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- 🇮🇹IT · Performing Arts#8310K to 30K
- 🇫🇷FR · Performing Arts#1591K to 10K
- 🇳🇿NZ · Performing Arts#543K to 10K
- 🇨🇿CZ · Performing Arts#149500 to 3K
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4.3K to 16K🎙 Daily cadence·141 episodes·Last published 6d ago - Monthly Reach
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15K to 53K🇮🇹57%🇫🇷19%🇳🇿19%+1 more - Active Followers
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5.8K to 21K
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Recent episodes
Cassandra Woodhouse | Part 3 | Her New Book: " Sex, Power and Prima Facie"
May 26, 2026
Unknown duration
Flora Dawson on Inter Alia
May 18, 2026
Unknown duration
Vivian Panka on Performing Regina in Mean Girls
May 11, 2026
Unknown duration
Fringe in Fifteen | Verity Bajoria | "Smile"
May 7, 2026
Unknown duration
Chris Palmer | Part 2 | Training Your Voice with Meisner, Michael Chekhov and Stanislavski
May 5, 2026
Unknown duration
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| Date | Episode | Description | Length | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 5/26/26 | ![]() Cassandra Woodhouse | Part 3 | Her New Book: " Sex, Power and Prima Facie" | Cassandra Woodhouse Part 3!Cassandra returns to talk about her latest discoveries about playing Tessa in her latest tour of Prima Facie around New Zealand. As well as her debut book, “Sex, Power and Prima Facie: When Art Becomes Activism and the Creatress Rises”.In this beautiful book, Cassandra delivers a powerful, poignant and vivid understanding of not only Suzie Miller’s play, but of the healing journey after the curtain comes down. Sex, Power and Prima Facie delves into her experience of taking this play around New Zealand, a one woman show in more ways than one, and the profound impact it had on the audiences and herself. From advice on how to regulate your nervous system after a demanding acting challenge, to having empathy for people sharing their stories for the first time. This book is not only for fans of the play, but for those discovering it for the first time. This is for you and the one in three. Get your copies now on from any major retailer, and it’s also available as an audiobook on Spotify. All this and much more!Thank you again Cassandra always a pleasure!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 5/18/26 | ![]() Flora Dawson on Inter Alia | Flora trained in musical theatre at Arts Ed and has gone on to be part of some of the biggest shows for stage and screen. Her credits include, for screen:Judy, dir. Rupert GooldStreetdance: The Movie Malory Towers, Series 1, 4 and 5 - BBCGeek Girl - NetflixTheatre:Singin’ in the Rain - Chichester Festival and West EndKiss Me Kate - Welsh National OperaFunny GirlWonderful TownThe American Clock - Old VicMacbeth - Players Theatre CompanyThe 47th - Old Vic, Rupert Goold, understudy Ivanka TrumpSuddenly Last Summer, English Theatre FrankfurtStranger Things: The First Shadow, West End, dir. Justin Martin Currently - Understudy to Rosamund Pike in Suzie Miller’s latest hit play Inter Alia - playing at the Wyndham’s Theatre in London and will soon be making its Broadway debut later this year. Not to mention, she was also part of the Walker’s crisps 70th Birthday advert in 2018 playing the “Tupperware lady”. Brilliantly I must say!Flora discusses her time at Arts Ed, the rewards and challenges of musical theatre training as well as understudying Rosamund Pike in the huge role of Jessica Parks in Inter Alia. In addition, how the play’s subject matter (slight spoilers ahead) sparks tough but essential conversations about consent, what teenagers can access on the internet and creating a safe space to discuss sensitive subjects. Thank you Flora!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 5/11/26 | ![]() Vivian Panka on Performing Regina in Mean Girls | Vivian trained at the Codarts University for the Arts in Rotterdam, Netherlands. Her credits include, for film:Heather Duke, Heathers: The Musical, 2022For theatre:Dear Evan Hansen, ManchesterHeather Duke, Heather’s: The Musical, The Other Palace TheatreJudy Benly, 9-5 The Musical UK TourShe is currently starring in the UK and Ireland Tour of Mean Girls in the iconic role of Regina George, made famous by Rachel McAdams in the hit 2004 film alongside Lindsay Lohan. For more information and to book tickets you can do so via the link below:https://meangirlsmusical.com/Vivian and I discuss her journey into the business, training at Codarts and getting cast in Mean Girls. As well as, life on the road, the demands and rewards of the job and how she makes this famous role her own. Thank you Vivian!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 5/7/26 | ![]() Fringe in Fifteen | Verity Bajoria | "Smile" | Hi guys and welcome to another new series!Fringe in Fifteen 🎭A show for artists and production companies putting on their shows at every respected Fringe festival in the UK and beyond. Guests get a fifteen minute elevator pitch style opportunity to promote their show, cast, what it’s about and where people can see it.First up, the brilliant Verity Bajoria with her show “Smile” currently on at the Drayton Arms Theatre in South Kensington. The show follows Tammy Woodburn trying to get an agent and the journey she goes on to obtain one. Binding together all forms of comedy from traditional stand up to humour through music, this is one for all comedy and theatre lovers out there!Tickets available here: https://www.thedraytonarmstheatre.co.uk/smileAnyone else who wants to promote their show on here, please get in touch. Thank you Verity and good luck with the show!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 5/5/26 | ![]() Chris Palmer | Part 2 | Training Your Voice with Meisner, Michael Chekhov and Stanislavski | It’s a big welcome back to the master that is Chris Palmer! Chris is a voice, breath, movement, yin yoga, tai chi, Shakespeare and accent expert. Now celebrating her second book, exploring more about the voice and how some of the world’s leading practitioner’s methods can tie into vocal support helping you with pitch, resonance and articulation. Those include Michael Chekhov, Meisner and Stanislavski to name a few. The book is called Voice Training Through Acting and Movement and is now available online as well as in major retailers. Chris delves into the Meisner, Michael Chekhov and Stanislavski and how their methods can apply to training your voice as well as helping you develop the characters you play. Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 5/2/26 | ![]() Shakespeare Saturday | Romeo & Juliet | Hello guys and welcome back to Shakespeare Saturday! Hosted by myself and Sarah Spring 🎭This time we look at another widely studied and most performed play, Romeo and Juliet. Verona, two households both alike in dignity, where out of the ashes of this conflict a pair of star cross’d lovers appear, and what unfolds is one of Shakespeare’s most beautiful and devastating tragedies. Performed all over the world in multiple languages, this play covers themes from adolescent love both requited and unrequited, conflict between families, political tension, hormones raging and how love is always there even in the darkest of times.Join us for further geek out session for another of our favourite plays and stay tuned for more!Follow Sarah on Instagram: @shakespearemadeclearOliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 4/27/26 | ![]() Lucy Hind on Inter Alia and Intimacy Co-ordination | Lucy is a Movement Director, Choreographer and Intimacy Director who has worked on some of the biggest shows in the British and International theatre scene. Her work across all three professions include, for screen:Banana, E4Truthseekers, AmazonThe Nutcracker, The Snow Queen, Thumbelina and Peter Pan, BBCCriminal Record Series 2, STV Studios for Apple +For theatre:Workshop Leader for the Paralympic Opening Games, London 2012Wind in the Willows, West Yorkshire PlayhouseTwelfth Night, Sheffield Theatres The Effect, Sheffield TheatresNo’s Knife, Old VicUgly Lies the Bone, National TheatreGirl from the North Country, Old Vic, Noel Coward Theatre and Public Theatre (Off-Broadway)Billy Elliot, Curve Leicester Machinal, Old VicWaiting for Godot, Theatre Royal HaymarketFear of 13, DonmarChristmas Day, AlmeidaRoad, Royal ExchangeInter Alia, National Theatre, Wyndham’s and soon Broadway, directed by Justin Martin - amongst many more!Lucy and I discuss her work across all three of her professions and specifically her time on the recent West End transfer of Suzie Miller’s Inter Alia. A play about the impact on the youth of today as a result of what they can access on the internet, as well as how she works with her actors choreographing intimate scenes and making them as comfortable as possible. All this and much more! Thank you Lucy!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 4/20/26 | ![]() Melissa Vettore on Studying "The Method" and Prima Facie in Italy | Melissa is an actress, journalist and producer whose work expands way beyond acting. To the opera, working as a dramaturg, in advertising, cinema, television and leading workshops. Her training came from a number of institutions, one being Campagnia Finzi Pasca, a company she has collaborated with from a young age, the Lee Strasberg Institute in New York, and also with José Sinisterra in Barcelona. Campagnia Finzi Pasca uses resources of acrobatic movements and clown presences based on the “Theatre of Caress”, a concept developed by Daniele Finzi Pasca. Some of the most important things in her process as an actor are movement research and body expression. In helping actors develop their interpretations of the characters that they play. During this time she was also an assistant to the great director Elias Andreato, preparing actor Juca de Oliveira as King Lear among other great roles. Also with Campagnia Finzi Pasca she has also joined the dynasty of actors performing “Tessa” in Suzie Miller’s Prima Facie. A play about the flaws in the legal system when it comes to women defending themselves in sexual assault cases. Making the point that even now, as we speak, more still needs to be done and something has to change. Melissa and I take a deep dive into Prima Facie, hearing about some of the surreal reactions she has had performing across Italy and Switzerland in recent months. In addition to discovering new things about the text that I never thought about before, and the show’s global effect in helping numbers of people in more ways than one.Grazie Melissa! Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 4/13/26 | ![]() Daisy Chute on Composing for Documentaries, Musical Theatre and Winning a Grammy | Daisy is a Grammy-winning singer and songwriter whose work has been heard on her singles, albums, television series narrated by David Attenborough, to films such as “Loki” and “Yesterday”. While at school she signed to Decca (Universal) records to become part of the quartet “All Angels” as a lead vocalist. Her work has also featured on Film/TV/Video Games from:The Sims 4Shaun the SheepBBC Radio ScotlandSkyITVCNNBob Harris’ “Under the Apple Tree” series. She holds a dual citizenship between the UK and the USA and can be found touring around Nashville, New York, LA and Chicago to name a few. As well as, festival appearances including Glastonbury Green Futures, Cornbury and the Edinburgh Fringe. In 2024 she won a Grammy as part of the Birdsong Project with her piece “Murmuration” inspired by starling murmurations. Her songs have been recognised in competitions, coming first in “Roots Tech” with her song “Music Is There” and in the “Coffee Music Project” with her song “London’s On Fire”. On top of all of this, Daisy also received the 2024 Cameron Makintosh MT Writer Placement Award and is currently co-writing musicals with Rebecca Brewer. Those include “Caven” and a new one about Jane Austen’s life for Mayflower Studios. Most recently she appeared on a panel at the renowned drama school Arts Ed on International Women’s Day. Talking about the availability of good parts for women, navigating the industry, advocating for yourself, being your own superhero and what we want the future to look like for women in the arts. We discuss her journey into the business, “All Angels”, writing music and the experience of both winning a Grammy, and hearing your work against the backdrop of legendary broadcaster David Attenborough. Thank you Daisy!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 4/6/26 | ![]() Lauren Carse on Understudying in the Prima Facie UK Tour | Lauren trained at “The Television Workshop” with Ian Smith and has gone on to great things in her career thus far. Her credits include:Film:Burn OutFaithStage:8 productions with “The Television Workshop” including:Dark of the MoonMeasure for MeasureHe’s TalkingThe PriorityThe Daughter in LawTV:Doctors, BBCTruckers, Company and BBCBanana, E4Vera, ITVGranchester, ITVCoronation StreetMrs Sidhu Investigates, Acorn TVMost recently she finished understudying the role of “Tessa” in the latest UK tour of Prima Facie led by Jodie Comer, directed by Justin Martin. Lauren and I talk about her inspirations to become an actor and some of her early work, to her latest experience on tour with Suzie Miller’s trailblazing play. A one woman show about the flaws in the legal system when it comes to women defending themselves in sexual assault cases. Not to mention, how there is still more to be done for the legal system to completely protect those that have suffered from this horrendous act. Lauren discusses learning the text, life as an understudy and being on the road with Jodie and the rest of the company. In addition, the impact the play continues to have on its audiences and those who make the show the masterpiece it is. Thank you Lauren!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
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| 4/4/26 | ![]() Shakespeare Saturday | Macbeth | Hello everyone and welcome to a brand new series, Shakespeare Saturday!Hosted by myself and fellow Shakespeare enthusiast Sarah Spring!This series is for all you Shakespeare and theatre lovers, as well as those studying the plays at a high level. For those in the UK that could be for your GSCE’s, A Levels or degree. Or for your SAT’s in the USA to college standard.To begin with we look at one of Shakespeare’s most studied play across the UK, Macbeth, aka “The Scottish Play”. A play written with warning about succumbing to the dark, demonic world of witchcraft and to the power of dangerous ambition that threatens to turn the world upside down.This week we take a dive into the play’s supernatural powers, theatrical superstition, dangers of blasphemous ambition and tackling some previous exam questions. For anyone studying the Macbeth or any other of Shakespeare’s cannon, please get in touch with your questions and elements of the play you’d like to know more about.Thanks for listening and stay tuned for our next episode!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 3/30/26 | ![]() Morgan Lloyd Malcolm on her play "The Wasp" and Writing for Theatre | Morgan is a playwright, screenwriter and dramaturg who has penned many successful hits across stage and screen. Some of her most celebrated work includes the plays, “Belongings”, and, “The Wasp” that both enjoyed runs at the Hampstead Theatre and Trafalgar Studios. “Belongings” was shortlisted for The Charles Wintour Most Promising Playwright Award. Where “The Wasp” was adapted into a hit film starring Natalie Dormer (Game of Thrones) and Naomie Harris (Skyfall), directed by Guilleme Morales, 2023. Other work Morgan has written includes:Typical Girls, a play set in a female prison, premiered at The Sheffield Crucible, 2021Mum, Plymouth Theatre Royal and Soho Theatre, 2021When the Long Trick’s Over, UK Tour 2022. She has also co-written the musical “Cake” which performed in London in 2023 and 2024 following a previous 2022 tour. As well as her own Theatre Company called “Terrifying Women” which produces new horror plays written by women. Her adaptation of “Damage” by Josephine Hart which was produced by Netflix under its new title “Obsession”.In recent times her version of “Dracula” which focussed on uncovering female perspectives in Bram Stoker’s text, opened at the Lyric Hammersmith in 2025. As a dramaturg she also worked on Chloe Wade’s play “As SHE Likes It” both at the Greenwich Theatre and UK Tour. Morgan and I discuss her inspirations to become a writer, her process, how she finds her characters and develops her stories. To how “The Wasp” came about. Its journey from the stage to the screen and where the characters of Heather and Carla came from. In addition, how the brilliant and sinister image of the tarantula wasp features as a metaphorical link between the two. To find out how, listen in!Thank you Morgan! Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 3/16/26 | ![]() Tómas Howser and Emily Dilworth on The Welkin by Lucy Kirkwood | Tómas Howser and Emily Dilworth are two fellow members of the GSA family that I was proud to share my year with. Tomas graduated in 2022, he can be seen as the role of “Deputy Commissioner Miles Irving” in all six of Sony Liv’s streaming series “The Walking of a Nation, directed by the multi-award winning Ram Madhuani. Other credits include “Entrapped” for Netflix, “When the Light Breaks” which made it to the Cannes Film Festival in 2024, and has voiced various roles including the Icelandic dubbing of “The Emoji’s Movie”. He is also a skilled rap artist and has featured on the “Fever Dream” European Tour. Check out his website to book your one to one sessions helping you with audition technique and advice for drama school. tomashowser.comEmily also graduated in 2022 and recently completed “F.I.T.D”, a short film executively produced by Romesh Ranganathan in association with Soho House. Stage credits include, Queen Elizabeth and Lord Mayor in two productions of Richard III. As well as, The Glitch, Pretend, By The Grace of God, Lady Macduff, Hedda Gabler, The Laramie Project and The Homecoming. She is also skilled in stage combat, horse riding and horse jumping. Both appeared in “The Welkin” at GSA in November 2021 with Tómas as “Mr Coombes” and Emily as “Elizabeth Luke”. A play by Lucy Kirkwood, set in 1759 Suffolk, Sally Poppy is accused of murder and faces the gallows. However at the eleventh hour she claims to be pregnant and under the law a woman carrying a child is not permitted to be hung. She goes to trail and a jury of twelve women led by Elizabeth Luke, with Mr Coombes the court bailiff observing, decide whether she is telling the truth or not. Tom, Emily and myself take a deep dive into the play, the rehearsal process and what they play uncovers about the position of women in society. How far we’ve come since 1759 and how some things are still the same. This episode contains spoilers!Thank you Tom and Emily, until next time!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 2/23/26 | ![]() Nicki Leighton-Thomas on Performing Jazz and Writing Music | Nicki is a critically acclaimed singer with a passion for Jazz music. After spending her formative years singing in choirs and starting a band at 17, she went on to drama school before moving to London. Following a chance meeting with composer Simon Wallace, it led to her first studio album “Forbidden Games” which was The Evening Standard’s Album of the Week as well as raking in a four star review from both The Guardian and The Times. She then went on to be a fixture in the London jazz scene performing at the 606 Club, Pizza on the Park, Pizza Express Jazz Club in Dean Street, The Groucho Club, The Café de Paris, The Barbican, The 100 Club, The Festival Hall amongst many more. Including clubs and festivals such as, The London Jazz Festival and The Stables of Wavendon. In 2017 she released an album of songs by Dory Previn recorded and produced by John Reynolds and her work can be heard on albums by Gary Husband and Belinda Carlisle. Stay tuned for Nicki’s new album coming in the summer of this year!Nicki and I discuss her love of music, especially Jazz, recording a studio album and the rewards and challenges of the creative process. To some of her musical inspirations and how in this time of AI, human creativity has never been valued more. Thank you Nicki!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 2/17/26 | ![]() Katie Louisa Morgan on her play "Fox" | A Show about Motherhood | Katie is an actor and writer who has graduated from Goldsmiths University and East 15 Drama School. Her credits include:Film:Burlesque FilmsAnimal CharmTV:The CutTheatre:Caviar and Chips - Soho Theatre and TourTwo’s Tales - King’s Head TheatreUncle Vanya - Theatre NomadHamlet, The Seagull and The Odyssey - Factory Theatre Company As both an actor and writer she has also appeared in her own one woman show “Fox”, written in 2018, first performed at the Edinburgh Fringe in 2019, followed by a UK Tour. Including a recent run at the Park Theatre in Islington this past December, directed by Lisa Cagnacci. Katie and I discuss her play, the writing process, getting the show up and running, and the rewards and challenges of its subject, motherhood. The play follows a mother called “MUM”, she’s just given birth to her first child and finds herself increasingly anxious, as a result of being isolated in her flat all day caring for her newborn while her husband is at work. On top of this, a mysterious homeless man is perched on the other side of the wall of her flat. While he offers no threat to the mother and child, his presence is nevertheless unsettling, and the mother would like to know more about why and how he got there. This play is about the side of being a parent that many wouldn’t know about, it removes the rose tinted glasses and shows you what its really like. In addition, how important it is to ask for help if you’re struggling and how you don’t have to do it on your own. Thank you Katie!-Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 2/9/26 | ![]() Georgia Bird | Part 2 | Prima Facie on Tour and the Impact of Theatre | The return of Georgia Bird!Georgia is a stage manager extraordinaire, writer, lover of the arts, advocate for mental health and someone who has travelled the world with some of the biggest shows in the theatre. She is of course a member of the Prima Facie team which to this day continues to help people across the globe in more ways than one. It’s a big, big welcome back to the indomitable, the brilliant, the inspiring G Bird!Georgia returns to the show to talk about the continued success of Suzie Miller’s trailblazing play Prima Facie, now on a nationwide tour of the UK until 21st March. We discuss taking the play on tour, new discoveries made by the cast and company in rehearsal, the socio-political impact of the play since it opened in 2022 and Georgia’s return to stage management since becoming general manager of Empire Street Productions. For anyone who hasn’t seen the play yet, keep a look out for any future screenings at your local cinema or on demand, it’s a show that helps people more than you know. It’s a voice for the one in three, a demonstration that theatre can change the world and how something has to change. Always a pleasure Georgia!-Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 2/2/26 | ![]() Helen Murray on Photographing the Theatre and Life | Helen is a professional moment catcher from Derry whose work is used not only in the theatre, but for portraits, editorial work, promotional campaigns to making celebrities look good in iconic venues such as Wimbledon. She originally trained as an actor but after some time she realised, in her own words, she “preferred observing the chaos rather than being a part of it”. She made that decision in 2012 and has never looked back. Since then she has shot for over 300 productions at venues such as the National Theatre, Royal Court, Young Vic, Donmar, Barbican, Shakespeare’s Globe and RSC. Here are some honourable mentions:Prima Facie at the Harold Pinter (London) and John Golden (New York)We Black Woman, Donmar WarehouseOur Empty Theatres, a portfolio capturing over 22 theatres that went dark during the pandemicLong Days Journey Into Night, Wyndham’s Theatre with Brian CoxMany backstage shots across major theatres in the countryLehman Trilogy revival at the Gillian LynneCheck out her other projects:“Widening the Lens” with The Act for Change Project Her production company The Question is Productions which shines a light on Irish culture and identity. Their debut short “The Derry Feis” currently in pre-production, anyone wishing to donate to their crowd funder you can do so on her website. helenmurrayphotos.comOn top of all this, she is the chosen winner in the Photography 41 Awards 2025 and Best Production Photography of the Theatre and Technology Awards in 2017. Helen and I discuss her early years as an actor before turning to behind the camera, her process in finding the right picture and how she works with actors to sports personalities to get the perfect shot. As well as her time working with the creative team on Prima Facie and Long Days Journey Into Night and much more. Thank you Helen!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 1/29/26 | ![]() Sam Troughton on A Very Royal Scandal and Chernobyl | Son of actor David Troughton and Grandson of the second Doctor Who Patrick Troughton. Sam studied Drama at the University of Hull and after graduating he began his career with the RSC which brought three nominations for an Ian Charleston Award to his door. The award honours outstanding performances for young actors in classic plays. Since then he’s been part of some the most celebrated shows for both stage and screen including:Theatre:Beginning, written by David Eldridge, National TheatreKing Lear, Edmund, dir. Sam Mendes, National TheatreJuniper Blood, Donmar WarehouseStreetcar Named Desire, Liverpool PlayhouseMultiple shows with the RSC - Julius Caesar, Romeo and Juliet, Winter’s Tale and many more. Film:Vera Drake, dir. Mike LeighAlien vs PredatorMank, NetflixNapoleon with Joaquin PhoenixTV:Black Doves, NetflixThe Hollow CrownRobin HoodA Very Royal Scandal, starring Michael Sheen and Ruth Wilson Chernobyl, HBO, created and written by Craig Mazin, directed by Johan RenckSam and I discuss his early work at the RSC, coming from a family of established actors and his roles in two huge shows A Very Royal Scandal and most notably Chernobyl. A superb, superb drama about the disaster at the Chernobyl Nuclear power plant in Pripyat on 26th April 1986 and how the Soviet Union did everything in its power to cover up the facts. Sam talks about finding his character Aleksandr Akimov, the cost of the Soviet’s lies, and how catastrophic things like this one are possible in real life and not just in the movies. Thank you Sam!Spotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 1/19/26 | ![]() Georgia Bowers on The Impact of Applied Theatre | Georgia is a creative ageing specialist, academic, pro-ageing advocate and Applied Theatre expert. Her work is focussed on the elderly population, care homes and ageing positively. Using her creative powers to spread the word of issues within the older community and how the problems they are facing can be eradicated.Georgia’s practice started in 2014 when she founded a resident-led theatre company while being an Activities Co-ordinator for one of the UK’s leading care home providers. Since then she has worked with other homes, hospitals, shelters and digital platforms creating spaces for creativity, critical reflection and building communities. Earning recognition at some of the most prestigious institutions such as the Tate Modern, Alexandra Palace, BBC, BFI and The Stage. She holds a BA(Hons) in Performing Arts and Music from the University of Chichester and an MA in Applied Theatre from Central School of Speech and Drama. In 2023 she completed her PhD from the University of Portsmouth with her thesis “Applied Theatre in Later Life: Facilitation, Participation and Shame Resilience”. Exploring how theatre can support emotional well-being and the collective voices in the elderly community. On top of all this she is the programme leader and lecturer for the BA(Hons) Applied and Contemporary Theatre at the Guildford School of Acting. Last year she was awarded the Early Career Teacher of the Year Award from Surrey University’s Arts, Business and Social Sciences Department. Stay tuned for her upcoming debut book “Ageing on Stage: Creative Ageing and Theatre” which confronts ageing, tacking ageist shaming and stimulating shame resilience. We discuss her earliest inspirations to get involved with Applied Theatre and her love of working with the elderly population. In addition, how she conducts her practice and how theatre can change the world, especially within the older population fighting ageism, LGBTQ discrimination and loneliness. For more information about her work visit her website:Georgiabowers.co.ukThank you Georgia!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 12/22/25 | ![]() Maddie Hansen on Life as an Actor-Musician and Her Love of Sondheim | Maddie’s journey started the Guildhall School of Music and Drama, to both the National Youth Music Theatre in 2016 to the Guildford School of Acting from 2019-2022. To date her credits include:Brass - National Youth Music TheatreInto the Woods - GSA The Baker’s Wife - GSATripping the VelvetThe Witches of Eastwick Concert for Jack Maple Productions, directed by Maria Friedman Brassed Off with the Gala Durham CompanyJack and the Beanstalk - Leeds City VarietiesSpeedo Mick - The Musical - Liverpool Royal CourtCurrently starring in Aladdin: The Rock ’n’ Roll Pants at Leeds City Varieties, playing Muddles the MonkeyMaddie and I discuss her early inspirations to become an actor and musician as well as her early training. From stepping away from Guildhall after one year, to her time at the National Youth Music Theatre to training under lockdown restrictions in Guildford during the pandemic. We discuss how she navigated performing in covid, stepping away from a course you don’t feel is right for you, to coming out of lockdown and performing in theatres to full audiences again. In addition her time in “The Baker’s Wife” (which I saw), the challenges and rewards of training to be an actor-musician, to her admiration of Stephen Sondheim. Thank you Maddie, here’s to another episode soon!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 12/15/25 | ![]() Simon Furness | Part 2 | The Seagull | The long awaited return of Simon Furness!I’ve been meaning to have Simon back on the show since he was my second only guest back in 2021!This time we take a dive back into Vanya and Chekhov’s other celebrated work “The Seagull”. Both plays were given huge London revivals in recent times and we take a look at how their interpretations of the text are similar and different to how Simon believes Chekhov would have liked to be seen done. We also ask questions such as, with Chekhov putting his characters in such tragic circumstances, is he making a mockery of unfortunate lives or is it social commentary? In other words, is he mocking people who are sad or is he plainly showing this is the way of life for some people? As well as finding the humour in these dire straits, is it to make fun of their situations of unrequited love and desperate need to feel loved or it is a way to heal them? Make light of a bad situation in order to help them out of their depression and cure them?All this and much more in our discussion!Including Simon’s cameo in Netflix’s “Wednesday” and what he would do with a West End budget if he was given the reigns to a Chekhov masterpiece. Thank you so much Simon, a pleasure to have you back!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning | — | ||||||
| 12/8/25 | ![]() Olivia Vinall on Performing Desdemona and Cordelia at the National Theatre | Olivia trained at Drama Studio, after graduating from UEA (University of East Anglia) and has been a part of some incredible work since graduation. Her credits include, for Film:Where the Hands TouchA Beautiful Cruise - which won three awards at the Paris International Film Festical 2022Leonora in the Morning LightTV:Doctor WhoMidsomer MurdersThe Woman in WhiteRoadkillQueens of MysteryTheatre:Romeo and Juliet - Leicester Square TheatreThe Dark at the Top of the Stairs - Belgrade TheatreYoung Chekhov Trilogy at the Chichester Festival, directed by Jonathan Kent - Platonov, Ivanov and The SeagullThe Circle - Orange Tree Theatre and UK TourAnd three appearances at the National Theatre - 50th Anniversary, King Lear playing Cordelia directed by Sam Mendes and Othello playing Desdemona directed by Nicholas Hytner, alongside Adrian Lester and Rory Kinnear. Olivia and I discuss her time in Othello at the National. We delve into how the character is seen by some critics as a victim of impossible standards, to her naivety and how out of touch she is to human nature. For example her dialogue with Emilia when she cannot comprehend the fact that sometimes women cheat on their husbands if they aren’t satisfied with their current relationship in Act 4 Scene 3. We also look at her role in King Lear, how she found the disrupted relationship between Lear and Cordelia to looking after herself through emotionally demanding plays eight times a week. Thank you Olivia! Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning The Uncensored Critic Podcast was heard in over 47 countries in 2025. In the same year streams grew by 29%, listeners increased by 24%, brand new listeners were up by 999%, received more shares than 85% of other shows in the performing arts category and followers were up 58%. The podcast is a top 10 show for more than 200 people, top 5 for over 140, number 1 for more than 50 and has an average rating of 5/5 Stars. Official stats from #SpotifyWrapped 2025. | — | ||||||
| 12/1/25 | ![]() Sarah Spring | Part 2 | Hamlet and Much Ado about Nothing | The return of Sarah Spring!Sarah returns to the show to dissect more Shakespeare, this time we look at the most famous speech in the world, “To be, or not to be” and the brilliant dialogue between Beatrice and Benedick in Much Ado about Nothing. We look at what makes “To be, or not to be” so famous as well as so beautiful. In Act 3 Scene 1 of Hamlet, the young Danish prince tormented by the suspicious death of his father and his mother’s quick remarriage to his uncle Claudius, contemplates whether to face his “sea of troubles” or remove himself from the face of the planet. Hamlet asks is it worth facing this awful situation in his family or should he take his own life and be free of the burden? Begging the question, is it worth facing our demons or do we risk flying to an “undiscovered country” that we can’t return from and know nothing about in the hope it will relieve us from our torments? Special mention to Benedict Cumberbatch and his interpretation at the Barbican in 2015 which we look at in a lot of detail!Done so many different ways with actors of both genders and a multitude of life experiences, this soliloquy speaks to every human being before us, right now and for those to come. Hence why it is so famous!Sarah and I take a deep dive into the speech and find what it means to us individually and the many ways it can be interpreted. As well as the emotional connection she has to Much Ado about Nothing and why it means so much to her. Check out her socials for more information and how to get in touch!Pleasure as always Sarah thank you!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning The Uncensored Critic Podcast was heard in over 34 countries in 2024. In the same year streams grew by 39%, listeners increased by 30%, brand new listeners were up by 88% and followers were up 136%. The show has an average rating of 5/5 Stars. Official stats from #SpotifyWrapped 2024. | — | ||||||
| 11/25/25 | ![]() Sam Haughton on Phantom, Universality of Material and Keeping the Faith | Sam’s journey started at the Hackett-Kyne Academy of Irish Dancing, inspired by a VHS copy of My Fair Lady starring Audrey Hepburn and Rex Harrison that ignited his passion for the arts!He graduated from Guildford School of Acting in 2012 with a BA in Musical Theatre and his parts there included:Mr Sherlock in “Billy”Aegisthus in “Oresteia”Egeon in “Comedy of Errors”Captain Cook/Dr Chambers in “Robert and Elizabeth”In the business his credits include:Ibsen’s Lady FingerSongs from the Shower - Guildford Fringe Singing in the RainWind in the WillowsGrease - Scandanavian TourSpamalot - English Theatre FrankfurtSchool of Rock - Tours of the UK and KoreaWish List - in partnership with the “Make a Wish” FoundationPhantom of the Opera, Monsieur André/Ensemble, West End Sam is also a skilled performance coach offering lessons in acting and voice work which he runs with Lucinda Allen, as well as the “PowerHour” Zoom sessions that he co-hosts with Mildred Yuan on Patreon.To get in touch and know more check out his website and instagram, link is below. Website: samuelhaughton.comPatreon: https://www.patreon.com/posts/next-power-hour-143947446Sam and I discuss his early years as a dancer then becoming an actor, his time in Phantom and how shows such as this have a global impact on their audiences. In addition, from his discussions with upcoming actors, how to keep the faith during dry spells and how to keep going!Thanks Sam, really enjoyed it!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning The Uncensored Critic Podcast was heard in over 34 countries in 2024. In the same year streams grew by 39%, listeners increased by 30%, brand new listeners were up by 88% and followers were up 136%. The show has an average rating of 5/5 Stars. Official stats from #SpotifyWrapped 2024. | — | ||||||
| 11/21/25 | ![]() Laura Andresen Guimarães on Actor Musicianship, playing the Saxophone and Performing at the 2022 FIFA World Cup, Qatar | Laura trained at the Guildford School of Acting and Tring Park Performing Arts (partnered with Arts Educational Schools, London). She has performed in many capacities (instrumentalist, actor and musician) across the world, from West End shows, actor-musician Shakespeare to playing on the world’s stage at the FIFA World Cup in Qatar, 2022. She plays a multitude of instruments including saxophone, piano, flute, clarinet and guitar. Being also a skilled loop system user (like the one Ed Sheeran uses), she can create any song in the catalogue from the drum beat, the bass line to the main guitar riff in no time at all! Check out her website and instagram for performances, one being a looped version of Seven Nation Army. On top of this she is a teacher and director having led workshops at GSA, LAMDA and Tring Park, helping people from all backgrounds nurture their talent and boost their confidence. Lastly, she offers private tuition for acting and saxophone playing, from practice sessions to advice on drama school preparation, she’s got you covered! Her website is below for you to get in touch as well as her instagram. Website: lauraag.infoInstagram: @Laura.ag_Laura and I discuss her passion for music, learning the saxophone, acting and her time training at GSA both before and during the lockdown years. As well as her time in Othello at the Watermill Theatre in Newbury where for one show she had to perform Desdemona at a moment’s notice! Furthermore, her demanding schedule in Qatar for the recent World Cup and serenading the public with her sax on stage, in the London underground after dark and by the famous piano in St Pancras station. Watch one of those performances below:https://www.youtube.com/watch?v=hTlGV0LMs10&list=RDhTlGV0LMs10&start_radio=1Obrigado Laura! Até à próxima 🎼Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @ollietheuncensoredcriticFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️Thank you all for your support!Music from #InAudio: https://inaudio.org/ Track Name. Early Morning The Uncensored Critic Podcast was heard in over 34 countries in 2024. In the same year streams grew by 39%, listeners increased by 30%, brand new listeners were up by 88% and followers were up 136%. The show has an average rating of 5/5 Stars. Official stats from #SpotifyWrapped 2024. | — | ||||||
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