The Theatre History Podcast

At the height of the French Revolution, a new fear gripped many people in England: Armed women. Scenes like the storming of the Bastille and riots over the price of bread in Paris, in which women figured prominently, led to concerns like the one expressed in a 1795 letter to a magazine, in which the writer worried that "young and beautiful" women might quit "the quiet scenes of domestic life to riot in the scenes of blood" that were occurring across the English Channel. In fact, there were already plenty of arms-bearing women in Britain – but, in this case, on the stage. The figure of the armed woman is the subject of our guest's new book. Dr. Sarah Burdett is the author of The Arms-Bearing Woman and British Theatre in the Age of Revolution, 1789 – 1815.

The 1980s might not seem like a decade conducive to the emergence of a groundbreaking gay theatre. However, amidst the AIDS pandemic and a homophobic backlash to the gains of the post-Stonewall era, Charles Busch and Kenneth Elliott created something unique in New York City. The company that they founded, Theatre-in-Limbo, developed some of the biggest underground hits of the 80s, with unforgettable titles like Vampire Lesbians of Sodom and Psycho Beach Party. Now Elliott is out with a new book: Beyond Ridiculous: Making Gay Theatre with Charles Busch in 1980s New York. It tells the story of Theatre-in-Limbo and makes a case for its underappreciated importance.

How did scenic designer become a job that people could pursue in the theatre? Dr. David Bisaha joins us to talk about his book, American Scenic Design and Freelance Professionalism. Correction for the episode: The correct number for the historical, segregated Washington, D.C. IATSE Local was 224-A, not 244-A.

Ancient Greek and Roman drama has influenced theatre for millennia, and playwrights and other artists from around the world continue to draw inspiration from these works. Professor Fiona Macintosh joins us to talk about the Archive of Performances of Greek and Roman Drama at Oxford University and how it's been a resource for those who want to learn more about how these works have been - and continue to be - performed.

It's a special guest episode, featuring Peter Schmitz and his podcast "Adventures in Theatre History: Philadelphia." Peter tells the story of Jasper Deeter, whose pioneering work had an impact on not only Philadelphia theatre, but the American stage as a whole.

Broadway has a long and complex history, and in November of 2022 a new museum is opening that will allow visitors to explore that history. Curator Ben West joins us to introduce the Museum of Broadway and explain how it's bringing the theatrical past to life.

The Classix project is working to, as they put it, "explode the classical canon through an exploration of Black performance history and dramatic works by Black writers." Two members of the Classix team – director Dominique Rider and dramaturg Arminda Thomas – join us to talk about their work and how they're sharing essential works from Black theatre history with new audiences.

Kunqu is one of the cultural treasures of Chinese theatre. Today we're fortunate to be joined by Dr. Dongshin Chang, an expert on the art form. Dongshin will introduce us to the fascinating and musical world of kunqu.

Shakespeare looms large over both the American and British theatre scenes. But his outsize influence means that we've long neglected a dizzying array of fascinating and brilliant theatre written by other early modern England dramatists. Rob Crighton and the Beyond Shakespeare Company are working to remedy this, and Rob joins us for this episode to discuss how they're trying to expand our awareness of the theatre of this era.

The roles played by women in theatre in the United States have been varied, from playwrights and performers to critics and members of the audience. Now the Beinecke Library at Yale University is sharing some of the stories of these women in an exhibit called Brava! Women Make American Theater, which runs through July 3, 2022. Today we're joined by Dr. Melissa Barton. She's the Curator of Drama and Prose at the Yale Collection of American Literature, as well as one of the lead creators of the exhibit.

Performance has always been a key part of the spiritual life of the Church of Jesus Christ of Latter-Day Saints. One of the most notable Mormon theatrical events of the last few decades have been the pageants that depict stories from the Bible and the Book of Mormon. However, as Dr. Megan Sanborn Jones discusses in this 2018 interview, the era of pageants may be coming to an end. Even before the covid-19 pandemic made it impossible to safely perform live theatre, Church leadership had decided that the pageants didn't fit well into its vision for the future of the faith. Dr. Jones joins us to discuss the past, present, and possible future of these unique performances.

How did "Method" acting come to be? Isaac Butler joins us to talk about the history of this acting style and his book The Method: How the Twentieth Century Learned to Act.

The Yiddish theatre has a long and rich history. But all too often that history focuses on the prominent men who found success on the stage. Now two scholars of Yiddish theatre have launched a new project to correct that historiographical imbalance. It's called "Women on the Yiddish Stage: Primary Sources," and it's part of the Digital Yiddish Theatre Project, which chronicles the history of the Yiddish stage. Amanda Seigel and Dr. Alyssa Quint join us to share their work on the project and give us some glimpses into the lives of the underappreciated women who made the Yiddish theatre so vital.