
The Theatre Podcast with Alan Seales
by Broadway Podcast Network
Is this your podcast?Insights from recent episode analysis
Audience Interest
Podcast Focus
Publishing Consistency
Platform Reach
Insights are generated by CastFox AI using publicly available data, episode content, and proprietary models.
Most discussed topics
Brands & references
Total monthly reach
Estimated from 13 chart positions in 13 markets.
By chart position
- 🇺🇸US · Performing Arts#1525K to 30K
- 🇩🇪DE · Performing Arts#1685K to 30K
- 🇸🇪SE · Performing Arts#5030K to 100K
- 🇧🇷BR · Performing Arts#6510K to 30K
- 🇰🇷KR · Performing Arts#9610K to 30K
- Per-Episode Audience
Est. listeners per new episode within ~30 days
24K to 88K🎙 Daily cadence·479 episodes·Last published 1w ago - Monthly Reach
Unique listeners across all episodes (30 days)
79K to 292K🇸🇪34%🇺🇸10%🇩🇪10%+10 more - Active Followers
Loyal subscribers who consistently listen
24K to 88K
Market Insights
Platform Distribution
Reach across major podcast platforms, updated hourly
Total Followers
—
Total Plays
—
Total Reviews
—
* Data sourced directly from platform APIs and aggregated hourly across all major podcast directories.
On the show
From 19 epsHosts
Recent guests
Recent episodes
Ep453 - Corey Mach: The Coolest Dressing Room
Aug 27, 2026
51m 40s
Ep452 - Matt Copley: From Opera to Post-Hardcore Music
Aug 20, 2026
42m 56s
Ep451 - Ben Folds & Lindsey Kraft: The Pass-Fail Test
Aug 11, 2026
1h 07m 28s
Ep450 - Matthew McConaughey: Greenlights
Aug 4, 2026
37m 23s
Ep449 - Mandy Gonzalez: Living Life Fearlessly
Jul 21, 2026
1h 02m 30s
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| Date | Episode | Topics | Guests | Brands | Places | Keywords | Sponsor | Length | |
|---|---|---|---|---|---|---|---|---|---|
| 8/27/26 | Ep453 - Corey Mach: The Coolest Dressing Room | Corey Mach sits down to discuss his journey from performing in a hundred community theater productions in Cleveland to taking center stage on Broadway. He opens up about the hustle behind building his wildly successful concert series, Broadway Sings, explaining how a desire to create his own work led to turning pop anthems into custom orchestral arrangements and building a thriving brand from the ground up. Corey breaks down what it was like stepping into the role of William Shakespeare in & Juliet on Broadway with just three days of rehearsal after a ten month break from the tour. He shares hilarious backstage stories about accidentally turning his dressing room into the ultimate chilled hangout spot, navigating the mental shift from understudy to principal, and why playing to your personal strengths is the key to longevity in the theater industry. Corey Mach is an actor and producer known for his work on Broadway in Godspell, Hands on a Hard Body, Kinky Boots, and Merrily We Roll Along. He starred as William Shakespeare on the national tour of & Juliet before making his Broadway principal debut in the same role. Beyond his acting career, Corey is the creator and producer of Broadway Sings, an ongoing concert series in New York City that reimagines iconic pop music for Broadway performers and live band arrangements. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for the day. Connect with Corey: @coreymach Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at [email protected]. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices | 51m 40s | ||||||
| 8/20/26 | Ep452 - Matt Copley: From Opera to Post-Hardcore Music | What happens when classical opera training collides head-on with aggressive post-hardcore rock? You get the viral sensation Broadway Does Punk, a project that takes iconic standards from shows like Wicked, Hamilton, Six, and The Phantom of the Opera and turns them into full-throttle rock anthems. Matt Copley breaks down the journey of shifting gears from choir rooms and classical vocal pedagogy to mastering false chord screams and harsh vocal grit on stage. He shares the hilarious resistance he faced when first pitching a heavy cover of "Defying Gravity" to his non-theatre bandmates, and how that single leap of faith exploded into millions of views and a live New York City debut. The discussion dives deep into the unexpected silver linings of the 2020 pandemic, which detoured Matt back home to Michigan to form his band Unwell instead of taking the traditional NYC audition route. From the creative influence of American Idiot to self-producing a immersive, dark vaudeville concert experience at the Abrams Art Center Playhouse Theater, Matt reflects on bridging the gap between theatre kids and punk rockers. Plus, he tackles a chaotic 60-second plot recap of Mary Poppins and breaks down why building an authentic, non-traditional path is the ultimate key to disrupting the status quo. Matt Copley is a Michigan-based recording artist, content creator, and theatrical producer. Classically trained in voice through high school and college, he graduated with a degree in musical theatre in 2020 before becoming the lead singer of the post-hardcore band Unwell. He is the creator and producer of Broadway Does Punk, a viral project and live production that reimagines classic musical theatre scores as high-energy rock and punk covers. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for the day. Connect with Matt: Instagram / TikTok / All Socials: @MattIsUnwell Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at [email protected]. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices | 42m 56s | ||||||
| 8/11/26 | Ep451 - Ben Folds & Lindsey Kraft: The Pass-Fail Test | Collaborative partners Lindsey Kraft and Ben Folds take us behind the scenes of their new musical project, We've Been Here Before, currently running at the SoHo Playhouse. Lindsey shares how picking up the piano at age thirty-nine led to an outpouring of songs that revealed truths about her life before she could fully articulate them in prose. Ben explains why he was drawn to the show as producer, music director, and on-stage performer, diving into his philosophy that genuine art must pass a fundamental pass-fail test of sheer necessity. They discuss building work from the ground up, the courage required to reinvent oneself, and why audiences respond so intensely to vulnerable, unvarnished storytelling on an intimate stage. The conversation takes plenty of unexpected, hilarious, and thoughtful turns along the way. Lindsey recalls her brief junior high basketball career that came to a swift end after getting guarded on the court by future WNBA legend Sue Bird, as well as her early acting gigs on television shows like Southland and Grace and Frankie. Ben offers a refreshing, counterintuitive breakdown of imposter syndrome, explaining why he considers it a self-centered burden placed on the audience rather than a mark of true humility. The duo also touches on musical psychology, orchestrating violin lines to act as live dramatic characters, and Ben finding his key theatrical moment on stage playing the triangle for a telephone ring. Lindsey Kraft is an actor, writer, and composer known for her screen roles in Grace and Frankie, Getting On, and The Big Bang Theory, alongside her stage playwriting work on Wedding Bash. Ben Folds is an acclaimed singer, songwriter, producer, author, and former frontman of the band Ben Folds Five who has composed for film, television, and major symphonies around the world. On We've Been Here Before, Lindsey serves as writer and star, with Ben producing, music directing, and performing on stage. Connect with Beth and Lindsey Watch my first interview with Ben in 2019: https://www.youtube.com/watch?v=TAWgm5MPvIU Lindsey Kraft: @linzkraft Ben Folds: @actualbenfolds Get Tickets to We've Been Here Before Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at [email protected]. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices | 1h 07m 28s | ||||||
| 8/4/26 | Ep450 - Matthew McConaughey: Greenlights | When Academy Award winning actor Matthew McConaughey decided it was time to open up thirty six years of personal journals, he packed up a truck with beef, bourbon, and twenty gallons of water, heading off to an undisclosed desert for fifty two days. The journey behind his bestselling memoir, Greenlights, took a pivotal turn when his initial ghostwriter fell through, creating an unexpected green light asset that forced him to write every word himself. From unpacking how yellow and red lights in life can eventually serve as crucial navigational tools to engineering more affirmative moments in our daily lives, Matthew brings his signature philosophical approach and warm humor to a deeply reflective conversation. Beyond the writing process, Matthew opens up about the core principles that shape his approach to family and parenting. He reflects on his upbringing surrounded by outlaw logic, recounting childhood misadventures like stolen pizza and lumber that ultimately became profound lessons on truth, hustle, and the value of time. He also breaks down how winning an Oscar turned into a masterclass in delayed gratification for his three children, and shares his ongoing desire to remove creative filters by living life in one long, unfiltered live take. Matthew McConaughey is an Academy Award winning actor, philanthropist, author, and professor. After breaking out in the film Dazed and Confused, he went on to star in a wide array of acclaimed projects, including A Time to Kill, How to Lose a Guy in 10 Days, Interstellar, and True Detective. His performance in Dallas Buyers Club earned him the Academy Award for Best Actor. He is also the author of the New York Times bestseller Greenlights and serves as a minister of culture for the University of Texas at Austin. Make sure to get Greenlights. I highlight recommend the audio book version! And watch the original video version of this from Talks at Google: https://www.youtube.com/watch?v=rPq0Elf18n4 Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at [email protected]. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices | 37m 23s | ||||||
| 7/21/26 | Broadwayperforming arts+4 | Mandy Gonzalez | HamiltonBroadway Theater Project+5 | — | Mandy GonzalezBroadway+6 | — | 1h 02m 30s | ||
| 6/24/26 | musical theatrenew works+4 | Steven Sater | Broadway Podcast NetworkSpring Awakening+1 | — | Steven Satermusical theatre+5 | — | 49m 02s | ||
| 6/16/26 | BroadwayTheatre+4 | Alex Brightman | Broadway Podcast NetworkWicked+5 | — | Alex BrightmanBroadway+5 | — | 1h 18m 30s | ||
| 6/3/26 | entertainment industrytheater+4 | Matt Rodin | Broadway.comtheater.games+3 | — | theaterentertainment+5 | — | 1h 01m 26s | ||
| 5/26/26 | Broadway productiontheatre industry+4 | Brian Anthony Moreland | Thoughts of a Colored ManThe Piano Lesson+1 | — | Broadwaytheatre+8 | — | 56m 03s | ||
| 5/19/26 | authenticityartistic fulfillment+4 | Tess Marshall | BreakawayThe Today Show+2 | — | authenticityTony nomination+4 | — | 1h 01m 22s | ||
Want analysis for the episodes below?Free for Pro Submit a request, we'll have your selected episodes analyzed within an hour. Free, at no cost to you, for Pro users. | |||||||||
| 5/12/26 | Broadway debutmusical theatre+4 | Melissa Barrera | Broadway Podcast NetworkNetflix+7 | New YorkSt. James Theatre | Melissa BarreraTitanique+6 | — | 1h 03m 32s | ||
| 5/5/26 | Broadwaytheater production+4 | Michael Arden | The RescuesThe Lost Boys+2 | Palace Theater | BroadwayThe Lost Boys+5 | — | 33m 03s | ||
| 4/28/26 | theaterBroadway+5 | Brandon Contreras | The Homo Sapien ExperienceBroadway Podcast Network+7 | New York CityChelsea+2 | Brandon ContrerasBroadway+7 | — | 51m 51s | ||
| 4/22/26 | choreographyBroadway+3 | Ellenore Scott | Ratatouille: The TikTok MusicalLincoln Center+11 | — | RagtimeTitanique+3 | — | 52m 00s | ||
| 4/15/26 | Broadwaytheatre+3 | Zhailon Levingston | Cats: The Jellicle BallInheritance Theatre Project+12 | — | Chicken and Biscuitscosmic synergy+2 | — | 54m 46s | ||
| 4/7/26 | storytellingcareer+4 | Betty Buckley | CatsPajama Game+15 | Texas | Tony AwardCats+3 | — | 27m 08s | ||
| 3/31/26 | careerBroadway+4 | Kevin Chamberlin | TikTokInstagram+21 | the Jersey ShoreIllinois | Tony AwardTikTok+3 | — | 49m 17s | ||
| 3/25/26 | theaterimmersive experiences+3 | Diane Paulus | MasqueradeHair+18 | TokyoNew York City | Tony AwardAmerican Repertory Theater+3 | — | 59m 54s | ||
| 3/17/26 | actingtheater+3 | Juan Carlos | Oh BrotherWelcomeToTimeSquare.com+5 | MiamiLos Angeles+1 | Broadwayself-tape+4 | — | 51m 01s | ||
| 3/10/26 | theatercreativity+4 | Alex Wyse | Indoor BoysMarvel+11 | Cleveland | debutLysistrata Jones+3 | — | 57m 20s | ||
| 2/24/26 | Broadwaychild acting+3 | Maya Jade Frank | Mangoes and BubblegumDisney Channel+14 | New YorkLos Angeles+5 | EvitaMary Poppins+3 | — | 37m 57s | ||
| 2/12/26 | musicjazz+3 | Stella Cole | Power StationNorthwestern University+7 | SpringfieldIllinois+4 | Judy GarlandDoris Day+3 | — | 55m 33s | ||
| 2/3/26 | real estatetheater+3 | Chloe Tucker Caine | Fly HighNetflix+6 | New YorkChicago | property musicalsOwning Manhattan+3 | — | 55m 24s | ||
| 1/27/26 | Ep430 - Bess Wohl: Getting Out of the Way | Bess Wohl joins the podcast to discuss the journey of bringing her latest play, Liberation, to Broadway after a decade of development. She shares the "woo woo" details of her creative process, describing a vision of her characters waiting in a metaphorical doctor's office for her to finally tell their stories. Bess reflects on how the play, which travels between the 1970s Women’s Liberation Movement and the present day, became unexpectedly urgent in the current political climate. The conversation dives into Bess's transition from an acting student at Yale Drama to an acclaimed playwright, a shift she describes as almost destined. She explains her rebellious approach to writing, from the "masterclass in silence" found in Small Mouth Sounds to the vulnerable, full-ensemble nudity in Liberation. Through stories of her mother’s time at Ms. Magazine and her own experiences in the rehearsal room, Bess highlights how storytelling serves as a visceral exercise in empathy for audiences and actors alike. Bess Wohl is a Drama Desk and Outer Critics Circle Award winning playwright and filmmaker. Her body of work includes the Tony Award nominated Grand Horizons, as well as Small Mouth Sounds, Make Believe, American Hero, Continuity, Camp Siegfried, and the feature film Baby Ruby. A graduate of Harvard University and the Yale School of Drama, her plays have been produced on Broadway and at major theaters including Ars Nova and Second Stage. Connect with Bess: Instagram: @besswohl Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at [email protected]. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices | 53m 03s | ||||||
| 1/20/26 | Ep429 - Irene Sofia Lucio: Golden Chest Armor is Liberating | Irene Sofia Lucio stops by to discuss the journey from being a shy kid in Puerto Rico who had to force herself to raise her hand to starring in some of the most provocative plays on Broadway. She opens up about the intersection of motherhood and art, explaining how becoming a parent shifted her relationship with her body and why creative teams led by mothers are simply more efficient. We also dig into the "white passing" label she carried for years and how she finally decided to fully reclaim her Latinx identity and name in an industry that loves to categorize. We get into the specifics of her current role in Liberation, including the decision to wear a custom golden armor bust of her own body for opening night and the unique power of performing a nude scene while her father is in the audience. Irene shares how the play explores the history of women's liberation and why physical vulnerability on stage creates a "force field" of safety with her castmates. It is a candid look at how the political climate impacts performance and why gathering in a theater is a form of community building we desperately need right now. Irene Sofia Lucio is an actor and creator whose Broadway credits include Liberation, Slave Play, and Wit. Her Off-Broadway work includes Our Dear Dead Drug Lord. On screen, she has appeared in In the Heights, Tell Me Lies, The Big Cigar, and co-created the web series Butts. She holds a BA from Princeton University and an MFA from the Yale School of Drama. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for a day. Connect with Irene: Instagram: @irenesofialucio Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: Patreon.com/TheTheatrePodcast Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at [email protected]. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices | 57m 41s | ||||||
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Chart history for The Theatre Podcast with Alan Seales
Peaked at #46 in KE, currently #46 in KE.
| Market | Genre | Peak | Current | Trend |
|---|---|---|---|---|
| KE | — | #46 | #46 | — |
| Sweden | — | #50 | #50 | — |
| Brazil | — | #65 | #65 | — |
| PE | — | #72 | #72 | — |
| VN | — | #94 | #94 | — |
| South Korea | — | #96 | #96 | — |
| Denmark | — | #114 | #114 | — |
| CO | — | #135 | #135 | — |
| SG | — | #143 | #143 | — |
| South Africa | — | #151 | #151 | — |
| United States | — | #152 | #152 | — |
| Germany | — | #168 | #168 | — |
| Netherlands | — | #170 | #170 | — |
Chart Positions
13 placements across 13 markets.
Chart Positions
13 placements across 13 markets.