The Track with Ryan Swift

In Episode 54, I am joined by dancer & DJ Helena Martins. Helena has danced, competed, performed, and DJed across the US, South America, and Europe - including DJing at events like Lindy Shock, ILHC, Lindy Focus, and at Herräng dance camp, where she has been a staff and Head DJ. Helena joined me by video from her home in Madrid to talk about growing up in Brazil, her involvement in the electronic music scene, and how she discovered big band jazz through playing video games. We also talked about what led her to DJing, what characteristics make a DJ great, finding a silver lining during the pandemic through online events, and why she prefers playing classic swing artists over modern bands for dancers.

In this episode, I am joined by dancer, instructor, and musician, Giselle Anguizola. Giselle has been swing dancing for over 20 years, and is founder of Girl Jam, an organization honoring women in swing music and dance through weekend festivals around the globe. Widely renowned for her creativity and individuality as a performer and instructor, Giselle spends most of her days singing and dancing with her band in New Orleans and San Diego. Giselle joined me by video chat from her home in San Diego to talk about finding swing dancing thanks to a middle school music teacher, the importance of recognizing followers in their own right, and what it means when she says she hears music in shapes. We also discussed her 10 years working as a performer in New Orleans, how both Amy Winehouse and Cab Calloway influence her performances, and how the pandemic is affecting her dancing and her mental health.

This month's episode is a little different than our usual extended interviews. In a case of perfectly serendipitous timing, this milestone 50th episode coincides with what would have been Frankie Manning's 106th birthday, now widely recognized as World Lindy Hop Day. So, to celebrate both the Ambassador of Lindy Hop and this milestone episode, we've curated a collection of stories about Frankie the dancer, and Frankie the man, as told by previous guests on The Track. It is hard to overstate the significance of Frankie Manning's contributions to our cultural history, and his part in cultivating a truly worldwide community of people united by their love of this African-American art form he helped define. As a teenager, Frankie danced at Harlem's legendary Savoy Ballroom, later bringing his talents to Whitey's Lindy Hoppers as a lead dancer and chief choreographer. In the 1930's and 1940's he performed the Lindy Hop with jazz greats, on stage and screen, and toured internationally. In the 1980's, Frankie answered the call of those with a renewed interest in the Lindy Hop and became its Ambassador - winning a Tony award for choreography, returning to performances on screen, and teaching dance workshops to a new generation of dancers around the world. The community Frankie helped create through his knowledge, generosity, and character has never been stronger than we are seeing now in the midst of the global pandemic. Dancers across the globe are finding new ways to connect, support artists, and spread the love of Lindy Hop despite seemingly insurmountable challenges and in doing so, continue to honor and spread the spirit of its Ambassador.

In this episode, I am joined by dancer and choreographer, Caleb Teicher. Caleb began his dance career as a founding member of Michelle Dorrance's critically acclaimed tap dance company, Dorrance Dance, and is the recipient of many prestigious awards, including two Bessie Awards. Caleb discovered Lindy Hop through a chance encounter with swing dancers in a tap class in 2010 and has since performed in collaboration with Nathan Bugh and as part of Syncopated City Dance Company. His work has been performed at The Joyce Theater, the Guggenheim Museum, Jacob's Pillow, and on Broadway as part of Regina Spektor's residency. Caleb joined me in New York City last month to talk about learning the drums and tap dance at an early age, his rapid and unplanned trajectory in the world of professional dance, what makes the tap and Lindy Hop communities unique, and the critical role that social swing dance has played in his life and sense of community. We also discuss how his preferred role in partner dance has evolved over time, the magic of how dancing Lindy Hop simultaneously expresses its history and the present, and how his newest project, Swing 2020, aims to bring the best and brightest of modern Lindy Hop to a new audience. This episode is produced & edited by Alletta Cooper.

In this episode, I am joined by instructor, performer, and choreographer, Marie N'diaye. Marie has been dancing almost as long as she has been walking, but she fell in love with Lindy Hop and Vernacular Jazz in 2007. Since that time, Marie has taught in her home scenes of Montréal & Stockholm and at workshops & camps around the globe. She has won competitions at ILHC and Snowball, is choreographer and director of the Herräng Dance Camp daily meeting chorus line, and leads her own dance troupe, HotCha Chorus Line. Marie joined me at ILHC 2019 to talk about her experience growing up in France in an Afro-Caribbean family where music and dance were a part of life, finding her Lindy Hop home at Cat's Corner while studying biochemistry in Montréal, and how her PhD studies led her to Sweden and the creation of the Herräng Chorus Line. We also discuss the importance of understanding rhythm instead of simply focusing on patterns, the legacy of colonialism and slavery in the evolution of dance, and the significance that videos of other black dancers played in discovering her connection with Lindy Hop and swing music.

In this episode, I am joined by dancers and instructors Kim Clever and David Frutos. Kim and Dave met at a dance class at a bar in 1994, and by 1996 they were teaching swing dance together at the world famous Brown Derby. As competitors David and Kim have numerous titles together from the National Jitterbug Championships, the International Lindy Hop Championships, and US Open Championships. They have many film and television credits to their name and have been inducted into the California Swing Dance Hall of Fame, both individually and as a couple. We sat down at Camp Hollywood 2019 to talk about the early days of the camp, how getting hired by Whoopi Goldberg launched their Hollywood careers, and their experience as dancers for the Brian Setzer Orchestra. They also break down dancing at and running some of LAs top swing dance spots, their experience traveling from the west coast to compete in the east at the height of the infamous style wars, and Kim's experience as a woman in the swing dance scene.

In this episode, I am joined by dancer, instructor, and choreographer Ryan Francois. Following a chance encounter with a poster promoting "'Thirties dancing with Judo throws" in the early 1980's, Ryan has since become master of Lindy Hop, jazz, and tap. He is a two-time winner at the US Open and American Swing Dance Championships, has taught and performed around the world, and his choreography and performances on stage and screen have inspired generations of modern Lindy Hoppers. Ryan joined me in New York City to talk about his discovery of Lindy Hop as a poor black teenager from East London, how profoundly the films "A Day at the Races" and "The Spirit Moves" impacted his life, and how connecting with the dance and such legends as Mama Lu Parks, Norma Miller, Pepsi Bethel and Frankie Manning shaped his sense of self and history. We also discussed the evolution of his career from traveling performer and competitor to choreographer on films like "Swing Kids" & "Malcolm X," and the Tony-nominated musical "Swing!," the legacies of the individuals that have carried the torch of Lindy Hop, and the thing he has yet to accomplish in a career that has touched nearly every aspect of show business.

In this episode, I am joined by dancer and instructor, Alice Mei. Alice began dancing when she was four, and studied ballet and contemporary dance before falling in love with Lindy Hop and Solo Jazz. She very quickly became a highly sought-after international instructor and acclaimed competitor, teaching in more than 30 countries and winning titles at events such as Ultimate Lindy Hop Showdown, the International Lindy Hop Championships and the European Swing Dance Championships. Alice joined me at Lindyfest 2019 to talk about the loneliness and difficulty she experienced at a dance conservatory program as a child, her struggle to understand rhythm at the start of her Lindy Hop career, and her experience finding her own voice in dance after an unhealthy partnership. We also discuss how switching partners multiple times has helped her dancing evolve, why fear is her greatest motivator for competing, and what she's learned about successful group choreography as part of Brothers and Sisters in Rhythm. A brief content warning -- we discuss Alice's relationship with Max Pitruzzella about 42 minutes into the episode.

In this episode, I am joined by singer, dancer, and event producer, Hilary Alexander. Hilary has been a vital part of the Los Angeles swing dance scene since she began dancing in the mid-90s - she founded and continues to run Camp Hollywood and the National Jitterbug Championships in LA, was inducted into The California Swing Dance Hall of Fame in 2008, and later served on its board for 5 years. She has also been the co-leader and vocalist for Jonathan Stout and His Campus Five and The Jonathan Stout Orchestra since 2002. Hilary sat down with me at the 2019 California Balboa Classic to talk about taking up to swing dancing to fight loneliness when she moved cross-country after high school, what compelled her to start Camp Hollywood with absolutely no experience as an event organizer, and what it was like being part of a cultural moment at some of the most well-recognized venues of the LA swing revival. We also discuss what it was like growing up with show business aspirations in New York City, her experience as a self-taught vocalist, and how her complicated relationship with her mother has shaped her own outlook on motherhood.

In this episode, I am thrilled to be joined by one of my most requested guests, Tena Morales-Armstrong. Tena is a renowned dancer, instructor, judge, choreographer, and organizer. She has been a guiding figure for the global swing scene for over twenty years - from winning the inaugural American Lindy Hop Championships with her partner Carnell Pipkin in 1998, to her roles as co-founder of the International Lindy Hop Championships, co-organizer of Lindyfest and Lone Star Championships, and architect of the International Swing Dance Championships and Houston Jazz Dance Festival. Tena and I sat down in Rochester, NY during Stompology 2018 and talked about teaching hip-hop as a single mom, how a glimpse of tandem Charleston at the Glen Echo Ballroom inspired her to instantly dive headlong into the world of Lindy Hop, and how her eye for talent helped develop of some of today's most recognized dancers. We also discussed what it means to her to work with kids on and off the dance floor, her role in the Frankie Manning Foundation, the importance of black history and culture in Lindy Hop, and building a bridge between African-American partner dances like DFW Swingout and Chicago Stepping and the modern Lindy Hop scene.

My guest this month is the dynamic dancer, teacher, competitor, and performer, Jenny Shirar. Jenny discovered swing dance in 2008, learning from some of the legendary jitterbugs in St. Louis, MO. She has since won competitions at events like Ultimate Lindy Hop Showdown, ILHC, and Midwest Lindy Fest, and has become an ambassador of St. Louis Shag, teaching around the world with her partner Christian Frommelt. Fiercely proud of her hometown, Jenny has also become a cornerstone of the St Louis swing dance community, having co-founded the Nevermore Jazz Ball and the St. Louis Jitterbugs. Jenny and I sat down in New York City to talk about her experiences learning how to dance on the social dance floor, why her main objective when competing is to be relentlessly herself, and the challenge of striving to innovate while still preserving the roots of vintage dances. We also discussed how she defines authenticity, how hearing stories of St. Louis' dance history gave her a greater appreciation of individuals lived experiences, and why she considers St. Louis to be the City of Dreams.

My guest this month is instructor and founder of the All Balboa Weekend, Valerie Salstrom. Valerie has a long list of Lindy Hop and Balboa competition titles to her name, including from events like the National Jitterbug Championships and the American Lindy Hop Championships, and is also well-known as the founder of the Cleveland Junior Jitterbugs after-school swing dance program. Val and I sat down at ILHC 2017 to talk about what it was like learning her first Balboa steps directly from legends Maxie Dorf and Sylvia Sykes, the thrill of competition, and the incredible impact the Junior Jitterbug program has on its participants and our scene. We also discussed her inspiration for the first weekend event dedicated solely to Balboa, what it took to build a scene from scratch in Cleveland, and both got a little choked up talking about how much we love the Juniors division at ILHC.

My guest this month, Mikey Pedroza, is one of the most versatile dancers in the modern swing dance scene, having competed, performed, and taught Lindy Hop, Charleston, Balboa, Blues, and Solo Jazz around the world. He is a fixture on the international swing dance scene and co-hosts the podcast "The Brightside with Mikey and Rachel." Mikey and I sat down at ILHC 2017 to talk about his changing approach to choreography and competition, and his memories of dancing as a teenager in Southern California among old-timers like Maxie Dorf and Hal Takier. We also discussed his personal experience with an event's safe space policy, the injury that took him out of this year's competitions, and how these events brought him to reflect on what the dance means to him and his place in the swing dance community.