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1 - 1,000 - Monthly Reach
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Recent episodes
How to Build a Robust Creative Economy That Rewards Everyone—including Artists
Jul 27, 2022
Unknown duration
Virtual & Analog Art
Nov 26, 2021
Unknown duration
Clark Hulings—Archetype of the Independent Artist
Mar 24, 2021
Unknown duration
Stock Art Can Go to Hell: Corporate Art Without Compromise
Jan 26, 2021
Unknown duration
Virtualize Your Art Career: Part 2
Oct 14, 2020
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 7/27/22 |  How to Build a Robust Creative Economy That Rewards Everyone—including Artists | How do we live in a robust culture? How do we produce a robust culture at a time when we are fracturing, polarized, and creative enterprise is an afterthought? | — | ||||||
| 11/26/21 | Virtual & Analog Art | We can have one foot in the world of visceral taste and touch and another foot in the digital world without having to split ourselves in half. | — | ||||||
| 3/24/21 | Clark Hulings—Archetype of the Independent Artist | Writer James D. Balestrieri: “An artist really shouldn’t care about being in the canon. They should do what they do, which is what Clark Hulings did: work at their work.” | — | ||||||
| 1/26/21 | Stock Art Can Go to Hell: Corporate Art Without Compromise | “I try to put everything, all of me, into the art.” Melissa Whitaker’s work—even for collaborations with corporate clients—is always her own. | — | ||||||
| 10/14/20 | Virtualize Your Art Career: Part 2 | “There is no one who can replace you in knowing what you want and telling your story.” Carolyn Edlund on success in tough times, and how the CHF Conference can help. Part II/II | — | ||||||
| 9/30/20 | Virtualize Your Art Career: Part 1 | Sales Strategy expert Carolyn Edlund discusses how artists can succeed during uncertain times and invites you to The Virtualize Your Art Career™ Conference Oct 19-30. Part I/II. | — | ||||||
| 8/29/20 | Selling Art in The New Normal: Marketplace, Native Communities, and Virtual Reality | The Virtual Edition of The Santa Fe Indian Market offers an atmosphere of delight and awe at a time when most of us are cooped up in our own worlds of social distance. | — | ||||||
| 6/8/20 | Build Your Own Future With Or Without The Establishment | “It takes years of putting lots of lines in the water.” Pop artist Ashley Longshore discusses guts, strategy, and other lessons learned as a leading artist-entrepreneur. | — | ||||||
| 5/1/20 | Lockdown: Artists Double Down on Building Robust Businesses and Self-Help Networks | It’s a timely moment to hear from Cornelia Carey and Carrie Cleveland from CERF+, a leading nonprofit focused on safeguarding artists’ livelihoods nationwide. | — | ||||||
| 2/19/20 | These Artists Graduated Training But are Entrepreneurs for Life | “It was a total mind-shift this year. There is a market for what I want to do, and I am selling. There are buyers for the subject matter that I want to paint.” | — | ||||||
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| 11/21/19 | Data Science in the Arts: Report on the Working Artist | CHF data analysts Lily Dulberg and Daniel DiGriz prove in the Report on the Working Artist that the secret ingredient for artists’ success is entrepreneurial training. | — | ||||||
| 8/17/19 | Infiltrate the Business World in the Name of Art | “Certainly the jobs that are going to go last are going to be the ones that require people to creative problem-solve and come up with unique new ideas.” | — | ||||||
| 7/12/19 | Artists Are Solving Atomic-Level Problems | “The arts are not just an amenity, they’re a critical function of society and a part of the fabric of social, cultural, and also economic life and livelihood for our country.” | — | ||||||
| 6/15/19 | Classical Skills for Modern Art Careers: The Case for Training and Tradition | “With the advent of Modernism, there was this idea that training would ruin your creativity.” | — | ||||||
| 5/29/19 | Fearlessly Take On The Big Daddy Ugly Goal | “The challenge was to make [the goal] so scary and big that you can never accomplish it, and I'm making small steps towards that.” | — | ||||||
| 5/9/19 | If You Build It, They Will Ignore It. Unless… | “I think people who know what their values are...know what their values are! So yes, they're trading, yes they're ‘sacrificing,’ but what they don't trade off is what they value.” | — | ||||||
| 3/12/19 | Tighten Your Sales Strategy, Then Refuse to Compromise | “When you decide what you want to do, you become more intentional about what you choose to do.” | — | ||||||
| 2/18/19 | Lock Down Your Rights to Your Own Art | "If you don’t file a copyright application in a timely fashion you pay a very, very significant price. […] Artists really need to copyright their works I would say, immediately." | — | ||||||
| 1/23/19 | Make the Gig Economy Work for You | “If you always give more than you ask, then networking is effective.” | — | ||||||
| 1/12/19 | Get to Emerging Artist Status and Beyond | “There are so many platforms now for an artist living in obscure or out-of-the way places to get their work out and be seen.” | — | ||||||
| 12/4/18 | Leverage Your Non-Art Expertise for a Career Blueprint | Kristin makes work at the intersection of art and science that connects us to the “extraordinary, strange beauty of the natural world.” | — | ||||||
| 11/7/18 | Get Your Art Into Hotels and Corporate Spaces | “Make sure you’re always retaining the rights to the work. If someone is asking you to sign the rights, there’s a problem. Because we are asking permission to use it; not to own it.” | — | ||||||
| 10/2/18 | Identify Pivotal Opportunities for Business Growth | “I consider myself a business owner, and my business is art. So I know that I’m running a business, and every artist that I know that’s making money is doing it the same way.” | — | ||||||
| 8/16/18 | Generate Powerful Publicity: A Sistine Chapel Mindset | "The tipping point in my business was being able to educate people about why what I'm doing is different." | — | ||||||
| 6/25/18 | Leverage Your Creative Skills to Improve Your Finances | "Your art practice will change; it’s absolutely necessary to plan for it. I don’t want to hustle to find rent money when I’m 80!" | — | ||||||
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Chart Positions
2 placements across 2 markets.
Chart Positions
2 placements across 2 markets.