordfighting on his website, here: https://historicalfencingresearch.com/projects/translation-vadi/ Next, Jamie explains about taking the plunge into getting his club its own permanent space. The London Historical Fencing club is one of only around three in the UK that has a permanent home, so we hear how it was possible post-pandemic, and how they manage the classes to make it financially viable. Jamie also explains about the steps they have taken to ensure diversity within the club. Having been involved in running lots of tournaments, Jamie found he was having to make decisions on what HEMA kit is safe enough with nothing much to back up those decisions. So he set up the Historical Research Company Ltd to research historical martial arts safety, starting with research into sword tips. What is the difference between having a tip and no tip on your rapier? And which tips are the safest? Do different tips affect how likely it is for sword to glance off a mask or to stick to a mask, causing concussion and other injuries? You can find out more about the project and its conclusions here: https://historicalfencingresearch.com/projects/safety-tips/ And there’s a video here: https://youtu.be/wAZgMmIak-Y You can support Historical Fencing Research here: https://historicalfencingresearch.com/support-our-work/ | 1h 55m 21s | ||||||
| 10/25/24 | ![]() Russian Dissidence with Romana Shemayev | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-197-russian-dissidence-with-romana-shemayev To support the show, come join the Patrons at https://www.patreon.com/theswordguy Romana Shemayev is an American songwriter and performer, translator of contemporary Russian poetry, and one of the founders of “Bent Blades, a gathering of Historical Martial Arts enthusiasts, who study German longsword fencing according to the principles of Johannes Liechtenauer. The interview is a bit different to the usual. It starts out normally enough with background chat, and swords. But she is a translator and performer of dissident songs from the USSR, and she performs several of them for us. It’s only fair to say that the recording could be better- the perfectly fine normal podcast setup didn’t capture her guitar as well as it might. This episode was also edited together from two separate recording sessions several weeks apart, so it may be a bit less consistent than usual. The transcription isn’t perfect either! It won’t affect your understanding or enjoyment of the content though. Also, her songs deal with some pretty intense subject matter. Going to the sauna to recover from years freezing in a gulag is not the most extreme example. | 2h 07m 26s | ||||||
| 10/11/24 | ![]() Theory and Practice and Pole Dancing | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-196-theory-and-practice-and-pole-dancing To support the show, come join the Patrons at https://www.patreon.com/theswordguy In today’s show I’m sharing some excerpts from the audiobook of The Theory and Practice of Historical Martial Arts. You can find the book in both audio, print, and ebook formats at https://swordschool.shop/products/the-theory-and-practice-of-historical-martial-arts-audiobook I’m also revisiting my interview with the audiobook’s narrator, Kelley Costigan. Here are the notes for the episode: Kelley Costigan is an actor, director, pole dancer, fencer, performance combatant, adventurer and pirate, currently living in Stratford-upon-Avon, UK, home of William Shakespeare. Listen to our conversation to discover the Shakespeare connection that inspired me to ask Kelley to narrate my audiobook, The Theory and Practice of Historical Martial Arts. (It’s out now: you can probably find it in your audiobook app of choice, or get it directly from me here: https://swordschool.shop/products/the-theory-and-practice-of-historical-martial-arts-audiobook.) As a child, Kelley was told that fencing was “not something that girls do”, but she has since made up for it after taking up HEMA in her 40s. We also talk about competitive fencing, competitive pole dancing (yes, that’s a thing,) not being a Russian spy, and what Kelley would do with a million pounds. In case you’ve never seen someone pole dancing with a sword before, here’s one of Kelley’s performances: https://vimeo.com/221580829 To find out more about Kelley, her website is www.kelleycostigan.com. | 1h 55m 24s | ||||||
| 9/27/24 | ![]() Pirates! With Dr Jamie Goodall | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-195-pirates-with-dr-jamie-goodall To support the show, come join the Patrons at https://www.patreon.com/theswordguy Dr. Jamie L.H. Goodall is a historian at the U.S. Army Center of Military History in Washington, D.C. She is the author of Pirates of the Chesapeake Bay: From the Colonial Era to the Oyster Wars, National Geographic’s Pirates: Shipwrecks, Conquests, and their Lasting Legacy, Pirates and Privateers from Long Island Sound to Delaware Bay, and The Daring Exploits of Black Sam Bellamy: From Cape Cod to the Caribbean. She has a BA in Archeology, an MA in Public History and Museum Studies, both from Appalachian State University, and a PhD in history from Ohio State. In our conversation we discuss why pirates are seen as so glamorous – the clothes, the swashbuckling, the adventure, the accent. But you won’t be surprised to hear that the life of a pirate was somewhat different to this. Jamie explains about pirate culture, and the democracies on board ship, the arrangements around compensation, and the famous “Pirate Code.” We hear about the successful pirate, Black Sam Bellamy, AKA the Prince of Pirates, who had a reputation for being a kinder pirate, and how that worked for him. As you’ll expect from The Sword Guy Podcast, we have a chat about weapons and fighting. What weapons did pirates use? Were they as bloodthirsty as we’ve been led to believe? We also find out Jamie’s hopes for a biopic of Black Sam Bellamy, and her upcoming book about the taverns, inns and public houses of Virginia. | 1h 17m 10s | ||||||
| 9/13/24 | ![]() Drawing A Dream of Swords with Chris Schweizer | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-194-drawing-a-dream-of-swords-with-chris-schweizer To support the show, come join the Patrons at https://www.patreon.com/theswordguy Chris Schweizer is a three-time Eisner Award nominated cartoonist, a writer, concept artist and illustrator who lives in rural Kentucky with his wife, daughter, two cats and a long legged dog. He also supplied me with a gigantic list of his previous jobs, but now he makes comics. In our conversation we hear about how Chris got into being a comic artist, why he doesn’t get to do much HEMA, how he used to fight in bars for money, and a Monty Python connection. Over the past year, Chris has been going around museums drawing pictures of swords. He has put these together into a book, A Dream of Swords, which has an introduction by friend of the podcast, Sebastian de Castell. You can support Chris’s kickstarter, which runs until 10th October 2024: https://www.kickstarter.com/projects/schweizer/a-dream-of-swords. The book is a collection of 100 monotone watercoloured drawings of swords from museums in Paris, London, and New York. There will also be original artworks, prints, and digital versions available. Check it out! | 1h 21m 57s | ||||||
| 8/30/24 | ![]() Kinesiology and Concussions with Jane Strange | For transcriptions and more detailed shownotes, please go to: https://swordschool.shop/blogs/podcast/episode-193-kinesiology-and-concussions-with-jane-strange To support the show, come join the Patrons at https://www.patreon.com/theswordguy Jane Strange represented Team North America at the 2019 European games in Minsk, and she is a competition medallist at longsword in both open and women's competitions. She is currently teaching and training at Edmonton Historical Martial Arts but is mainly focused on pursuing her degree in kinesiology. We talk about what kinesiology is and her approach to coaching psychology. Find out what way of training works best for improving someone’s ability with a sword, and how Jane’s approach differs from Guy’s. We also talk about Jane’s experience at the Minsk European Games. The experience was a bit of a mixed bag, including food poisoning, gear issues, and even a concussion. Jane has taught a seminar on Concussion Awareness and Prevention, having suffered a serious concussion from a car crash. Click here for her slides. In the episode we discuss preventing and treating concussion – whether there’s any mask that can prevent it, and how we need to change the culture within HEMA to make concussion less likely. | 1h 30m 48s | ||||||
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